International Estate Antiques
& Fine Art Auctioneers

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Sunday, June 20, 2004

Estate, Antiques, Decorative
& Fine Art Auction results

Lot 1 - 50 | [Lot 50 - 100] | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | Lot 250 - 300 | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450 | Lot 450 - 500

Fine Art Only Auction Results

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Sale Price
51 Click for larger picture SCHMIDT-FELLING, (German, 1895-1930): Warrior With Spear, Bronze, 21 1/2''h., polished marble plinth, signed on the base. Condition - Minor wear, slight bend in spear, small chips and scrapes to plinth. 1400
52 Click for larger picture MONUMENTAL PAIR OF 19th C JAPANESE CERAMIC ORMOLU MOUNTED BIRDS: Birds of prey resting on open pierced rockwork, in French bronze mounts of scroll work and cat tails. Evidence of red glaze on the beaks and talons. 17''h. overall, base is 12'' oval. Bronze mount is 6''h, birds are 14 1/2''h. Very good condition. 17000
57 Click for larger picture BOURAINE, Antoine, (French, 20th C): Nude Deco Dancer, Bronze, 8''h., variegated marble pedestal, 11 3/4'' overall, incised ''A. Bouraine'', impressed mark ''76'' on her right foot. Condition - One small spot and small scrape in the patina. 1400
58 Click for larger picture COUSTOU, Guillaume, (the elder), (French, 1677-1746): The Marly Horses, Bronze, 20''h, signed on the bases, foundry mark S B?, with shield and crown mark, remnants of red patina to bases, probably a good 19th C. recasting. Coustou was the son of a wood sculptor (Francois), a student of sculpture under his uncle Antoine Coysenox, then a student at the Academy School. He won 2nd prize in 1696 and 1st prize in 1687. He followed his elder brother Nicolas to Rome, having obtained a small pension from the King. He worked on ecclesiastical ornament and bas reliefs before returning to Paris in 1703. In 1707 Coustou was appointed Sculptor to Louis XIV. Many of his marbles were subsequently edited as bronze reductions. His ''Marly Horses'' executed in marble, was originally at the entrance to a riding school at Marly Park, now at the entrance to Champs Elysies. Gilt-bronze reductions may have been contemporary. Many of his sculptures later became the most popular of all French statuary for reproductions. 2500
60 Click for larger picture SCOTTISH MAHOGANY CHEST WITH SECRET DRAWER: 4 drawers under upper most secret drawer. Columnar stiles, mother of pearl centers on wooden pells, ivory escutcheons. 48''h, x 48'' x 20 1/2''. 1000
61 Click for larger picture FISCHER, Carl Holger, (Danish, 1885-1955): Floral Still Life, O/C, 27'' x 39'', SUR, encased in period heavy gilded gesso molding, overpainted in gold with subtle repairs, 34 1/2'' x 46''. Condition - Several areas of paint flake, cracklure, and inpaint restoration. 550
62 Click for larger picture KOMPOCZY, Endre Balogh, (Hungarian 1911-1977): ''Circus'', O/C, 20'' x 24'', signed lower left, superior condition, period frame. 250
63 Click for larger picture WALLACE ''STRADIVARI'' STERLING FLATWARE SERVICE FOR 8: 61 pieces to include 8 each of dinner knives, 9''l, dinner forks, 7 1/8''l, salad forks, butter spreaders, and soup spoons. Also included are 16 teaspoons, master butter, sugar shell, and 3 serving spoons. No monogram. 300
65 Click for larger picture DECORATIVE FRENCH STYLE ORMOLU TILT TOP TABLE: Porcelain plaques and ormolu mounts on black lacquer round tilt top table. 30 1/2''h, 23 1/2''dia. 400
66 Click for larger picture ROYAL WORCESTER PORCELAIN VASE CA. 1885: Bottle neck, double handle vase with an intricate raised design around the neck. English registry number dates to 1885. 9''h. No chips, cracks, or repairs. 200
67 Click for larger picture SHREVE CRUMP & LOW BLACK MARBLE FRENCH CLOCK GARNITURE: Bronze and polished black marble at its best. Black enameled dial signed Shreve, Crump & Low / Boston. Brass works are signed EM 10508. Cherubic frieze adorns the clock. Garniture are lined vase urns decorated with classic figures and angel. Clock is 11''h, 13 1/2'' x 6 1/2''. Garniture urns are 6 1/2''h. 650
68 Click for larger picture PAIR OF ROYAL WORCESTER FIGURAL COMPORTS: Ca 1880. Sweetmeat dishes in the form of a basket, each with finely detailed figure of a boy and a girl. 6 1/2''h. 6 1/2''l. No chips. cracks, or repairs. 450
70 Click for larger picture NEOGRADY, Laszlo, (Hungarian, 1900-1962): River Landscape with girl and geese, O/B, 12 7/8'' x 17 3/8'', SLL, unframed. Condition - Some inpaint in the sky. 600
71 Click for larger picture PERIOD CHERRY SECRETARY BOOKCASE: In two sections, the upper part with straight top molded cornice, glazed doors opening to shelves. The base has a hinged fall front forming the desk fitted with drawers and cubicles, over 3 drawers. String inlay, shaped bracket feet. 85''h. overall, x 42'' x 21 1/2''. The lower section is 41 1/2'' h. 2250
72 Click for larger picture ARNEGGER, Alois: (Austrian, 1879-1967): Alpine Village Scene, O/C, 27'' x 39'', SLL. Condition - Cracklure throughout, needs cleaning. 1000
74 Click for larger picture BILS, Claude, (French, 1884-1968): Parisian street scene, O/Masonite, 10 1/2'' x 14'', signed lower right, encased in heavy gilt molding. Condition - minute paint fleck in left margin. 850
76 Click for larger picture SIGNED REVERSE PAINTED PAIRPOINT TABLE LAMP: Sailing tall ship motif on glass shade. The triple dolphin bronzed base is signed ''Pairpoint D307 6 1/2''. Double socket pull chain. Shade is 15 1/2'' dia. The lamp is 22 1/2''h. No cracks, very minor chips. 3700
77 Click for larger picture SEMI ANTIQUE HAND TIED HERIZ CARPET: Approx. 9'10'' X 12'10''. 1400
80 Click for larger picture GAZO ''ANGELINA'' CARVED AUSTRIAN STYLE GRANDFATHER CLOCK: From the renowned Gazo family of San Diego. Carved walnut case with beveled glass. The 3 weights are decoratively engraved. The face has cartouche numerals, the works are West Germany. Brass name plate and impressed signature. Approx. 85''h., 22 1/2''w x 15 1/2''. 4500
81 Click for larger picture LOVELY LADY'S DIAMOND RING: Two old Euro cut diamonds with open culets, approx. 6 x 6 x 4.2 and 6 x 6 x 4.4, approx. 90pts each, approx. H/I, SI clarity, set in open work corner mount setting of white gold, on a yellow gold shank, marked 14k, size 4.75, 2.8 grams. 1250
81A Click for larger picture 70pt DIAMOND SOLITAIRE: Round brilliant cut diamond with open culet, 5.8 x 5.8 x 3.7, approx. 72pts, off color, SI clarity, set in 6 prong solitaire mount of 14k (assay) gold with a rosy glow, size 8.5, 2.2 grams. 400
82 Click for larger picture SUPERIOR O/C OF A MAN'S HEAD, 19TH C OR EARLIER: 23'' X 17'', no visible signature, unframed. Condition - Relined, cracklure throughout, patch visible verso, some paint loss and inpaint, looks like a project, but could be a real gem. 200
85 Click for larger picture ARTS & CRAFTS ERA FILIGREE TABLE LAMP: Bronze base incised Tiffany Studios, New York, #533. Shade bears an inset ''Tiffany Studios New York'' label. The six sided shade is composed of green slag glass under filigree, very much like that in the Grapevine or Pine Needle desk sets of Tiffany. The panels are skirted with 6 rectangular sections. Beaded metal outlines all the panels. Shade is approx. 16'' dia. Lamp is 23''h. Three light sockets with turn switches signed Bryant as were used on some Tiffany Lamps.. Condition is original, later wiring for safety. Note: The lamp was consigned by a collector. There seems to be a discussion as to whether Tiffany ever made lamps of this type. Tiffany Studios most definitely made filigree bronze letter racks and inkwells etcetera but no reference to this particular pattern that I can find except for Dr. Egon Neustadt's Book ''The Lamps of Tiffany'' page 57. Our lamp, Lot 85, has a Tiffany Studios inset label and the base is signed Tiffany Studios New York, #533. With all facts known, the buyer must make up their mind as to authenticity. We do not guarantee this lamp to be Tiffany. It is most definitely a fine example of Arts & Crafts Lighting of the period. A similar lamp sold as Tiffany, at the Four Seasons Auction Gallery for $13,500.00 in March of this year. 3750
85A Click for larger picture LARGE BLUE ART GLASS VASE: Lighter blue striations, Although this vase is signed L. C. Tiffany Favrile, we do not guarantee it's authenticity or genuineness. 11 ''h x 8 ''dia. No chips, cracks, or repairs. 950
86 Click for larger picture OUTRAGEOUSLY CARVED TO DEATH WALNUT BOOKCASE: Double glass door bookcase surmounted by 12'' carved eagle finials. Did we say carved? Figural carvings throughout. Note the nude carved across the bottom drawer. 8'h, 4'3'' x 23''. 7500
87 Click for larger picture PAIR OF NICELY EXECUTED DUTCH O/COPPER HARBOR SCENES: 9 1/2'' X 12'', signed Jan Hamm? possibly 1st half of the 20th century or earlier, encased in contemporary gilded frames. 850
88 Click for larger picture 20th CENTURY BRONZE BUST OF HORSE: 11'' Height, no visible signature, attractive casting. 150
89 Click for larger picture MILONE, G, (Italian, 19/20th C.): Courtyard Scene with Burros and Chickens, O/C/B, 17'' x 23'', SLR, this is possibly done by Giuseppe Milone. Condition - Laid on board, small tear in little burro's nose and near front feet, puncture in upper margin, bubble in left margin, needs cleaning. 900
90 Click for larger picture FRENCH ORMOLU BUREAU PLAT DESK: Heavy ormolu ornamentation, black leather top on a three drawer writing table. 70'' X 38'' X 30 1/2''h. 1200
91 Click for larger picture DUFFNER & KIMBERLY LEADED GLASS TABLE LAMP: Brushed gold tone base, the heat cap is numbered 532 and has the signature heart cut outs. Hues of green and rose dominate the domed leaded glass shade. 3 pull chains sockets, with two being soldered back into place. Shade is 19'' dia. lamp is 24''h. 3000
92 Click for larger picture FRENCH DECO GLASS BEAD PEACOCK LAMP: Triple signed ''Made in France''. The peacock is gilt metal with his fan tail is faceted glass beads. He stands on an alabaster base. The hard to find frosted and textured diffuser shade is held in place with two acorn finial screws. Please note this shade does have a crack running the full height and less than 5% of the beads have been replaced. 24 1/4''h. overall, 16'' dia. the alabaster is 9''h. 4 light sockets. 2500
93 Click for larger picture RICHLY CARVED 19TH C FRENCH GILTWOOD CONSOLE TABLE: Beveled and shaped white marble sits atop a deeply carved bowed table. Note the unusual head masquerons heading each leg. 38''h, 29 3/4'' deep, the marble is 58''wide, the table is 64'' wide overall. 5500
94 Click for larger picture HAND TIED PERSIAN CARPET: Approx. 4'8'' X 13', deep blue and red coloration. Please note worn edge. 425
95 Click for larger picture FRENCH PORCELAIN GILT METAL MOUNTED CENSOR: Hand painted scene with raised gold decoration. Gilt metal mounts, the legs, handle and finial. 6 1/2''h, 5 1/2''w. 180
96 Click for larger picture LAMBERT-RUCKI, Jean, (French, 1888-1967): Christ on the Cross, Patinated Bronze, 11 3/4'', signed. 475
98 Click for larger picture PAIR OF FRENCH PORCELAIN EWERS attrib. TO SEVRES: Hand painted allegoric figures, pink ground. Gilt metal mounts. No chips or cracks to the porcelain, though the gold is worn on one. 13''h. 400
99 Click for larger picture HANDPAINTED PARIS PORCELAIN attrib. SEVRES: Gilt metal pedestal base, ornate open handle, and beaded rim. Center of bowl has artist signed painting signed K.Petit?. No chips or cracks to the porcelain. 7 1/2''h. overall, 7'' dia. 550
100 Click for larger picture FRENCH ORMOLU DINING TABLE: A wondrous 48'' round table with 3 leaves, each 22 2/3''. The table opens to a full 116''l. 48''w. Excellent condition. Ormolu to the apron, leaves and legs. As a round table the surface has a ray effect. Excellent condition, ready for home or shop. Fits 10 chairs comfortably. 1500

Lot 1 - 50 | [Lot 50 - 100] | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | Lot 250 - 300 | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450 | Lot 450 - 500

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Last updated Tuesday, September 28, 2004