Sunday, October 23, 2011
Fine Art Only results
[Lot 10 - 50] | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | Lot 250 - 300 | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450 | Lot 450 - 500
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Lot | Sale Price | ||
10 | FALGUIERE, Jean Alexandre Joseph, (French, 1831-1900): Nude Diana the Huntress With Bow, Bronze, 32'' h., incised signature, Thiebault Freres Foundry stamp. CONDITION: She is without her bow, minor discoloration in the patina. |
1600 | |
15 | APHRODITE MARBLE TORSO SCULPTURE: 19th Century?, 21'' h. Affixed to variegated green marble plinth, 4'' h. Acquired on the European art market; exhibited at the Museum of Fine Arts, St. Petersburg, Florida, July 1986-February 1995. Published, Museum of Fine Arts, COSTAS LEMONOPOULOS COLLECTION, checklist (St. Petersburg, 1986), no. 62; and P. Russel, in D. Lesko (editor), CATALOGUE OF THE COLLECTION (St. Petersburg, 1994), pages 206-206. This Lot be sold without reserve and without warrantee or guarantee of any kind, either expressed or implied. | 75000 | |
18 | PONTOY, Henri Jean, (French, 1888-1968): ''Marrakech'', Orientalist street scene with figures, Watercolor and Gouache, 16'' x 20 1/2'', signed lower right, tilted and dated 1927, wooden frame, 19 1/2'' x 24 1/2''. | 5000 | |
19 | PONTOY, Henri Jean, (French, 1888-1968): ''Fez'', Orientalist street scene with figures, Chalk, Gouache, Pastel and Watercolor, sight size 24'' x 18 1/4'', signed lower right, titled and dated '28, wooden frame, 27'' x 21 3/4''. | 5000 | |
21 | NEUVILLE, Bernard, (French, 20th C.): Two Kittens Playing on a Desk Spilling Ink on a Letter, Oil/Canvas, 25 3/4'' x 21 1/2'', signed lower left, painted and gilded frame, 29 1/2'' x 25''. Scattered in-paint in upper quarter with visible cracklure. CONDITION: Scattered in-paint in upper quarter with visible cracklure. |
1000 | |
22 | EARLY PORTRAIT OF THE FIRST DUKE OF MARLBOROUGH?: Oil/Canvas Laid on Board, possibly 18th C., depicting the Duke wearing partial armor, oval measurements 27'' x 21 1/2'', contemporary frame with wear and missing gesso, 42'' x 36''. CONDITION: Laid down on board, cracklure throughout, several areas of scattered in-paint, older restoration. |
400 | |
30A | WHITEHAND, Michael, (British, 1941-): ''Captain Cook's Ship, The Resolution, Leaving Whitby, England'', Lithograph, sight size 18'' x 21 1/2'', framed, 26'' x 30''. | 200 | |
34 | HOUSTON, John Rennie McKenzie, (Scottish, 1856-1932): ''A Visit to Grandma'', Interior Genre Scene With Young Girl Watching Her Grandmother Knit by a Sunlit Window, Oil/Canvas, 18'' x 14'', signed lower right, encased in a fine gilded frame, 22 1/2'' x 18 1/2''. CONDITION: Several scattered flecks, a small chip of uplifting paint in the upper right corner, and a large chip in the lower right corner. |
400 | |
38 | LATE 19TH C RUSSIAN ICON: Oil/Wood, Depicting Jesus Christ an Apostle and the Virgin Mary, 8 3/4'' h. x 7'' w., encased in a metal oklad with gold dore finish, showing signs of wear due to age, various Cyrillic inscriptions both incised in the oklad and, once removed, underneath to the left and right of Christ. CONDITION: Scattered abrasions with paint loss with several dents, needs cleaning, sold as is. |
350 | |
40 | GORDIGIANI, Edoardo, (American, 1866-1961): Central Park, Oil/Canvas, 27 1/2'' x 39 1/2'', signed lower right, encased in carved and gilded frame with minor wear, 36'' x 47 1/2''. CONDITION: Relined, several repairs to tears, several scattered abrasions with scattered cracklure and in-paint. |
400 | |
46 | DOYLY, John, (British, 1906-1993): European Street Scene, Oil/Canvas, 14 1/2'' x 21 1/2'', signed lower left, framed, 24'' x 30 1/2''. | 500 | |
47 | SQUIRE, Maude, (American, 1873-1955): 2 Women With Fancy Hats Sitting at a Table, Color Etching, sight size 12 1/2'' x 9'', impression size 5 3/4'' x 3 1/2'', pencil signed lower right, marked 'Munchen', dated 1903, encased in original oak frame with minor wear, 14'' x 10 1/4''. CONDITION: Several faint spots, some browning in the upper right corner and right margin, apparent moisture staining in the lower left margin. |
550 |
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