Sunday, December 09, 2012
Fine Art Only results
Lot 4 - 50 | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | [Lot 200 - 250] | Lot 250 - 300 | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450
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| Lot | Sale Price | ||
| 205 | ![]() |
JOHN ROGERS PLASTER GROUP STATUE ''COMING TO THE PARSON'': Produced by John Rogers from 1859-1882. In his day it was rare not to see one in the home of a family of means. 22'' x 16'' x 11'' | 125 |
| 206 | ![]() |
JOHN ROGERS PLASTER STATUE GROUP ''WHY DON'T YOU SPEAK FOR YOURSELF'': Produced by John Rogers from 1859-1882. In his day it was rare not to see one in the home of a family of means. 22'' x 16'' x 13'' approx. CONDITION: With chips and paint flecks. |
125 |
| 214 | ![]() |
FIGURAL ART DECO BRONZE SIGNED BAL: Figures of a seated maiden holding a flower and a German shepherd dog mounted to marble base. Signed H. Bal on woman. Measures 7'' h. x 15 3/4'' x 4 3/4''. | 275 |
| 215 | ![]() |
FISHER, Leonard Everett, (American, 1924- ): Speak Easy Bustling Interior Scene with Patrons and Police Officer, Charcoal, Sight size 10 1/2'' x 15 3/4'', signed lower left, no glass to frame, 18 1/2'' x 24 1/4''. | 900 |
| 220 | ![]() |
DANIELS, Johnny (American, 20th Century): Florida Highwaymen backwaters sunset scene with palm trees and 4 birds in flight, Oil/Masonite, signed lower right, 24'' x 12'', framed in molding frame, 26 3/4'' x 14 1/2''. | 650 |
| 230 | ![]() |
CASTELLON, Federico Cristencia, (American, 1914-1971): 2 Lithographs, ''The Alchemist'' & ''Hermes, Hygera, Alschlapuis, & Panacea'', 20'' x 16'', both are pencil signed and titled, encased in matching gold frames with wear 24'' x 20''. CONDITION: One is missing glass has several small scrapes in the lower left corner, there is some very mild toning. |
225 |
| 235 | ![]() |
SIMMONS, Edward Emerson, (American, 1852-1931): ''Stormy Day'', Oil/Canvasboard, 16'' x 20'', signed lower right, titled in pencil verso, encased in painted and carved frame with wear 23 1/4'' x 27 1/4''. | 2100 |
| 243 | ![]() |
6 PAGES OF ANCIENT 18TH CENTURY ENGRAVED SEALS: 2 colored pages engraved by George Vertue for The Society of Antiquarys in London, dated 1736, approx.. 21'' x 13 1/2''; 2 pages engraved by G Zuliani in Parma dated 1769, 22'' x 16 1/4''; 1 page engraved by Simone Ravenet dated 1769, approx. 22'' x 13 1/4''; and 1 page engraved by G. Parini in Parma dated 1769, approx. 22'' x 16 1/4''. Sold as a lot CONDITION: Toning and creases, sold as is. |
200 |
| 243A | ![]() |
4 GEORGE EDWARDS 18TH CENTURY ORNITHOLOGICAL COLORED ETCHINGS: Lot of 4 Bird prints by George Edwards, one of the foremost naturalists of the Age of Enlightenment (1700-1800). Plate 74, Parrot & Dragonfly, 1745, approx. 11 1/4'' x 9''; Plate 114, The Three Toed Wood Pecker, 1748, approx. 11 1/4'' x 9''; Plate 230, The Blue-Faced Green Parrot; Le perroquetvert face de bleu, 1755, approx. 11 1/4'' x 9''; Plate 346, The Wall Creeper of Surinam and The Great Swallow-tailed Butterfly from China, done in the 70th year of the artists age, approx. 11 1/4'' x 9''. CONDITION: All prints with decorative oval mat framing set with glue that is old and now separating, perhaps allowing for full restoration to their original state. |
225 |
| 243B | ![]() |
9 EARLY ENGRAVINGS VASI BARDI LOGE PELTRO: 3 Eighteenth Century Etchings of Rome G. Vasi: 1) Plate 23, Piazza di Monte Citorio Etching, Giuseppe Vasi, 15 1/2'' x 10 5/8''; 2) Plate Palazzo Mattei Etching, Giuseppe Vasi, 15 1/2'' x 10 5/8''; 3) Chiesa di S Mariia in Via Lata, Guiseppi Vasi, approx.. 15 «'' x 10 5/8''. 2 Eighteenth Century Copperplate engravings, One page: 1) Plate 97, De Stad Weesphet gesigt komende van de Uitermeersche Sluis. = La Ville de Weesp, Prenant sa Veue du cote de l'Uitermeerse sluis, Plate 98. 2 Lorenzo Bardi Antique Engravings of France: 1) Lorenzo Bardi Engraving Ca 1830, Vue de la Place, et de l'Eglise de la Sainte Croix, approx. 15 1/4'' x 10 1/2'', 2) Entree Dans La Ville De La Porte S Gallo, approx.. 15 1/2'' x 10 1/2''. 2 pages, 4 18th Century Engravings: 1) View of Lord Stormont's House, near Wandsworth in Surrey London: Published by Alexr. Hogg, at the Kings Arms, No.16, Paternoster Row, May 22, 1784; View of Lord Stormont's House, near Sandsworth in Surrey, London: Published by Alexr. Hogg, at the Kings Arms, No.16, Paternoster Row, May 22, 1784; 3) A View of the Church of St. Pancras in the County of Middlesex and A View of Hornsey Church in Middle sex with the adjacent Country engraved by Lodge or Peltro published in Boswell's Antiquities, about 1786 Published according to Act of Parliament, by Alexr. Hogg, No.16, Paternoster Row Copper engraving. All pieces un-matted and unframed. CONDITION: Foxing and toning, sold as-is. |
125 |
| 243C | ![]() |
18TH C. ETCHING THE NORTH EAST VIEW OF KING ALFRED'S HALL: After Thomas Robins, Ca 1763, View of the landscape gardens at Cirencester Park, with the 'ruins' of King Alfred's Hall; low, broken walls at right, castellated gatehouse and walls at left; in the foreground, standing between tall trees, a man and woman conversing at left, another woman holding her hand out to a man standing with two others at right. Inscribed and Lettered with title and following lines: 'Tradition says that a treaty was sign'd here with Gormandus the Dane. It is certain that a street and some remains of a castle or tower at Cirencester still bear his name. Production detail lower left, ''Thos: Robins delin 1763''. Approx. 19 1/2'' x 13 1/4'' CONDITION: Toning, margin creases. Sold as-is |
150 |
| 243D | ![]() |
2 PC FLORENTINE ILLUSTRATED CALIGRAPHY GAETANO GIARRE: 1) Cerca il Saggio la Gloria, Florence, ca 1797-1811. 2) Col rabbuffato crin dorgoglio piena Fenta spesso Ignorangzaerger sua testa, Colored engravings of Italian poems decorated with whimsical Rococo decorations comprised of stylized urns, plants, birds, insects and animals, intended to teach penmanship and calligraphy. CONDITION: Laid down, missing margins. Sold as-is |
150 |
| 243E | ![]() |
HAND-COLOURED AQUATINT BY ROBERT HAVELL AFTER GEORGE WALKER: ''The Cloth Dressers'' Plate 6 from The Costume of Yorkshire by George Walker, published 1813 by Robinson & Son of Leeds. The image shows a textile worker cropping or trimming woolen cloth with shears, after combing it with teasels to raise the nap. 10 3/8'' x 14 3/4'', matted 19'' x 16''. CONDITION: Toning, tear to edge hidden by mat, sold as-is. |
100 |
| 243F | ![]() |
LE VEAU ETCHING HOSPICE DU ST. BERNARD DU COTE DU VAL D'AOST: Plate 153 from the book ZURLAUBEN, Beat Fidel Antoine (Baron von Thurn und Gestelenburg) and Jean-Benjamin de LABORDE. Tableaux Topographiques, Pittoresques, Physiques, Historiques, Moraux, Politiques, Litt‚raires de la Suisse. Paris: Clousier and Lamy, 1780-1788. Legend reads ''Le Drossa: le Batiment construit au pied de ce mont est contre les Avalanches, et la ligne qui le traverse sont les Canaux qui conduisent l'eau au Couvent. Partie du mont Velan couvert de Neige. Le Barasson'' 19 3/4'' X 12 1/4''. CONDITION: Toning and foxing, tear to edge, sold as-is. |
150 |
| 243G | ![]() |
ALLEGORY OF BRITAIN CONQUERING FRANCE COLORED ENGRAVING 1816: Frontspiece engraving from ''The History of England'' from the Invasion of Julius Caesar to the Revolution By David Hume. Depicting Britannia crowned by Victory, trampling upon the chains of France, holds in her right hand the Trident of Neptune, as Mistress of the Ocean, in her left hand Magna Charta, whilst Fame is proclaiming to the World the Glory of her Arms, by pointing to some of her principle Battles inscribed on her Shield, which is supported by the Genius of Commerce; beneath are the Emblems of antient and modern Warfare. London, Published by Richd Evans Whites Row, Spitalfields 1816. Similar copy resides in the McGill University Napoleon Collection. 15 1/2'' x 9 1/2''. CONDITION: Toning and foxing, tear to edge, sold as-is. |
100 |
| 245 | ![]() |
GILBRETH, T.S. (American, 1946- ): ''Spanish Gift'', Bronze, 17 1/4'' h., x 16 1/2'' w., incised signature along with incised title, #'d 4/18, dated '86, affixed to beveled wooden plinth, 20'' overall in height. | 700 |
| 250 | ![]() |
AUTH, Robert, (American, 1926-2011): ''Idaholandscape1172'', Oil/Canvas, 36'' x 59'', signed lower right, marked 1172, thin line wood frame 36 1/2'' x 58 1/2''. This painting was used on the cover of Auth's illustrated memoir ''Francie's Camera''. CONDITION: Several pinpoint punctures, minor scuffs/abrasions, could use cleaning. |
500 |
Lot 4 - 50 | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | [Lot 200 - 250] | Lot 250 - 300 | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450
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