| Lot | Sale Price | ||
| 55 |  |
BLAMPIED, Edmund, (British, 1886-1966): ''Night Time, Dieppe'', Etching, 10 1/2'' x 15 1/2'' with margins, pencil signed and numbered 92/100, titled in the lower margin, marked in the lower left corner 'P.A.C. 17384?', plate size 7 3/4'' x 11'', also signed and dated in the plate 1926. CONDITION: Crease in upper left corner, small crease in lower right corner with minor tear, several spots of foxing, mildly toned. |
300 |
| 56 |  |
BLAMPIED, Edmund, (British, 1886-1966): ''Street By Night'', Etching, 11 1/2'' x 18 1/8'' with margins, pencil signed lower right, numbered 12/100 lower left, signed and dated 1924 in the plate, F. G. Head and Company Paper, titled lower right in pencil, signed and titled lower left in pencil, unframed, plate size 7 3/4'' x 11'', unframed. CONDITION: Tape remnants in upper corners, minor crease in right margin, crease with partial paper loss in upper left corner, sporadic, sparse foxing. |
350 |
| 62 |  |
2 COLD PAINTED BRONZE PHEASANTS MARKED F B: Probably Franz Bergmann, Male and Female, approx. 2 1/2'' x 5'' (m), and 1 1/4'' x 4'', (f). | 170 |
| 63 |  |
'MOUNT TOP STAFFORDSHIRE'' 19th C. PAINTING BY SAM SCARLETT: Depicts and shepherd with sheep and cow, relaxing, Oil/Wood Panel, 9 1/2'' x 14'', signed and titled verso, later frame 13 1/2'' x 18''. CONDITION: Scattered inpaint, cracklure throughout. |
500 |
| 70 |  |
19th C PAINTING OF MAN IN STOCKING CAP HOLDING SNUFF TIN: Oil/Canvas, 12 1/4'' x 9 1/8'', signed Ada White, Wood and gilt frame with wear and repair, 19'' x 16''. CONDITION: Several flecks with inpaint. |
180 |
| 72 |  |
CHINESE BRONZE FIGURAL INCENSE BURNER: Depicts elderly man riding a donkey, 2 piece, 10'' h., 9'' w. CONDITION: Missing hand, hole in shoulder for holding incense. |
300 |
| 75 |  |
ILLEGIBLY SIGNED 19TH C. IMPRESSIONIST HILLSIDE LANDSCAPE: Oil/Canvas Mounted on Board, hillside scene bearing 2 signatures, one reads 'Call?', dated '85, the other is indistinct and dated '97, 17 3/4'' x 22 1/2'', encased in later carved and gilded impressionist frame 21 1/4'' x 26''. CONDITION: Minor cracklure. |
450 |
| 88 |  |
FLINT, Sir William Russell, (Scottish, 1880-1969): Eve'', Etching, 8 3/4'' x 13 1/2'' with margins, signed lower right, titled in the margin and numbered 48, scattered inscriptions in the margins, unframed. CONDITION: Scattered foxing and mild toning. |
500 |
| 89 |  |
FLINT, Sir William Russell, (Scottish, 1880-1969): ''Phryne'', depicts 3 nudes, 2 of them appear to be maids dressing their master, 9 1/4'' x 7 1/8'' with margins, signed lower right, numbered 3 lower left, titled in the lower margin, inscribed 'Paper: John Hall 1827', plate size 7'' x 6'', unframed. CONDITION: Tape remnants in upper right corner and left margin, small paper loss in upper and lower left corners, scattered foxing. |
350 |
| 90 |  |
FLINT, Sir William Russell, (Scottish, 1880-1969): ''Ceres Handmaid'', Etching, 10 1/2'' x 6 3/4'' with margins, signed lower right, numbered 27, titled in the lower margin, inscribed 'Paper: Watman 1823' lower left, image size 7 5/6'' x 3 5/8'', unframed. CONDITION: Tape remnants in upper corners and lower left corner, scattered foxing. |
325 |
| 91 |  |
HOBBS, Morris Henry, (American, 1892-1967): 14 Piece Nude Etching Lot to include 1) ''Sun Worshippers'' 2) ''Sea Nymph'' 3) ''Alone'' 4) ''Hope'' 5) ''Dancer'' 6) ''Daydreams'' 7) ''Siesta'' 8) ''The Bathers'' 9) ''Sun Bather'' 10) ''Spring Dance'' 11) ''Hilltop'', 12) ''Susanne'', 13) ''Tahitian Girl'', 14) ''Wood Nymphs'' , last 7 are plate size @ 1 1/8'' x 1'', @ size with margins 3'' x 2 5/8'', remaining 7 are larger size prints that are tipped in mats, @ plate size 2 1/2'' x 2 1/4'', measure 5 3/4'' x 4 1/8'' with margins. All the larger sizes that are tipped are taped in upper right and lower left corners, all prints in this lot have scattered foxing throughout. | 1000 |
| 92 |  |
HOBBS, Morris Henry, (American, 1892-1967): 3 Piece Nude Etching Lot to include 1) ''Alice'', depicting a female nude seated with hands on knee, 12 3/8'' x 9 1/2'' with margins, pencil signed lower right, titled lower left, image size 7 3/4'' x 6''. Scattered foxing throughout, unframed, tape remnants in upper margin with minor paper loss in upper left corner; 2) ''Penelope'', seated female nude staring out to sea, 10 1/8'' x 8 5/8'' with margins, pencil signed lower right, titled lower left, image size 6 1/2'' x 5 1/2'', unframed. Sparse, scattered, sporadic foxing, tape remnants in upper margins with small crease in lower right corner and some paper loss in upper corners; 3) ''Aphrodite'', depicts a standing female nude, 13 1/8'' x 8 3/8'', pencil signed lower right, titled lower left, image size 9 3/8'' x 5 1/2'', unframed. Tape remnants in upper corner, small crease in lower right corner, minor handling creases in the upper margin, minor foxing, folded crease in upper left corner, sold as is. | 900 |
| 93 |  |
DE LUE, Donald, (American, 1900-1988): ''Secrets'', 2 female nudes, 10 3/4'' x 12 1/4'' with margins, pencil signed lower right, titled lower left, image size 7 3/4'' x 8 3/4'', unframed.) Donald Harcourt De Lue created, in a career spanning sixty years, more monumental sculpture than any other recent American artist, and is regarded as one of America's greatest monumental sculptors in the Realist style in the twentieth century. His works include: Rocket Thrower, executed for the New York World's Fair of 1964; The Spirit of American Youth, for the Omaha Beach Memorial, Normandy; Quest Eternal, at the Prudential Center in Boston; Washington at Prayer, at Valley Forge, Pennsylvania; and three of the monuments at the Gettysburg Battlefield. An accomplished draftsman, De Lue also created an extensive portfolio of designs on paper (over 2,000 in total) that inspired or related directly to his three-dimensional works, as well as a limited number of drypoint prints between the years 1933 and 1934. He studied at the Boston Museum of Fine Arts and later served as an assistant to sculptors Richard Recchia and Robert P.Baker. De Lue was president of the National Sculpture Society (1945-1947), a Guggenheim fellow (1943-1944), and in 1964 received the Harry Herring Medal and Golden Plate Award from the National Sculpture Society and National academy of Achievement, respectively. (CHILDS GALLERY) CONDITION: Tape remnants in upper corners and lower margin, sparse scattered foxing |
250 |
| 93A |  |
DE LUE, Donald, (American, 1900-1988): ''Water Nymphs'', 14 1/4'' x 10 1/2'' with margins, pencil signed lower right, titled lower left, image size 9 3/4'' x 7 3/4'', unframed. Donald Harcourt De Lue created, in a career spanning sixty years, more monumental sculpture than any other recent American artist, and is regarded as one of America's greatest monumental sculptors in the Realist style in the twentieth century. His works include: Rocket Thrower, executed for the New York World's Fair of 1964; The Spirit of American Youth, for the Omaha Beach Memorial, Normandy; Quest Eternal, at the Prudential Center in Boston; Washington at Prayer, at Valley Forge, Pennsylvania; and three of the monuments at the Gettysburg Battlefield. An accomplished draftsman, De Lue also created an extensive portfolio of designs on paper (over 2,000 in total) that inspired or related directly to his three-dimensional works, as well as a limited number of drypoint prints between the years 1933 and 1934. He studied at the Boston Museum of Fine Arts and later served as an assistant to sculptors Richard Recchia and Robert P.Baker. De Lue was president of the National Sculpture Society (1945-1947), a Guggenheim fellow (1943-1944), and in 1964 received the Harry Herring Medal and Golden Plate Award from the National Sculpture Society and National academy of Achievement, respectively. (CHILDS GALLERY) CONDITION: Tape remnants in upper corners, scattered foxing. |
150 |
| 95 |  |
MULLER, Fritz, (German, 1901-): Bearded Man Reading and Smoking a Pipe, Oil/Board, 9 1/2'' x 7'', signed upper left 'Munchen', carved and gilded frame with minor wear, 15'' x 12 1/2''. | 300 |
| 96 |  |
MULLER, Fritz, (German, 1901-): Bearded Man Smiling and Smoking a Pipe, Oil/Board, 9 1/2'' x 7'', signed upper right and marked 'Munchen', carved and gilded frame, 15'' x 12 1/2''. CONDITION: Several minor abrasions with paint loss in forehead and ear. |
250 |
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Last updated Thursday, August 25, 2011