Sunday, April 17, 2011
Fine Art Only results
Lot 9 - 50 | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | [Lot 250 - 300] | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450 | Lot 450 - 500
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| Lot | Sale Price | ||
| 259 | ![]() |
DEHN, Adolf, (American, 1895-1968): ''Haitian scene #4'', sight size 7'' x 4 3/4'', signed lower right, AAA label verso, titled Haitian scene #4, custom period painted frame, 13 1/4'' x 11 1/4''. | 500 |
| 262 | ![]() |
19TH CENTURY RIVER LANDSCAPE: Oil/Canvas, 16'' x 24'', no visible signature, period gilded frame with wear and overpaint, 24'' x 32''. CONDITION: Relined, scattered cracklure and inpaint. |
300 |
| 265 | ![]() |
BODWELL, Arthur Van Zile (American,1890-1940): Country Estate, Oil/Canvas, 14'' x 16'', signed lower left, encased in period gilded and carved frame, 17'' x 19''. | 125 |
| 270 | ![]() |
JACQUES, Bertha, (American, 1863-1941): 4 PIECE ETCHING LOT TO INCLUDE: 1) ''Lake Front Dump'', on Japon paper, 14 1/2'' x 9 3/4'', pencil signed in margin, unframed. CONDITION: Scattered spots of foxing with glue residue in all 4 corners; 2) City Scene from the River'', 15 1/2'' x 9'' with margins, pencil signed lower right, monogrammed in the plate and dated 1901, unframed. CONDITION: Scattered pale foxing throughout; 3) ''Federal Building from Quincy Street'', 16'' x 10 1/4'' with margins, pencil signed lower right, indicated lower left last state. CONDITION: Glue marks visible in corners and mid margin, glued down at those points, minor crease in right mid margin, pale foxing; 4) ''Teazee'', 16 «'' x 10'', pencil signed lower right, titled lower left, indicated lower left corner added ? to jar. CONDITION: Taped down to folder in margins, faint staining in upper right margin from tape. Sold as is. | 175 |
| 273 | ![]() |
KLONIS, Stewart, (American, 1901-): 3 NEW YORK CITY VIEWS FROM THE WATER, WATERCOLORS: 1) Largest measuring sight size 15 1/2'' x 22'', signed lower left, framed, 25'' x 31''; Smoke Stacks, 14 1/2'' x 19'', signed lower right and dated 34, framed, 24'' x 28''; Tug Boats Barges and Bridge, sight size 14'' x 19'', signed lower right, framed, 21'' x 26''. | 450 |
| 274 | ![]() |
KLONIS, Stewart, (American, 1901-): 2 LANDSCAPES: 1) Suspension Bridge with Factory, Watercolor, sight size, 16'' x 20'', signed lower left framed, 27'' x 31''; 2) Rural Valley Landscape with Country House and Barn, Watercolor, sight size 16'' x 20'', signed, framed, 24'' x 29''. | 300 |
| 277 | ![]() |
EARLE, Eyvind, (American, 1916-): ''Factory'', Aquatint, 41 1/2'' x 29'', pencil signed lower right, numbered 173/195 lower left, Pascal Giraudon blind stamp lower left, custom framing, 45'' x 32''. | 500 |
| 278 | ![]() |
EARLE, Eyvind, (American, 1916-): ''Ancient Tree'', Serigraph, sight size, 39'' x 29 1/2'', signed lower right, numbered HC (H'ors Concours 38/50), encased in custom gilded wooden frame, 51 1/2'' x 41. | 650 |
| 279 | ![]() |
EARLE, Eyvind, (American, 1916-): ''Fog Light'', Serigraph, sight size 39'' x 29'', signed lower right, numbered lower left (Artist Proof 1/108), encased in exquisite custom gilded frame with a width of over 2 1/2'', over all 52'' x 42''. | 550 |
| 280 | ![]() |
ROBERTS, Livingston (American. 20th century): Florida Highwaymen Sunrise River Landscape with Herons, Oil/Upson Board, 29'' x 47 1/2'', signed, carved, gilded and painted frame, 37'' x 56''. | 1800 |
| 281 | ![]() |
KONOLEI (Barnwell), Manya, (American, 1883-1968): ''The Work Room'', Oil/Canvas, 25'' x 20'', signed in the stretcher verso and dated '41, worn wooden frame 30 1/2'' x 26''. | 100 |
| 282 | ![]() |
HAND PAINTED PORCELAIN PORTRAIT BROOCH: Lovely lady surrounded by prong set rhinestones, mounted on a 14k yellow gold backing with bar pin closure, approx 1 7/16'' dia. | 125 |
| 285 | ![]() |
19TH CENTURY NIAGARA FALLS: Niagara Falls with Horseshoe Falls in Moonlight, Oil/Canvas, 22'' x 35'', no visible signature (possible lower left in red), period gilded frame with minor wear and overpaint, 32'' x 46''. CONDITION: Several minor punctures, cracklure scattered, needs cleaning, sold as is. |
750 |
| 286 | ![]() |
PATTERSON, Angelica Schuyler, (American, 1864-1952): Mother and Child, Oil/Canvas mounted to Masonite, 22'' x 17'', signed upper left, encased in period gilded and carved fine framing, 28'' x 22 1/2''. CONDITION: Laid down to board, scattered cracklure throughout, needs cleaning. Sold as is. |
750 |
| 290 | ![]() |
LARGE ABSTRACT/CUBIST FEMALE NUDE OIL/MASONITE SIGNED HOLT: 48'' x 36'', signed lower left, dated 55, black painted frame with wear, 49'' x 38''. CONDITION: Some paint fleck in upper and lower margins, good over all. |
400 |
| 292 | ![]() |
SILVERMAN, Martin, (American, 1950-): ''Mowing The Lawn In Her Sunday Best'', Bronze, 30'' h x 50'' w, incised signature. | 200 |
| 295 | ![]() |
BARTLETT, Charles William, (British, 1860-1940): ''The Golden Temple, Amritsar'', Colored Woodblock, sight size 10 1/4'' x 15 1/4'', pencil signed lower left, also monogrammed in the plate, carved frame, 15 1/2'' x 20 1/2''. CONDITION: Hinge mounted, approximately 1/4 to 1/2'' margins, small tears in upper corners, with paper still affixed, some toning and browning. |
800 |
| 298 | ![]() |
19TH CENTURY OIL/BOARD LANDSCAPE WITH MILL AND FIGURE IN THE FOREGROUND FISHING: 12'' x 18 1/2'', no visible signature, 19th century gilded gesso frame with wear missing gesso and gold overpaint, 18 1/2'' x 25''. | 250 |
Lot 9 - 50 | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | [Lot 250 - 300] | Lot 300 - 350 | Lot 350 - 400 | Lot 400 - 450 | Lot 450 - 500
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