| Lot | Sale Price | ||
| 8 |  |
19TH C. BRONZE CHERUB HUNTING BIRDS WITH HIS BOW AND ARROW: 5 3/4'' h, no visible signature, affixed to a period pigeon blood red beveled marble plinth. | 150 |
| 10 |  |
LARGE GOLDSCHEIDER POLYCHROMED STATUE: Depicting a Maiden with Basket, signed Frederick Goldscheider, illegible artist signature, and numbered 1475, 19, 20. Impressed stamp on base Reproduction Reserved. 47 1/4'' h. x 19 1/2'' x 16''. CONDITION: Note several chips, missing one strap on hat. |
1100 |
| 11 |  |
PATINATED BRONZE NUDE ON CONCH SHELL: 7'' h, Affixed to onyx plinth, plaque to front reads ''Le Corail'' Par H. Ple, possibly by Henri Ple, (French, 1853-1922). CONDITION: Overall wear to patina, maiden is affixed with screws, small chips to base of onyx. |
125 |
| 12 |  |
COLINET, Claire Jeanne, (French, 1880-1950): Young Dutch Man, Bronze, 8'' h, incised signature, stamped foundry mark. | 200 |
| 14 |  |
GASQ, Paul, (French, 1860-1944): Bust of Diana in the Nouveau style, Dore Bronze, 14'' h, incised signature, affixed to pigeon blood red marble plinth (plinth does have several chips), overall size is 18'' h., several impressed markings to base. | 1100 |
| 15 |  |
SCHOLZ, Max, (German, 1855-1906): Bespectacled Man Reading a Newspaper in an Interior, Oil/Wood Panel, 13 1/4'' x 9 3/4'', signed lower right 'Max Scholz, Munchen', period gilded frame with minor wear, 20'' x 16 1/2''. CONDITION: Scattered cracklure throughout with several flecks of paint loss, needs cleaning, some frame rub in the margins. |
500 |
| 17 |  |
SAUVAGE, Piat Joseph, (ATTRIBUTED), (Flemish, 1744-1818), Putti at Play, Oil/Canvas Mounted on Masonite, 36'' x 48'', encased in painted and carved period gesso frame, 41 1/2'' x 55'', no visible signature. CONDITION: Laid down on Masonite, scattered repairs to tears, heavy cracklure throughout, the frame has been overpainted, but is original. |
1500 |
| 20 |  |
GAUGENGIGL, Ignaz Marcel Joseph, (American, 1855-1932): ''The Manuscript'', 2 well to do gentlemen sitting on a heavily carved settee, reviewing a document, Oil/Panel, 7 3/4'' x 12'', signed and titled lower right, fine period gilded frame with minor age appropriate wear, 21 1/2'' x 26'', Museum of Arts partial label affixed verso, also stamped EXEMPT member of the jury,. | 3250 |
| 20A |  |
EARLY CARVED GESSO AND PAINTED WOODEN CORPUS CHRISTI: Probably 19th or even 18th C., 13'' h, 11'' w., South American, (reportedly even earlier than 18th C.) CONDITION: Damage and obvious repairs |
375 |
| 25 |  |
TURNER, James Alfred, (Australian, 1850-1908): ''A Rough Course'', depicting hunting dogs chasing a kangaroo with rider trailing behind on horseback, Oil/Canvas, 10'' x 18'', signed lower right, encased in period gilded gesso frame with wear and missing gesso, 22'' x 30''. | 4000 |
| 26 |  |
TURNER, James Alfred, (Australian, 1850-1908): ''The Finish'', depicting hunting dogs with downed kangaroo and rider approaching on horseback, Oil/Canvas, 10'' x 18'', signed lower left, period gilded gesso frame with missing portions of the gesso, 22'' x 30''. CONDITION: Note frame damage. |
3500 |
| 27 |  |
ANGUS, J. Colin, (Australian, 1907-): ''The End of Summer'', (N.E. Victoria), Oil/Masonite, 16'' x 19 7/8'', signed lower right, old label affixed verso with title, framed, 22 1/2'' x 26 1/2''. | 275 |
| 30 |  |
BRUCK, Lajos, (Hungarian, 1846-1910): Young Peasant Girl With Apples, Oil/Canvas, 32'' x 22 3/4'', signed lower left, marked 'Paris', original gilded frame with ebonized wooden surround, 38'' x 29''. CONDITION: Some scattered flecking, some cracklure and congealing, needs cleaning. |
4500 |
| 37 |  |
EARLY MINIATURE PAINTING ON IVORY OF ARCHIMEDES: 3 3/8'' x 3 1/4'', faint pencil inscription verso of illegible first name, last name 'Ovens', encased in wooden frame 4 3/4'' x 4 1/4''. CONDITION: Several scattered abrasions with paint fleck. Note: This item cannot be shipped outside of the U.S. |
180 |
| 37A |  |
2 PIECE MINIATURE PORCELAIN PAINTING LOT: To include 1) Portrait of Young Italian Peasant Boy, 3 3/4'' x 2 1/2'' oval, no visible signature, illegible impressed mark verso, thin edged wooden frame, 3 3/4'' x 3 1/8''. Thinning paint loss; 2) Portrait of a Monk, 3 1/2'' x 2 3/4'' oval, marked 'Firenze' on the back, encased in a carved period wooden frame, 6'' x 5''. Repair to the lower margin, not extended more than 1/16th into the image. | 150 |
| 38 |  |
EXCEPTIONAL 19TH C. MINIATURE WATERCOLOR AND OIL PORTRAIT OF A GENTLEMAN ON IVORY: Oval 3'' x 2 1/2'', no visible signature, encased in period wooden frame with convex glass, showing wear and missing portions to the corners, 4 7/8'' x 4 1/4''. CONDITION: The portrait does have a blemish in the right margin. |
200 |
| 39 |  |
3 MINIATURE PAINTINGS ON IVORY: To include: Taj Mahal, Red Fort, and Qutub Minar, both located in Delhi. All incased in intricately carved frames. Taj Mahal sight size 3'' x 4 1/2'', framed 6 5/8'' x 7 1/4''. Red Fort sight size 1 7/8'' x 2 3/8'', framed 5 3/8'' x 4 3/8''. Qutub Minar sight size 1 3/4'' x 2 1/2'', framed 5 1/2'' x 4 1/2''. CONDITION: Note: This lot cannot be shipped outside of the U.S. |
700 |
| 40 |  |
HOUSTON, John Rennie McKenzie, (Scottish, 1856-1932): ''A Visit to Grandma'', Interior Genre Scene With Young Girl Watching Her Grandmother Knit by a Sunlit Window, Oil/Canvas, 18'' x 14'', signed lower right, encased in a fine gilded frame, 22 1/2'' x 18 1/2''. | 600 |
| 43 |  |
DIBDIN, Thomas Colman, (British, 1810-1893): London Street Scene, Watercolor Gouache and Graphite, sight size 21'' x 14 1/2'', signed lower left and dated 1872, encased in original gilded and pierce carved foliate motif frame with missing gesso with wear, 31'' x 25''. | 750 |
| 44 |  |
ILLEGIBLY SIGNED IMPRESSIONIST FLORAL STILL LIFE PAINTING: Oil/Masonite, 23 1/4'' x 17 3/4'', illegibly signed lower left, carved wood frame, 31'' x 25''. CONDITION: Bubbling and paint fleck throughout with scattered flecks of paint loss. |
400 |
| 45 |  |
DAWSON, Montague, (British, 1895-1973): ''South Australian'', OIL/Canvas, 24 1/4'' x 36 1/4'', framed 32'' x 44'', signed lower right, signed and titled verso. Acquired from Charles Vickery, noted artist, who acquired the piece directly from Dawson. CONDITION: Scattered inpaint. |
14000 |
| 46 |  |
PEYRO, A., (Spanish): Seated Senorita on a Settee, 18 1/2'' h, Glazed Majolica Sculpture, incised signature on the base, also incised signature underneath with impressed unidentifiable mark, impressed mark on the back verso 'Ceramicus Perot Valenzia'. CONDITION: Repair to crack in her heal, professional repair or done at the factory on the back of the settee or at the base. |
300 |
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Last updated Friday, September 30, 2011