Sunday, February 24, 2019
Fine Art Only results
Lot 1004 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | [Lot 1250 - 1300] | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450
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Lot | Sale Price | ||
1254 | HICK, Terrance, (American, 1950): Autumnal Mountain Landscape with Stream, Oil/Canvas, 36'' x 48'', singed lower right, encased in original western motif distressed wood frame 48'' x 60''. | 450 | |
1255 | SHADDIX, Bill, (American, 1931): ''Cottonwood Crossing'', Oil/Masonite, 15'' x 30'', signed lower left and dated '79, signed titled and dated verso, framed 24.50'' x 40''. | 325 | |
1256 | RUE, Willis (American, 1908-1991): ''Tcamahia'' Indian from Rocky Ridge, Arizona, Oil/Canvas, 20'' x 30'', signed lower right, framed 29'' x 39''. | 300 | |
1257 | DAWSON, Burl, (American, 20th Century): 4 Oils/Boards Landscapes Depicting the Four Seasons, 5.50'' x 10'', all signed, unframed, sold as it. CONDITION: All appear to have loss in upper mid margin, sold as is. |
150 | |
1258 | HIGH RELIEF CARVED WOODEN ELEPHANTS: Carved of solid wood is a mother elephant and 5 calves, 3 of which have small carved loosely inset tusks. Mother has one of her 2 tusks. Approx. 63.5'' h x 23'' l x 15'' w. CONDITION: Weather ware consistent with age and use. |
300 | |
1262 | NEWTON, Sam, (American, 1948): Florida Highwaymen Beach Scene with Palm, Oil/Upson Board, 26'' x 48'', signed lower mid margin, original frame is 29.25'' x 51.50''. | 2100 | |
1264 | BLACK, Al (American, 1947): Florida Highwaymen River Landscape with Pink Skies, Oil/Upson, 24'' x 36'', framed 26'' x 38''. | 750 | |
1265 | BLACK, Al, (American, 1947): Florida Highwaymen River Scene with Egrets, Oil/Upson Board, 24''x 18'', singed lower right, original painted frame 25.25'' x 19.50''. | 450 | |
1267 | NEWTON, Lemuel, (American, 1950): Florida Highwaymen River Landscape with Lone Palm, Oil/Upson Board, 24' x 12'', signed lower right, original frame 26.75'' x 14.75''. | 350 | |
1268 | NEWTON, Lemuel, (American, 1950): Florida Highwaymen Beach Scene with Lone Palm, Oil/Upson Board, 24'' x 12'', signed lower right, original frame 26.50'' x 14.75''. | 350 | |
1270 | VAN TEAL SIGNED LUCITE SCULPTURE: Round & beveled base having 2 curved & beveled lucite attachments. Signed on base. Approx. 21'' h x 13.5'' l x 11.25'' w. CONDITION: No condition issues to be noted. |
300 | |
1275 | GORMAN, R.C., (American, 1932-2005): Kneeling Native American Woman, Lithograph, 22'' x 30'', signed lower left and dated 1979, marked color trial proof lower right, framed 33.50'' x 41.50''. | 300 | |
1278 | NEWHALL, Kate, (American, 1840-1917): Coastal Surf and Sunset from the Water, Oil/Wood, 4.25'' x 6.50'', monogramed lower left and dated 1889, framed 10'' x 12.25''. CONDITION: Both sides have some abrasions, frame shows wear. |
325 | |
1279 | LARGE OLD MASTER STYLE PAINTING OF SYBILLA PERSICA: Oil/Canvas, sight size is 46'' x 37.50'', no visible signature, encased in period gilded gesso frame 58'' x 50''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Canvas will need to be strip-lined and re-stretched, cleaned, frame has damage and loss scattered throughout, horizontal tear in upper mid margin app. 3-4'' w. |
1000 | |
1280 | LARGE 19th C PORTRAIT PAINTING OF ELISABETH BAS IN FABULOUS FRAME: Oil/Canvas, 45'' x 34.75'', marked verso C. Heberer, fantastic gilded and carved frame 56'' x 46.50''. This was painted by Ch. Heberer, after the antique by Ferdinand Bol. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Craquelure throughout, needs cleaning, frame shows minor wear. |
3250 | |
1280A | KINGSBURY, E. Winchester, (American, 20th C.): Mountain Valley Lakeside Scene with Village Along the Coast in the Distance and Sailing Ship, Watercolor and Gouache, sight size is 10.75'' x 13.75'', signed lower right, framed 17'' x 20''. CONDITION: Frame shows wear. |
125 | |
1281 | DALI WOODCUT DIVINE COMEDY: Heaven Canto 29, ''The Creation of Angels'', 13'' x 10.5'', float mounted and framed, 28.5'' x 26''. | 600 | |
1281A | SALVADOR DALI DIVINE COMEDY LITHOGRAPH ''THE LOGICIAN DEVIL'': sight size is 11.75'' x 9.75'', signed in red pencil lower right, marked EA lower left, framed 18.25'' x 16.25''. | 375 | |
1286 | REED, Earl, (American, 1863-1931): Indiana Dunes, Oil/Canvas Mounted on Board, 16.75'' x 16.50'', period gilded gesso frame 22'' x 22''. CONDITION: Some flecks of paint loss in the lower left quadrant, needs cleaning, frame shows minor wear. |
400 | |
1287 | REED, Earl, (American, 1863-1931): Landscape with Birds in Flight, Oil/Board, 12'' x 9'', signed lower right, framed 14.50'' x 11.50''. CONDITION: Several flecks of loss, needs cleaning. |
125 | |
1288 | 6 PIECE EARL REED RETCHING LOT: 1) ''February Silence'', sight size 13.50'' x 10.50'', pencil signed lower right, titled lower left, framed 16'' x 13''. 2) ''Old Willows'', sight size 13.50'' x 10.50'', pencil signed lower right and signed in the plate dated '09, titled lower left, framed 15'' x 12''. 3) ''The Municipal Pier'', sight size 10.875'' x 14'', pencil signed lower right, titled lower left, framed 11.25'' x 14.25''. 4) Rural River Home, sight size 9.25'' x 11.875'', signed lower right, framed 10' x 12.50''. 5) ''The White Dome'', sight size 11'' x 13.875'', pencil signed lower right, titled lower left, framed 11.25'' x 14.25''. 6) ''Morning Mist on Lake Louise'', actual size with margins is 13.50'' x 9.75'', pencil signed lower right, titled lower left, framed 14'' x 11''. CONDITION: 1) ''February Silence'': Not examined out of the frame, visible toning, some minor foxing. 2) ''Old Willows'': Visible toning, scattered foxing. 3) ''The Municipal Pier'': Visible vertical crease in the left third, wrinkled lower right corner. 4) Rural River Home: Overall toning, darker in the upper margin. 5) ''The White Dome'': Visible toning, scattered foxing, tear in lower mid margin, irregular cut in right margin, tape glue stains in upper margin. 6) ''Morning Mist on Lake Louise'': Some minor pale scattered foxing, some staining in the upper margin and lower right corner. |
125 | |
1290 | CORTINA, Maximo (Spanish, 20th/21st Century): Architectural Study with Doorway, Oil/Canvas, 24'' x 20'', signed lower right, framed 31.25'' x 27.25''. | 175 | |
1291 | CORTINA, Maximo, (Spanish, 20th/21st Century): ''Padre De Madremana'' Gerona Espana, Oil/Canvas, 27'' x 22'', signed lower right, titled verso, framed 35.25'' x 29.25''. | 150 | |
1292 | CORTINA, Maximo, (Spanish, 20th/21st Century): Waterfront Architectural Scene of a European Villa, Oil/Canvas, 30'' x 40'', signed lower right, original frame is 40'' x 50''. | 125 | |
1295 | WYETH, Jamie, (American, 1946): Portrait of a Horse in Pasture with Sliver of Moon in the Background, Lithograph, 24'' x 33'', pencil signed lower right, numbered 33/300, 32/300, 37/300 publisher's blind stamps lower left. CONDITION: Minor handling creases, good overall. |
425 | |
1296 | 9 NORMAN ROCKWELL COLLOTYPE PRINTS: 1) Moving Day, 24'' x 30'', published in 1973 by Circle Gallery Limited. 2) Gaiety Dance Team, 30'' x 24'', published in published in 1973 by Circle Gallery. 3) 2 Identical Prints of Saturday People, 24'' x 30'', published in published in 1973 by Circle Gallery. 4) The Runaway, 31.50'' x 27.75'', printed in Austria copyright Curtis Publishing Company. 5) 2 Prints of The Critic, 31.50'' x 27.50'', published in Austria copyright by the Curtis Publishing Company. 6) 2 Prints of The Discovery, 31.50'' x 27.50'', published in Austria. CONDITION: 1) Upper left corner is wrinkled, some smudges in the margins, several dings in other margins. 2) Upper right and lower left corners have some minor damage. 3) Some minor dents in the margins, lower right corner is wrinkled. 4) Corners and margins have minor issues. |
125 | |
1297 | LARGE 16TH CENTURY? PORTRAIT PAINTING OF FEMALE NOBILITY: Inscribed in the upper right corner Eleanora Attesting, dated 1576, Oil/Canvas, 53.50'' x 38.75'', fantastic gilded carved and painted frame 61'' x 49''. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute. CONDITION: Several patches visible verso, older reline, scattered craquelure throughout with loss, sporadic inpaint, frame shows minor wear, puncture above upper lip with paint loss. |
3500 | |
1298 | DAVID SMITH REDWOOD FOREST LANDSCAPE PAINTING: Oil/Canvas, 18'' x 24'', signed lower right and dated 1970, framed 26.25'' x 32''. CONDITION: Mild craquelure. |
250 |
Lot 1004 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | [Lot 1250 - 1300] | Lot 1300 - 1350 | Lot 1350 - 1400 | Lot 1400 - 1450
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