| Lot | Sale Price | ||
| 1054 |  |
ERTE ''GRAPES'' BACCARAT CRYSTAL VASE: Designed by the artist Erte in conjunction with Baccarat crystal and retailed by the Dyansen Gallery. Titled ''Grapes'', aka ''Flight of Love'', it features fine gilt bronze art deco birds feeding on grapes mounted on hand blown & polished signed Baccarat crystal vase, numbered limited edition #99/395. Sold with ''Grapes'' detail page and an original Dyansen / Sevenarts catalog signed and dedicated by Erte. 16 3/8'' h. x 13'' x 6 1/2''. CONDITION: Scratches to base. |
2250 |
| 1054A |  |
ERTE, (French, 1892-1990): ''Kiss of Fire'', Bronze, 20'' h. x 18 1/4'' w. x 5 1/2'' d., signed and numbered 31 of 300, Fine Art Acquisitions 1984 stamp to the base. CONDITION: Exceptional condition. |
2500 |
| 1055 |  |
ERTE ALPHABET LETTER J LITHOGRAPH: From the ''Alphabet'' Series, signed lower right, numbered 91/350. Sight size 19'' x 12 3/4'', framed 27 1/2'' x 21''. Sold with pamphlet and original purchase check for $1,564 in 1982 from William Crawford Plumley Estate. CONDITION: Toning, not examined out of frame. |
300 |
| 1056 |  |
ERTE, (French, 1892-1990): ''W'', Lithograph, sight size 19'' x 13'', pencil signed lower right, numbered 232 of 350 lower left, framed, 27 1/2'' x 21 1/2''. | 400 |
| 1057 |  |
ERTE, (French, 1892-1990): Depicts a Woman in a Black Hat Peering at a Bird, Lithograph, size with margins 20'' x 13 3/4'', pencil signed lower right, numbered lower left 101 of 260, blind stamp lower left corner, unframed. CONDITION: Several scuffs, dirt marks, small impression in left margin, slight fold in to lower left and right corners. |
225 |
| 1060 |  |
MINIATURE ON CELLULOID DUCHESS OF DEVONSHIRE AFTER GAINSBOROUGH: Oval 4.75'' x 3.75'', worn crimson velvet mat, elaborate pierced easel back frame with floral and foliate wreath finial, 9''h. x 6.375''. | 1700 |
| 1061 |  |
PAIR OF PERIOD GOULD BIRD PRINTS: 2 Hand Colored Lithographs to include 1) Milvus Regalis, sight size 20'' x 13 1/2'', framed, 30 1/2'' x 23 3/4''; 2) Aquila Chrysaetos, sight size 20'' x 13 1/2'', framed, 30 1/2'' x 23 3/4''. CONDITION: Both prints exhibit overall toning. 1) Milvus Regalis has a small spot of foxing. 2) Aquila Chrysaetos has discoloration in upper left corner. Not examined outside of frame. Sold as is. |
600 |
| 1064 |  |
HADEN, Francis Seymour, (British, 1818-1910): ''Challow Farm'', Etching, 6 3/4'' x 9 1/2'', pencil signed lower right, inscription reads ''This proof printed on very fine old paper - an extra good proof.'', signed by the printer, black frame, 15'' x 20'', original label affixed verso. | 150 |
| 1073 |  |
MORI, Yoshitoshi, (Japanese, 1898-1992): 3 Japanese Woodblock Prints to include 1) Busy Village Scene, 17 1/2'' x 11 3/4'', pencil signed lower right and dated '70, unframed; 2) Samurai, 17 1/2'' x 11 3/4'', pencil signed lower right and dated '70, unframed; 3) Ranch, 11 1/2'' x 17'', pencil signed lower right and dated '70, unframed. CONDITION: Scattered minor foxing, some toning in the margins, good overall. Sold as is. |
325 |
| 1074 |  |
MORI, Yoshitoshi, (Japanese, 1898-1992): Village Landscape in the Batik Style, Japanese Woodblock Print, sight size 30'' x 32'', pencil signed lower right and dated 1957, numbered 12 of 50 lower left, contemporary frame, 39'' x 41''. CONDITION: Not examined outside of frame, several minor spots of foxing. Sold as is. |
325 |
| 1075 |  |
LEVIER, Charles, (French, 1920-2003): ''Premier Jour de Printemps'', Oil/Canvas, sight size 40'' x 60'', signed lower right, signed and titled verso, heavy gilt frame, 48'' x 68 1/2''. CONDITION: Needs cleaning, several minor abrasions, frame has minor wear. Sold as is. |
2600 |
| 1076 |  |
LEVIER, Charles, (French, 1920-2003): Harlequin and Young Beauty After the Performance, Oil/Canvas, 36'' x 24'', signed lower right, signed and titled in French verso, heavy contemporary gilded frame, 45'' x 33''. | 1900 |
| 1079 |  |
HIROSHIGE, Ando, (Japanese, 1797-1858): Ladies in Asakusa Park at Tokyo, Japanese Woodblock Triptych, sight size 13 1/2'' x 27 3/4'', custom lacquer frame, 19 1/2'' x 33 1/2'', Yamanaka label affixed verso. | 225 |
| 1083 |  |
PELISH, Susan, (American, 20th Century): Welded frosted glass table lamp with hues of blue, green and pink. Single socket fixture. Overall 13'' h. x 11'' x 9 1/4''. | 325 |
| 1088 |  |
DALI, Salvador, (Spanish, 1904-1989): ''Mystical Rose Madonna'', Lithograph, sight size 19 1/4'' x 18 3/4'', pencil signed lower right and dated 1969, numbered 87 of 300 lower left, float mounted and framed, 33 1/2'' x 31 1/4''. Accompanied by Letter of Authenticity from Salvador Dali Archives, Ltd. | 2700 |
| 1089 |  |
DALI, Salvador, (Spanish, 1904-1989): ''Catalytic Cracking'', Print, sight size 18 1/4'' x 22 1/2'', pencil signed lower right, numbered 8 of 450 lower left, contemporary frame, 27 1/2'' x 32''. Accompanied by Letter of Authenticity from Salvador Dali Archives, Ltd. CONDITION: Not examined outside of frame, visible uneven toning, not examined out of the frame. |
1100 |
| 1090 |  |
DALI, Salvador, (Spanish, 1904-1989): ''Noli Me Tangere!'', Lithograph, sight size 18 1/4'' x 12 1/4'', pencil signed lower right, framed, 31 1/2'' x 25 1/4''. | 250 |
| 1091 |  |
DALI, Salvador, (Spanish, 1904-1989): Portrait of Van Gogh, Etching, sight size 11 1/4'' x 9 1/4'', pencil signed lower right, numbered 40 of 150 lower left, Merrill Chase label affixed verso, original frame, 17'' x 14 3/4''. | 550 |
| 1092 |  |
WARHOL, Andy, (American, 1928-1987): ''After the Party'', Offset Lithograph, 21 1/2'' x 30 1/2'', right, left, and bottom margins have a deckled edge, pencil signed lower right, numbered 868/1000, blind stamp lower left, custom contemporary frame, 35 1/2'' x 42''. | 12000 |
| 1095 |  |
AVINOFF, Andrey, (Russian/American, 1884-1949): Still Life with Butterfly and Flowers in a Pot, Watercolor, sight size 18'' x 15'', signed lower right, encased in fine gilded gesso frame, 26'' x 23''. Botanical paintings are valued for both aesthetic beauty and scientific merit. As an artist, Andrey Avinoff's best known works are his flower paintings and his passion for science provided him with fascinating subject matter. The artist's niece, Antonia Shoumatoff, noted in a 2014 article for The Millbrook Independent that her uncle ''...was renowned for his artistic talents as well as his scientific expertise and especially for his paintings of butterflies and flowers...''. His accurate yet beautiful depictions of flora have made his artwork highly sought after by private collectors and major art institutions. The Smithsonian American Art Museum and the Carnegie Museum of Art are among the institutions boasting works by Andrey Avinoff in their permanent collections. Avinoff was a prolific artist but, outside of his commercial illustrations and artistic personal gifts, his artwork went largely unnoticed for years. So much so that, after Avinoff's death in 1949, it was discovered that over 400 botanical watercolors were owned by Carnegie Museum of Natural History where Avinoff had been the museum's director from 1926 to 1945. Posthumous exhibitions of Avinoff's works have received great acclaim and have generated a new interest in his art. CONDITION: Frame shows signs of wear and missing gesso, not examined outside of frame. Sold as is. |
2000 |
| 1098 |  |
'THE FISHERY'' PERIOD ENGRAVING BY WOOLLETT: Fine Period Color Engraving, sight size 17 1/2'' x 21'', Donald A. Heald heavy gilded gesso frame, 32'' x 35'', label affixed verso Artwork for Ritz-Carlton Amelia Island. CONDITION: Not examined outside of frame, several visible stains in margins, spots of foxing, frame does need some touch-up. |
225 |
| 1099 |  |
1903 JAN KUBELIK VIOLIN CONCERT POSTER: 3 sheet Lithograph advertising poster for a concert by renowned Czech composer and violinist Jan Kubelik in Amsterdam, November 25th, 1903. Printed by the Dangerfield Printing Co., London. Measures 86 3/4'' h. x 39'', contemporary frame under Lexan, 89 3/4'' x 43''. CONDITION: Water staining lower margins, rubs, abrasions, fold lines, edge tears, backed with linen. Sold as-is. |
1000 |
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Last updated Friday, July 3, 2015