Sunday, April 24, 2016
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Lot | Sale Price | ||
1007 | PAINTED PORCELAIN PLAQUE: German Tavern Genre Scene with Men 6 3/8'' x 9 3/8'', stamped KPM verso, framed, 13.5'' x 17''. CONDITION: Several scattered eyelash scratches with loss, sold as is. |
1200 | |
1010 | SCHLIPF, Eugen, (German, 1869-1943): Female Nude with Arms Raised, Bronze, 32'' ht, signed on base, ebonized patina. CONDITION: Several scattered abrasions, originally she held 2 dore bronze trumpets, now missing, sold as is. |
800 | |
1015 | KOSSAK, Jerzy, (Polish, 1886-1955): ''Charge'', ''Szarza'', Depicts Soldiers on Horseback Invading a City in The Winter, Unstretched Oil/Canvas, 37'' x 55'' painted surface, signed lower right, dated 1922. The finished picture of nearly the exact scene was sold at Christies in 2009, dated 1924. Jerzy was the third generation of well respected artists. He specialized in military scenes with the famed Uhlan soldiers on horseback. Provenance; acquired from artist by great grandparents in Warsaw, Poland, given to grandparents, inherited by current owner, the great granddaughter. CONDITION: Has been rolled, scattered flecking and loss, abrasions, needs cleaning, sold as is. |
11500 | |
1020 | LARGE 19TH CENTURY RELIGIOUS PAINTING ASCENSION OF CHRIST: Unstretched Oil/Canvas, 54'' x 39'' painted surface, very good depiction of the original executed by a student of a master. CONDITION: Needs to be re-stretched, scattered abrasions, several holes, needs cleaning, sold as is. |
900 | |
1023 | PISSARRO, Paul-Emile, (French, 1884-1972): ''Paysage Normand'', Oil/Canvas, 29'' x 36.5'', signed lower right, fine contemporary frame, 40'' x 47.5''. Original receipt available showing a purchase price of $21,000 in 1996 from Galerie Adrienne in San Francisco, CA. Paulemile as he preferred to be called, was the youngest brother of Camille Pissarro. He is known for his landscape paintings. CONDITION: Probably could use re-stretch, frame shows minor wear, small puncture in mid right half center of painting. |
4750 | |
1024 | GUILLAUMIN, Jean Baptiste Armond, (French, 1841-1927): ''Bords de Riviera'', Oil/Canvas, 13.5'' x 28.5'', signed lower right, contemporary custom frame, 20.25'' x 35.5''. Several earlier labels affixed verso. Guillaumin was a founding member of the group we now recognize to be the Impressionists including Monet, Pissarro, Renoir, Sisley, Degas, Cezanne and Morisot. He became lifelong friends with Cezanne and Pissarro. He is remembered for his landscapes of Paris and his pieces can be found in major museums around the world. CONDITION: Relined, minor craquelure, sold as is. |
20000 | |
1030 | 19TH C CONTINENTAL SCHOOL FISH MARKET PAINTING: Oil/Canvas, 19.75'' x 15.5'', no visible signature. Scene Depicts Young Woman Haggling with Fishmongers Along the Docks. Heavy carved, foliate motif period frame, 25.5'' x 20.5''. Older reline, scattered craquelure throughout. scattered inpaint, frame shows minor wear, sold as is. | 800 | |
1032 | DESRUELLES, Felix, (French, 1865-1943): David with Slingshot Taking Aim, Bronze, 26'' at tallest point, 12'' w, 10'' d, signed on base, Jabouef Bezout Fondeurs mark. | 550 | |
1033 | DUBOIS, Paul, (French, 1829-1905): John the Baptist, Bronze, 25'' ht, signed on base F. Barbedienne foundry mark, affixed to beveled marble plinth. Overall 26'' x 10.75'' x 10.75''. Although Dubois' family wanted Paul to become a lawyer, he chose to study at the atelier of Armand Toussaint at the cole Nationale des Beaux-Arts to become an artist. He was awarded several honors and positions of honor and was decorated with the Grand Croix (Grand Cross) of the Lgion d'honneur. | 950 | |
1034 | GUILLEMARD, Marcel, (20th Century): Young Nymph Kneeling with Satyr Faun Perhaps her child Approaching, affixed to marble plinth, 10'' high at tallest point, 14.25'' w, 7'' d, stamped Marcel Guillemard. CONDITION: Several minor abrasions, sold as is. |
300 | |
1036 | IMPORTANT ATSUYOSHI saku MEJI PERIOD BRONZE PHEASANT: Articulate mixed metal Silver & Bronze Pheasant on burl plinth, 19th C, 14 1/2'' h. Signed Atsuyoshi saku and bears the Maruki Company Seal. The Maruki Company in Nihonbashiku, Tokyo, produced some of the finest works of art in ivory and bronze during the Meiji period, commissioning many skillful artists such as Atsuyoshi and exhibited at the domestic and international exhibitions. | 4250 | |
1038 | BROOKE, Edward Adveno, (UK, 1821-1910): Architectural Study, English Ivy Covered Building, Oil/Wood Panel, 20.25'' x 14.5'', signed lower right, dated 1894?, contemporary frame, 24'' x 18.5''. CONDITION: Scattered abrasions with loss, needs cleaning, sold as is. |
300 | |
1039 | PETTENKOFEN, August Von, (Austrian, 1822-1899): Winter Genre painting with Loggers and Work Horses, Oil/Canvas Mounted on Board, 29.5'' x 45'', signed lower right, dated 1871, no frame. After his father's death, Pettenkoffen lived with his cousin and became a student at the Academy of Fine art. He studied under Leopold Kupelwieser and Franz Eybl. He painted his genre pieces in typical Biedermeier style. CONDITION: Laid down on board, scattered craquelure, needs cleaning, several touches of inpaint, sold as is. |
1300 | |
1040 | ENGLISH CHANNEL MARITIME PAINTING ILLEGIBLY SIGNED: Oil/Canvas, 12'' x 18'', circa 1900, signed lower left J. Capelli?, gilded gesso frame of the period, 20.5'' x 27''. CONDITION: Needs cleaning, stretcher bar wear, several flecks of loss, frame has been overpainted with gold, sold as is. |
200 | |
1044 | PRINS, Pierre, (1838-1913): ''Sent de Bris-Tete Cros-Rouvres 1886'', pastel, 7'' x 9.75'', signed lower right, original handwriting on the board visible verso along with typed catalog label and artist signature, gilded gesso frame, 16'' x 18''. Prinz was close friends with several of the Impressionists, such as Manet, Sisley and Bazille, but preferred not to take part in the artistic debates of the period. Although there are hints of Impressionism in his pieces, his style remained distinctively his own. Inspired by Manet, Prins began to work almost exclusively in pastels. As he was dying, Prins asked his heirs not to exhibit his work, nor to release work from his studio, for thirty years after his death. His work remained almost completely unknown for much of the period when that of his contemporaries rose to new heights. His paintings, pastels and drawings became better known after a retrospective exhibition at the Galerie Durand-Ruel in Paris in 1963. | 1000 | |
1045 | PRINS, Pierre, (1838-1913): ''Pont Sur La Seine'', Pastel, 10'' x 13'', signed lower right, gilded gesso frame, 17'' x 20''. CONDITION: Frame shows wear and several missing bits, sold as is. |
500 | |
1046 | TOUDOUZE, Edouard, (French, 1848-1907): Milk Maid and Young Inspector, Watercolor, 20'' x 10.75'', signed in lower margin, unframed. Toudouze was born into a family that was very involved in art. He became a successful artist at a very young age. Many of his works can now be found in the Musee des Beaux-Arts in Rennes, France. CONDITION: Glued down to back cardboard panel, overall toning and fading, several spots of foxing. Sold as is. |
150 | |
1047 | 3 NATURE MORTE PAINTINGS FOWL: 1) 2 Dead Birds Hanging, Oil/Canvas, 17'' x 14'', illegibly signed lower left, gilded frame, 21.5'' x 18.5''. 2) Partridge with Decanter and Wine Glass, Oil/Canvas, 23'' x15.25'', signed lower right W.H. Walker, burl wood frame, 21.25'' x 21''. 3) Pair of Partridge Hanging from A String, Oil/Canvas, 21'' x 16'', signed lower margin Machen, framed, 25.25'' x 20.25''. CONDITION: Several are relined, scattered craquelure, stretcher bar wear, flecks of loss, needs cleaning, sold as is. |
450 | |
1048 | DUTCH MARITIME PAINTING SIGNED HAARDT: Onlookers Anxiously Await the Return of a Fishing Boat in Rough Seas, Oil/Canvas, 19.75'' x 31.75'', signed lower right, contemporary frame, 24'' x 36.25''. CONDITION: Relined, scattered inpaint and heavy craquelure throughout. Several repairs to tears, sold as is. |
600 | |
1056 | WEGNER, Paul (American, 1950-): ''King of Hearts'', Bronze, 17.5'' ht, 11'' w and 9'' deep, signed and numbered 59/175, Fine Art Acquisitions foundry mark from 1986. CONDITION: Several abrasions with loss to patina/paint, sold as is. |
650 | |
1057 | WEGNER, Paul (): Queen of Hearts, Bronze, 17.5'' ht, 10.25'' w, 9.5'' deep, signed and numbered on the base 56/175, Fine Art Acquisitions foundry mark from 1986. CONDITION: Several spots of loss to the patina, sold as is. |
750 | |
1058 | MINIATURE PAINTING OF CHRIST CROWN OF THORNS: Miniature Oil/Copper, Christ with Roman Soldier and Standard Bearer, 6.5'' x 7 5/8'', no visible signature, contemporary frame, 12.5'' x 14'' CONDITION: Scattered inpaint throughout, sold as is. |
1300 | |
1060 | BJULF, Soren C., (Dutch, 1898-1958): Oyster Market Scene, Oil/Canvas, 27.25'' x 34.5'', signed lower right and dated '28, ebonized frame with gilt accents, 34'' x 42''. CONDITION: Scattered craquelure, needs re-stretching, sold as is. |
600 | |
1063 | DRAMATIC BRONZE BOAR HUNT SCULPTURE: Depicts a Large Boar Being Attacked by Several Dogs, 12'' ht, 17'' w and 7'' d. Illegibly signed Rapin?. | 900 | |
1065 | VAN DER MEIDE, Jacobus, (Dutch, 1910-87): Glistening Sunset on Coastal Water, Oil/Canvas, 24'' x 36'', signed lower right, original frame , 29.5'' x 41.5''. CONDITION: Could use cleaning, small fleck beneath bow of tree, frame shows minor wear, sold as is. |
250 | |
1067 | FORETAY, Alfred, (Swiss, 1861-1944): ''Bab Boujloud'', Fez, Morocco, Oil/Canvas, 13'' x 18'', signed lower right, framed 19.5'' x 24'', Christie's label affixed verso from prior sale. Foretay began his artistic career sculpting, figurines, busts and animals in bronze and pewter. In 1920 he began to paint more and continued in this medium. Bab Boujloud (Boujloud) is a famous gate in Morocco that leads to the old medina. CONDITION: Frame shows minor wear, sold as is. |
500 | |
1069 | LARGE RELIGIOUS THEMED PAINTING WITH MARY AND INFANT CHRIST: Oil/Canvas, 25.35'' x 29.75'', no visible signature, encased in a gilt carved wood and gesso frame, 33.5'' x 37.75''. CONDITION: Older reline, scattered craquelure and inpaint throughout, scattered flecking. Frame has repair and some missing pieces, sold as is. |
1000 | |
1070 | ITALIAN SILVER CLAD LION ON MATCHING PEDESTAL BASE: Silver clad figure of a recumbent lion, marked ''Made in Italy, Sterling 925'', 11 1/2'' h. x 22'' x 12 1/2''. Sold with silver clad and painted pedestal with rotating top, same markings, 37 1/2'' h. x 12 1/2'' x 12 1/2''. CONDITION: Minor bubbling in flutes on pedestal, scratches to top of pedestal. |
800 | |
1075 | YOSHITOSHI, Tsukioka (Japanese, 1839-1892): Diptych Woodblock based on Japanese Fable ''Tongue Cut SParrow'', each plate sight size 13.5'' x 8.75'', frame size 21.75'' x 26.75''. CONDITION: Not examined out of frame, sold as is. |
175 | |
1075A | MISTY JAPANESE LANDSCAPE PAINTING WITH MT FUJI: Watercolor, sight size 12.25'' x 18.5'', signed lower left T Masamitsu. Scene Depicts Several Travelers on Foot by a Stream Leading to Mt Fuji in a Misty Morning Setting. Encased in painted frame, 19.75'' x 25.75''. CONDITION: Scattered toning, not examined out of frame, sold as is. |
175 | |
1076 | LARGE MING DYNASTY PAINTING OF BIRDS AND FLOWERS: Watercolor/Silk Scroll, Birds on Blossoming Tree Branch, 48'' x 19.5'', signed in upper left corner, encased in gilded frame with bamboo accent, 65'' x 29.5''. CONDITION: Scattered spots of loss, not examined out of frame, sold as is. Certificate of Authenticity Incl, In Office. |
2400 | |
1077 | JAPANESE MEIJI PERIOD BRONZE JARDINIERE: Double handled jardiniere, sides with assorted vignettes in medallions to include birds, fish, cranes, and people. All on 3 legs, 9 1/2'' h. x 17''. CONDITION: Repair to base. |
500 | |
1085 | GROOMS, Red, (American, 1937-): ''Chuck Berry'', Serigraph, sight size 26.5'' x 20.5'', pencil signed lower right, numbered lower left 81/150, framed, 34'' x 27''. Grooms is known for his assemblage and pop art. His art is included in the collections of at least thirty-nine museums, including the Art Institute of Chicago, the Museum of Modern Art in New York, the Metropolitan Museum of Art and the Carnegie Museum of Art. CONDITION: Missing 3D girl that should be hanging from the guitar. |
450 | |
1087 | MAURICE DELANNOY GILDED BRONZE PLAQUE: Depicts a Large Procession of Soldiers and Villagers on Foot and Horseback Approaching a Kingdom. Overall measures including patinated bronze frame, 11.25'' x 16.75''. Signed in lower margin. CONDITION: Scattered wear to patination and dore finish, sold as is. |
125 | |
1088 | FINE PORTRAIT PAINTING IN THE STYLE OF REMBRANDT: Oil/Canvas, 20'' x 16'', signed lower left, framed, 25.5'' x 21.5''. | 150 | |
1090 | BURCHARDT, Otto, ( American, 19th-20th Century): Impressionist Autumnal Landscape with Trees, Oil/Canvas, 10'' x 12'', signed lower right, initialed O.B. verso, gesso frame, 14'' x 16''. CONDITION: Needs cleaning, scattered craquelure, frame has been overpainted, sold as is. |
150 | |
1095 | EARLY PAINTING OF A GENTLEMAN SIGNED MIEREVELT?: Oil/Canvas, 26'' x 21'', gilded gesso frame, 20.25'' x 26.5''. CONDITION: Older reline, scattered extensive craquelure throughout with flecks and loss, scattered inpaint, sold as is. Frame shows wear. |
650 | |
1105 | EARLY PAINTING CONQUISTADORS? AFTER A BATTLE: Oil/Wood Panel, 12.75'' X 18.25'', no visible signature, gilded gesso frame, 22.5'' x 27.5''. CONDITION: Repair to crack in panel has been over-cleaned, scattered flecking and inpaint throughout, sold as is. |
1000 | |
1106 | BUENAVENTURA, Cesar? (): Cock Fight, Oil/Canvas, 18'' x 24'', signed lower left, wooden frame, 23'' x 29''. CONDITION: Minor craquelure, needs cleaning, several small flecks of paint loss, frame shows wear, sold as is. |
150 | |
1115 | SPANISH STREET SCENE PAINTING SIGNED LORIA: Oil/Canvas, 22'' x 14'', signed lower left and dated 1904, pierce carved and gilded gesso frame, 30'' x 22'' x 2.5''. CONDITION: Frame has loss and overpaint, painting has several scattered punctures, needs cleaning, several flecks of paint loss, patch visible verso, sold as is. |
300 | |
1116 | LORENZ-MUROWANA, Ernst, (German, 1872-1950): Moonlit Fishing Scene, Oil/Canvas, 14.25'' x 18.625'', signed lower left, framed, 17.25'' x 22.25''. CONDITION: Needs cleaning, several flecks of paint loss, most notably in the upper left corner, scattered craquelure, worn frame, sold as is. |
175 | |
1117 | ROSOFSKY, Seymour, (American, 1924-1981): Seated Female, Oil/Canvas, 46'' x 36'', signed lower right, painted thin edge wood frame, 46.5'' x 36.5'', Christie's August 2012 sale 2576 Lot 60 affixed verso. Rosofsky received a B.F.A. and M.F.A. from the Chicago Art institute. His paintings present the cultural, social and artistic happenings of the latter half of the 20th century from his perspective. He managed to present his personal views and struggles in a way that others can relate to employing naturalism and surrealism in his work. CONDITION: Indentations in lower margin, needs cleaning, frame shows minor wear, several scattered abrasions, sold as is. |
500 | |
1119 | MOLLY STONE ART GLASS BOWL SCULPTURE: Sculpted frosted bowl, gold painted interior, signed M. Stone, 1995. Measures 4 1/2'' h. x 9 1/2''. CONDITION: Wear to interior gold paint, scratches to base. |
175 | |
1121 | NEWTON, Harold, (American, 20th Century): Florida Highwaymen Indian River Lagoon scene with Sailboat, Oil/Masonite, signed lower right, 24'' x 18'', framed 27'' x 20 3/4''. CONDITION: Minor abrasions along top edge of masonite. |
1500 | |
1122 | NEWTON, Harold, (American, 20th Century): Florida Highwaymen Nocturnal Moonlight Indian River Lagoon scene, Oil/Masonite, 16'' x 12'', framed 21'' x 17''. | 1000 | |
1129 | BLACK, Al, (American, 20th/21st Century): Florida Highwaymen sunset pasture scene with deer, birds, and pond, Oil/Masonite, 18'' x 24'', painted frame 22 1/2'' x 27 1/2''. | 300 | |
1130 | ELTEMTAMY, Ahmed, (Egyptian/American, 20th/21st Century): Orange grove pickers at work, Oil/Masonite, signed lower right, 12'' x 24'', framed 17'' x 29 1/2''. Ahmed was a student of Florida Highwaymen artist Sam Newton. | 850 | |
1135 | THE BIRD CATCHER PAINTING AFTER ROMNEY: Oil/Canvas, 14.5'' x 17.5'', no visible signature, Scene Depicts a Young Boy in Nature Disturbing a Bird's Nest, carved gesso frame, 22.5'' x 26.5'', signed, but signature does fluoresce. CONDITION: Relined, scattered craquelure throughout, several flecks of loss, scattered inpaint, frame has been overpainted, sold as is. |
425 | |
1137 | MARX, Bella, (Austria, 1885-1963): Still Life of Tulips in a Pottery Vessel, Oil/Board, framed, 18.5'' x 15'', signed lower right, gilded frame, 23.25'' x 19.5''. CONDITION: Some flecks of loss most notable in lower right corner, frame shows some wear, under glass, not examined out of frame, sold as is. |
125 | |
1139 | GRAY, Arlie, (American, 20th Century): Florida Coastal Beach Scene, Oil/Canvas, signed lower right, 35'' x 40'', framed 36 1/2'' x 51 1/2''. | 200 | |
1140 | GRAY, Arlie, (American, 20th Century): Family of Owls in a Tree and in Flight, Oil/Canvas, signed and dated 1977, 50 1/4'' x 37'', 52 1/2'' x 39 1/2''. | 325 | |
1141 | ICON OF MADONNA AND CHILD: Oil/Wood Panel, 12.5'' X 9 3/8'', age unknown. CONDITION: Missing some wood on right side, scattered craquelure and flecks of paint loss, sold as is. |
100 | |
1143 | ILLAINOWA, Natalia, (Russian, 20th Century): Cubist figure, Oil/ Canvas, 27.5'' x 23.5'', signed lower right, signed and titled in cyrillic verso. Wooden frame, 30.5'' x 27''. CONDITION: Frame has minor wear, sold as is. |
300 | |
1146 | INTERESTING 19TH CENTURY GENRE PAINTING ''TO THE MOONLIGHT'': Oil/Board, 5.5'' x 8.5'', Scene Depicts Figures in an Interior with a Moonlit Doorway and Armoured Knights, no visible signature, old label affixed verso, pencil title, gilded liner, 6.5'' x 9.5''. CONDITION: Scattered repairs with inpaint, frame shows wear, sold as is. |
200 | |
1152 | HEFFNER, Karl, (German, 1849-1925): Waterside Village, Oil/Panel, 16''x 24'', signed lower left, ebonized frame, 23'' x 31''. Mccoll Fine Art label affixed verso. Heffner originally studied music and was introduced to art while working for an English art dealer. He was a pupil of Johann Nepomuk Otto, Adolph Stademann, and Adolph Heinrich Lier. In the 1880s he was made an honorary member of the Academy of Munich, and obtained the title of professor from the prince regent. He is best known for his panoramic views of landscapes in Germany and England in particular. CONDITION: Several minor bits of paint loss, and a repair to the board extending from one vertical margin to the other, barely noticeable under black light. Frame shows wear and loss, sold as is. |
950 | |
1154 | THE MAGGOT STAPELIA ENGRAVING FOR D. THORNTON: Sight size 20.5'' x 15.5'', custom frame, 34'' x 29.25'', label verso from the Donald Heald Fine Art Gallery NY, NY for the Ritz Carlton Amelia Island. CONDITION: Visible toning, minor spots of foxing, not examined out of frame, sold as is. |
225 | |
1155 | ''THE ALOE'' ENGRAVING: Engraving titled ''The Aloe'' for D. Thornton, sight size 20.5'' x 15.5'', custom frame, 34'' x 29.25'', label verso from the Donald Heald Fine Art Gallery NY, NY, for the Ritz Carlton Amelia Island. | 225 | |
1157 | 19TH CENTURY PAINTING OF BLESSING OF NEWBORN: No visible signature, Oil/Canvas, 7.5'' x 11.25'', no visible signature, period frame, 11.75'' x 14.5''. CONDITION: Relined, scattered inpaint throughout, frame shows wear, sold as is. |
275 | |
1158 | RIZEK, Emil, (Austrian, 1901-1988): Delft Canal Scene with Figures, Oil/Canvas 23 5/58'' x 25.75'', signed lower left, painted frame, 27.75'' x 29.75''. Christies label affixed to the frame lower right. Rizek was born to a father who wanted him to be an electrical engineer like himself. However, Rizek was interested in becoming an artist, took private lessons, traveled to Italy, France, Germany and Holland where he became recognized as part of the ''School of the Hague'' a group of Dutch Impressionists. As he traveled, teaching himself to paint, scenes of everyday work and life began to appear in his work. Rizek served in the Wehrmacht beginning in 1941 serving as a war artist and reporter, mainly in Finland. He was captured by the British army and spent months as a prisoner towards the end of the war. He was emotionally drained by his war time experiences, and found it challenging to return to painting. CONDITION: Stretcher bar wear, scattered craquelure, several scattered flecks of paint loss. Sold as is. |
900 | |
1161 | DUTCH OR FLEMISH INTERIOR MUSICAL GENRE PAINTING: Oil/Canvas that is reinforced with metal. Scene Depicts Mandolin Player, Female Vocalist and a Young Lad Bringing Refreshments. 18.75'' x 17'', encased in a gilded and carved foliate motif frame, 28.25'' x 26.5''. CONDITION: Older reline with metal reinforcement, scattered inpaint, ready to hang on your wall. |
550 | |
1164 | BENTON, Thomas Hart, (American, 1889-1975): ''The Water Story'', Tempera on Gessoed Panel, 17'' x 14.5'', Sketch of Large Scale Mural Commissioned for a Store called ''Southern Drug'' in Washington D.C. Signed lower right, fine contemporary frame, 30'' x 27''. Provenance; commissioned by Family of Donald B. Stegner of NJ, for original mural that hung in Southern Drug, Michael Rosenfeld Gallery, Bond Street Gallery, SF, Laidlaw and Assoc, Galerie Adrienne. Exhibited ''Counterpoints: American Art 1930-1945'', Michael Rosenfeld Gallery, New York, 1991; ''The WPA Era: Urban Views and Visions'', Michael Rosenfeld Gallery, New York, 1992; ''Thomas Hart Benton'', Hirsch and Adler Gallery, New York, 1994. Benton was a painter and muralist who was a leader in the Regionalist art movement. The son of a politician, he rebelled to pursue art and was supported emotionally and financially by his mother. He studied in Chicago and Paris and eventually came to live for over 20 years in NYC. During WWI, he served in the Navy doing work that he considered the most important to himself as an artist. He was directed to illustrate life in the naval yard and drew camouflaged ships so they could be painted accurately and to aid in identifying lost ships. Benton was muralist who portrayed realities that some people did not want recognized such as slavery and the KKK. He was perhaps the most important painter of the American scene. CONDITION: Some scattered flecks in left margin, not examined out of frame, sold as is. Certificate of Authenticity Included in Office |
97500 | |
1165 | BENTON, Thomas Hart (American, 1889-1975): ''The Quartet'', Oil/Tin, sight size 4.5'' x 5.25'', signed lower right, fine contemporary frame, 16.5'' x 17.25''. frame shows some minor wear, slight florescence in some areas but it appears that all of the paint is original. CONDITION: Original gallery receipt in office. |
35000 | |
1170 | MIRO, Joan, (Spanish, 1893-1983): ''L'Oiseau Mongol'', Etching and Aquatint, 40'' x 27 1/4'', signed lower right, marked HC lower left (Hors de Commerce), unframed. CONDITION: Visible handling creases, evidence of moisture verso, pale sporadic spotting in the margins, sporadic pale staining in margins, small tear in left margin, abrasion in upper left margin, tape in margins affixed verso, sold as is. |
3750 | |
1171 | MODERNIST CHROME WALL SCULPTURE, 42'' Diam. x 1'' Deep | 425 | |
1180 | LICHTENSTEIN, Roy, (American, 1923-1997): ''Composition IV'', (Musical Notes), 1995, Screenprint, sight size 17.5'' x 22.75'', sheet size 22 3/8'' x 27 3/8'', signed lower right, dated '95, numbered 16/120, printer's blind stamp lower right of sheet (Brand X chop), custom painted black frame, 26.5'' x 32''. Lichtenstein was an influential pop artist of the 60s. His pieces were heavily influenced by popular advertising and comic strips for which he was, initially, heavily criticized. His most noted works include ''Whaam!'', ''Drowning Girl'', and ''Nurse''. His first one man show at the Castelli Gallery in NY in 1962 was bought by prominent private collectors before the show opened. CONDITION: Minor handling crease in lower left margin, under plexiglass which has a couple of abrasions, margins exhibit slight undulation, but no evidence of moisture damage, reverse taped to mat verso with acid free, frame shows minor wear, sold as is. |
8250 | |
1189 | OSHRA D'ARGENTA ''FLAME'' SCULPTURE: Designed by Oshra for D'Argenta, titled ''Flame'', stylized mixed metal figures of man and woman, marked and numbered 120/500. Overall measures 25 1/2'' h. x 9 1/2'' x 6''. Currently retails on the D'Argenta website of $3,077. | 550 | |
1190 | HARING, Keith, (American, 1958-1990): Lithograph from the 3 Lithographs Suite, sight size 39'' x 31.5'', pencil signed lower right, dated '85, 67/80, blind stamp lower left, black frame, 41'' x 33.5''. Haring became known for his graffiti and cartoon art and was a well known contemporary artist in the latter part of the 1900's. Haring produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world. Many of his works focused on social messages. He died at the young age of 31. CONDITION: Several pale spots, full margins, very minor toning, frame has wear, sold as is. |
19000 | |
1190A | HARING, Keith, (American, 1958-1990): ''Flying Devil'', Screenprint, 21'' x 25'', 1990 Icon Series #5, plexiglass frame, 27'' x 31'', Martin Lawrence Galleries label verso with signed COA from Julia Braun. CONDITION: Several cracks in frame, pale fading, reverse taped in 4 corners, sold as is. |
4500 | |
1190B | HARING, Keith, (American, 1958-1990): ''Radiant Baby'', Screenprint, 21'' x 25'', 1990 Icon Series #1, plexiglass frame, 27'' x 31'', Martin Lawrence Galleries label verso with signed COA from Julia Braun. CONDITION: Crack in Plexi verso, pale fading, reverse taped in 4 corners, sold as is. |
6500 | |
1190C | HARING, Keith, (American, 1958-1990): ''Angel'', Screenprint, 21'' x 25'', 1990 Icon Series #4, plexiglass frame, 27'' x 31'', Martin Lawrence Galleries label verso with signed COA from Julia Braun. CONDITION: Pale fading, reverse taped in 4 corners, sold as is. |
4000 | |
1190D | HARING, Keith, (American, 1958-1990): ''Three Eyes'', Screenprint, 24'' x 27.5'', 1990 Icon Series #2, plexiglass frame, 27'' x 31'', Martin Lawrence Galleries label verso with signed COA from Julia Braun. CONDITION: Several abrasions to frame, pale fading, reverse taped in 4 corners, sold as is. |
3750 | |
1190E | HARING, Keith, (American, 1958-1990): ''Barking Dog'', Screenprint, 21'' x 25'', 1990 Icon Series #3, plexiglass frame, 27'' x 31'', Martin Lawrence Galleries label verso with signed COA from Julia Braun. CONDITION: Several cracks in frame, pale fading, sold as is.. |
7000 | |
1195 | REID, Robert, (American, 1862-1929): Portrait of a Young Gentleman, Oil/Canvas, 36'' x 24'', signed upper right, dated 1917, encased in period gilded and carved gesso frame 39 1/2'' x 27 1/2''. Sold with estimate from Sotheby's dated 1982 for $2,000/3000. CONDITION: Frame does have wear and missing gesso in the corners, sold as is. |
2200 | |
1198 | LEU, Michael (American, 20th-21st Century): New York City Street Scene, Watercolor, 30'' x 40'', signed lower left, dated '94, custom contemporary frame, 40.5'' x 51.5''. Commissioned art work, this was originally over $20,000. | 1000 | |
1212 | MARTINO, Antonio P. (American, 1902-1988): Winter Outside on The Village Outskirts, Pastel, sight size 12'' x 16'', signed lower left, framed, 19.25'' x 23.25''. Martino is known for his genre and landscape paintings. | 350 | |
1213 | YATES, Philip N., (American 20th Century): Winter Landscape with Home, Oil/Canvasboard, 16'' x 20'', signed lower right. CONDITION: Needs cleaning, several small flecks of loss, frame shows minor wear, sold as is. |
125 | |
1218 | ROTELLA, Joseph, (American, 20th C.): ''Tap Dancing'', Bronze, 16'' h., signed verso and numbered 8/80, affixed to handmade rotating plinth, overall measures 23'' h. x 6'' x 6''. CONDITION: Plynth has some flecks, several minor abrasions to bronze, good overall, sold as is. |
200 | |
1221 | BLACK FOREST CARVED DEER WALL PLAQUE: Late 19th to early 20th century figural carved wood deer mount with carved decoration. Overall measures 24'' x 20'' x 16 1/4''. CONDITION: Chips to plaque, shippers note antlers remove for shipping. |
1200 | |
1227 | FOLK ART CARVED FIGURE OF A PIKE FISH IN CASE: Carved and painted figure of a pike and underwater branch on rocky base. Overall carving including base measures approx. 11 3/4'' h. x 20'' x 10 1/2'', glass case measures 14 1/2'' x 24'' x 13'' | 175 | |
1245 | MAURER John, (American, 20th-21st Century): 4 landscape paintings, Oil/Canvas, 4'' x 14'', all signed, signed and dated verso, 2012 or 2013. Fine contemporary custom frames, 13'' x 16.25''. Maurer is a local artist who has won a number of awards, some of which include: Top Ten Award - Mount Gretna OAS - Mount Gretna, PA, 2012, 2013 Top 10% - Uptown Art Festival - Minneapolis, MN, 2012 Award of Excellence, Purchase Award - Art in the Park - Winter Haven, FL, 2010 Purchase Award - Portland Art Festival - Portland, ME, 2008 Merit Award - Naples Invitational Art Festival - Naples, FL, 2008, 2009 Judges Choice Award - Mount Gretna Art Festival - Mount Gretna, PA, 2007. | 800 | |
1247 | MAURER, John, (American, 20th-21st Century): NYC-Empire State, Oil/Canvas, 30'' x 23.75'', signed lower left, signed, titled and dated 2014 verso, fine custom framing, 32.5'' x 26.5''. | 950 | |
1248 | MAURER, John, (American, 20th-21st Century): Oil/Canvas, ''In Southern France''. Maurer is a local artist who has won a number of awards, some of which include: Top Ten Award - Mount Gretna OAS - Mount Gretna, PA, 2012, 2013 Top 10% - Uptown Art Festival - Minneapolis, MN, 2012 Award of Excellence, Purchase Award - Art in the Park - Winter Haven, FL, 2010 Purchase Award - Portland Art Festival - Portland, ME, 2008 Merit Award - Naples Invitational Art Festival - Naples, FL, 2008, 2009 Judges Choice Award - Mount Gretna Art Festival - Mount Gretna, PA, 2007 | 1100 | |
1249 | MAURER, John, (American, 20th-21st Century): Oil/Canvas, Blue Trees. Maurer is a local artist who has won a number of awards, some of which include: Top Ten Award - Mount Gretna OAS - Mount Gretna, PA, 2012, 2013 Top 10% - Uptown Art Festival - Minneapolis, MN, 2012 Award of Excellence, Purchase Award - Art in the Park - Winter Haven, FL, 2010 Purchase Award - Portland Art Festival - Portland, ME, 2008 Merit Award - Naples Invitational Art Festival - Naples, FL, 2008, 2009 Judges Choice Award - Mount Gretna Art Festival - Mount Gretna, PA, 2007 | 750 | |
1252 | SERRES, Dominic, (French, 1722-1793): 9 engraved prints from a series of 12 depicting the 1762 Battel of Havana, part of the 7 years war. Havana, Cuba was under siege and attack from the British from March to August of 1762. Each print marked ''Drawn on the Spot, Design'd & Publish'd as the Act direct''. Sight size of each approx. 17 3/4'' h. x 25 1/2'', framed and matted 28 1/4'' x 36''. CONDITION: Condition on each varies to include trimming, abrasions, repairs, creases, toning and more. Not examined out of frames, sold as-is. |
2500 | |
1253 | ELIAS DUNFORD FRANCISCAN CHURCH HAVANA ENGRAVING: Full title '' A View of the Franciscan Church & Convent in the City of Havana, taken from the Alcalde's House on Granby Square'', title repeats in French and Spanish. ''Drawn by Elias Dunford, Engraved by Edward Rooker, London Printed for John Bowles at No. 13 in Cornhill, Robert Sayer at No. 53 in Fleet Street, Thos. Jefferys the corner of St. Martins Lane in the Strand, Carrington Bowles at No. 69 in St. Pauls Church Yard, and Henry Parker at No. 82 in Cornhill''. The original printing circa 1760's. Sight size 14 3/4'' x 21 3/4'', framed & matted 23 1/4'' x 30 1/4''. CONDITION: Visible repair lower right corner in margin, not examined out of frame. |
950 | |
1254 | KOENIGER, Walter, (German, 1841-1916): Bayou Scene, Oil/Canvasboard, 14'' x 18'', signed lower right, gilded gesso frame, 19'' x 23''. Koeniger moved to Woodstock, NY and focused his paintings on the Catskill Mountains and wooded areas around Woodstock. He became known as ''the Painter of Snow''. Koeniger was a member of the Salmagundi Club. CONDITION: Needs cleaning, small fleck of loss, frame shows wear, sold as is. |
500 | |
1255 | F.H. SMITH? NOCTURNAL DOCKSIDE PAINTING: Quiet Nocturnal Dockside Scene, Oil/Board, 16'' x 20'', indistinctly signed lower right, framed, 20.75'' x 24.75''. CONDITION: Needs cleaning, several minor abrasions, frame shows wear, sold as is. |
100 | |
1265 | RUST, Don, (American, 1932-): Alligator on Alert in a Sunny Landscape, Oil/Canvas, 29.75'' x 40'', signed lower right, dated 2011, unframed. | 100 | |
1267 | RUST, Don, (American, 20th-21st Century): Reclining Nude Pinup, Oil/Canvas, 22'' x 28'', signed lower left, dated 2005, unframed. CONDITION: Some stretcher bar wear, sold as is. |
100 | |
1276 | SMITH, Henry Pember, (American, 1854-1907): Country Cottage Landscape with Pond and Ducks, Oil/Canvas, 20'' x 28'', signed lower left, encased in a carved and gilded frame, 28.75'' x36.75''. Smith specialized in painting marine and sea landscapes and was assumed to be self-taught. He regularly exhibited at the National Academy of Design. Smith worked in oils and watercolors and painted in a tighter style than the emerging impressionists, making him more of a realist. CONDITION: Relined, mild craquelure, scattered inpaint, needs cleaning, several flecks of paint loss, frame shows wear and loss of gilt, sold as is. |
600 | |
1278 | GOLUB, Leon Albert, (American, 1922-2004) ''Riot (I)'', Lithograph, sight size 22'' x 29.5'', painted black frame, 24'' x 31.5'', pencil signed lower right, numbered 2/100 and titled lower left. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
150 | |
1282 | ROSENBERG, Louis (American, 1890-1983): 2 Etchings of Construction Work Being Done in Downtown Cleveland. 1) Pillars and Scaffolding with Men at Work, sight size 11.75'' x 8'', pencil signed lower right, framed, 22.5'' x 17.75''. 2) Construction of Tower with Scaffolding, sight size 11.5'' x 7.75'', pencil signed lower right, framed, 22.5'' x 18''. Rosenberg first studied at the Massachusetts Institute of Technology and then at the Royal College of Art, London, to study etching techniques. He traveled much of Europe to do architectural etchings focusing on Rome, Venice and Constantinople. His engravings and etchings are held by several prestigious organizations including the Smithsonian Institution, the Congressional Library, Washington, and the British Museum, London. CONDITION: Visible toning, not examined out of frame, sold as is. |
125 | |
1284 | FAIRCLOUGH, Wilfred, (English, 1907-96): Green Meadow with Dessert Plateau Landscape, Oil/Canvas, 16'' x 20'', signed lower left, contemporary impressionist style fine, gilded wood frame, 24.5'' x 28.5''. After the war Fairclough began working at the Kingston College of Art and advanced to become head of the college. During this period with his time taken with teaching and administration, he produced one etched plate per year. He also produced watercolors inspired by J.W.M. Turner. | 175 | |
1288 | CHAPMAN, Carlton (American, 1860-1925): Pastel, sight size 15'' x 19.25'', signed lower left, fine William Hartman contemporary gilded frame, 23.25'' x 26.75''. Chapman was commissioned by the US Naval Academy to observe and paint pictures of the battles of 1812. Harper's Magazine Weekly commissioned him to do something similar for the Spanish American War. He went to Cuba with the Navy and observed and sketched some of the most important battles of that war. | 225 | |
1293 | RON LEE PIRATE SHIP SCULPTURE: Composite sculpture of pirate ship with pirates, affixed to heavy onyx base, signed Ron, '85. Measures 19'' h. x 17'' x 8''. | 500 | |
1295 | WHITEHEAD, Buell Lee, (American, 20th-21st Century): ''William Henry's Boat'', Lithograph, sight size 21.5'' x 29.5'', signed lower right, dated `86, titled lower left, numbered 125/250, black frame 23.5'' x 31.25''. | 225 | |
1302 | 2 ANTIQUE FRENCH PASTE PICTURE FRAMES: 1) Oval shaped with brass back and easel, for table top or wall hanging, marked France, measures approx. 7 1/2'' x 5''. 2) Rectangular with silver tone frame and easel, measures approx. 7 1/2'' x 4 1/4''. | 200 | |
1315 | KAFADARO, Nasco, (American, 20th Century): The First Lesson, Oil/Canvas, 24'' x 30'', signed lower left, dated '81, Art Fusion Gallery label affixed verso, artist signature M.F.A., title and date 1981. Framed 33'' x 39''. CONDITION: Condition: Frame shows minor wear, sold as is. |
150 | |
1320 | BACON, Charles Roswell, (American, 1868-1913): Country Estate View Through the Trees, Oil/Canvas, 24'' x 34'', signed lower left and dated 1900, encased in gilded oak frame, 29 1/2'' x 39 1/2''. | 200 | |
1321 | PORTIEUX VALLERYSTAHL ROBINS EGG BLUE OPALINE GLASSWARE: French blue opaline, approx 22 pieces to include 9 goblets (61/2''), 6 sherbet champagne (3 5/8''), and 7 wine (5'') | 225 | |
1331 | RUST, Don, (American, 1932-): Crow Chasing an Ibis, Oil/Canvas, 20'' x24'', signed lower right, dated 2008, unframed. CONDITION: Stretcher bar wear, sold as is. |
100 | |
1333 | RUST, Don, (American, 1932-): Cowboy on Horseback Crossing River, Oil/Canvas, 36'' x 24'', signed lower right, dated 2014, framed, 42'' x 30''. | 125 | |
1334 | RUST, Don, (American, 1932-): Raccoon in Nature, Oil/Canvas, 30'' x40'', signed lower right, dated 2011, unframed. Born in Erie, PA and now living in Sarasota, Florida, Rust is known for his seascapes, wild life, nudes and pinups. His work is part of prestigious collections, including the Smithsonian's National Portrait Gallery, the Ringling Museum of the Circus, and the Norman Rockwell Museum. Rust has also done extensive work in illustrating books such as Reader's Digest and Wildlife Art. | 200 | |
1335 | RUST, Don, (American, 20th Century): Egret Hunting by Waters Edge, Oil/Canvas, 30'' x 40'', signed lower right, dated 2011, unframed. | 200 | |
1338 | NEGELEN, Joseph, (Swiss, 1792-1870): Portrait of a Young Victorian Girl, Pastel, oval sight size 39.25'' x 31.5'', signed in the right margin Negelen Paris 1859, encased in elaborate period foliate and ribbon motif frame with incised decoration and gesso scrolling bow pediment. Overall measures 59'' x 42''. CONDITION: Not examined out of frame. Frame has been overpainted with gold paint, several visible cracks, small bit of missing gesso in lower portion of frame, sold as is. |
300 | |
1340 | KASIMIR, Luigi, (American, 1881-1962): ''Castle of the Teutonic Order in Malbork'' (formerly Mareinburg), Etching and Aquatint, sight size 18'' x 23.75'', estate signed in lower margin, original frame 28'' x33.5''. The castle is a classic example of a medieval fortress and, on its completion in 1406, was the world's largest brick castle. UNESCO designated the ''Castle of the Teutonic Order in Malbork'' and the Malbork Castle Museum a World Heritage Site in December 1997. CONDITION: Visible toning, several spots of foxing, not examined out of frame, sold as is. |
150 | |
1341 | CHINESE POLYCHROME FIGURE OF QUAN YIN ON FISH: Polychrome decorated ceramic figure of Quan Yin or Guanyin holding a lotus blossom, standing atop a fish. No makers mark, measures 26'' h. x 14'' x 7''. | 100 | |
1343 | 4 CHINESE PAINTED PORCELAIN WALL PANELS: 20th century, 4 pieces total, each with polychrome decorated scenes of assorted birds and flora in landscapes with verses, porcelain sight size 29 1/4'' x 7 3/4'', framed 38 1/4'' x 16'' excluding hinges. | 500 | |
1344 | LARGE CERAGIELI ''DANCER OF FLOWERS'' BRONZE SCULPTURE: Semi-nude maiden with flower in one hand, affixed to marble base with title plaque, later 20th century production, overall measures 55'' h. x 18'' dia. | 500 | |
1345 | AFTER HYPOLITE MOREAU ''GRAPE GIRL'' BRONZE: Bronze figure of a maiden holding a basket of grapes, signed on base ''H. P. Moreau by Castano'' and dated '89. Affixed to marble base with brass plaque. Overall measures 53'' x 24''. | 1200 | |
1346 | AFTER AUGUSTE MOREAU ''WOMAN WITH WOOD'' BRONZE SCULPTURE: Figure of a maiden carrying bundle of sticks, spurious French medallion, affixed to marble base with brass plaque, 26'' x 9 1/2''. | 350 | |
1347 | AFTER HYPOLITE MOREAU ''COUNTRY LOVERS'' BRONZE SCULPTURE: Figures of 2 lovers, signed on base Hip. Moreau 1870, affixed to shaped stone base, later 20th century production. Overall measures 22'' x 11'' x 8 1/2''. | 350 | |
1348 | ERICKSON, Richard, (American, 1922-2010): 2 Latino Boys in an Interior, Oil/Canvas, 35'' x 34'', artists cypher upper left corner, label affixed verso, contemporary frame, 37.5'' x 36.5''. CONDITION: Stretcher bar wear, several flecks of loss, needs cleaning, sold as is. |
125 | |
1358 | DELORGE, (): Illustration Depicting a Man Leaning Against a Newspaper Stand, Watercolor, sight size 21'' x 14'', signed lower margin, framed, 29'' x22''. | 100 | |
1360 | SCOTT, Duane, (American, 20th C.): ''Victory Over Gravity'', Bronze, 16'' h., 10'' w., 12'' d., signed. | 350 | |
1370 | CREST OF THE WAVE BRONZE AFTER HARRIET FRISHMUTH: Female Nude Atop the Crest of a Wave, 20.5'' ht, signed and dated 1925, affixed to square green marble plinth. | 1400 | |
1375 | ILLEGIBLY SIGNED BEAUX ARTS MASQUERADE PAINTING: Oil/Canvas, 15.5'' x 19.5'', signed lower left, carved and painted frame, 22.25'' x 26.25''. CONDITION: Needs to be re-stretched, canvas is thin, frame has loss of paint, sold as is. |
225 | |
1387 | CHINESE FIGURAL MUSICIAN SCULPTURE: From the American Express ''China'' Collection, earthenware figure of a parade drummer, antiqued paint decorated finish, 22 3/4'' h. x 14'' x 12 1/2''. Sold with a chrome display pedestal with illuminated glass top, 30'' h. x 14'' x 14''. CONDITION: Repair to drumstick. |
100 | |
1388 | ORIENTAL FEMALE FLUTE PLAYER BRONZE: Figure of a seated musician playing a flute, partial paper label near base, overall measures 22 1/4'' h. x 18 1/2'' x 15''. | 200 | |
1398 | DAVID CHESNEY STUDIOS SEA OTTER SCULPTURE: Mixed metal sea otter floating on it's back with a clam. Signed with Certificate of Authenticity taped to base, #438/2500. 2 1/4'' h. x 6 1/4'' x 3 3/4''. | 125 | |
1407 | LOPEZ MEZQUITA, Jose Maria, (Spanish, 1883-1954): Cuban beauty in a Blue Dress holding Yellow Roses, Oil/Canvas, 48'' x 33'', signed lower left, marked Habana, dated 1945 lower right, framed, 55.5'' x 40''. CONDITION: Some flecking with loss, scattered inpaint throughout, needs cleaning, sold as is. |
300 | |
1413 | RIO SAN BOLDO VENICE PAINTING: Illegibly signed, Oil/Canvas, 23.5'' x 19.5'', signed lower right, titled verso, Florence Art Gallery on the stretcher verso, framed, 30'' x26.5''. CONDITION: Several flecks of loss, sold as is. |
100 | |
1415 | 9 SERIGRAPHS FROM THE CITY-SCAPES PORTFOLIO PHOTO REALIST: 8 are unframed, 1) C.J. Yao, ''Building Reflection''. 2) Noel Mahaffey, ''Night- Times Square''. 3) H. N. Han, ''N.Y. Skyline''. 4) Hilo Chen, ''Roof-Top Sunbather''. 5) Charles Bell ''Little Italy''. 6) Tom Blackwell, ''451''. 7) Arne Besser, ''Bridgehampton''. 8) Fran Bowl, ''Lincoln Center Dusk''. 9) John Baeder, ''Market Diner'', framed. Silkscreens, all measure approximately 22'' x 6.75, all numbered 92/250, all pencil signed, encased in custom city-scapes portfolio hardcover, published by London Arts, Inc. CONDITION: Minor handling wear, 8.5 out of 10. |
750 | |
1420 | CABRERRA, Ariel, (Cuban, 20th-21st Century): Lush Tropical Landscape with Palms, Oil/Canvas, 23.5'' x 35.25'', signed lower right, unframed. | 100 | |
1427 | HURD, Peter, (American, 1904-84): ''Shepard's Christmas - New Mexico'', Lithograph, sight size 7'' x 8.5'', pencil signed lower right, titled lower left margin. Original black painted frame, 16.75'' x 20.5''. Hurd was a regionalist painter recognized for his landscape, figure and genre paintings of New Mexico. Many of his works are of the panoramic views from his ranch land and the people with whom he was most familiar. CONDITION: Possible repair in lower mid-margin, overall toning, frame shows wear, sold as is. |
200 | |
1430 | DALI, Salvador, (Spanish, 1904-1989): Lithograph form the Divine Comedy, sight size 12.25'' x 9'', signed lower right and numbered 16/150 lower left, painted and ebonized gesso frame, 18'' x 14.5'', Collectors Guild Authentication affixed verso. CONDITION: Minor toning, slight wrinkling in upper margin, not examined out of frame, sold as is. |
225 | |
1431 | DALI, Salvador, (Spanish, 1904-1989): Lithograph from the Divine Comedy, sight size 12'' x 8.75'', signed lower right, Collectors Guild Authentication affixed verso, gilded and painted gesso frame, 18.5'' x 14.5''. CONDITION: Some minor discoloration from the mat, several spots of foxing, not examined out of frame, sold as is. |
100 | |
1438 | EARLY PAINTING GROTTO AND SACRIFICE AFTER VAN TROYEN: Oil/Wood Panel, 10.5'' x 13.25'', gilded gesso frame, 19'' x 21.75''. CONDITION: Repair to crack in board, scattered inpaint, minor flecks, sold as is. |
400 | |
1450 | DEVITY, Antonio, (Italian, 1901-1993): Italian Street Scene with Flower Seller, Oil/Canvas, 27'' x 39'', signed lower right, framed, 34'' x 46.5''. CONDITION: Repair to tear, needs cleaning, sold as is. |
125 | |
1452 | LARGE ORIENTAL SCROLL PAINTING WITH FEMALES: Watercolor on silk, 36'' x 16'', encased in plexiglass frame, 58.5'' x 28''. CONDITION: Watercolor on silk laid down on backing paper, not examined out of frame, frame has damage. |
125 | |
1455 | TADLOCK, Paul, (American, 20th-21st Century): Cougar Stalking a Gazelle, Bronze, 11.5'' ht, 19'' w, signed, numbered 10/130, affixed to a marble plinth. Paul resigned as a corporate executive in the late `70s to pursue his love of art. As a sculptor he has completed over 150 commissions and limited edition sculptures, many of which grace prominent public displays, museums, galleries and private collections around the world. CONDITION: Plinth has been repaired with crack on right hand side. Needs further work, sold as is. |
325 |