Sunday, March 24, 2019
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Lot | Sale Price | ||
1010 | LARGE 19TH CENTURY CUPID AND PSYCHE BRONZE SCULPTURE AFTER BERNINI: Approximately 20'' in height x 27'' in width x 14.50'' depth, rests atop a sculpted marble plinth not attached. CONDITION: Overall even age appropriate wear to patina, marble has been repaired on lower right front edge, in need of further touch-up. |
1500 | |
1011 | 2 ANTIQUE CARVED BIRD DECOYS ON DRIFT WOOD: Comprising 2 Golden Plovers; 1 carved by Capt. Jesse Birdsall, 1890, & 1 carved by the Harris family of Nantucket, Mass, 1880. Both have handwriting and date at underside. Approx. 9.5'' h x 15.5'' l x 9.5'' w CONDITION: Worm holes to one, wear consistent with age and use. |
7000 | |
1012 | ELMER CROWELL CARVED DUCK DECOY: Carved & painted Redhead duck decoy having red glass eyes, by Emler Cromwell Harwichport, Mass. Impressed marks & writing at underside. Approx. 7.25'' h x 15'' l x 6.75'' w. CONDITION: Minimal scattered paint loss consistent with age and use. |
500 | |
1013 | CARVED LLOYD JOHNSON RECUMBENT GOOSE: Large recumbent goose with glass eyes, carved & painted by LLoyd Johnson of Bay Head, New Jersey for Warren Spurge. Impressed LLoyd Johnson, handwriting, 1961 at underside. Approx. 8.5'' h x 21.5'' l x 9.25'' w. CONDITION: Minimal nicks and loss of paint consistent with age and use. |
950 | |
1014 | 4 PC. CARVED BIRD DECOY COLLECTION: Comprising 1- early carved & painted decoy resting on a root base, 1- carved & painted shorebird attached to driftwood, 1- shorebird carved in 1910 by Lou Barklow, of N.J., painted in 1959 mounted on driftwood, & 1- carved & painted pintail mounted on driftwood with attached cattails, by Bob Wrenn, 1978. Largest Approx. 9'' h x 12'' l x 6'' w. CONDITION: Wear consistent with age and use. |
1200 | |
1015 | IMPRESSIVE LARGE MEIJI JAPANESE BRONZE TIGER: Signed under one of the paws and the abdomen, 14.75'' in height, approximately 27.50'' in width, affixed to a period burl wood base 1.50'' in height x 32'' in width, 14'' in depth. | 1000 | |
1018 | EARLY UNUSUAL MYTHOLOGICAL PAINTING: Scene Depicts Several Mythological Creatures with Humans Interacting Struggling, Oil/Canvas Laid Down on Board, sight size is 17.25'' x 23.50'', framed 23.50'' x 28.50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Laid down, scattered flecks of loss, needs cleaning and work, several abrasions, and tear in upper right corner. |
900 | |
1024 | CORTES, Edouard, (French, 1882-1969): ''Cafe De La Paix'', Oil/Canvas, 13'' x 18'', signed lower right, encased in period gilded gesso frame 19.50'' x 24.25'', titled ''The Opera'' on the stretcher verso, marked 4209 on the canvas, accompanied with certificate from David Klein, of Klein Art Gallery. | 13000 | |
1031 | LARGE FRAMED TRIO OF NUDE PRINT AND GRAVURES. Exquisite custom framing. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 400 | |
1032 | SAVINE, Leopold, (French, 1861-1934): Bust of a Young Nouveau Maiden, Dore Bronze, 6.50'' in height, stamped underside Louchet, signed on her left shoulder. CONDITION: Several abrasions. |
700 | |
1034 | ROYAL WORCESTER FEMALE SCULPTURE WITH PEDESTAL: Large Worcester female musician sculpture. Purple Worcester mark & impressed marks at the underside. Black wood pedestal with an octagonal body and base. Sculpture Approx. 28.75'' h x 13.25'' l x 12'' w. Pedestal Approx. 37'' h x 16.5'' w. CONDITION: Glue at fingers where missing tambourine was, wear consistent with age and use. |
500 | |
1037 | ELISCHER, John Wolfgang, (Austrian, 1891-1966): Fisherman Rescuing a Topless Mermaid in his Net, Austrian Bronze, 13'' in height, affixed to a marble plinth, 17'' overall, signed and stamped Austria. CONDITION: Several flecks to plinth. |
2400 | |
1041 | BRONZE WHIPPET AND KITTEN ARTHUR WAAGEN?: Animals at play, unsigned, closely resembling bronze grouping by Waagen, 10.5'' h, affixed to marble plinth, 11.5'' w. CONDITION: Unusual patina, possible painted patina to cat and stripped finish to whippet and rest of bronze, marble has several fleabites. |
300 | |
1051 | 19TH CENTURY GENRE PAINTING FATHER AND SON: Father Holding a Pocket Watch to His Infant Son's Ear, monogrammed lower right JL, Oil/Canvas, 16'' x 13.75'', period frame is 19'' x 16.75''. CONDITION: Heavy craquelure throughout, patch visible verso, several minute flecks of loss, frame has been repaired and painted over. |
200 | |
1054 | 4 PIECE 19TH CENTURY ENGLISH HUNT SCENE PAINTINGS: Oils/Board, 8'' x 9.75'', no visible signature, matching frames 11.25'' x 13''. CONDITION: Need cleaning. |
700 | |
1056 | CHARLES-FERNAND WATERCOLOR HUNT SCENE (,): Depicts a Rider and Two Horses Awaiting a Fox Hunt, Watercolor, sight size is 13'' x 18'', signed lower left, framed 19.25'' x 24''. | 475 | |
1057 | SOMMIER, Francois-Clement (French, 1844-1907): Pencil Sketch of a Seated Young Woman Tatting, Colored Pencil, sight size is 18.75'' x 12'', signed lower left, gilded gesso molding 27.50'' x 21.50''. CONDITION: Several visible creases, not examined out of the frame. |
150 | |
1058 | RASCOVICH, Roberto, (American, 1857-1905): Two Watercolor Paintings: 1) Depicting a Young Boy Playing a Violin to an Audience, sight size is 7.50'' x 5.25'', signed upper right, framed 13'' x 9.50''. 2) Venetian Canal Scene, image size is 9'' x 4.25'', signed lower left, framed 15.25'' x 9.25''. | 125 | |
1064 | MASCART, Gustave, (French, 1834-1914): European Village Main Street with Figures and Horse Drawn Carriages, Oi/Wood Panel, 5.5'' x 9.25'', signed lower right, framed under glass, 9.5'' x 13.25''. CONDITION: Some loss in upper left quadrant, needs cleaning. |
250 | |
1068 | EARLY ICON MADONNA AND CHILD: Probably 19th C. or earlier, on cradled wood panel, 10.75'' x 8.5''. CONDITION: Cracked panel with several bits of loss. |
1700 | |
1073 | TAURELLE, Bernard, (French, 1931): Nude Lying in the Field, Oil/Canvas, 13'' x 16'', signed lower left, illegibly titled verso dated 1975, fine gilded frame 20.50'' x 23.50'', Galerie Felix Vercel label affixed verso. | 275 | |
1074 | FINE MINIATURE PAINTING ON PORCELAIN OF A YOUNG BEAUTY PRAYING: 6'' x 4.5'', no visible signature, impressed 345 verso, period 19th C. frame, 8.75'' x 7.5''. | 450 | |
1075 | 3 FINE MINIATURE PORTRAIT PAINTINGS: 1) PAINTING OF A YOUNG A. CLINTON BROOKS: Oval size 2.5'' x 1.875'', gilt metal frame, 3'' x 2.25'', monogrammed left margin L.V.P; 2) 19th C. PORTRAIT OF A YOUNG GENTLEMAN; 2.5'' x 2'' oval, gold color frame, 3'' x 2.5''; 3) PORTRAIT OF A BEARDED MAN: painting on porcelain, 3'' x 2.5'' oval, carved wood frame, 5.5'' x 5''. CONDITION: Frame has crack |
1100 | |
1078 | LARGE ORIENTAL SCROLL PAINTING OF A MAN IN A MARKET: Man Playing a Woodwind Instrument Among a Group of Figures in a Busy Market, Watercolor, image size 53.50'' x 25.50'', no visible signature, framed 58'' x 30.50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Some scattered staining, several large creases extending the entire width, not examined out of the frame. |
225 | |
1082 | PINGERRA, Hans, (Austrian, 1900-?): Panoramic Austrian Valley Scene, Oil/Canvas, 24.50'' x 34.75'', signed lower right, unframed. CONDITION: Craquelure scattered throughout, paint loss along the stretcher edges, several flecks of loss in the upper right corner, needs cleaning, repair to puncture on upper stretcher bar mid margin. |
150 | |
1084 | LARGE NEOCLASSICAL STYLE FLORAL STILL LIFE PAINTING: Oil/Canvas, 30'' x 40'', custom painted period frame 38'' x 48''. CONDITION: Scatted flecks of loss, frame shows some minor wear, needs cleaning. |
200 | |
1089 | CYGNE, E.J., (American, 20th Century): French Concert in the Park, Oil/Canvas, 20'' x 16'', signed lower left, signed and titled verso, framed 30'' x 26''. | 250 | |
1090 | FRIED, Pal, (Hungarian-American, 1893-1976): Young Blond Beauty in Venice ''Margot'': Oil/Canvas, 24'' x 30'', singed lower right, titled on the canvas verso, framed 32'' x 38''. | 1000 | |
1094 | ERIKSEN, Sigurd, (Danish, 1884-1976): Coastal Scene Through the Trees, Oil/Masonite, 25.50'' x 32'', signed lower right and dated 1944, framed 31.50'' x 38''. CONDITION: Several flecks of loss. |
175 | |
1098 | SIGNORET-LEDIEU, Lucie, (French, 1858-1904): ''La Source'', Bronze, 25.50'' in height, signed on the base, affixed to custom rotating base. | 750 | |
1108 | 2 PAINTINGS ON TIN SIGNED TENIERS: Dutch Tavern Interior Genre Scenes, 8'' x 6.75'', matching carved and painted gesso frames, 13.5'' x 12''. | 450 | |
1109 | MONCAYO, Emilio, (Ecuador, 1895-1970): ''El Chimborazo, Ecuador'', Landscape with Plateau and Snowcapped Mountains in the Distance, Oil/Canvas Mounted on Masonite, 28.5'' x 42'', signed lower right, painted gesso frame with wear, 35'' x 48''. CONDITION: Scattered craquelure throughout, needs cleaning, several scattered flecks of paint loss, frame shows wear. |
400 | |
1115 | TRAGEDY AT THE CIRCUS LARGE PAINTING BY PAILETT: Oil/Canvas, 31'' x 48'', signed lower right, custom frame 39.50'' x 55''. CONDITION: Professionally restored with wax reline. |
3250 | |
1116 | 19TH CENTURY PAINTING OF A CAT AND KITTENS SIGNED BEARD: Oil/Canvas, 12'' x 18'', signed lower left, carved and gilded gesso frame 18'' x 24''. CONDITION: Relined, some evidence to repair to tears by black light. |
450 | |
1126 | BUFFET, Bernard, (French, 1928-1999): L'Homme Qui Crache Du Feu, Color Lithograph, sight size is 28'' x 19'', signed lower left and numbered 115/120, framed 32.50'' x 24''. CONDITION: Exhibits minor toning. |
200 | |
1127 | BUFFET, Bernard, (French, 1928-1999): Trapeze Artist, Lithograph, sight size is 28'' x 19'', signed lower left and numbered 115/120, framed 33'' x 24''. CONDITION: Visible toning. |
200 | |
1128 | BUFFET, Bernard, (French, 1928-1999): Floral Still Life, Color Lithograph, sight size is 23'' x 27.75'', pencil signed lower right, numbered lower left, edition of 220, framed 30.50'' x 35''. CONDITION: Minor toning. |
850 | |
1134 | RETIF, Maurice, (French,19th/20th Century): Floral Still Life, Oil/Canvas, 21.75'' x 18'', signed lower right, carved silver gilt frame 28'' x 24''. CONDITION: Frame shows minor wear. |
150 | |
1168 | LARGE CLYDE BUTCHER FAKAHATCHEE STRAND #9 GICLEE: sight size 33.25'' x 49 with margins, signed lower right, titled lower left, framed, 41.5'' x 57.5''. | 600 | |
1186 | VOORHEES, Eleanor, (American, 20th/21st C.): ''NYC at Crosby St.'' Oil/Masonite, 24'' x 30'', signed lower right, framed 32'' x 37.50''. | 275 | |
1194 | PIERSON, Markus, (American, 1961): ''Fate I Tell You'', Serigraph, 44'' x 43.50'', signed lower right, numbered 226/350 lower left, float mounted in frame 47'' x 45.50''. | 250 | |
1197 | PAUL EPPLING? BIRD SCULPTURE: No visible signature, done strongly in the style of Paul Eppling, 37.50'' in height x 38'' in width, painted and welded metal. CONDITION: Some scattered spots of rusting and paint loss. |
325 | |
1208 | 2 FRENCH PORCELAIN FISH ON GLASS PLINTHS: Comprising a large porcelain fish resting on a glass cullet that is etched ''France'', & 2 smaller fish, artist signed | 125 | |
1211 | DETWILLER, Frederick, (American, 1882-1953): ''Blossom Time in Noank'', Oil/Canvas, 20'' x 25'', Salmagundi Club exhibition label affixed verso along with several other labels, titles on the canvas dated 1921 and signed, also signed front lower left, framed 24'' x 29''. CONDITION: Needs cleaning. |
1250 | |
1215 | PETOW, Edward, (American, 1877- ): Busy Tavern Interior Scene with Dog and Figures, Oil/Canvas, 22'' x 29'', signed lower left, framed 27'' x 34''. CONDITION: Small pinpoint puncture in upper margin, small fleck of loss lower right, scattered craquelure, needs cleaning. |
300 | |
1215A | PETOW, Edward, (American, 1877- ): Portrait Painting of a Well-To-Do Gentleman, Oil/Canvas, 41'' x 31'', signed lower right, framed 46.50'' x 36''. CONDITION: Several small flecks of loss, needs cleaning. |
300 | |
1216 | PETOW, Edward, (American, 1877- ): Old Barn with Country Estate and Sunset in the Distance, Oil/Canvas, 12'' x 18'', signed lower right, framed, 17'' x 23.5''. CONDITION: Mild craquelure, several very minor flecks. needs cleaning. |
175 | |
1217A | PETOW, Edward, (American, 1877- ): Still Life of Fruit, Oil/Canvas, 16'' x 20'', no visible signature, framed 20.50'' x 24.50''. Descended in the artist family. CONDITION: Mild scattered craquelure throughout, stretcher bar wear, could use cleaning, several small flecks of paint loss, frame shows wear. |
150 | |
1218 | PETOW, Edward, (American, 1877- ): Shoreline at Dusk, Oil/Canvas, 10'' x 12'', signed lower left, period frame, 13.25'' x 15.5''. CONDITION: Minor scattered craquelure, stretcher bar wear, minor abrasion diagonal from left corner. |
200 | |
1254 | FOLK ART OAK CARVED LION: 11.50'' in height, 25'' in length. CONDITION: Several cracks extending throughout. |
150 | |
1255 | LARGE JAPANESE CARVED ''RAIDEN'' GOD OF THUNDER: Carved Japanese ''Raiden'', God of Thunder, Meiji period or earlier, with mallet in hand resting on a rock formation base having a lower central pierced Foo dog/Dragon panel. Approx. 37.25'' h x 20.5'' l x 12.5'' w. CONDITION: Minimal loss of lacquer, wood cracks consistent with age and use. |
250 | |
1256 | PAIR OF PAINTED CHINESE PLAQUES IN CARVED FRAMES: 2 framed Chinese porcelain plaques, each having central enameled panels with woman & child in garden, above & below are painted bisque tiles with scholarly scenes at top, and scholarly symbols at bottom. Approx. 29'' h x 11.5'' w. | 275 | |
1258 | FREDRICKS, Ernest, (American, 1877-1959): Autumnal Meadow Landscape, oil/Canvas, 16'' x 20'', signed lower left, original frame under glass 20.50'' x 24.50''. | 300 | |
1261 | GEDEN, Dennis, (Canadian, 1912 - ): (Flooded House) Go Figure, Oil/Canvas, 40'' x 30'', signed lower right, there are two labels verso: one from the Red Path Gallery Vancouver, the other from WKP Kennedy Public Gallery in Ontario Canada, framed 44.50'' x 34.50''. | 350 | |
1282 | TAOS INDIAN GOOD LUCK FIRE PAINTING: Painted by E. Cook of England, Oil/Canvas, 16'' x 20'', signed lower right, early label affixed verso, encased in elaborate gilded and carved wooden gesso frame 26'' x 30.50''. CONDITION: Minor scattered craquelure. |
550 | |
1297 | 3 ROYAL WORCESTER FISH ON STANDS: 3 pc. Royal Worcester fish. Comprising; 1- Blue Marlin #298, 1- Sailfish #439, & 1- Tarpon # 230. All in fitted bases. Largest Approx. 11.75'' h x 14.25'' l x 6.5'' w. CONDITION: Black base has loss of finish at edges, barely noticeable loss at back fin, wear consistent with age and use. |
750 | |
1304 | GORMAN, R.C., (American, 1932-2005): Two Native American Females Seated in the Desert, Lithograph, 23'' x 33'', pencil signed lower left and dated 1981, numbered 142/300 lower right, framed 32'' x 41.50''. | 400 | |
1309 | PETRA WALL MIXED MEDIA TRIPTYCH: Mixed Media with Stone Geodes and painted wood, the largest being 60'' x 11.50'', flanking pieces are 48'' x 11.50'', main piece is signed verso and dated 2014. | 125 | |
1313 | NORDFELDT, BJO (Swedish, 1878-1955): Four Etchings, 1) Socco Grande, Tangier 1910, 11.50'' x 14.25'' with margins, pencil signed and dedicated to Mr. Earl Reed lower right, titled lower left, signed in the plate and dated 1910. 2) Florentine Palaces, 10.75'' x 14'' with margins, pencil signed and dedicated to Mr. Earl Reed lower right, titled lower left, dated June 1911 lower left corner, framed 10.875'' x 14'' with margins. 3) The Long Venice, 11'' x 14'' with margins, pencil signed and dedicated to Mr. Earl Reed lower right, titled lower left, dated 1911 lower left corner. 4) ''My Mother'', signed lower right and dedicated: As it is one of Mr. Earl Reed's finest proofs of this plate, it is most fit that I have been allowed to present it to him, 15'' x 11'' with margins, signed and dedicated lower right, titled lower left, signed in the plate and dated 1911. CONDITION: 1) Socco Grande, Tangier 1910: Visible handling creases, several corners are bent, overall even toning. 2) Florentine Palaces: Visible handing creases, bent corners, small tear, overall mild discoloration. 3) The Long Venice: Several spots of foxing, minor handlining creases, several corners are bent. 4) ''My Mother'': Several bent corners, overall even toning, sold mild sporadic staining. |
600 | |
1315 | WILD HORSES ILLEGIBLY SIGNED PAINTING: Oil/Canvas, 20'' x 24'', monogrammed lower right, barnwood style frame is 24.50'' x 28.50''. | 150 | |
1320 | STILL LIFE PAINTING OF ROSES BY M. DILLON: Oil/Canvas, 24'' x 19.50'', signed lower right, pierced carved and gilded frame 29.50'' x 25.50''. CONDITION: Several scattered flecks of loss, frame does show some wear and loss. |
175 | |
1321 | 19TH CENTURY PORTRAIT PAINTING OF A YOUNG FEMALE: Oil/Canvas, probably English, 30'' x 25'', no visible signature, framed 40.25'' x 35.25'' x 4''. CONDITION: Needs cleaning, frame shows wear, older reline. |
300 | |
1322 | WELLS, Ruby, (,): ''Desert Sentinels'', Oil/Masonite, 20'' x 24'', signed lower right, old label affixed verso, framed 26.50'' x 30.50''. CONDITION: Several flecks. |
150 | |
1323 | TWO 19TH CENTURY? PLASTER BUSTS: Appear to be Children of Royalty One Male One Female, Painted Plaster, the male measures approximately 15.50'' in height while the female is 14.50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Scattered flecks. |
150 | |
1327A | ADRIANO OR IGNACIO PAVON ENGRAVING AFTER RAFFAELLO SANZIO (RAPHAEL): The large crisp engraving measures 30'' x 21'' sight size, 43'' x 34'' framed. Superior custom frame and matting. The engraving is after the Raphael painting entitled ''The Ecstasy of St. Cecilia'' depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene. Commissioned for a church in Bologna, the painting now hangs there in the Pinacoteca Nazionale, or National Painting Gallery. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 225 | |
1328 | CACCIANIGI, Francesco, (Italian 1700-1781): Copper plate engraving after the painting by Charles LeBrun entitled ''The Rape of Lucretia'' (Ratto De Verginia). This engraving has been embossed with the ''Caleografila Camerale'' stamp and was part of the original collection of prints started by Pope Clement in the 18th C. An example of this engraving resides at the Thorvaldsen Museum in Copenhagen. Sight size 17 5/8'' x 19 1/4'', framed, 32 1/2'' x 34''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Light foxing. Not examined out of frame. |
175 | |
1329 | OTTOVIANI, Giovanni, (Italian 1735-1808) 5 ENGRAVINGS AFTER RAPHAEL: Lot of 5 18th Century Vatican Loggie Fresco Engravings from the series ''Loggie di Rafaele nel Vaticano'' by Giovanni Ottoviani, after Raphael. 1) ''God appearing to Isaac'', Plate V; 2) ''Moses Showing ''The Tables of the Law'', Plate IX; 3 ''Judgement of Soloman'', Plate XII; 4) ''Jacobs Ladder (Dream)'', Plate VI; 5) ''The Fall of Jericho'', Plate X. All with matching frames and faux marble beveled edge matting. 14'' x 23'' sight size, framed 24'' x 33''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Very good condition although some with center crease and minor scattered foxing. |
750 | |
1330 | GHISI, Giorio, (Italian 1520-1582) 2 ENGRAVINGS PHROPHETS SYBILS SERIES: Lot of 2 Ca. 1570 Engravings from the Phrophets Series by Giorio Ghisi after the pendentives in Michelangelo's Sistine Chapel ceiling fresco. One entitled ''Heremiah'' (Jeremiah). Each marked Giacomo Rossi Formi, Roma all pace. Each measuring 22.25'' x 17.25'' sight size, 29 .25'' x 34.25 framed. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Very good condition and each with small light stain lower left. |
250 | |
1331 | 5 EARLY 19TH CENTURY MOCHETTI ENGRAVINGS: ''Pio Septimo Pontifici Opt. Maximo, 4 engravings by Guiseppe Mochetti and 1, ''The Liberation of Saint Peter'' is by Pietro Ghygi. All are published by Franzetti. All measure approx. 15 .25 x 29.25'' sight size, framed 25.25'' x 30.25''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 350 | |
1337 | 4 PIECE PRINT BOHROD, HURD AND TWO PRAIRIE SCHOOL: 1) Prairie Landscape with Windmill, Lithograph, 11'' x 14.50'' with margins, pencil signed lower right, matted 15'' x 19''. 2) Aaron Bohrod Tropical Street Scene, 12'' x 16'' with margins, pencil signed lower right, matted 16'' x 20''. 3) Prairie School Etching with Two Figures by a Stand of Trees, 7.50'' x 10'' with margins, no visible signature, matted 11'' x 14''. 4) Prairie School Etching with Two Seated Figures, 7.50'' x 10'' with margins, matted 11'' x 14''. CONDITION: 1) Prairie Landscape with Windmill: Pale toning. 2) Aaron Bohrod Tropical Street Scene: Even toning throughout. 3) Prairie School Etching with Two Figures by a Stand of Trees: Overall toning with several spots of foxing, plate damage in left margin. 4) Prairie School Etching with Two Seated Figures: Plate damage in the left and right margins, scattered foxing. |
150 | |
1340 | ALFRED, C., (Argentinian, 1951): Still Life with Flowers and Fruit, Oil/Canvas, 24'' x 36'', signed lower right, framed 34.50'' x 46.50''. | 200 | |
1344 | LETTWILL, Jeremy, (British, 1912 - ): Landscape with River Rapids, Oil/Canvas, 24'' x 36'', signed lower right, framed, 29.50'' x 41.50''. CONDITION: Needs cleaning, several flecks of loss in lower margin. |
100 | |
1345 | SCHLEMM, Betty, (American, 1934): Washington Square Park New York City, Watercolor, sight size is 14'' x 21'', signed lower right, framed 24.50'' x 31''. | 150 | |
1346 | ASFOUR, Rita, (American, 21st Century): Mother and Child in a Flower Garden, Oil/Canvas, 24'' x 36'', signed lower right, signed verso as well, framed 25.50'' x 37.50''. | 150 | |
1352B | FRANCESCO FARAONNIUS AQUILA (Italian 1676-1740) ENGRAVING AFTER JOANNES LANFRANEAS: The work entitled ''The Bark of St. Peter''. ''O Man of Little Faith, Why Did You Doubt''. Francesco Faraone Aquila worked in Rome from 1690-1740. His engravings are numerous and highly esteemed. Beautiful custom burlwood and gold gilt framing. Sight 22'' x 18'', framed 36.5'' x 32''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 175 | |
1354 | ROCKWELL, Norman, (American, 1894-1978): ''See America First'', sight size is 25'' x 18.50'', pencil signed lower right, numbered 49/200 lower left, framed 36.50'' x 30.50''. | 400 | |
1355 | ROCKWELL, Norman, (American, 1894-1978): ''Ticket Seller'', Color Lithograph, sight size is 24.50'' x 19.50'', pencil signed lower right, numbered 108/200 lower left, framed 36.50'' x 31''. | 500 | |
1360 | ILLUSTRATOR QUALITY PHEASANT HUNT PAINTING: Oil/Canvas, circa 1950, 29' x 36'', no visible signature, framed 34'' x 41.50''. | 250 | |
1361A | FRAUENLOB ETCHING. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 125 | |
1361B | JACQUES PHILIPPE LE BAS ENGRAVING IN RED INK: A red ink engraving after the 18th Century Painting ''Repas Italien'' by Nicholas Lancerel 1690-1743, sight size is 18.5'' x 24.5''. Fine custom frame and matting 26'' x 24.50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Overall age-related toning. |
125 | |
1362 | GOOD EARLY PORTRAIT OF A WOMAN IN BLUE DRESS PASTEL: 19th Century or Earlier, sight size is 18.5'' x 14.25'', very early glass within the frame, frame measures 23.50'' x 19.50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 125 | |
1364 | MAX, Peter, (German, 1937): ''Ballet Story'', Color Lithograph, sight size is 27.50'' x 20''. Pencil singed lower right and dated 1981, numbered lower left 17/165, framed 35.50'' x 27.50''. CONDITION: Overall pale fading, some minor toning in the bottom margin. |
200 | |
1365 | EROTIC NAUGHTY NUDE BRONZE: Hinged dress opens to reveal the birthday suit, 5.5'' h., affixed to alabaster base, 6'' overall. CONDITION: Several flecks to base. |
350 | |
1366 | MOULY, Marcel, (French 1918-2008): 1) ''Amsterdam'', Color Lithograph on Arches Paper, image size is 18.50'' x 25'', signed in pencil lower right, framed 33.50'' x 39'', edition 6 of 40 EA; 66 of 150. 2) ''Interieur'', Color Lithograph on Arches Paper, image size is 18.50'' x 25'', signed in pencil lower right, framed 35'' x 41'', edition 2 of 40 EA; 38 of 150. | 250 | |
1367 | MOULY, Marcel, (French, 1918 - 2008): ''Nature Morte a La Palette Noir'', Lithograph in Color, site size is 13.50'' x 9.75'', pencil signed lower right, 126 of 300 lower left, framed 29'' x 25'', Park West COA included. | 175 | |
1368 | MOULY, Marcel, (French, 1918-2008): ''L' Orage Lithograph in Color'', Site size is 18'' x 22'', pencil signed lower right and numbered 36 of 300 lower left, framed 33'' x 37'', sold with park west COA. | 200 | |
1369 | PETER MAX SERIGRAPH ''TWO WITH UMBRELLAS'': Sight size 29'' x 21.5'', pencil signed lower right, numbered 165/250 lower left, framed, 37.5'' x 29''. CONDITION: Framed has damage, not examined out of the frame, sold as is. |
250 | |
1370 | MAX, Peter, (German, 1937): Sunset, Serigraph, sight size is 9.25'' x 12.75'', custom frame 22'' x 25.50'', pencil lower right, numbered 321/350 lower left, Peter Max blind stamp lower left dated 2014. | 250 | |
1371 | MAX, Peter (German, 1937-): Sailboat on a Wave, Lithograph, sight size 20.5'' x27.5'', pencil signed lower right, dated 1980, marked lower left AP 8, custom Michael Murphy frame, 28.5'' x 35.5. CONDITION: Frame shows minor wear, pale overall toning, white blemish in lower right corner, sold as is. |
275 | |
1372 | MAX, Peter (German, 1937): ''Flowers of Atlantis'', Serigraph, sight size 14.5'' x 16'', pencil signed lower right and dated '72?, Peter Max blind stamp lower left and numbered 19/300, custom framed, 21.5'' x 23.5''. CONDITION: Not examined out of frame, sold as is. |
400 | |
1375 | OBARA JR., A.J. (American, 1948): Soaring American Bald Eagle, Patinated Bronze, 14'' in height, signed on the base, dated 1985, numbered 406/1800 per the label underneath. | 150 | |
1381 | LEGER, Fernand, (Norman, 1881-1955): Abstract Composition with Yellow and Red Sea Green Background, Serigraph, 22'' x 15'' with margins, stamped Serigraphie F. Legere blind stamp lower right, pencil numbered 807/1000, monogrammed in the plate and dated '50, unframed. CONDITION: Bottom left and upper right corners have been dog eared, handling crease in lower right corner. |
150 | |
1382 | 2 JAPANESE REVERSE PAINTINGS ON GLASS: 1) Depicts Two Geishas with a Bird in an Interior, sight size is 21'' x 15'', framed 23'' x 17.25''. 2) Depicts Two Geishas Admiring a Flowering Tree, sight size is 21'' x 15'', framed 23'' x 17.25''. | 100 | |
1383 | ORIENTAL MOTIF REVERSE PAINTING ON GLASS: First Half 20th Century Scene Depicts 2 Geishas in an Interior, sight size is 19'' x 12.50'', framed 22'' x 16''. | 125 | |
1387 | GERLACH, Arthur, (American, 1898-1978): Two Women Working, Gauche, sight size is 15.25'' x 12.25'' framed 20.50'' x 17''. | 100 | |
1388 | 5 PC EARLY ENGRAVINGS E. OBERMAYER W. BEYRER AFTER PFNOR: 5 19TH C. Engravings of The Fontainebleau Palace by engravers E. Obermayer and W. Beyrer after Rudolf Pfnor. F. Charden, printer. 16'' x 22'' sight, 28'' x 22 framed. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 150 | |
1389 | TURNER MANUFACTURING OP ART GLASS WALL HANGING: Overall measurement with frame 36.25'' x 36.25'', labeled verso. | 225 | |
1393 | FIVE HISTOIRE NATURELLE COLORED ENGRAVINGS: Four Maroon Animal Illustrations Taken from the Same Book, 12.25'' x 9.25'' with margins. Oranthology Engraving, Birds of Prey, 12.75'' x 9'', unframed. CONDITION: Minor handling creases. |
175 | |
1395 | FIVE PIECE 19TH CENTURY AQUATIC ANIMAL AND REPTILE ENGRAVING LOT: 1) Three Studies Within One Frame of an Alligator, Shark, and Catfish, 9.75'' x 13'' with margins, unframed. 2) Colored Engraving of Tropical Fish by Otto Elliger, 16.50'' x 10'' with margins, unframed. 3) Depicts a Flounder-like Fish, Color Engraving, 10.50'' x 17'' with margins, unframed. 4) Armed Monocentris Colored Engraving by Lizar, sight size is 3.25'' x6.25'', framed 7'' x 9.50''. 5) Tetragonopturus Colored Engraving by Lizar, sight size is 3.75'' x 5.75'', framed 10.50'' x 12.25''. CONDITION: 1) Three Studies Within One Frame of an Alligator, Shark, and Catfish: Three fold creases extending though the image. 2) Colored Engraving of Tropical Fish by Otto Elliger: Staining along the edges, left corner is bent, minor handling creases. 3) Depicts a Flounder-like Fish: Lower right corner is missing, stain in left margin, visible handling creases. 4) Armed Monocentris Colored Engraving by Lizar: Several spots of staining, faded overall even toning. 5) Tetragonopturus Colored Engraving by Lizar: Overall evening toning with some darkening along the margin edges. |
150 | |
1398 | THREE ROYBAL PAINTINGS: 1) The Quartet of the Musicians, Oil/Canvas, 20'' x 17'', signed lower right, framed 25.50'' x 21.50''. 2) Four Musicians; Two Drummers and Two Trumpet Players, Oil/Canvas, sight size is 15'' x 11.50'', framed 22'' x 18.50''. 3) Three Dancers and a Piano Player, Oil/Canvas, sight size is 11.50'' x 15.25'', singed lower right, framed 15.50'' x 20''. | 125 | |
1403 | LE KINFF, Linda, (American, 20th Century): young Woman with Cat by the Harbor's Edge, Oil/Canvas, 19'' x 19'', signed lower right, 223291 inscribed on the canvas verso, unframed. | 300 | |
1404 | LE KINFF, Linda, (American, 20th Century): Young Redhead Woman Wearing a Red Top Hat, Oil/Canvas, 20'' x 20'', signed lower right, 223299 inscribed on the canvas verso, unframed. | 250 | |
1405 | LE KINFF, Linda, (American, 20th Century): Interior Scene with Young Blond Woman and Cat in a Chair, Oil/Canvas, 21'' x 16'', signed lower right, 224054 inscribed on the canvas verso, unframed. | 350 | |
1406 | LE KINFF, Linda, (American, 20th Century): Young Redhead in Blue Dress Seated in an Interior, Oil/Canvas, 20'' x 211'', signed lower left, 223386 inscribed on the canvas verso, unframed. | 500 | |
1407 | 6 PIECE ART LOT FROM PETER FISCHINGER ESTATE: To include: 1) Athanasius KircherArca Noe, Engraving, dated 1675, published by Johann Janson, sight size is 13'' x 8'', framed 23'' x 17''. 2) V.Thiron adter a painting Diane De Pointer en Diane Chasseresse by Francesco Primaticcio, Luxembourg Palace, Engraving, sight size is 14.75'' x 9.50'', professions frame and matting 24.25'' x 19.25''. 3) A.J. Anndouche after J.B. Greuze, ''Childhood'', 19th Century Steel Engraving, sight size is 11.25'' x 8.75'', custom frame and matting 20'' x 17''. 4) Pair of Engravings by F. Depollies after Lorrian, from the Tales of La Fontaine 1880 series. Both are 6'' x 7.25'', framed 19'' x 13''. 5) Pair of Engravings by F. Depollier after C.H. Eisen and Francouis Boucher, both 6'' x 7.25'', custom frame and matting 14'' x 25''. 6) J. Coquered after Charles Le Brun, ''The Maitre De Musique'', Color Engraving, sight size is 9.50'' x 7.50'', framed 14.75'' x 12.75''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: 1) Slight worm damage. 3) A few age spots. 5) Good condition. 6) Overall light toning. |
150 | |
1408 | JOSEPH DE LONGUEIL FRAMED EROTIC ETCHINGS?: 8 framed erotic images each measuring 5.5'' x 4'' depicting naughty, risque scenes. Some signed and dated 1761. Custom framed and matted. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Very minor toning. |
125 | |
1414 | GLASS TOP BRONZE SIDE TABLE: Bronze side table having a round glass top. Overall scrolling foliate design. Approx. 29.75'' h x 14.5'' w. CONDITION: No condition issues to be noted. |
425 | |
1415 | 3 PIECE PRINT LOT WAYLAND MOORE AND KAIKO MOTI: 1) Wayland Moore, Lining Up the Putt, Serigraph, sight size 32.50'' x 26'', signed lower right, numbered 64/300 lower left, framed 42'' x 35''. 2) Wayland Moore, Chipping from the Bunker, Serigraph, sight size 41.50'' x 26'', signed lower right, numbered 125/300 lower left, framed 49.50'' x 34.50''. 3) Rare Kaiko Moti Floral Still Life, Color Etching, sight size 22'' x 30.50'', signed lower right, artist proof etching marked EA lower left, framed 31'' x 39.50''. CONDITION: 2) Wayland Moore, Chipping from the Bunker: Toning visible in the margin. |
175 | |
1418 | 7 ARTWORKS PETER J. FISCHINGER ESTATE: 1) Gauthien after Couvoisier, ''Vue Du Jardin Du Luxembourgh'' (A View of The Garden at Luxembourg''), Early 19th Century Hand Colored Engraving, sight size 12'' x 17'', framed 21'' x 26''. 2) Lingee after S. Freaudeberg, ''La Promenade Du Matin'', sight size 15.25'' x 11'', framed 22'' x 18''. 3) H. Riffarth Berlin after Seekatz, ''The Goethische Familie'', Photogravure, sight size 4.75'' x 6.75''. 4) ''La Toilette Dela Maree `Oule jour Desire''', 13'' x 10'', in small metal frame. 5) ''P. Bernardi Oggidi Valienastra'', Etching, 9'' x 12'', custom frame and matting 18.50'' x 21.50''. 6) F. Bedford, Color Photo Plate, Depicting Ivory Hanap and Cover, 9.25'' x 13.50'' image, Plate 5, custom frame and matting 22.50'' x 19''. 7) F. Bedford, XVI Century Color Plate of Silver Gilt Cup, Italian, 9.25'' x 12.50'', custom frame and matting 22 x 19'', property of the Earl of Warwick K.T. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: 1) Toning consistent with age. 4) Small Surface scuff. |
225 | |
1421 | AUDUBON MERGANSER LITHOGRAPH ABBEVILLE OR AMSTERDAM EDITION: Sight size is 25.50'' x 37'', custom framed and matted 38.50'' x 48.50''. CONDITION: Not examined out of the frame, visible scattered foxing throughout, mild toning. |
125 | |
1423 | A. RIBAULT AND NORMAN FILS COLOR ENGRAVINGS: 2pc lot depicting Interior Architectural Details for the Chateau De Fontainebleau. One is engraved by A. Ribault, the other is Norman Fils. Image 15.50'' x 11'', quality carved custom frame and matting 29.50'' x 25''. Provenance: Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 100 | |
1428 | COLLECTION OF 19 JOHANN POPPEL, M. KURZ ARCHITECTURAL ENGRAVINGS: Depicting Vietnam Palaces and Landmarks, circa 1845, each measures 5.25'' x 6'', mounted in three custom frames with faux marble matting 25.50'' x 22''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Some stains and age-related toning to boarders. |
175 | |
1434 | HUGHES, Regina Olsen, (American 1895-1993): Floral Still Life Oil on Canvasboard, 20'' x 16'', signed lower right, framed 30'' x 26''. She was the first deaf artist to have a solo show at the Smithsonian Museum, 40 meticulous watercolors of orchids were exhibited in the Rotunda Gallery of the Smithsonian's National Museum of Natural History in 1982. Her work has also been exhibited with the National League of American Pen Women, the Guild of Natural science illustrators, and the Hunt institute for Botanical Documentation at Carnegie-Mellon University. Her orchid paintings are permanently on public view at the National Museum of Natural History at the Smithsonian Museum. (Wikipedia) | 250 | |
1452 | 8 PC EARLY ENGRAVING LOT TO INCLUDE: 1) Serment De Henri IV, Engraving, J. Patas Engraver after Antoine Borret Borel, 13'' x 15'', sight size 22'' x 24''. 2) Cortoisie Du Chevalier Bayard, Engraving, Courtesy of Chvier Bayard, A.F. Hemery after Antoine Borret Borel. 3) Seige D'Orleans, Engraving, Marchand Engraver after A. Borel, Seige at Orleans. 4) Henry IV Et Catch De Medicis, Engraving, Dumbrun Engraver after Antoine Borret Borel. 5) Courage De Pepin, Engraving, J.L. Delignon Engraver after C.R. Marillier. 6) Le Seige De Beavais, Engraving, Avril Engraver after C.P. Marrillier. 7) Devovement Des Bourgeois De Calais en 1346, Engraving, Damdrun Engraver after Marillier. 8) Redition De a Ville De Calais en 1346, Engraving, Dumdrun Engraver. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Minor age related toning. Custom framed. |
175 | |
1454 | BELLET, Emile, (Canadian, 20th/21st C): ''D'or et de Reve'', Seriolithograph, with Park West COA, 30.5'' x 25.5'', stamped signature lower right, framed 43'' x 37.25''. Emile's paintings are notorious for the mysterious, faceless female he includes in his compositions, which is symbolic of his impression of femininity. | 150 | |
1455 | 2 EARNST EWALD COLOR LITHOGRAPHIC PLATES DEPICTING CEILINGS AND WALLS: 1) ''Decoration im Kloster der Penitenzieri (XVI Jahrh)'', sight size 12'' x 15'', plate 34, 28'' x 33.50'', Exquisite custom framing and matting. 2) ''Decke im Pal Scrofa-Galcagnini (XVI Jahrn), plate 44, sight size 12'' x 15'', published in Berlin by Earst Wasmuth, 28'' x 33.50''. Exquisite custom framing and matting. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. | 125 | |
1600 | GENARO ALVAREZ MOSAIC ARTWORK: 31.5'' x 14.25'', stamped verso, affixed plaque titled ''Aztec Phalo'', framed, 32'' x 14.75''. | 1500 | |
NA | LE KINFF O/C | 250 |