| Lot | Sale Price | ||
| 1 |  |
CAMBRIDGE SWAN PUNCH BOWL AND 12 SWAN CUPS: Fabulous crystal color punch bowl in the form of a swan with a beautiful, graceful neck. Rests on an oval base. 12 matching cups are 3 1/2''h. Bowl is 17''l. | 700 |
| 1A |  |
CAMBRIDGE STATUESQUE NUDE CROWN TUSCAN COMPORT: Opaque pink glass nude figure supporting scallop shell dish. Approx. 7 1/2''h. | 100 |
| 3 |  |
PITTSBURG TABLE LAMP WITH CZECH GLASS SHADE: Original painted finish on Pittsburg base marked PLB Co 2122. The shade is mottled in shades of orange and yellow with an overlay peacock design. We believe it to be Czech and is 16'' dia., free of chips or cracks. The base has a worn painted finish, 2 chain pull lights, 21''h. overall. | 700 |
| 3A |  |
RIPLEY DOUBLE FONT ''MARRIAGE LAMP'': A rare find indeed. D.C. Ripley blue glass double font with match well center has raised letters ''DC Ripley Pat. Pending''. Connected by a patent dated brass screw connector to an opaque white Atterbury ''Gem'' base. No. 1 Queen Anne burners, Scovill thumbwheels. Straw marks, mold imperfections, and faint age cracks to base. 19 1/2''h. overall including glass chimneys. | 1650 |
| 4 |  |
LINNELL, John, ? (British, 1792-1882): ''Skiddaw, from near Clifton, Cumberland 1849'', W/C glued to cardboard backing, 4 1/4'' x 5 1/2'', 7 1/2'' x 8 3/4'' with cardboard, pencil marked on cardboard ''The Rising Storm'', J Linnell in pencil lower right corner. Came with an early label with catalog information, title & artist. | 275 |
| 5 |  |
FRANK M. WHITING STERLING CENTER BOWL: Impressive bowl with pierced, scalloped, and repousse work. Pedestal base mirrors the scalloped design of the border. Hallmarked with the Frank Whiting emblem, 3854, A. Newsalt. 11 1/2'' dia. 4''h, approx. 16 oz. | 425 |
| 5A |  |
GORHAM STERLING BOWL: A8740. A large center bowl in an unusual rounded square shape with pierced design in the corners. 11 1/4'' dia. 3 1/4''h. Approx. 18.48 oz. No monogram, several pin sized dents. | 200 |
| 5B |  |
MAGNIFICENT BLACKAMOOR GOLD AND RUBY BROOCH: Carved ebony head with gold hoop earrings, wearing a highly detail carved turban set with cabochon rubies and topped by faceted ruby, collar of deep relief filigree shirt encrusted with more cabochon rubies. Assayed 18k, signed Vesco to left shoulder. Corresponding etching to back by double prong stick pin secured with reverse curved hook. Approx. 2 1/8''h. x 1 3/8''w., 22 grams. Please note occasional dings to rubies. | 600 |
| 5C |  |
ANTIQUE STERLING EVENING CHATELAINE: Lovely example of a lady's evening chatelaine with four floral embossed items to include, lipstick, powder compact, coin holder, and rouge pot with red stone opening lever. Unger Bros. lipstick and powder compact marked Sterling 925 Fine. Lipstick lid detached from hinge, slight dent to back. Compact with gold wash to interior, mirror losing silver backing to edges. Coin holder marked Sterling and worn fleur de lis mark, no damage noted. Rouge pot by R. Blackinton & Co, #4189, slight generalized denting, mirror losing silver backing to edges. Sterling ring support with four attached chains ending in jump rings for easy on off of your favorite items. Ring and chains 5 1/2''l., overall with current attachments 8 1/2''l. | 160 |
| 6 |  |
SERRI, Alfredo, (Italian, 1890-1972): Trompe l'oeil, O/Masonite, 6'' x 11 3/4'', signed lower left, encased in original molding. | 450 |
| 6A |  |
ENGLISH CAST IRON AND BRASS BALANCE SCALE: With 10'' 1/2'' porcelain tray versus brass tray. 35''h. | 300 |
| 7 |  |
TURN-TEPLITZ AMPHORA VASE, CA. 1892-1905: Iridised finish on a fabulous vase with mid section frieze of moths and upper section with ''jeweled'' spider webs, gold outlines of moths and webs. Bears the Reissner, Stellmacher & Kessel mark, also impressed oval Amphora. Please note bottom rim chips, one of which is visible. 9 1/4''h. | 1600 |
| 7A |  |
ENGLISH GEORGIAN STYLE THREE DRAWER CHEST: Banded top and drawer fronts with sting inlay. Exotic Tamo wood panels, pierced bat wings pulls and 20th Century construction. 31''h x 30''w x 16''d.16''d. | 500 |
| 8 |  |
COUDRAY, Lucien, (French, 1864-1932): ''Orpheus'', Bronze medal, struck for the Exhibition Universelle of 1900, 2 3/4''dia. | 100 |
| 8A |  |
PERIOD SHERATON GAME TABLE: Early to mid 19th C. Mahogany, shaped top, swing leg, 29''h, x 36 1/2''w. x 18 1/2'' when top is folded down. | 600 |
| 9 |  |
EARLY AMERICAN COUNTRY TWO DRAWER WORK STAND: Applied molding (cock beading) around each of the 2 drawers. Arrow feet. 28 1/2''h, X 22'' X 19 1/2''. | 300 |
| 9A |  |
WM. SCHILLER & SONS AUSTRIAN MAJOLICA GLAZE CONSOLE BOWL: Venetian motif, pedestal shell shaped bowl. Marked with the framed W.S.&.S. mark. 12''h. x 11''h. | 250 |
| 9B |  |
CARVED AND INLAID TEAPOY: 19th C English tea caddy on stand or needlework stand. Inlaid marquetry design on hinged lid and 3 panels. Carved legs and feet. Velvet lined interior, ivory finial on lid to fitted space that holds needlework or a tea canister. 28'' x 19'' x 15''. | 750 |
| 10 |  |
McRICKARD, James P., (American, 1872-): Pennsylvania landscape, O/C, 20'' x 24'', signed lower left, monogrammed lower right, old label attached verso with title and artist, overall with frame 24 3/4'' x 28 1/2''. | 350 |
| 10A |  |
McRICKARD, James P., (American, 1872-): Pair of landscapes, one an O/canvas board, the other an O/Masonite, both 8'' x 10'' and signed in pencil on back. Condition - O/CB has minor lifting of paint in right margin. | 225 |
| 10B |  |
KLING MAHOGANY BEDROOM SUITE: Matched pair of TALL CHESTS, each with 6 drawers ( 2 over 4), 47''h, x 33. x 20''. A one drawer NIGHT STAND, 27''h. x 18'' and a FULL BED with ball posts and leaf carvings. The head and foot board posts are both 47''h. | 850 |
| 11 |  |
EARLY 19TH C AMERICAN TRANSITIONAL 2 DRAWER WORK STAND: Drop leaves, ogee drawers, arrow feet. 30''h. x 18 1/2'' x 23'' | 300 |
| 11A |  |
18TH CENTURY CONSOLE TABLE: Early Georgian or Wm. and Mary. Turned legs with box stretchers. Great patina. 40 ¼'' x 17'' x 29''h. | 750 |
| 11B |  |
ONE DRAWER CHERRY WRITING TABLE: Single full length drawer, turned legs. 29''H, X 36'' X 19''. Nice piece of American 19th C. furniture. | 475 |
| 12 |  |
FITZGERALD, John Austen (Anster) (att.), (British, 1819-1906): Set of five O/Bs, fairy scenes/images derived from ''A Midsummer's Night Dream''. 1)Image of a ghost like kneeling female fairy-ish figure with hands clasped in a forest setting, no visible monogram, date or signature, some craquelure in body. 2)Scene with reclining figure by stream with hound and six fairies, 4 1/4'' x 5 7/8'', no visible monogram or signature. Some unstable paint in right margin and lower left corner with pin point specks of paint loss in those areas. 3)Depicts a kneeling female figure holding a flower blossom with seated male figure petting hound and a fairy standing atop a toad, 4 1/4'' x 9 1/4''. 4)Reclining semi-nude female next to a stream with fairies/apparitions, 4 1/4'' x 6'', no visible signature or monogram. Some speckling of paint loss in upper margin and lower margin. 5)Fairy like figure emanating from a flower blossom, with stream and forest in background, 4 1/2'' x 2 1/4''. All works matted and encased in one period 19th C frame bearing the George Bassett, Leicester Square, London label verso. Overall 9 1/2'' x 32 1/2''. Est. $6000/8000** | 150000 |
| 12A |  |
HIGHAM, Bernard, (British?, -1919): ''To a Higher Plane'', illustration depicting a butterfly winged nude maiden caught in a web, W/C on board, 29'' x 29 1/4, overall with frame 33 1/4'' x 24 1/2'', signed lower left, dated 1917, signed and titled verso along with the artist's address in Surrey, encased in a gilded gesso frame with some damage to the corners. Condition - Painting has several minor pinpoint scuff marks. Higham was an illustrator for several renown British authors in the late 19th and early 20th C. | 5000 |
| 13 |  |
MARBLE TOP FRENCH COMMODE: 2 drawer serpentine front chest with beveled marble top, cabriole legs, 26''h, 30 1/2''w. x 18 3/4''. | 1800 |
| 13A |  |
CHERRY AND BIRD'S EYE MAPLE ONE DRAWER WORK STAND: 19th C. cherry work stand with single bird's eye maple drawer. 29''h. x 21'' x 17''. | 250 |
| 14 |  |
RAMPAZO, Luciano, (French, 1936-): ''Gondola To St. Marks'', O/C, 9'' x 12'', (16'' x 19'' w/frame), SLL, from Merrill Chase, encased in high quality contemporary gold gilt frame. Condition - Small tear in upper margin. | 500 |
| 15 |  |
FINE MAHOGANY CARLTON HOUSE DESK: Inlaid and banded mahogany with leather top writing surface under U shaped structure of drawers and small cabinets, brass gallery follows the U shape. 50''w, 38 1/2''h, 27''deep. | 1300 |
| 15A |  |
SHAKER ERA LADDER BACK CHAIR: Splint seat, finials similar to chair style #6. 36''h | 125 |
| 15B |  |
PENNSYLVANIA DUTCH TOLE DECORATED CHEESE BOX: Bentwood, 19th C, 10 1/4'' dia x 5 3/8''. | 2400 |
| 16 |  |
CARVED MAHOGANY CHIPPENDALE STYLE COFFEE TABLE: Earlier 20th C. Ball and claw foot with gadroon edging along the top. Carved knees, shaped skirt. 20''h. x 35'' x 22''. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 300 |
| 16A |  |
PHILADELPHIA STYLE CHIPPENDALE TABLE: Solid mahogany with shaped top. Carved acanthus leaves to knees and feet. Approx. 22''h x 28 1/2'' x 20''. Earlier 20th C. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 700 |
| 16B |  |
CHERRY ONE DRAWER STAND: Stiles continue down and form tapered legs. 29 1/2''h, x 22'' x 18''. | 250 |
| 17 |  |
MAHOGANY 1914 QUEEN ANNE LOWBOY: Single full length drawer over 3 drawers, the center of which is shell carved. Exceptionally well made. The top drawer has hand scripted note attached ''This low boy was made for Miss Atkins by Nathan Margoles Hartford Conn. Oct 9 1914''. Excellent condition with a very slight beginning of a 4'' separation on left side. Approx. 30 1/2''h, 32 1/2''w x 20 1/4''. | 1700 |
| 17A |  |
PERIOD QUEEN ANNE SIDE CHAIR: With restoration work. | 450 |
| 17B |  |
QUEEN ANNE STYLE TWO DRAWER LOW CHEST: Mahogany serpentine top over two drawer lower base with slide. Cabriole legs with shell carving to the knees. Circa First Quarter 20th Century. 30 1/2''h. x 39''w. x 21 1/2''d. | 750 |
| 18 |  |
HARE, John C., (American, 20th C): Dutch canal scene, W/C, 21 3/4'' x 28'', signed lower right, -large stain in center, encased in 30's gilded impressionist frame with some wear, overall 25 1/2'' x 32''. | 150 |
| 18A |  |
GAERTNER, Carl Frederick, (American, 1898-1952): Winter country landscape with houses, Gouache, 15'' x 21'', signed lower right, dated 1953, overall with frame 20'' x 26''. | 600 |
| 19 |  |
FINE FEDERAL STYLE 2 DRAWER MAHOGANY STAND: A high style early to mid 20th Century centennial piece. Octagonal top with intricate parquetry detail along upper and lower edges of the body. Highly grained panels to each of the 2 drawers and sides. Rounded reeded legs tapering to arrow feet, carvings at the tops. 28''h. x 21 1/2'' x 15 1/4''. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 1300 |
| 19A |  |
MAHOGANY TWO TIER DUMBWAITER TABLE: Carved ball and claw feet and pie crust edges on a two tier mahogany table. 32''h, lower tier is 24''dia. Earlier 20th C. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 300 |
| 19B |  |
CARVED MAHOGANY FLOOR LAMP: From the same craftsman as the table lamps. Double socket, original wiring. 53 1/2''h (wood), 64''h. overall. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 500 |
| 19C |  |
FOUR HAND CARVED WOOD TABLE LAMPS: A good example of Mr. Roebelt's carvings. Group of 4 carved table or desk lamps, 2 in natural finish, 2 with a gold finish. 7-15''h.(wood base only). Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 225 |
| 20 |  |
SINGER, Susi, (Austrian, 20th C): Figural sculpture of a young woman holding a bird, ceramic, 13 1/2'', signed on base with old label on bottom. Some firing flaws/cracks visible when looking up through the piece from the bottom. | 750 |
| 20A |  |
DIMINUTIVE CARVED MAHOGANY PIE CRUST TABLE: Ball and claw feet, carved pedestal and rim. 14 1/2'' dia., 21 1/4''h. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 350 |
| 20B |  |
DIMINUTIVE PIE CRUST TILT TOP TABLE: Mahogany tea table with ball and claw feet. Scalloped edge top is 18'' dia. 22''h. Earlier 20th C. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 500 |
| 21 |  |
18th C CARVED BLANKET CHEST: Overhanging cover, rough hewn single back board. Carving on three sides. Approx. 56'' x 21'' x 24 1/2''h. | 1200 |
| 21A |  |
HEPPLEWHITE STYLE MAHOGANY GAME TABLE: Shaped top with parquetry inlay geometric design of satinwood over a shaped frieze with oval medallion insets. Tapered legs with string inlay. 29 1/4''h. x 34 3/4''w. x 17 3/4''d. when closed. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 1100 |
| 21B |  |
CARVED MAHOGANY FRAMED MIRROR: Finely crafted carved mahogany mirror with gilt shell at the crest and figs and flowers along the sides. Approx. 38'' x 23''. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 800 |
| 21C |  |
CARVED MAHOGANY MIRROR: Rectangular shape with shell and floral carvings, gilt finish. Approx. 35'' x 23''. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 450 |
| 21D |  |
ROSE CARVED GOLD GILT MIRROR: Nicely shaped gold over hand carved mahogany framed. Approx. 39'' x 23''. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 350 |
| 21E |  |
HAND CARVED MIRROR: Scroll, roses and shell motif with goldtone finish. Approx. 27'' x 20''w. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 350 |
| 21F |  |
CARVED MAHOGANY MIRROR: Gilt enhancement on a hand pierced and gilt wood mirror. Bell flower motif. Approx. 37 3/4'' x 20 3/4. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate | 800 |
| 22 |  |
PERIOD MINIATURE VERSION OF A FEDERAL CHEST: 2 over 3 drawer chest on bracket feet, applied molding, turned bone ? pulls. 8''h, x 7 1/2''w. Has had some repair work done. | 1100 |
| 22A |  |
OUTSTANDING QUARTER SAWN OAK, SERPENTINE FRONT WASHSTAND WITH OVAL MIRROR: Exaggerated serpentine overhanging top follows the lines of the curved base. Single full length drawer over double doors. The 26 1/2'' oval beveled mirror is high on carved arms and has a carved crest. Towel bar stretches under the mirror. 65''h, overall. 36''w. 21'' deep. | 650 |
| 22B |  |
THREE PIECE ROCAILLE CARVED WALL BRACKET SUITE: Comprising, central bracket lower shelf having ribbed rayed body over acanthus leaf decor, upper portion with curved arms and bracket support crest. Rose carved festoon, sold as a suite. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate. Central bracket 22'' x 15'', side brackets 10'' h. | 500 |
| 22C |  |
SET OF FOUR ROCAILLE CARVED WALL SCONCES: Scrolling foliate design with floral rosettes, single arm lights to each. All sconces are back cut to give 3-D effect when hanging. Hand made by master wood carver Alfred Roebelt. Roebelt's father was a master carver in Thuringa, (now a part of East Germany), then a world renown center for fine furniture crafting. Roebelt passed his masterpiece exam at the age of 17. Coming to America in 1930 he worked for H. Sack & Company in Massachusetts until retirement in 1971. Provenance: Roebelt Estate Measures 17'' h x 5'' w. Set of four sold as a lot. | 500 |
| 23 |  |
ROCOCO VICTORIAN ARM CHAIR: Fine example of Victoriana. Carved crest, molded frame, bowed seat rail, Pompeian legs, brass casters. Gold crushed velvet upholstery. 44 1/2''h, 26''w. outer arm to arm, 31''deep. | 150 |
| 23A |  |
PAIR OF EOFF & SHEPARD REPOUSSE SALTS FOR BALL, BLACK & CO: Chinoiserie design on the bowl, each with three ornate curved feet. Ball, Black & Co. is considered to be the leading jewelry house in the nation prior Tiffany & Co. Makers and retailers hallmarks. No silver markings, though believed to be sterling at the least, Eoff & Shepard were known for their artistry using 950. | 250 |
| 24 |  |
TIFFANY STUDIOS ''GRAPEVINE'' DESK BOX: #809. Bronzed metal over slag glass, ball feet. Impressed ''Tiffany Studios New York 809''. Monogrammed L.M.M. Approx. 2''h., 6 1/2''w., 4 1/8''. | 550 |
| 24A |  |
TIFFANY STUDIOS ''ADAM'' DESK BLOTTER ENDS: #1776. Signed Tiffany Studios New York. 12 1/4''l. | 275 |
| 25A |  |
MARIANO, F., (European, 20th C): ''La Robe de Tulle'', Pastel, 12 1/2'' x 9'' sight size, signed lower right, overall with frame 19'' x 14 3/4'', label affixed verso with artist and title, Haley & Steele Art Dealers label affixed verso as well. | 400 |
| 25B |  |
HAMMERED GOLD CUFF BRACELET: 14k yellow gold cuff with rolled edges, signed Waldman 14k, 3'', 46 grams. | 400 |
| 25C |  |
''GOLDEN POINT'' GOLD LINK NECKLACE: Graduated 14k yellow gold oval links, pressure clasp with safety, 18''l., 96 grams, marked ''Golden Point'', 750 to both sides of clasp, and *580AR. | 800 |
| 26 |  |
ROSEWOOD MARBLE TOP INLAID COMMODE, CA 1800: 3 drawer chest, string inlay. Deep red marble. Approx. 36''h., 48''w x 24''. | 1500 |
| 26A |  |
ENGLISH GEORGIAN STYLE TWO OVER THREE DRAWER CHEST: Banded top stencil painted with Carpathian elm burl, matching drawer fronts, pierced open bat wing pulls. 20th Century manufacturer elegant high style design and condition. 36''h x 36''w x 19''d. | 700 |
| 26B |  |
INLAID HEPPLEWHITE OR CHIPPENDALE STYLE CHAIR: Upholstered back and seat, open arm chair. Straight front legs have the same inlaid bellflower as the arms. Approx. 43'' x 26'' x 24''. Alfred Roebelt estate. | 700 |
| 27 |  |
NEWINGTON 9 BELL BRACKET CLOCK: Cathedral shaped case with protruding stepped molding to the arch. Mid turned finials cresting multi column pilasters with ormolu. Pierced carved front work to arched open sides raised on bun feet. Face marked Newington, Wadhurst. African mahogany case 28''h. x 13''w. x 8''d. | 4000 |
| 28 |  |
BENNETT, Alfred, (British, 1861-1916): ''North Dramore? Down Ireland'', Landscape, O/C, signed lower right, dated, titled and signed verso, 14'' x 21'', overall with frame 20'' x 27''. Condition - Some small portion of unstable paint in cloud upper margin. | 1000 |
| 29 |  |
CARVED ITALIAN ROCOCO 9 PC. DINING SUITE: The table features dual Atlantes base of nude men pedestals centering carved flower filled urn. The table surface is paint decorated with gold leaf beveled edges, 105'' x 44'' x 29''h., fitted with a glass top. There are 8 chairs, two being arm chairs. The elaborately carved chairs have figural stiles and floral tapestry upholstery. They are 49''h, seat width is 19''. A must see!!! | 3000 |
| 29A |  |
MINIATURE MEXICAN STERLING TEA SERVICE: 8 pieces to include tray, 4''l, 3 teapots, the largest being 1 1/8'', creamer, sugar and waste jar. The tray is stamped Mexico 925. | 110 |
| 29B |  |
FRENCH SNAKE BANGLE BRACELET: Hinged bangle of 18k gold (assayed) with a full bodied snake undulating across and through the top. Snake decorated with seed pearls and emeralds?, please note two separations in snake body, bracelet decorated with delicate bead and wire swirls. Tongue of pressure clasp touch marked and small plaque with ''Brevet Tato'' and illegible mark to underside of snake. No safety chain, overall approx. 2 5/8'' x 2 1/4'', 12 grams. | 275 |
| 29C |  |
PINK CORAL INSECT BROOCH: Polished pieces of pink coral form the body with 14k yellow gold legs, waist and head with antennas, accented by ruby eyes and natural seed pearl decoration, approx. 1 3/4''l. | 200 |
| 30 |  |
COPPEDGE, Fern Isabel, (American, 1883-1951): ''Beside the River'', believed to depict Lambertville across the Delaware River, winter scene, O/C, 20'' x 24'', signed lower left, bears a John Wannamaker framer label verso. The consignor's mother, Louanna Jaeger was a neighbor of Coppedge and this painting was purchased directly from artist. Condition - In pristine condition. | 105000 |
| 30A |  |
ROLLINS, Nana Bickford, (American, 20th C): Winter village scene with figures, horse drawn sleighs and church, Gouache, 13 3/4'' x 17 1/2'' sight size, signed lower right, 22 1/2'' x 26 1/2'' with frame. | 425 |
| 30B |  |
TREMENDOUS 3ctw LADY'S DIAMOND RING: Center stone of 1.01ct (weighed) Princess cut, purported H VS1, set in 14k white gold mount, 12grams, with 30 invisible set Princess cut diamonds, totaling an additional 2ctw, purported G VS. Yellow gold accent bars to shoulders, marked 14k, 4/4, Wh 14kt. | 3100 |
| 31 |  |
FRENCH MASSY MANTLE CLOCK: Brass pillar shaped case on footed brass plinth, bell strike, with key and pendulum. Beaded bezel swings out, convex glass crystal, glass exhibition back. 10''h. x 9 1/2''w. | 250 |
| 31A |  |
CHIPPENDALE STYLE CARVED MAHOGANY SOFA: Ball and claw feet and gadroon edging on the frame. Camel back with high rolled arms. Approx. 78''l., 35''h. at the center. Alfred Roebelt Estate. | 600 |
| 31B |  |
CARVED MAHOGANY CHIPPENDALE STYLE CHAIR & STOOL: Same ball and claw foot, gadrooned edge as the previous sofa. The chair is 43''h, 29'' wing span. The stool is 14''h. Alfred Robelt estate. | 350 |
| 32 |  |
LUCAS, Wilhelm, (German, 1884-1918): Lubeck from the river, O/C, 29 1/2'' x 21 1/2'', signed lower right. Condition - Small depression in upper left corner, needs cleaning. | 800 |
| 32A |  |
TSCHECH, Will, (German, 1891): Impressionist restaurant scene with waiter and patrons, O/C, 22'' x 18 3/4'', signed lower right, dated 1913. Condition - This painting has several small punctures, will need cleaning, re-stretching, and a possible reline. example of early 20th C impressionist genre painting. | 1300 |
| 33C |  |
DIAMOND AND PEARL DANGLE EARRINGS: 8mm cultured white pearls dangle from diamond encrusted post earrings, 18 small diamonds, 14k yellow gold mounts, approx. 1 1/8''l. | 250 |
| 33D |  |
TWO TONE GOLD LINK BRACELET: 14k gold alternating rows of double link yellow and triple link rose, geometric links, pressure clasp 7''l., 52 grams, no mark found, gold content assayed. | 400 |
| 34 |  |
PRIMITIVE ARCTIC WHALING EXPEDITION, O/C: 19th or possible late 18th C, 11 1/2'' x 15 1/2'', scene depicts giant sperm whale and figures in a boat with larger ships and icebergs in the background, American flag flying with 13 stars, signed lower left illegibly Oliver **. Condition - Needs cleaning, paint flaking in lower right and left margins, several spots of loose paint throughout, craquelure throughout. An exceptional piece of American history. | 6500 |
| 34A |  |
ENGLISH BANDED BOW FRONT CHEST: Mid 20th Century conversion, old case with newer insets of satin wood and string inlays. Fore splayed and back bracket feet. Superior condition 40'' x 42'' x 21''. | 1300 |
| 35 |  |
STERLING TEA SERVICE WITH TRAY: 5 piece service to include coffee pot, 9 1/2''h, teapot, 7''h., creamer, covered sugar, and 22'' tray with handles. Marked with a crescent moon, crown, and unicorn, also sterling 925. Please note very small dent in coffee pot. No monogram. Approx. 100 oz. total. | 850 |
| 35A |  |
19th C. BOW FRONT, STRING INLAY, MAHOGANY CHEST OF DRAWERS: Featuring spiral carved stiles, banded top, bracket feet. 2 drawers over 3 drawers. Approx. 46''h., 41''w, 20 1/2''deep. | 1800 |
| 36 |  |
PIOT, Adolphe Etienne, (French, 1850-1910): Young peasant girl seated on a large stone in a forest clearing, O/C, 46'' x 30 1/4'', signed lower right, dated 1870?, encased in gilded molding, not of the period, overall measurements with frame 52'' x 36''. Condition - This painting has been re-lined with some spots of in-painting bordering the girl, and several darker areas visible upon black lighting, possibly inpaint in lower dress, difficult to tell as a result of the old varnish, will require a new lining, cleaning and probably some minor inpaint to make perfect, several small chips of paint loss in the lower left margin. Museum/Investment Quality. Call for any clarification on condition. | 35000 |
| 36A |  |
PAIR OF MARBLE PEDESTALS: Brass and green marble pedestal with octagonal top. 47 3/4''h, 13'' dia. at the top. | 675 |
| 37 |  |
PIAGET ''POSSESSION'' RING: 18K yellow gold ring on a ring, outer revolving ring bezel set with 7 diamonds, approx. 1ctw, 18grams, marked to edge of inner band with two touch marks, and inside ''750 A86145 59'', copyright PIAGET 1990, size 10. Advertised by Piaget as ''Two rings that are free yet united, a symbol of love and faithfulness.'' | 850 |
| 37C |  |
TIFFANY & CO SWISS ARMY KNIFE: Sterling silver, with eighteen karat gold emblem, 2'' long; includes blade, scissors, toothpick, tweezers, nail file, in blue Tiffany bag. | 120 |
| 37D |  |
LOT OF THREE 14K GOLD BANGLES: Three hinged bangles to include, wide bracelet in swirling brushed floral motif, marked WR 14k, approx. 7/8'' x 2 3/4'' opening; narrow round bracelet in a floral motif, 1/2'' x 2 5/8''; and an oval bangle in a brushed foliate motif, approx. 3/8'' x 2 1/2''. Approx. 66 grams total. | 500 |
| 38 |  |
SWEET, Charles A., (American, 20th C): Autumnal wooded lakeside scene, O/C, 24'' x 30'', signed lower right Sweet, circa 1930, overall with frame 28'' x 34''. Condition - Needs cleaning, small dime size puncture in lower right quadrant. | 200 |
| 38A |  |
SWEET, Charles A., (American, 20th C): Impressionist lakeside landscape, O/C, 24'' x 30'', signed lower left Charles A Sweet, overall with frame 28'' x 34'', circa 1930. | 200 |
| 38B |  |
LARGE STAFFORDSHIRE FIGURE: Archer huntsman with deer. Plain back. Mounted as a lamp. 17 1/2''h, 36'' overall. | 250 |
| 39 |  |
NATIVE AMERICAN INDIAN PIPE TOMAHAWK: Iron head, wooden handle with primitive style carvings of figures to each side, saw tooth design to end closest to head, hole for rawhide sting, pewter? adornment to mouth piece and end cap. 17 13/16''l. overall, head 7 5/8''l., 2 7/16''w. | 1700 |
| 39A |  |
BOULE AND IVORY INLAID TANTALUS WITH ETCHED CRYSTAL CORDIAL SET: What a set this is! Hinged burl walnut box with ornate boule inlay and ivory masqueron inlaid into the lid. The interior tray lifts out completely for serving. 4 decanters with faceted stoppers and 14 matching cordial stems, all etched in a delightful dragonfly and flower design. Decanters are 8'', cordials are 3''. The box is 11''h, 12 1/2'' x 10''. | 800 |
| 40A |  |
DRAKE, Ruth, (American, 20th C): Reclining Nude, O/Canvas Board, 20'' x 24'', signed lower right, overall with frame 26'' x 30''. | 250 |
| 41A |  |
FOUR DRAWER MAHOGANY CHEST OF DRAWERS: earlier 20th C Gentleman's chest of drawers. Bottom drawer is deeper than upper three. Wooden knobs, straight slightly overhanging top. Approx. 46 1/2h. incl. backsplash, x 44'' x 20 1/4''. | 150 |
| 42A |  |
19TH C MOSAIC INLAID TRAVEL BOX: Incredible inlay work on this hand crafted box with sarcophagus shaped hinged lid. Upper level is a velvet lined divided interior. Front slides off and exposes 6 drawers. 11 1/2''h, 14'' x 9''. | 700 |
| 42B |  |
GRAPE MOTIF BIRMINGHAM SILVER CO. SILVER ON COPPER TEA SERVICE: 7 piece set to include 30'' tray, kettle on stand with warmer, coffee pot (hinge is disconnected from the lid), tea pot, creamer, covered sugar, and waste jar. | 400 |
| 43 |  |
FRENCH LOUIS XVI STYLE OAK BED: Relief carved floral, festoons and basketry to headboard. Angelic carving with ribbon motif and floral garland to footboard. Headboard measures 57''h x 56'' w, rail length is 74 1/2'' x 51 1/2''. | 300 |
| 43A |  |
MID 19TH C CHERRY POSTER BED WITH CANNONBALL FINIALS: Shaped headboard, spinning rail at the foot board. Headboard and footboards are 57''h. Inside bed measurements. 72'' long(rails) x 53 1/2'' | 500 |
| 44 |  |
19TH C AMERICAN? WINTER LANDSCAPE WITH FIGURES: O/C, 22'' x 36'', re-enforced signature lower right E Tyler, newer frame, overall 25'' x 39''. Condition - Extensive restoration including reline, in-paint in roughly 15 to 20% of painting to include sky and areas in landscape. | 375 |
| 45 |  |
FRENCH CARRIAGE CLOCK IN PRESENTATION CASE: Duverdrey & Bloquel 11 jewel works. The dial is marked Samuel Kirk & Son Co. Baltimore/ marked France at the bottom of the dial. Key wind, in good working order. 5 beveled glass panels with damage to 2. 3 1/2''h, x 2 1/2'' x 2''. Sold with the original felt lined presentation / carrying case and key. | 300 |
| 45A |  |
PERIOD 2 DRAWER SEWING STAND: Drop leaf sides, double pedestal supports, velvet work storage bag. 29 1/2''h. x 20'' x 15 3/4''. | 600 |
| 45B |  |
WALTER DURFEE CARVED MAHOGANY TALL CASE CLOCK: Signed on the works and brass plate on the dial ''Walter H. Durfee Providence''. Moon phase dial, weight driven, 2 weights, pendulum. 87 ½''h x 26''. | 7000 |
| 46 |  |
PASKELL, William Fredrick, (American, 1866-1951): ''Fisherman's Haven, Rockport, Mass'', O/C, 20'' x 25'', signed lower left, titled in pencil verso, marked ''Shown at Grand Art Studios New York'', encased in period gilded frame. | 1000 |
| 46A |  |
KAMP, Louise M., (American, 1867-1959): Autumnal landscape, O/Cardboard, 8'' x 10'', signed lower left, encased in contemporary Mexican frame, overall 16'' x 18''. Condition - Several creases in cardboard with minimal paint loss along one crease in the lower margin. | 375 |
| 47 |  |
LOVELY DIAMOND PENDANT: 18k white gold pendant, approx. 1ctw of princess cut diamonds invisible set to center, approx. 1 3/8''l., currently on a 14k white gold Italian Omega necklace, approx. 18''l. | 750 |
| 47A |  |
SPARKLING LADY'S 3 DIAMOND RING: Approx. 2ctw of round brilliant cut diamonds, three stone ring set in 14k yellow gold. Center stone measures approx. 7.3mm x 4.5mm, small internal flaw cleverly shielded by one of the prongs, flanked by 4.8mm x 3.1mm and 4.6mm x 2.5mm. Size 9. | 2000 |
| 47B |  |
VICTORIAN AMETHYST SEED PEARL BROOCH: Hand made creation with a filigree gallery, assayed at least 18k, set with multitudes of tiny natural seed pearls and nine round cut amethyst approx. 2 ctw. Pin and loop for pendant, approx. 1 1/4''dia., 7.5 grams. | 750 |
| 48 |  |
19TH C SPATTERWARE MILK PITCHER: Blue with green and red Guinea hen or peafowl. Crazed finish with hairlines, surface chip near bird. 7 1/2''h. | 475 |
| 48A |  |
19TH C SPATTERWARE HANDLELESS CUP AND SAUCER: Rainbow blue and red with hand painted peafowl. No chips or cracks. | 1100 |
| 48B |  |
19TH C SPATTERWARE HANDLELESS PEAFOWL CUP AND SAUCER: Hand painted blue, light yellow and red peafowl on red. No chips or cracks. Interior of cup has slight discoloration under glaze. | 300 |
| 48C |  |
19TH C SPATTERWARE HANDLELESS CUP AND SAUCER: Hand painted Peafowl on red, impressed crown mark on underside of saucer. No chips or cracks. | 500 |
| 48D |  |
19TH C SPATTERWARE HANDLELESS CUP AND SAUCER: Hand painted blue, light green, and red peafowl on red. No chips or cracks, cup has discoloration under the glaze. | 250 |
| 48E |  |
19TH C SPATTERWARE HANDLELESS CUP AND SAUCER: Hand painted blue, light green, and red peafowl on red. No chips or cracks, cup has discoloration under the glaze. | 400 |
| 48F |  |
19th C SPATTERWARE PEAFOWL HANDLELESS CUP AND SAUCER: Green with hand painted peafowl in blue, green, and red. No chips or cracks. | 300 |
| 48G |  |
19th C SPATTERWARE PEAFOWL HANDLELESS CUP AND SAUCER: Green with hand painted Peafowl in blue, yellow, and red. No chips, has a hairline crack. | 200 |
| 48H |  |
19TH C SPATTERWARE CREAM PITCHER: Peafowl on green ground, 3 1/4''h. Chips and hairline along rim. | 250 |
| 48I |  |
19TH C SPATTERWARE SUGAR BOWL: Blue with double sided decor, brown fort and green trees on front, back has a single tree. Cover has a green finial. Crazed glaze, minor chips to interior rim under cover. 4''h. No exterior chips or cracks. | 600 |
| 48J |  |
SPATTERWARE PITCHER: Stick spatter design of vines above a geometrical frieze. Heavy crazing and discoloration. 7 1/4''h. | 350 |
| 49 |  |
HUGE 18TH CENTURY CARVED EAGLE LECTERN: Deaccession from Seattle Washington Museum, originally from French Chateau. 81''H X 33''. | 7000 |
| 49A |  |
COUNTRY AMERICAN CHERRY FOUR DRAWER CHEST: Mid 19th C. Slightly overhanging straight top. Deep top drawer, wooden knobs (incomplete). 45''h., 42'' x 19 1/2''. | 400 |
| 50 |  |
ELKINS, Henry Arthur, (American, 1847-1884): Western landscape, O/C, 20'' x 30'', signed lower right, encased in period over painted gilt molding. Condition - Heavy craquelure throughout, no visible inpaint, has been strip lined. | 3200 |
[Lot 1 - 50] | Lot 50 - 100 | Lot 100 - 150 | Lot 150 - 200 | Lot 200 - 250 | Lot 250 - 300
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Last updated Sunday, October 03, 2004