TENNESSEE WILLIAMS MEMOIRS CONTRACT PHOTO POEM: 1) PHOTO, Tennessee's ''official'' photographer in Key West (his home) was Don Pinder who photographed him more than any other photographer. Many of the photos of him in books and journals are by Pinder. This photograph depicts a younger, smiling ''Tom'' sitting on the ground in the garden behind his home, his two bulldogs with him, each snuggled close, one on each side. It was T.W.'s favorite photograph, Don Pinder told Professor Plumley when he presented it to him. It is b/w and printed on textured paper, approx. 11 x13, and inscribed in lower the right comer, ''For Bill, Compliments of Don Pinder, Key West''. The photograph is matted in white with two windows, the photograph in one and beneath it, in another containing the poem. 2) POEM, the Manuscript Poem that accompanies and is matted with the photograph is written boldly on a 5x7 inch card: ''Dog & Cat / milked at day-break'' -filling much of the card. It is signed by his real name, ''Tom'' [Thomas Lanier, before he adopted the pseudonym of Tennessee]. [Source: The poem was obtained from a NYC dealer, along with a letter about Professor Plumley, sold to the dealer by the actor occupying T.W.'s NYC apartment in 1982. 3) TENNESSEE WILLIAMS AND AUDREY WOOD RARE DOCUMENT, SIGNED: DS, in the form of a letter from Williams, quarto, one page, a legal agreement between Williams and the Audrey Wood for Liebling-Wood agency, dated November 19th, 1951 on typical thin typing paper, His first literary agent. She represented him from 1939 to 1979 when the relationship ended in bitterness. SCARCE: In part, ''Dear Audrey & Bill . . . Under date of April 30, 1943, we entered into an agency agreement which was subsequently modified by letter agreements dated March 30, 1945 and October 21, 1948 .. '' to expire in 1953. This agreement extends the date to October 15, 1960 with ''all provisions of our agreement of April 30, 1945.'' It is signed ''Tennessee Williams'' and ''Audrey Wood''. Wood and her husband, William Liebling, were partners in the agency. This is a rare document because of the complex history of the playwright and the agent, who in large measure was the force behind his initial breakthrough as a playwright and a balance for him during many of his turbulent years between 1939 and 1971 when the relationship ended.