Sunday, October 21, 2007
Fine Art Only results
Lot 1005 - 1050 | [Lot 1050 - 1100] | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450
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| Lot | Sale Price | ||
| 1054 | ![]() |
HECKENDORF, Franz, (German, 1888-1964): River Landscape, OIL/Wood Panels, 27'' x 36'', signed and dated, heavy gold painted wooden frame, 34'' x 42''. | 6000 |
| 1055 | ![]() |
ROHRICHT, Wolf, (German, 1886-1953): Village Canal, Oil/C, 23 3/4'' x 31 3/4'', signed, unframed. Small tear in lower left margin. | 750 |
| 1061 | ![]() |
COX, David, the younger, (British, 1808-1885): ''Ruined Castle'', Watercolor laid on board, 6 1/2'' x 11'', faint signature lower right, gilded frame, 14 1/2'' x 18 1/2''. Several small spots of foxing. | 400 |
| 1068 | ![]() |
19th C. PORTRAIT OF A GENTLEMAN: Oil/C, 28'' x 23'', signed verso illegibly and dated 1845, unframed. Numerous repairs, skinned, needs work. | 150 |
| 1069 | ![]() |
YOUNG INDIAN LOVERS OIL/C: 40'' x 22 3/4'', no visible signature. Scattered abrasions, needs cleaning, some water damage in lower right corner. | 150 |
| 1070 | ![]() |
SVENDSEN, Svend, (American, 1864-1934): Winter Stream, OIL/C, 24'' x 30'', signed, period gilt frame, 26'' x 32''. Relined with repairs to tears in upper and lower horizontal margins, in need of further restoration in these areas. | 1000 |
| 1072 | ![]() |
SONREL, Elizabeth, (French, 1874-1953): 4 Nouveau Maidens, Lithographs, 18'' x 7 3/4'' sight size, signed in plates, framed, 23'' x 12 3/4''. One of the prints has a spot of water damage in the lower margin, several horizontal bands of light acid burn form old backing. | 1300 |
| 1081 | ![]() |
BJULF, Soren Christian, (Danish, 1890-1958): Canal Scene, OIL/C, 17'' x 22 3/4'', signed, ebonized black frame, 22'' x 27 1/2''. Slight cracklure in left margin. | 800 |
| 1082 | ![]() |
ETIENNE, Roger, (French, 20th C): 3 Young Female Portraits, W/C's, 24'' x 18 3/4'' with margins, signed Paris, 2 are dated '55, 1 is dated '57, unframed. | 225 |
| 1084 | ![]() |
MOREAU, Auguste, (French, 1834-1917): ''Vici'', Patinated Metal Sculpture affixed to a variegated marble plinth, 18'' h., affixed metal plaque reads title, artist, and abbreviation in French for Gold Medal. Some loss to green patina. | 250 |
| 1085 | ![]() |
VITALE, E., (Italian, 20th C.): Harbor Scene, OIL/C/B, 15 3/4'' x 18 1/2'', signed and dated '39, framed, 22'' x 25''. | 120 |
| 1086 | ![]() |
LARGE HUNGARIAN OIL/C FESTIVAL: 25 1/4'' x 34 3/4'', illegibly signed, framed, 32 1/4'' x 41 3/4''. | 400 |
| 1087 | ![]() |
POPOVIC, Antanasije, (European, 20th C.): Girls Traveling Along Coastal Village Road with Donkeys, Oil/C, 13'' x 15 3/4'', signed and dated illegibly, framed, 16'' x 18 3/4''. Several patches verso with small holes, needs cleaning. | 350 |
| 1090 | ![]() |
ANDREWS, Garry, (Australian, 20th C): Abstract Composition, OIL/C, 71'' x 47 1/2'', signed and dated '89. Several scattered abrasions with paint loss throughout. | 650 |
| 1091 | ![]() |
LARGE ABSTRACT PAINTING LIKE ROTHKO: Oil/C, 42'' x 48'', no visible signature. | 2200 |
| 1092 | ![]() |
CUBIST COMPOSITION WITH FEMALE FIGURE SIGNED WAGNER: Oil/C, 32 1/2'' x 33'', unframed. | 600 |
| 1093 | ![]() |
INTRIGUING POP-ART COLLAGE: Depicts a Family Portrait, Oil/C with Collage, 30'' x 42'', faintly but indiscernibly signed. | 375 |
| 1098 | ![]() |
MONTAUT, Ernest, (French, 1879-1936): ''En Reconnaissance'', Hand Colored Pochoir Print, Full size with margins, not laid, 35'' x 17 3/4'', framed, 40'' x 23 1/2''. Light scattered foxing, some water damage to bottom mat margin, and slightly in the margin of the print. ''The first B C airship was built in 1908 and was sold to the Russian Army. This is most likely the model II, which was built in 1910 and became the first airship to fly from the Continent to Great Britain. The Gamy-Montaut prints document various historical events in the early history of transportation, including Power Boat Racing, Motorcycle and Motor Car Racing, Motor Car Touring, Zeppelins and Tennis.'' During the pochoir process, ''outlines for each image were drawn onto lithographic stones and printed. Using these uncoloured prints as a template, elaborate stencils were cut for each colour. Water-colour was then brushed onto the image through the stencil. The colouring process was quite complex, with each print taking several days to produce. The process was quite labour intensive and the studio of Gamy-Montaut employed a group of trained artists, including Nevil and Campion, to assist in the colouring.'' (Donald Heald website) | 400 |
| 1099 | ![]() |
NIERMAN, Leonardo, (American/Mexican, 1932-): ''The Flame'', Carved Alabaster, signed, 40'' h., 43'' with plinth. | 2100 |
| 1100 | ![]() |
CHIPARUS STYLE ART DECO BRONZE SCULPTURE WITH MATCHING LIGHTED ONYX PEDESTAL: 19'' x 23'' including variegated onyx plinth, signed on the plinth, 15'' x 20'' w/o plinth, atop matching lighted onyx and metal pedestal with inset signed Chiparus plaque. Bronze work may have been touched up with paint. | 8000 |
Lot 1005 - 1050 | [Lot 1050 - 1100] | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450
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