Sunday, March 21, 2004
Estate, Antiques, Decorative
& Fine Art Auction results
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Lot | Sale Price | ||
50A | ORTEGA, Jose, (Ecuidorian, 1958-1991): Abstract Composition, Color Etching, 13 3/4'' x 10 3/4'' sight size with margins, pencil signed lower right, # 19/120 lower left, encased in gilded contemporary molding, 27 1/2'' x 21 3/4'', Little Gallery Mich label affixed verso. | 200 | |
50B | TIFFANY STYLE LEADED GLASS LAMP: Bronzed base, 23''h. overall. shade is 19'' dia. Not vintage 1920's but a nice old lamp. | 500 | |
51 | IMPERIAL AUSTRIAN AMPHORA ART NOUVEAU VASE: Nude woman appears to rise from the Lily of the Valley. Iridised green with gilt accents. Impressed mark of Amphora Imperial Austria under a crown. 14 1/4''h. | 1100 | |
51A | EARLY, PERIOD STEP BACK WALL CUPBOARD: Upper section is open hutch cupboard with shaped frame. Straight molded cornice. Bottom section is 3 drawers over 2 door cupboard doors. 86''h x 57 ½''w x 20''. | 2500 | |
52 | DRYSDALE, Alexander John, (Amer., 1870-1934): Bayou Landscape, O/B, 17'' x 24'', SLR and dated 1918, original gilded oak frame, 24 1/2'' x 31'', some separation in corners and minor wear to frame, original glass. Condition - Several pinpoints specks of lighter coloring, slight warp in board due to missing back support panel. Point of interest-Drysdale painted in a unique style using diluted oil paints, applying them with a cotton ball or soft brushes. | 5000 | |
52A | EARLY NEW YORK ROSEWOOD DROP LEAF DINING TABLE: Solid walnut with straight slightly tapered swing legs. Approx. 30 1/4''h, x 47'' x 68''. When leaves are down it is 21''w. Seats 8-12. | 400 | |
52C | DIAMOND, EMERALD, PEARL & PLATINUM DROP EARRINGS: Stunning bezel set diamonds drop to emerald hinge leading to diamond encrusted loops and octagon to diamond capped 13mm pearls, 2 3/8''l. | 2300 | |
53 | PEAT, Wilbur David, (American, 1898): Urban landscape through the trees, possibly Central Park, O/B, 16'' x 12'', monogrammed lower right. Condition - Several scrapes and paint loss in upper margin, upper left hand corners broken off, needs cleaning. This piece was purchased from the estate of Wilbur Peat. | 500 | |
53A | PEAT, Wilbur David, (American, 1898): Rural landscape with farm houses in a meadow clearing, O/C, 18'' x 22'', no visible signature, encased in original gilded molding, 21 1/2'' x 25 1/2'', some wear to gilt. Condition - Several scrapes with minor paint loss. This piece was purchased from the Wilbur Peat estate. Peat was museum director, writer and director and worked in Indiana. | 400 | |
54A | CARTIER ''SANTOS'' WRIST WATCH: Stainless steel and 18k trim, square shaped white dial with black Roman numerals, date function at 3o'clock, automatic movement, attached to a matching link bracelet with folding clasp, two extra links, with Jan. 2000 insurance appraisal, valued at $3450.00. | 1500 | |
54C | 14K GOLD BROOCH, HAND PAINTED PORTRAIT ON BONE: Distinguished elderly gentleman, hand painted on bone?, under glass framed in 14k yellow gold, monogrammed and dated verso, MFG Aug 31, 1900, approx. 1 5/8'' x 1 1/4''. | 300 | |
57 | LARGE DELFT COVERED JAR / VASE: Ginger jar with lion finial. 20''H. | 150 | |
58 | SACKS, Walter Thomas, (Amer., 1901-?): ''Rustic Foot Bridge'', Gouache, 20'' x 24'', SLR, titled verso, period frame with minor gilt loss, 23 1/4'' x 27 1/4'', great Arts and Crafts piece. Sacks exhibited at the Rochester AC. | 500 | |
58A | HAND MADE ORIENTAL RUG, HAMEDEN, approx. 86'' x 29'', Please note warp. | 150 | |
58B | HAND MADE ORIENTAL RUNNER, HAMEDEN, approx. 140'' x 30'' | 200 | |
59A | CAPO DI MONTE PORCELAIN MINIATURE OWL LAMP: Large glass eyes on this fine porcelain figural lamp in the form of an owl on a log. Blue mark under glaze. 6 1/2''h. No chips or cracks. | 450 | |
60 | CHAMBERS, Charles Edward, (American, 1883-1941): Illustration of men fighting a forest fire, O/Artist Board, 18'' x 16'', signed lower right, period gilded impressionist frame with some minor wear, overall 22 1/2'' x 20 1/2''. | 100 | |
60A | BRACKER, M. Leone, (American, 1885-1937): Circus illustration with performer and on lookers, Graphite. 26'' x 34'', signed lower right and dated 1918. Condition - Several scrapes in image, looks like there's some water damage lower left corner, some staining in upper right corner. Matted and framed 34'' x 41 3/4'' overall. | 250 | |
61A | WOOTON QUALITY VICTORIAN CYLINDER ROLL DESK: Bird's-eye, and tiger maple accented interior, uniquely shaped valanced cubbies. Slide out writing surface over double pedestal base. Each pedestal having 4 drawers with carved pulls. Center cabinet with door under slide. Carpathian elm burl to cylinder and lattice applique to interior drawer fronts. 50''h x 49''w x 26''. | 2100 | |
61B | LOVELY DIAMOND BRACELET BY JABEL: 18k white gold bracelet with floral and foliate links, each of the three flowers set with round brilliant cut diamond, approx. 1/3ctw, G color and VS clarity, 14k gold clasp and safety chain, 15.8 grams, approx. 6 1/2''l. Sold with current appraisal, retail replacement $1475** | 425 | |
62 | EARLY 20TH C CAST BRONZE MIRRORED WALL SCONCE: Frame has overall foliate motif with male and female mythological masquerons, two flanking masquerons acting as candle holders, beveled mirror, overall 31'' x 17 1/2'', stamped DD1 verso. | 425 | |
63 | SENAT, Prosper Louis, (American, 1852-1925): ''Venice'', Venetian Canal Scene, W/C, sight size 27 1/2'' x 19 1/2'', encased in original gilded molding with gold mat, 39 1/2'' x 31'' overall, signed lower left, dated 02. Condition - Several minor spots of foxing. Senat studied at Ecole des Beaux Arts in Paris and South Kensington School in London. He spent several years in Europe as well as painting on the coast of Maine. Primarily associated with the East Coast, he was a resident of Pasadena from 1905 to 1910. He died in Germantown, PA in September 1925. In: Delaware Art Museum; Joslyn Art Museum. AAA 1900-25; Art News, 10-10-1925 (obit). (AskArt) | 450 | |
63A | OYSTER GRAIN CHEST ON STAND: 19th C William & Mary style. Highly grained inlay, 60 3/4''h x 35 1/2''w x 19''. | 1350 | |
64 | 19TH C? PORTRAIT OF ROYALTY, W/C ON IVORY: 1 1/4''dia., signed right Rolli, encased in gilded metal frame with needlepoint matting. | 160 | |
64B | EARLY 19TH C PINE DRY SINK: Large basin with drawer below upper shelf, two door cabinet below, two shelf interior, broad single board ends with cut out base. End boards measure 16 1/2''. 36'' height, 46'' width, 19'' depth. | 180 | |
65 | UNISEX WHITE GOLD AND DIAMOND RING: Reminiscent of a paisley eye, hand etched 14k white gold mount encrusted with diamonds, main stone approx. 1/3ct, size 5 3/4. | 100 | |
65A | MID 19TH C FLAME GRAIN MAHOGANY SECRETARY BOOKCASE: Recessed upper section with glass doors and adjustable shelves over cabinet base. 7'h, 42''w, 21''deep. | 800 | |
66 | TATTERSFIELD, Shirley, (Amer., 20th C): ''Twin Bridges'', a bird's eye view mural of Georgetown, with restored boathouse, O/M, 40'' x 52'', SLR. | 1500 | |
66A | HAND MADE ORIENTAL RUG, HAMEDEN, approx. 111'' x 63'' | 300 | |
67A | MAHOGANY TILT TOP TABLE | 200 | |
68 | WILSON, Robert Burns,(Amer., 1851-1936): Kentucky Landscape, W/C & Gouache, 15 5/8'' x 22 5/8'', SLL, period gilded frame, 19 1/4'' x 26 1/2'', some wear to gilt. | 1200 | |
68A | DAVENPORT DESK CA. 1880'S | 700 | |
68B | PLATINUM & 18K GOLD BRACELET: Unique custom made bracelet of hammered platinum ropes and polished 18k yellow gold links, approx. 11 grams, 7 1/2''l., marked 18k & 950Pl. | 325 | |
69 | EARLY, PERIOD CHERRY CORNER CUPBOARD: The interiors are painted white and the door may have some replaced glass panes. Exterior seems fine with age old patina. All moldings are intact. Nice wide board construction. 75''h x 44 ½''w x 23''. | 3000 | |
69A | PAIR OF ORNATE SILVER PLATED 3 LIGHT CANDELABRUM: Detachable sconces, embossed floral and bead decor with scrolling arms. Upper arm is removable leaving elegant single stick. 14 1/4''h x 16''w, 6'' x 6'' base. | 250 | |
70A | KERKAM, Earl, (American, 1890-1965): ''Nude'', Ink Drawing, 16 1/2'' x 11 1/4'', Donald Morris Gallery Detroit Mich label affixed verso with title. Earl Kerkham studied at the Rand School, the Art Student's League and the School of Design. He designed for the Stanley Company and Warner Brothers and was art editor of Progress. In 1924 he went to Paris and studied at the Academies de la Grand Chaumiere and Academy Colorisie. He was in charge of the exhibits at the American Art Gallery in Paris. His work was exhibited at the Museum of Modern Art, the Corcoran Art Gallery, Art Institute of Chicago and the Mellon Galleries. His clients included the Herald Tribune, the Brooklyn Eagle and the Red Stallion Press. Credit: Dr. Leslie Project. | 300 | |
70B | VICTORIAN DIAMOND RING: 14k yellow gold lady's diamond ring topped with 8 old mine cut diamonds and one early single cut, approx. .57ctw, I/J color and VS2-SI2 in clarity. Circa 1900, 3/8 grams, size 8. | 125 | |
71 | METTLACH PORTRAIT PLAQUE #1411: Young boy with a fancy hat. 16 1/2''dia . | 325 | |
71A | METTLACH PORTRAIT PLAQUE #1168: Man with a beard and a fancy hat. 16 1/2''dia | 325 | |
71B | SET OF 7 LOUIS XVI STYLE SIDE CHAIRS: Featuring lady head ormolu mounts on the knees of the cabriole legs. Velvet upholstered backs and seats. 36''h. 21''w. 19'' deep. | 500 | |
72A | WOELFLE, Arthur William, ANA (American, 1873-1936): Floral Still Life, O/B, 9'' x 10'', signed lower right, exhibition information affixed in an envelope verso, encased in original gilded frame, 11 1/4 x 12 1/2''. Condition - Needs cleaning, several chips of paint loss visible in images provided. | 350 | |
72B | GENT'S DIAMOND RING: Round brilliant diamond, approx. .29ct, K SI1, set in 14k yellow gold ribbed band, 8.9 grams, size 7 1/2. Sold with current retail replacement appraisal, valued at $960. | 200 | |
73 | E GALLE ENAMELED EWER: Decorated in an insect motif, signed E Galle a Nancy. 6''h | 425 | |
73A | STEVENS AND WILLIAMS BISCUIT JAR: Victorian cased glass jar with applied tri-colored band of glass in rippled leaf form. Silverplated lid marked L & B A1. 9''h overall. Note small piece of glass missing in band. | 150 | |
73B | PATE-SUR-PATE CACHE POT: Slate blue ground decorated with drapes and swags of fruit. Mounted on metal base impressed B.S. Lined interior. 10 1/2''h. 6'' dia. | 500 | |
74 | BUNDY, John Elwood, (American, 1853-1933): Autumnal landscape, O/C, 16'' x 20'', signed lower right, encased in period gilded molding, overall 19 1/4'' x 23 1/4''. Condition - Eraser size portion of paint loss in lower left corner, sporadic pin point spots of paint loss throughout, unsettling of paint in lower to mid right margin, sporadic unusual fluorescence - not believed to be in-paint but rather a different pigment, signature reinforced.Elwood studied with Barton Hays, member of the Richmond Art Assoc., Hoosier Salon, exhibited at the Art Inst. of Chicago, Herron, among many others. This scene is amongst his specialties. He was a significant figure in the Indiana art world of the late 1800's. Not only a painter but an instructor. (Falk) | 1700 | |
74A | CARR, Lyell, (American, 1857-1912): Pair of Studies of Roosters, W/C, 8'' x 5 3/4'' sight size, both are signed lower left and dated 1894. Encased in original worn gilded moldings, 14 1/4'' x 12 1/4'' overall. | 850 | |
74B | GAILY PAINTED AND CARVED GARUDA: Striking detail, polychrome finish on this wondrous winged rendition of Garuda. 30''h. | 325 | |
75 | SET OF 6 AMERICAN PAINT DECORATED SIDE CHAIRS: Early 19th Century chairs. Some repair to back splats. Solid plank seats. | 450 | |
76 | SCHNAKENBERG, Henry Ernest, (American, 1892-1970): ''Maidenhair Spleenwort'', W/C, sight size 10'' x 12 3/4'', signed upper right, Whitney Museum of American Art 1957 label affixed verso, Kraushaar Galleries label affixed verso, encased in original distressed gilded molding, 19'' x 21 3/4''. | 200 | |
77 | BOEHM PORCELAIN GIANT PANDA CUB: 400-47, Made in USA, 6''h, 8''l. No chips, cracks, or repairs. | 180 | |
77A | BOEHM PORCELAIN SWAN: #40111, made in USA, 6 1/2''l, 5''h. No chips, cracks, or repairs. | 110 | |
78 | ICART, Louis, (French, 1888-1950): ''The Fair Model'', imp. size 19 ½'' x 11 _'', SLR, embossed LL, full margins, sight size 24 1/2'' x 15 1/2'', windmill stamp LL, excellent condition, period gilt frame, 26 1/2'' x 17 1/2''. | 1800 | |
78A | STELLA, Frank?: Geometric composition in colors, Serigraph, 26'' x 26'', signed lower right, dated 76, numbered 7/100. | 175 | |
79A | 2 PAIRS OF FRENCH BRASS CURTAIN TIE BACKS: Ca. 1860's, 3'' dia. 8''l. | 300 | |
80 | SAMMONS, Carl, (American, 1888-1968): ''Evening Primroses, Palm Springs'', O/CB, 6'' x 8'', SLR, titled verso, wear to embossed, gessoed whitewash frame. | 1050 | |
80A | SAMMONS, Carl, (American, 1888-1968): ''Desert Gold, Palm Springs'', O/CB, 6'' x 8'', SLR, titled and dated 1944 verso, wear to embossed, gessoed whitewash frame. | 1100 | |
81 | MOORE, Henry, (British, 1898-1986): ''View of a Male Torso'', from The Elephant Skull Series, C 1970, 19 1/2'' x 14 1/2'', Etching with full margins, pencil signed lower left, #54/100, water mark visible lower right corner. Sold with original gallery exhibition book from the ''Galerie Gerald Kramer''. In that book is another limited edition engraving #75/150, penciled signed Moore, does have a tape stain in upper right corner and lower right corner, measures 10 1/2'' x 8 1/4''. | 400 | |
81A | OAK TRIPLE BOWFRONT CHINA CABINET: Ca. turn of the century golden oak. Carved lions head stiles and claw feet. 2 Wooden shelves. 64''h. x 40''w. x 19''d. | 750 | |
82A | EARLY 20th C IMPRESSIONIST LANDSCAPE SCENE WITH PEASANT WOMAN BY A STREAM: O/C mounted on board, 25 1/2'' x 36'', no visible signature, encased in a gilded impressionist frame with an A. Miller Madison Ave., NY label affixed verso, minor wear to gilding, 30 1/2'' x 40 1/2'' overall. Condition - Some in-paint in the sky, other areas of thinner paint or missing specks of paint in lower left corner and lower right corner, structurally sound, needs cleaning. | 500 | |
83 | MOST ORNATE EDWARDIAN SERPENTINE GLASS ETAGERE/CURIO CABINET: Ca 1890. Fabulous detailed filigree carving, velvet lined interior, mirrored backsplash and on and on and on... The best we've ever sold! 91''h x 60''w x 18'' | 6750 | |
83A | EUROPEAN COBALT PORCELAIN CENTER BOWL: Spelter mounted with web footed horses and frolicking Putti atop a dolphin and shell motif base. Please call for condition. 13'' x 19'' | 500 | |
83B | KAISER GERMAN PORCELAIN FIGURE OF NAPOLEON ON HORSE: A dramatic Blanc de Chine glossy white porcelain figure. 8 3/4''h, 7 1/2''w. No chips, cracks, or repairs. | 200 | |
83C | EXQUISITE 1834 MOURNING BROOCH: Hand chased in a floral and shell motif, dedicated verso ''John Weir Cunningham died 3rd Novr. 1834 Aged 25.'' around the glass covered memorial area, 1 3/8''l. x 1''h. | 275 | |
84 | NEWTON, Harold, (Amer., 20th C.): Florida Highwaymen Coastal Scene, O/Crescent Board, 24'' x 48'', SLR, encased in later frame with damage lower left. Condition- Circular area in the center/right sky 2'' diameter of inpaint. | 1900 | |
84A | GIBSON, James, (Amer., 20th C.): Florida Highwaymen Coastal Scene, O/B, 22 1/8'' x 38'', SLR. | 800 | |
84C | RARE AND UNUSUAL DIAMOND NECKLACE: 18k and platinum filigree collar set with 112 small round brilliant cut diamonds, approx. 62 grams, circa 1940, 20''l., pressure clasp with safety chain. | 4000 | |
85 | WARD, Edgar Melville, (Amer., 1839-1915): Courtyard Study, O/C, 17'' x 14'', SLR and dated 1875. Call for Condition (Has been lined, and several spots of inpaint). | 550 | |
85A | PRESIDENT JAMES MADISON SIGNED DOCUMENTS: The will and land grant documents dated 1812, from the father of Edgar Melville Ward (William Ward), article also signed by James Madison, who was Secretary of State at the time. | 1200 | |
87 | PAIR OF 19th C. CONTINENTAL PORTRAITS: O/C'S, 21: X 16 ½'', Heavy gessoed and gilded matching 19th C. frames, 34 1/2'' x 30 1/2'', with minor wear and some re-gilt, as well as some small pieces of missing gesso. Condition - Both paintings have a patch visible from the back, craquelure, and some small amounts of inpaint. | 1350 | |
88A | FEUCHERE, Jean-Jacques, (French, 1807-1852): Neo-Classical Woman, Bronze, 17'' h., signed on base, carved marble plinth. | 950 | |
88B | PAIR OF MEISSEN PORCELAIN CANDLESTICKS: Blue floral decoration, blue under glaze cross sword mark. 10''h, base is 6 1/2''. | 225 | |
89 | EXQUISITE CRYSTAL SUITE attrib. to BACCARAT: 72 piece gilt rimmed crystal to include 12 cranberry glass wine stems (6 5/8''), 12 wine stems (5 1/8''), 10 water goblets (6 1/4''), 12 liqueur, 3 3/8''), 12 gin (3 7/8''), 11 champagne (4 1/8''), a footed bowl (8 1/4'' dia), a liquer decanter with stopper (9 3/4''), and an open wine or water decanter (6 3/4''). Each with an acorn and leaf gold frieze. Accompanied by an old appraisal for $4700 by Mr. Johannes Beeuwkes, Netherlands. | 1200 | |
90 | BOURAINE, Marcel, (French, 1886-1948): Nude with 2 Antelope, Bronze, 20 1/4''h, signed on base, LN and JL Paris foundry mark. Condition- wear to patina, several scuffs, visible joint in right arm. Marcel-Andre Bouraine was born in Pontoise (Seine-et Oise), He studied under Jean-Alexndre-Joseph Falguiere (1881 - 1900), who had reintroduced and emphasized realism in nineteenth-century sculpture. Bouraine was captured in Germany during the First World War, and interned in Switzerland. In 1922, he exhibited at the Salon des Tuileries. The following year he began to exhibit at the Salon d'Autommne. He executed small-scale sculptures for several French firms, including Susse Freer, La Verrier, and Arthur Goldscheider, often exhibiting with the latter's La Stele and L'Evolution groups. In 1928 Gabriell Argy-rousseau (1885- 1953) commissioned a number of figurines from Bouraine, mostly female nudes, but also a fountain and an illuminated group, all of which were executed in colored, translucent pate de verre. | 3750 | |
90B | GLORIOUS EDWARDIAN PLATINUM DIAMOND RING: Amazingly almost 6 carat total, centered by 3.37ct Lisbon cut, K VVS, flanked by Old Euro Pear cut diamonds, H/I color, approx. 1ct each, in a circa 1905 Edwardian filigree platinum mount, size 7 1/2, approx. 7 grams. | 15000 | |
91A | FABULOUS GORHAM EMBOSSED STERLING SILVER TEA SERVICE CA. 1912: Hot water kettle on stand with burner, teapot, coffee pot, covered sugar, cream pitcher, and waste jar. A64 series. Each piece bears the Gorham hallmark and year mark (fish). The warmer is dated 1917. Please note dent on warmer and small imperfection on the covered sugar. The kettle on stand is 10 1/2''h. excluding handle. Approx. 142.89 oz. total. Monogrammed. | 5000 | |
92 | SAITO, Kiyoshi, (Japanese, 1907-1997): Pair of Dachshund woodblock prints, sight size 9 3/4'' x 14 1/2'', both are signed, encased in Japanese motif frames. 16'' x 20 1/2'' overall each. | 600 | |
93 | 19TH C JAPANESE WOODBLOCK POSSIBLY BY TOYOKUNI: 14'' x 9 1/4'', encased in contemporary frame, 20'' x 15 1/4. Condition - Print is float mounted, creases and crinkles throughout, with minor staining, no visible margins. | 100 | |
93A | JAPANESE WOODBLOCK PRINT: Depicting a female figure in a landscape, 13 3/4'' x 9 3/4'' sight size, encased in contemporary frame 19 1/2'' x 15 1/2''. | 100 | |
95 | 18TH C. FRENCH? PORTRAIT OF A NOBLEMAN: O/C, 30'' x 25'', encased in later 19th C. gilded molded with gold over paint and wear, 40'' x 35'', bears a Charles Le Brun etched metal plaque. Condition - Relined, restretched on a 19th C frame, screened with varnish which makes repairs difficult to detect with a black light, but there has been some restorative inpaint throughout, piece was originally designed to fit in an oval frame. | 5000 | |
95B | VICTORIAN MOURNING BROOCH & MATCHING EARRINGS: Oval brooch with applied decoration of full bodied bird on a branch scattered with small white natural pearls. Glass covered memorial area empty, bottom of back small loop for a watch or locket, please note very slight bend to tip of stick pin, approx. 1 1/2'' x 1 1/4''. Matching post dangle earrings also with full bodied birds in opposed positions and a single pearl each, 15/16''l., assayed at least 14k. | 600 | |
96 | 19TH C ? FRENCH O/C STILL LIFE OF FLOWERS AND FAN: 29'' x 39 1/4'', no visible signature, encased in a contemporary gilded molding, overall 45 1/2'' x 34 3/4''. Condition - Has been relined, small scrape in upper right corner, craquelure throughout. | 650 | |
97 | ATMOS PERPETUAL MOTION BRASS CLOCK: 9 1/4''H | 500 | |
97A | PAIR OF 19th C W/C ON IVORY: One after Gainsborough of the Blue Boy, 2'' x 1 3/4'', the other a Duchess signed lower right N? Richter, 2'' x 1 3/4'', both encased in cast metal filigree frames. The Duchess is of museum quality. | 350 | |
98A | 19TH C W/C ON BONE OF MARY CHURCHILL, DUCHESS OF MONTAGUE: 3'' x 2 1/4'', incised title and date 1750 verso, monogrammed DL, dated 1813. | 150 | |
98B | LATE 19TH CENTURY SPLAY LEG LAMP TABLE: Mahogany splay legged table with tapered melon ribbed legs ending with metal ball and claw feet. Scrolled iron supports shaped lower shelf. Unique underglaze decorations depicting French courting scenes to table top and lower shelf. 38'' height, 26'' square. | 275 | |
99A | 19TH C MINIATURE W/C ON CELLULOID? DEPICTING ENGLISH ROYALTY, 3'' x 2 1/2''. | 110 |
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