| Lot | Sale Price | ||
| 1003 |  |
PAIR CONTINENTAL FIGURAL PUTTI CAST BRONZE COVERED URNS: Matched pair, one lid with figural putti and dog finial, the other with putti and goose. Bodies with neo-classical putti and pan figures in Bacchanal scene, horned figure masqueron handles, affixed to round stone base. Overall measures 13'' h. x 7''. CONDITION: Uneven patina. |
400 |
| 1006 |  |
ZANDOMENEGHI, Federico, (Italian, 1849-1917): ''Femme Lisant'', Pencil, 14.5'' x 11'', estate/studio stamp lower left, old auction label verso, gesso frame, 23'' x 20''. Provenance: Estate of Yves Georges Prade CONDITION: Toned throughout, scattered foxing, not examined out of the frame, sold as is. |
800 |
| 1012 |  |
PAUL, Gen, (French, 1895-1975): Cubist Clown, Oil/Canvas, 21.5'' x 13'', signed lower left and dated '50. Paul was a self-taught painter and engraver. He lost a leg during the first World War and settled in Paris to work and paint. He was influenced by his friends Vlaminck and Utrillo during his early works but later followed Toulouse-Lautrec, Van Gogh, Cezanne and others. Provenance: Estate of Yves Georges Prade CONDITION: Frame shows wear, needs cleaning, sold as is. |
2100 |
| 1013 |  |
PAUL, Gen (French, 1895-1975): Flower Bouquet, Pastel, sight size 15'' x 10.5'', signed lower left, gilded frame, 23.75'' x 19.5''. Provenance: Estate of Yves Georges Prade CONDITION: Frame shows wear and overpaint, not examined out of frame, sold as is. |
500 |
| 1013A |  |
PAUL, Gen (French, 1895-1975): Abstract Figural Composition, Watercolor and Gouache, paper size 10.5'' x 8'', framed, 16'' x 11''. Provenance: Estate of Yves Georges Prade CONDITION: Paper laid down on backboard, some staining and toning to paper, frame shows wear with missing gesso, sold as is. |
300 |
| 1015 |  |
FRIESZ, Achille-Emile Othon, (French, 1879-1949): ''Adam and Eve'' 1910, Oil/Canvas, 28.5'' x 12.25'', signed lower right, signed on the stretcher verso and dated 1910, framed, 36'' x 19.25''. Friesz was lifelong friends with Raoul Dufy and studied at the Le Havre School of Fine Arts with him. Together they went to Paris where Friesz met Matisse, Marquet and Rouault. They all rebelled academic teaching and became members of the Fauves and exhibited with them. Friesz recognized that his style was actually rooted in the more traditional. Over his last 30 years, he began painting in more somber tones more in the manner of Cezanne with a touch of baroque. Provenance: Estate of Yves Georges Prade CONDITION: Mild craquelure, needs cleaning, frame shows wear, sold as is. |
5750 |
| 1020 |  |
ENHUBER, Carl Von, (Germany, 1811-1867): Scene in Mountains with Hunter Stumbling Upon Squad of Soldiers, Oil on Canvas, 12'' x 10'', signed lower right, dated 1839, encased in early gilded gesso frame, 19.5'' x 17.5''. CONDITION: Frame shows wear, missing gesso. Painting has scattered craquelure, needs cleaning. Sold as is. |
950 |
| 1022 |  |
DE BELAY, Pierre, (French, 1890-1947): ''La French Can Can'', Oil/Board, 24'' x 19.5'', signed lower right and dated '33, original frame, 30'' x 26.25''. Titled and dedicated verso. Provenance: Estate of Yves Georges Prade CONDITION: Needs cleaning, frame shows wear, old abrasion with loss by right dancers mouth, sold as is. |
4500 |
| 1022A |  |
DE BELAY, Pierre, (French, 1890-1947): ''Guillaume Appolinaire 1905'', Pencil Drawn Portrait of Guillaume Apollinaire, sight size 8.5'' x 7.5'', signed and titled lower left dated 1905, framed, 16.5'' x 13.75''. de Belay lived in Montparnasse in Paris, during the ''wild age'' and it was a source of inspiration. He had great success at the Gulot Gallery doing a private exhibition of Parisian life; his reputation was established as a result and he had a successful artistic career. Provenance: Estate of Yves Georges Prade CONDITION: Not examined out of frame, several visible handling creates, overall toning, sold as is. |
650 |
| 1025 |  |
VAN DIEGHEM, Jacob, (Dutch, 19th C): Farmhouse Scene with Sheep and Chickens, Oil/Wood Panel, 8.75'' x 12'', signed lower right and dated 1871, encased in original acanthus leaf motif deep dish cove molding carved and gilded gesso, 16.5'' x 19.5'' x 3.5'' deep. CONDITION: Not examined out of frame, frame shows wear, sold as is. |
450 |
| 1028 |  |
TOULOUSE, Roger (French, 1918-1994): ''Portrait of Max Jacob'', Oil on Masonite, 24'' x 19.5'', signed upper right, titled, signed and dated verso 1942, original carved and gilded frame, 32'' x 27.5''. Provenance: Estate of Yves Georges Prade CONDITION: Needs cleaning, frame shows some wear, sold as is. |
1500 |
| 1029 |  |
GLEIZES, Albert, (French, 1881-1953): ''Le Pape et L'Empereur'', Gouache, 25.5'' x 19.5'', signed lower right and dated 1939, titled in lower right corner, carved and painted gesso frame, 33'' x 27.5''. Provenance: Estate of Yves Georges Prade. CONDITION: Scattered spots and staining, frame shows wear, sold as is. |
6500 |
| 1031 |  |
FINE EARLY PAINTING JESUS SUCKLING MADONNA: 19TH C. or earlier, Oil/Oak panel, 17'' x 12.5'', framed, 22'' x 18''. Provenance: Estate of Yves Georges Prade CONDITION: Paint loss in upper left corner, needs cleaning, sold as is. |
20000 |
| 1032 |  |
OLD MASTER STYLE PAINTING OF RUINS, STYLE OF CODAZZI: Oil on Canvas, 19.5'' x 20.75'', no visible signature, 24'' x 30.5''. CONDITION: Newer reline, needs cleaning, scattered inpaint, several scattered flecks of paint loss, sold as is. |
450 |
| 1034 |  |
JACOB, Max (French, 1876-1944): ''Rouen Cathedral'' Gouache, 17.5'' x 12'', signed and titled lower right, gilded and painted gesso frame, 30.5'' x 24''. Provenance: Estate of Yves Georges Prade CONDITION: Some scattered uplifting of thicker applied paint, frame shows wear, sold as is |
1600 |
| 1035 |  |
JACOB, Max (French, 1874-1944): ''L'Amazone'', Watercolor and Graphite, 9.5'' x 9.5'', Musees D'Orleans Exhibition, Paris 1964, label affixed verso, carved gesso frame, 20'' x 19''. Provenance: Estate of Yves Georges Prade CONDITION: Not examined out of frame, frame shows wear, sold as is. |
1500 |
| 1036 |  |
JACOB, Max (French, 1876-1944): ''Les Jours Des Morts'', Study of a Tree, Gouache, 16'' x 12'', signed and titled lower right, Musee D'Orleans Exhibition label affixed verso, carved and painted gesso frame, 29'' x 25.25''. Provenance: Estate of Yves Georges Prade CONDITION: Frame shows minor wear, not examined out of frame, sold as is. |
1100 |
| 1040 |  |
ROUSSEL, Ker-Xavier, (French, 1867-1944): Pastoral Scene, Pastel, 12'' x 18'', signed lower right, early label affixed verso, Berville paper, blind stamp lower left, framed, 18'' x 25''. Roussel was associated with the group of Post-Impressionist, avant garde artists called Les Nabis (The Prophets in Hebrew and Arabic). Most of them, including Roussel, studied at the Acadamie Julian in the late 1880s. He is best known for his paintings of French landscapes. He was born Francois Xavier Roussel and is also known as Karl Xavier Roussel. Provenance: Estate of Yves Georges Prade | 600 |
| 1041 |  |
EARLY FLEMISH (?) PAINTING GENRE SCENE ON THE RIVER. Probably 19th century scene depicts workers busy loading on the river, Oil on Wood Panel, no visible signature, 10.5'' x 13.75'', thin edge wood frame 11.5'' x 14.5''. CONDITION: Scattered abrasion throughout, frame shows wear, needs cleaning, sold as is. |
200 |
| 1042 |  |
EARLY FLEMISH (?) PAINTING TRAVELERS NEAR A RIVER. Oil on Wood Panel, no visible signature, 10.5'' x 13.5'', framed 11.5'' x 14.5''. CONDITION: Scattered abrasions, needs cleaning, sold as is. |
150 |
| 1043 |  |
ILLEGIBLY SIGNED COROT-STYLE LANDSCAPE PAINTING, Oil on Canvas, 7.25'' x 10'', signed lower left, encased in 19th century gilded gesso frame, 17.5'' x 20.25'' x 3.5''. CONDITION: Frame is overpainted with some repairs, painting needs cleaning, minor craquelure, sold as is. |
200 |
| 1046 |  |
LATAPIE, Louis Robert Arthur, (French, 1891-1972): ''Le Bal a Fleurs'', Oil on Canvas, 39'' x 32'', signed lower right, signed, titled and dated verso, `69, framed 39.5'' x 32.25''. Provenance: Estate of Yves Georges Prade. CONDITION: Frame shows wear, needs cleaning, sold as is. |
2300 |
| 1047 |  |
LATAPIE, Louis Robert Arthur, (French, 1891-1972): Cubist Composition, Oil/Canvas, 25.5'' x 19.5'', signed lower left. Latapie studied art at different schools including the Ecole des Beaux Arts de Paris and the Academie Julian. Serving on the front lines in WWI he returned to his art and exhibited his cubist work with French artist Villon. He exhibited his work in various Parisian salons and shows as well as museums. Provenance: Estate of Yves Georges Prade | 1100 |
| 1048 |  |
LATAPIE, Louis Robert Arthur, French, (1891-1972): Love? De Champagne, Oil/Board, 21.75'' x 13.25'', signed lower right, titled verso, signed and dated '58, period gilded frame, 29.5'' x 21''. Provenance: Estate of Yves Georges Prade CONDITION: Frame shows wear, sold as is. |
600 |
| 1049 |  |
LATAPIE, Louis Robert Arthur, French, (1891-1972): Table Still Life with Fruit, Bread and Utensils, Oil/Canvas, 25.5'' x 36.25'', signed upper right, period carved and gilded frame, 34'' x 44.5''. Provenance: Estate of Yves Georges Prade CONDITION: Needs cleaning, frame shows wear, sold as is. |
1400 |
| 1050 |  |
LATAPIE, Louis Robert Arthur, French, (1891-1972): Urban Landscape, Oil/Board, 19.75'' x 25.5'', signed lower left, carved and painted gesso frame 26'' x 32.5''. Provenance: Estate of Yves Georges Prade CONDITION: Needs cleaning, dent in upper left quadrant, minor craquelure, several visible cracks in paint and several flecks of loss, frame shows wear, sold as is. |
600 |
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Last updated Friday, October 21, 2016