| Lot | Sale Price | ||
| 1 |  |
BERGMAN, Franz Xavier (1861-1936): Austrian bronze orientalist figural lamp. Nicely detailed and vibrant colors. Unusual form of a seated man, in his tent, with pot on the coals and cup in his hand. Signed with the B, impressed Made in Austria. 14'' x 7 1/2'' x 7''. CONDITION: Note professional repair to spear tip, may be missing a shield. |
3750 |
| 6 |  |
EARLY CARVED RELIEF PLAQUE OF A YOUNG MAIDEN COMMITTING SUICIDE: Early, perhaps earlier than 19th C. relief carving, possibly of different colored waxes, inset with a gold colored metal necklace and pearl-like beads inset in her hair, inset in circular wooden frame, 5 1/2'' diameter, under glass in an early carved and gilded gesso frame with age appropriate wear and bore holes, 9 1/2'' x 9''. | 700 |
| 8 |  |
ULLMANN, Theodor, (Austrian, -1930): Russian Wolfhound, Bronze, 5 1/2''h x 8 1/2''w, affixed to a black stone or marble plinth, 7 1/2'' overall, incised signature TH Ullmann. CONDITION: Several minor chips to base. |
300 |
| 15 |  |
BUGATTI, Rembrandt, (Italian, 1884-1916): Elephant, Bronze, 10.8'' h. x 15'' w. x 4.8'' d., incised signature, stamped Cire Perdue, AA Hebrard and incised (2), circa 1912, 19.5 lbs/8.85 kilograms, fresh from the estate. Illustrated on Page 329 in Bugatti's Repertoire Monographique by Fromanger. We have been made aware that there are only 2 known examples of this casting; the one that appears in the catalog raisonne, and this piece we are offering. Rare and highly prized, Bugatti's animal bronzes have commanded in excess of 2 million dollars at auction. Bugatti battled depression, and as a result took his life at a very young age of 31. He is of the same family as Carlo, a furniture craftsman, and the most famous, Ettore, automotive engineer and design legend. This piece was inherited from several wealthy ladies who were world travelers, to their caretaker over 45 years ago, to his nephew approximately 10 years ago, who had no idea of the importance or value until bringing it to an appraisal fair that a Burchard representative was working. | 170000 |
| 20 |  |
KAUFMANN, Adolf, (Austrian, 1848-1916): ''Autumn in the Argonnes'', Depicting Figures Harvesting in a Clearing, OIL/Cradled Panel, 27'' x 16 3/4'', signed lower left, old hand written label verso, encased in a period high relief foliate motif gilded gesso frame with minor wear, 36 1/2'' x 26''. CONDITION: Needs cleaning, several older abrasions in the left margin. |
2400 |
| 25 |  |
HADDON, Arthur Trevor, (British, 1864-1941): Italian Shepherd Boy in a Landscape with Flock and Ruins in the Distance, OIL/Canvas, 31'' x 21'', signed lower left, encased in gilded and carved frame with wear and missing gesso, 31'' x 29''. CONDITION: Relined, patch visible verso, needs cleaning, scattered craquelure, several areas of paint flecking. |
1100 |
| 26 |  |
HADDON, Arthur Trevor, (British, 1864-1941): Venetian Canal Scene with Gondoliers, Watercolor and Gouache, sight size 11 1/2'' x 15 1/2'', signed lower left, encased in gilded frame with hand-painted mat, 20'' x 24''. | 400 |
| 28 |  |
KIEMLEN, Emil, (German, 1869-); Standing Female Bronze, 20''h, signed on the base, affixed to a stepped and beveled pigeon-blood red marble plinth, overall height is 24'', Paul Stotz, Stuttgart Foundry mark, dated 1904. CONDITION: Scratch on torso, minor wear to patina. |
3250 |
| 36 |  |
PICAULT, Emil, (French, 1839-1915): ''Labor'', Blacksmith at Work, Bronze, 14''h, signed, titled in Latin on the base ''Lopus Improbum Omnia Vincit''. CONDITION: Several minor abrasions. |
750 |
| 40 |  |
BOUVIER, Gustavus, (British, 1827-1881): Interior Scene with Seated Maiden Holding a Fan, Watercolor, sight size 11 1/2'' x 8'',signed lower left, gilded frame, 25 1/2'' x 19 1/2''. | 300 |
| 43 |  |
COASTAL WATERCOLOR SCENE OF TAORMINA, ILLEGIBLY MONOGRAMMED: Sight size 11 1/2'' x 17 3/4'', monogrammed, titled and dated 1888 lower left, newer frame with wear, 23'' x 29''. CONDITION: Scattered pale foxing. |
175 |
| 46 |  |
ICART, Louis, (American, 1888-1950): ''White Wings'', Color Etching, 17 1/2'' x 12 1/4'', pencil signed lower right, Paris windmill stamp lower left, numbered 123, original carved frame, 23 1/2'' x 18 1/2''. | 900 |
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Last updated Thursday, March 01, 2012