| Lot | Sale Price | ||
| 1153 |  |
HORTON, Etty, (British, 1882-1905 active): River Landscape with Fisherman, Oil/Canvas, 13'' x 25'', signed lower left, pierce carved and gilded frame, 17.75'' x 29.5''. CONDITION: Frame has wear, sold as is. |
400 |
| 1154 |  |
LATE 19TH C RIVER LANDSCAPE PAINTING BODINGTON?: Oil/Canvas, 12'' x 24'', monogramed lower left EHB possibly Edwin Henry Bodington, pierce carved and gilded gesso frame, 17.25'' x 29.25''. CONDITION: Relined, scattered craquelure, needs cleaning, repair to puncture, sold as is. |
250 |
| 1164 |  |
ERTE (Russian, 1892-1990): ''Paresseuse'', serigraph, 28'' x 20'', signed lower right, numbered 93/300 lower left, metal frame 40'' x 32''. Born in Russia and the son of an admiral of the Imperial Fleet, Erte was inspired by Persian miniatures which displayed exotic and brightly colored patterns and designs. During his career he created over 240 covers for the magazine ''Harper's Bazaar''. His work includes fashion, jewelry, graphic arts, costume and set design for film, theatre and opera as well as interior decor. | 500 |
| 1165 |  |
ERTE, (Russian 1892-1990): ''The Mirror'', Serigraph, sight size 26'' x 20.5'', signed lower right, numbered 120/150, custom black and gold frame with matting 36'' x 32''. Born in Russia and the son of an admiral of the Imperial Fleet, Erte was inspired by Persian miniatures which displayed exotic and brightly colored patterns and designs. During his career he created over 240 covers for the magazine ''Harper's Bazaar''. His work includes fashion, jewelry, graphic arts, costume and set design for film, theatre and opera as well as interior decor. | 550 |
| 1165A |  |
4 ERTE ART DECO CHINA PLATES: Collection of 4 plates by Erte, 2 marked on back with facsimile of Erte signature, Bone China, Japan and title of plate to include 1) ''Queen of Sheeba'', A3253/1987. 2) ''Symphony in Black'', A3255/1988. Each 12'' dia. The other 2 marked on back with title of plate, Fine China, West Germany, 1990, By Sevenarts Limited to include 3) UH 207, ''L'Amour''. 4) UH 202, ''Statue of Liberty''. Each 12 1/2''. CONDITION: There is a flaw to the inner ring of #1. |
125 |
| 1168 |  |
SVENDSEN, Svend (Norway, 1864-1945): Haystacks Along a Snow Covered Road, Oil/Canvas, 25'' x 32'', signed lower right, framed 30'' x 37''. Svendsen moved to Chicago in 1881 to begin work as a lithograph artist, where he became known as one of Chicago's most important landscape painters. Eventually he moved to Paris and studied at the Academie Delecluse, one year after his exhibition debut in 1895. Svendsen was known for his intimate, and at times, even romantic landscapes. CONDITION: Stretcher bar wear, needs cleaning, frame shows wear, sold as is. |
375 |
| 1174 |  |
ELTEMTAMY, Ahmed, (Egyptian/American, 20th/21st Century): Sunrise over the Indian River with boat on shore, vibrant sky with clouds, Oil/Masonite, signed lower right, 12'' x 24'', framed 17'' x 29 1/4''. Ahmed was a student of Florida Highwaymen artist Sam Newton. | 400 |
| 1175 |  |
ELTEMTAMY, Ahmed, (Egyptian/American, 20th/21st Century): Everglades or St. Johns River scene with stand of palm trees, Oil/Masonite, signed lower right, 12'' x 16'', framed 17'' x 21 1/2''. Ahmed was a student of Florida Highwaymen artist Sam Newton. | 300 |
| 1176 |  |
MCCLENDON, Roy A., (American, 20th Century): Florida Highwaymen sailboat in lagoon with deep purple sky, Oil/Canvas, 14'' x 11'', framed 17 3/4'' x 14 3/4''. | 400 |
| 1183 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Frosty Morning'' Arlington Heights, VA. Oil Canvas Mounted to Board, 20'' x 24'', signed lower left, #818, titled verso, framed, 24.5'' x 28.5''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Estate fresh from a neighbor of the artist, needs cleaning, canvas is buckling in several small spots in lower mid-margin. Sold as is. |
600 |
| 1184 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Upper Rock Creek in Winter'', Oil/Board, 16'' x 20.5'', signed lower left and dated 1957, titled verso and dated, #613, framed 19.25'' x 23.5''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Needs cleaning, several minor abrasions, sold as is. |
500 |
| 1185 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Overlooking the Anacostia, DC'', Oil/Board, 18'' x 14'', signed lower right and dated 1955, titled verso, #590, Dedicated To Mr. and Mrs. Marsh with the best of wishes of the artist, framed, 18.5'' x 22.25''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 350 |
| 1186 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Near Chain Bridge'', Oil/Board, 7'' x 8'', Signed ''BM'' Lower Left Corner, #949 verso with title and dated 1921, unframed. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 225 |
| 1187 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Winter Morning on Northwest Branch, DC'', Oil/Board, 6'' x 8'', Signed Lower Right, Benson B. Moore. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 300 |
| 1188 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Occoquan Run'', Oil/Canvasboard, 15'' x 12'', signed lower left, titled verso, numbered 486, unframed. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Lower left corner is dinged, may need cleaning, sold as is. |
325 |
| 1189 |  |
5 PIECE BENSON BOND MOORE ETCHING LOT: 5 Piece Etching Lot to Include: (1.) ''The Gulf at Sarasota'', 6.5'' x 7.5'' with margins, ''Edition of 50'', pencil signed lower left, titled in the lower left corner (2.)'' Black Bears'', 6 5/8'' x 3.5'' with margins pencil signed, titled ''Edition of 75''. (3.) ''Mockingbird'', 3.5'' x 3'' with margins, signed, titled, ''Edition of 75''. (4.)'' Northern Blue Jay'', 10'' x 7.25'' with margins, pencil signed, limited ''Edition of 40''. (5.) ''Pigs'', 6 5/8'' x 7 7/8'' with margins, signed, titled, limited ''Edition of 40''. CONDITION: Bears have some wrinkling and a small tear with some handling creases as well. Mockingbird has several obvious stains. Gulf of Sarasota has several spots of foxing. Lot sold as is. |
100 |
| 1189A |  |
40 PIECE BOND MOORE PRINT LOT: 40 Piece Print Lot of assorted sizes to Include 37 Lithographs and 3 Original Etchings: Pigs, Screech Owl, and Lion and Lioness. Most are signed and titled by the artist, they are all unframed. CONDITION: Several of the larger prints have visible tears and/or wrinkles, sold as is. |
225 |
| 1189B |  |
40 PIECE BENSON BOND MOORE LITHOGRAPH LOT: 40 Piece Lot to Include: Various Hand-colored Lithographs, Offset Lithographs and 1 Limited Edition Bald Eagle Etching, prints are various sizes, all unframed. CONDITION: Sold as is. |
225 |
| 1189C |  |
48 PIECE BENSON BOND MOORE LITHOGRAPH AND GREETING CARD LOT: 48 Piece Lot to Include: Various Lithographs and Greeting Cards. Many of which are hand colored, most are signed and titled by the artist, all are unframed. CONDITION: Sold as is. |
250 |
| 1195 |  |
EILSHEMIUS, Louis, (American, 1864-1941): Nudes Bathing in River with Dogs on The River Bank, Oil/Board, 22.5'' x 30.25'', signed lower right, heavy gilded wood frame, 29.5'' x 37''. Eilshemius early paintings, reflecting the influence of Corot and Inness, were considered American contemporary art. Where he seemed destined for success, subsequent paintings weren't accepted or appreciated. CONDITION: Several minor abrasions and flecks of loss, sold as is. |
2000 |
| 1198 |  |
MACK, Bill, (American, 1949-): ''Fascination'', Bonded Sand Sculpture, 33'' x 62'', signed upper right, numbered 27/50, framed, 43'' x 74'' x 9'' deep. Sold with accompanying wooden shipping crate. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Crate size 80.5'' x 49.5'' x 15'' Deep. Shippers please note the weight is approx. 250 lbs in the crate. |
2500 |
| 1199 |  |
MACK, Bill, (American, 1949-): ''Grandeur'', Eagle in Flight, Bonded Sand Sculpture, 30'' x 72'', framed, 39'' x 79'' x 12'' deep With Frame, signed lower left and numbered VIII/X, (8/10), sold with wooden packing crate. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Crate Size, 85.75'' x 44.5'' x 18'' Deep. Shippers please note the weight is approx. 250 lbs in the crate. |
2700 |
| 1199A |  |
MACK, Bill (American, 1949-): ''Rapture'', Bonded Sand, First Casting Taken from the Mold, Approx. 46'' x 37'', original painted white frame, 57.5'' x 48'', signed lower left, marked ''TP''. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Splattered house paint on the frame in the upper portion, several minor abrasions on the frame, sculpture has some mild discoloration, sold as is. Shippers, please note the weight is approx. 95 lbs. |
3000 |
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Last updated Tuesday, May 31, 2016