| Lot | Sale Price | ||
| 1155 |  |
4 DAHLBERG ENGRAVINGS: Four (4) Copper engravings of Swedish Towns, 11'' x 8'', matching custom frames. | 300 |
| 1156 |  |
4 ORCHID LITHOGRAPHS BY FITCH: Four (4) Color Lithographs of Orchids, 11 1/2'' x 9'', matching custom frames. | 400 |
| 1157 |  |
6 H.C. LITHOGRAPHS OF BOTANICALS BY VAN HOUTTEANO: 9'' x 6'', matching frames. | 325 |
| 1169 |  |
DE TIREFORT, Bela, (American, 20th C.): Washington Square in Winter, NYC, OIL/CB, 16'' x 20'', signed & dated '42, unframed. | 2100 |
| 1171 |  |
VEZIN, Charles, (American, 1858-1942): Valley Landscape Panorama, OIL/C, 16'' x 12'', signed, impressive period gilded gesso aesthetic frame, 21 1/4'' x 17 1/4''. Needs cleaning, some varnish missing in mid right, possibly removed by tape or other adhesive. | 4500 |
| 1175 |  |
CHRUSCICKI, Eugene, (European, 20th C.): Impressionist Stream Scene, OIL/C, 26'' x 33'', signed, exceptional frame with minor wear, 34'' x 41 1/2''. Large patch verso, several areas of paint fleck, inpaint visible by blacklight. | 350 |
| 1176 |  |
UNCLE SAM FOLK ART CARVING: Uncle Sam figure standing on bow with eagle on arm. Eagle is removable. Measures 52 3/4'' high x 15'' x 18 1/2''. | 350 |
| 1188 |  |
CLEMENT(S), Gabrielle, (American, 1858-1948): Hauling in the Nets, Etching, 6'' x 8 1/4'', pencil signed, stained and sold as is, & DOLICE, Leon, (American, 1892-1960): Dockside Scene, Etching, 8: x 9 1/2'', pencil signed, signed in the plate and dated 1922, glue residue verso. Sold as is. | 150 |
| 1189 |  |
CLYMER, Edwin, (American, 1871-): 7 Pc Etching lot with Gloucester and Boston views to include Longfellow Bridge connecting Boston with Cambridge, Boston's First Townhouse, and various other Gloucester/Mass views, all approximately 9 1/2'' x 7 1/2'', unframed and sold as is. | 125 |
| 1190 |  |
LOWELL, Nat, (American, 1880-1956): ''Rockefeller Center'', Etching, sight size 14'' x 8 3/4'', signed lower right, encased in original AAA frame with AAA label affixed verso, frame has wear, 20 3/4'' x 17''. Condition - Overall browning tone, more evident burn near the mat margins. | 160 |
| 1195 |  |
GIFFORD, Robert Swain, (American, 1840-1905): ''Punta Rassa'', Fort Dulaney Florida, an illustration done for Harper's Magazine, 1885 for an article titled ''The Cruise of the Wallory'', W/C, 4 3/4'' x 10 1/2'', titled verso, signed, labeled verso, framed. Fort Dulaney played a pivotal role in the Seminole Indian wars and Spanish American War, where the cable was first received in the US from Cuba about the sinking of the Battleship Maine in Havana Harbor. Small spot in sky with several minor abrasions. | 8000 |
| 1196 |  |
WEIR, Julian Alden, (American, 1852-1919): ''Sunset From Beyond the Turret from Macrosty Park, Crieff'', W/C, 11 1/2'' x 17'', signed, titled verso and marked ''from sketch of 11/7/13'', carved frame, 19 1/2'' x 26''. | 700 |
| 1197 |  |
AMERICAN SCHOOL RIVER RAPIDS SCENE: Oil/Canvas, 14'' x 20'', signed J.H.?, encased in worn period gilt deep dish frame with overpaint, 23'' x 29''. Several tears and abrasions, patches visible verso, spotting from mold? in the sky. | 350 |
| 1200 |  |
FENETTI, Frederick M., (American, 1854-1915): Floral Still Life with Roses and Enameled Glass Vase, Oil/C, 23'' x 30'', signed, framed, 27 1/2'' x 34 1/2''. Cracklure, needs cleaning, several pinpoint flecks. | 7000 |
Lot 1004 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | [Lot 1150 - 1200] | Lot 1200 - 1250 | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400
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Last updated Tuesday, March 04, 2008