Sunday, December 15, 2019
Fine Art Only results
Lot 1003 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | [Lot 1200 - 1250] | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450 | Lot 1450 - 1500
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| Lot | Sale Price | ||
| 1204 |  |
HENSHAW, Glenn Cooper, (American, 1880 - 1946): ''Bummer'', Oil/Canvas, 32.5'' x 25'', 1944, titled verso, framed, 39'' x 32''. | 275 |
| 1205 |  |
LOOP, Leota, (American, 1893-1961): ''The Green Bowl'', Oil/Canvas, 20'' x 24'', signed lower left, titled verso, original label, frame is stamped Landcraft Frames by Ginney with Indiana address, 24.5'' x 28.5''. | 400 |
| 1206 |  |
SHULZ, Alberta Rehm, (American, 21st Century): ''Still Life with Fruit'', Oil/Masonite, 20'' x 24'', signed lower left, label affixed verso, frame crafted by Adolf Shulz, (Her Husband), 27.5'' x 31.5''. | 150 |
| 1207 |  |
GORDON, Ida, (American, 1903 - 1983): ''Lily Pond'', Brown County, Indiana, Oil/Masonite, 10'' x 24'', signed lower right, framed, 13.25'' x 27.5'', titled verso. | 150 |
| 1208 |  |
EYDEN, W.A., (American, 1983 - 1982): Indiana Forest Scene, Oil/Canvas, 16'' x 20'', signed lower left, framed, 22'' x 26''. CONDITION: Repair to tear lower right. |
100 |
| 1209 |  |
OWEN, Robert Emmett, (1878 - 1957): Early Spring Landscape with Dirt Road, Oil/Canvas, 30'' x 25'', signed lower right, carved and gilded period frame, 36'' x 33''. CONDITION: Needs cleaning, scattered craquelure, reinforced canvas, frame does show age appropriate wear |
850 |
| 1213 |  |
DADOUNE, Joseph, (French/Israeli, 1975-): ''Satin Noir Organisation/ Le Club 2000'', Cibachrome on Aluminum, 47.50'' x 71.50'', signed verso #404 and dated 2000, Alon Segev Gallery Limited Televiv stamp, custom bracket mounting. Yosef Joseph Yaakov Dadoune, born April 24, 1975 in Nice, is a French/Israeli artist working at the intersection of video, photography, performance, drawing, architecture and social action. In his work, Joseph Dadoune is interested in the tensions between East and West, between religious and secular life, between centralized power and periphery, and between real and imaginary. His works also resonates with issues related to colonialism, gender and identity. Artistic career After a childhood that takes him from Nice to Ofakim, Joseph Dadoune becomes known in the early 2000s in France and in Israel for his film ''Zion'' (2006-2007), produced with the support and participation of the Louvre and actress Ronit Elkabetz. In 2008, he develops a cycle of pieces entitled ''In the Desert'' which examines the economic, social and cultural reality of the development town Ofakim. For the project, Dadoune produces films, collects archival documents, initiates guided tours, invites journalists, and tries to harness as many people as possible to deliver Ofakim from its status as a ''non-place''. Starting in 2010, he concentrates on drawing and creates monumental surfaces slathered in a black tar that he also adds to various objects and materials. Some of these tar pieces have been exhibited at Fondation Ricard in Paris and at Petach Tikva Museum of Art. Amongst his other striking pieces are the noteworthy ''Impossible calendars'' (2013), exhibited at Tel Aviv Museum of Art for the 100th anniversary of Dada, and ''Barriere protectrice'' (2017), a series of autobiographical war drawings published as a book by Editions Arnaud Bizalion. In 2017, he is named a Knight of Arts and Letters by the French Minster of Culture, and in July that same year, his project ''An Arab Spring'' (233 photos and 17 videos) joins the collections of Centre Pompidou. In October 2017, he is the invited artist for the City of Versailles 'Night of Creation', where he presents an important selection of works under the title ''Sillons''. In 2018, he receives the art prize from Foundation Renee et Leonce Bernheim. Joseph Dadoune has participated in over 200 solo and group exhibitions. His work has been shown notably at FIAC (Paris), Espace Richaud (Versailles), Petach Tikva Museum of Art, Plateau / FRAC Ile de France, Tel Aviv Museum of Art Fondation Ricard (Paris) and the Israel Museum (Jerusalem).His videos have been screened at Mus‚e de la Chasse et de la Nature, the auditorium of the Louvre, the White Box and Palais de Tokyo. Joseph Dadoune's pieces can be found in the collections of Centre Georges Pompidou, the Louvre, FNAC in Paris, FRAC Normandy Rouen, the Israel Museum and Petach Tikva Museum of Art. | 150 |
| 1214 |  |
LARGE RARE MIKE COCKRILL/JUDGE HUGHES PAINTING: ''Husband, Father, Drunk'' Oil/Canvas, 60'' x 72'', lower left signed, titled, dated 1985 verso, unframed. In the early 1980's, Mike Cockrill and his collaborator Judge Hughes came up with the quintessential NSFW comic named The White Papers. The 128-page black and white book in the form of a wordless graphic novel, meaning it was one big volume as opposed to an ongoing series, went on to become a cult classic. | 600 |
| 1235 |  |
GUIDOTTI, Giovanni (Italian, 20th Century): Seated Female Nude Painting, Oil/Canvas, 27''x 19'', signed lower right and framed, 32'' x 24''. CONDITION: Several patches verso. |
450 |
| 1236 |  |
1948 PAINTING ''THE FENWAY, BOSTON'': Scene Depicts a Park View with Figure Fishing, Figure on a Bridge and Figure Walking and a Trail with Boston Skyline in the Distance, Oil/Canvas on Board, 12'' x 16'', signed lower right, G.I. Orenthal?, dated 1948, The Fenway, Boston, Mass., unframed. CONDITION: Several scattered spots of loss, cracking in upper right corner, needs cleaning. |
150 |
| 1244 |  |
MARBLE SCULPTURE DOLPHINS FROLICKING IN THE WAVES: 22'' h., unsigned. | 200 |
| 1244A |  |
MARBLE SCULPTURE DOLPHINS FROLICKING IN THE WAVES: 18'' h., unsigned. | 125 |
| 1249 |  |
19TH CENTURY MOUNTAINOUS LANDSCAPE PAINTING WITH WATERFALL: Oil/Canvas 14'' x 22'', no visible signature, framed, 20'' x 28''. CONDITION: Several small touches of inpaint. |
250 |
Lot 1003 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | [Lot 1200 - 1250] | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450 | Lot 1450 - 1500
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