Sunday, November 13, 2016
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Lot | Sale Price | ||
1018 | CANA, Louis-Emile, (French, 1845-1895): Grouping of Pheasants, Bronze, 13'' x 12.25'', signed. CONDITION: Age appropriate wear, some scattered loss to patina, sold as is. |
350 | |
1019 | 19TH CENTURY BRONZE SCULPTURE OF A DEAD PHEASANT: 3.5''h. x 15'' x 11.25'' | 150 | |
1020 | TORO, Attilio, (Italian, 1892-1982): Young Beauty Admiring Her Reflection in the Mirror, Oil on Canvas, 27.75'' x 17.25'', signed lower right, pierced carved and gilded frame, 34'' x 23.5''. CONDITION: Relined, scattered inpaint and repairs to punctures, frame shows wear, sold as is. |
1000 | |
1026 | JONES, Henry Festing, (British, 1851-1928): ''Brighton Coach'' Oil on Canvas, 14.825'' x 24.825'', Several older labels affixed verso, gallery labels and Doyle Auction label, signed lower right, overpainted gilded gesso frame, 18.75'' x 28''. Jones was a solicitor and writer, best known as friend and posthumous biographer of Samuel Butler. CONDITION: Relined, needs cleaning, scattered craquelure, several touches of inpaint, sold as is. |
300 | |
1038 | VILLON, Jacques, (French, 1875-1963): ''The First Golden Age or L'Age d'Or'', Color Lithograph on Japon, 15'' x 22'' with margins, pencil signed lower right, titled in lower margin, framed 18.5'' x 25.75''. Villon was a painter and printmaker, known mostly for cubist abstract paintings. He is noted for creating a graphic language for Cubism which is now used by art historians. CONDITION: Several spots of stains along margin edges, not examined out of frame, sold as is. |
300 | |
1043 | FOUJITA, Leonard Tsuguharu, (Japanese/French, 1886-1968): Portrait of Young Beauty, Pencil with Colored Pencil Drawing, 12.5'' x 9.25'', dedicated to Georges Prade, signed lower right, framed, 16.5'' x 13''. ''A French-Japanese painter and printmaker credited with being the ''first Japanese artist to free that country's art of its legendary and classic image'', Tsuguharu Foujita spent most of his career in Paris, where he was associated with revolutionary artists including Pablo Picasso, Georges Braque and Henri Rousseau.'' - askART. CONDITION: Overall even toning, small tear in right margin, scattered staining, sold as is. |
500 | |
1044 | FOUJITA, Leonard Tsuguharu, (Japanese/French, 1886-1968): ''Erigone'' from the Book of Cats, Collotype, 7.5'' x 9.75'', 9.75'' x 12.75 with margins, signed lower right, framed, 12.75'' x 13.5''. CONDITION: Visible toning, minor handling creases. |
1100 | |
1045 | SEBIRE, Gaston, (French/American, 1920-2001): ''Le Caroubier'', Oil on Canvas, 29.5'' x 39.5'', signed lower right, titled verso, Wally Findlay Gallery label affixed verso, original painted frame, 36.5'' x 47''. Sebire drew public attention after winning 2 prestigious awards in 1953 and was able to study full-time for 3 years. ''Sebire was silent and solitary by nature, with a personality as strong and frank as his paintings. `A painting must have an element of mystery,'' he said, ''and show an effort to look beyond the surface of things.''' - from Julian Simon Fine Art. | 900 | |
1050 | PASSENGER PIGEON CHROMOLITHOGRAPH AFTER AUDUBON: 28'' x 25.125'' with margins, framed 37'' x 29''. CONDITION: Laid down with irregular margins, visible staining, light toning, sold as is. |
100 | |
1051 | CANVAS BACKED DUCK CHROMOLITHOGRAPH AFTER AUDUBON: 25.5'' x 38'', framed, 31.5'' x 43.5'', no glass. CONDITION: Laid down, scattered abrasions, pencil mark in right margin and image, scattered foxing, sold as is. |
100 | |
1052 | MALLARD DUCK CHROMOLITHOGRAPH AFTER AUDUBON: Published by Artistic Picture Publishing Company, NY, circa 1930, 25'' x 37.75'' with margins, framed, 31.5'' x 42.25''. CONDITION: Hinge-mounted, visible toning and handling creases, soiling and smudges along edges where matte met the image, sold as is. |
100 | |
1053 | LARGE FOLIO LITHOGRAPH AFTER AUDUBON CHIPMUNKS, 21.625'' x 27.75'' with margins, framed, 28.5'' x 33''. CONDITION: Laid down, scattered loss in margins, visible toning, scattered foxing, pencil inscription in lower margin framer's notes, sold as is. |
100 | |
1054 | YELLOW CROWNED HERON AFTER AUDUBON: Chromolithograph, 38.5'' x 24.5'', framed, 49.5'' x 37''. CONDITION: Scattered foxing and toning, frame shows wear, not examined out of frame, sold as is. |
1300 | |
1055 | LITHOGRAPH AFTER AUDUBON FORK-TAILED FLYCATCHER: 24.5'' X 17'', framed, 33.5'' X 25.5''. CONDITION: Scattered foxing, overall toning, not examined out of frame, sold as is. |
225 | |
1056 | CRESTED PURPLE FINCH LITHOGRAPH AFTER AUDUBON: 24'' x 17'', framed, 32.5'' x 26''. CONDITION: Visible toning, needs to be reaffixed to matte, pale scattered spots of foxing, sold as is. |
100 | |
1058 | RIKET, Leon, (Belgian, 1876-1938): Pastoral Scene with Dutch Mother and Child on the Edge of Autumn Forest, Oil on Canvas, 41.5'' x 59'', signed lower left, carved and gilded gesso frame, 49.5'' x 68''. CONDITION: Relined, scattered touches of inpaint, very good overall. |
600 | |
1059 | LATAPIE, Louis Robert Arthur, French, (1891-1972): Cubist Nude Figures in an Interior, Watercolor, 9'' x 12'', signed lower left, framed, 13.25'' x 16.25''. Personal note written in French verso to the Prades - translation ''For the big festivity of January 5, 1972, which for you guys, I hope with all my heart, will be the best ever. With Best Friendship, Latapie''. Provenance: Estate of Yves Georges Prade CONDITION: Several spots of foxing, not examined out of frame, sold as is. |
750 | |
1061 | CHWAT, Molli, (French, 1888-1979): Parisian Street Scene, Oil on Canvas, 16'' x 13'', signed lower right, contemporary framing, 19.5'' x 16.5''. Chwat was born in Poland and studied art in Saint Petersburg and Paris. After WWII, he immigrated to Israel and began painting biblical themes. ''There are artists who attached to the ceremonial religion, others attached to the mysticism of the legends and some who enter the esoteric traditions. Chwat, in his painting, praises enthusiastically the great events that relate to the holy book. By this, he makes a strong and ancient connection to the source of Jewish art.''- La Via Juive, 1955. CONDITION: Relined, scattered touches of inpaint, several minor flecks, sold as is. |
200 | |
1062 | BESSI, Professor Giuseppe, (Italian, 1857-1922): ''Beatrice'', Alabaster Bust, 14.5''h. x 7.25'' x 14'', title to front of base, signed verso Prof. G. Bessi. CONDITION: Several flecks to base, some scattered abrasions and dents, sold as is. |
350 | |
1063 | KARPATHY, Jenos, (Hungarian, 1871-1950): Hungarian Lakeside Scene, Oil on Board, 16'' x 19.75'', signed lower left, framed, 18.25'' x 22.5''. Karpathy was born in Hungary and studied in Budapest with Bertalan Skekely. He also studied in France, Brussels and Belgium. He is best known for his landscape paintings. CONDITION: Wear along edges, needs cleaning, some scattered abrasions, sold as is. |
200 | |
1065 | RANUCCI, Lucio, (Italian, 1924-): Young Clown Balancing Act, Oil on canvas, 26'' x 24'', signed lower left, dated 1975, framed, 41.5'' x 29.5''. Book about the artist included. | 1200 | |
1066 | BOYCOTT-BROWN, Hugh, (British, 1909-1990): River Scene with Tankers and Sailing Ships, Oil on Canvas, 16'' x 20'', partial signature lower right, carved wood and gesso frame, 23'' x 27''. CONDITION: Several scattered touches of inpaint, needs cleaning, several small puncture repairs, frame shows wear, sold as is. |
300 | |
1067 | DUBUFFET, Jean, (French, 1901-1985): ''Banque de L'Hourloupe Cartes a Tirer'', set of 52 playing cards, number 111 of an edition of 350. Published 1967, screen printed by Kelpra Studios, London. Sold with the hard case and original cardboard packing box, also numbered #111, hard case measures 10 1/2'' x 7 1/4'' x 4''. CONDITION: Missing title card. |
350 | |
1072 | LARGE ORIENTAL ANCESTRAL PAINTING: Late 19th/Early 20th Century Depiction of Mother, Father and Daughter, Watercolor and Gouache, possibly a paper scroll at one time, laid down, 48'' x 32.5'', not under glass, framed, 56.5'' x 41''. CONDITION: Visible repair to paper from cracking while rolled, several visible abrasions, sold as is. |
200 | |
1075 | YAMAMOTO SHOUN, (1870-1965): 2 Crows in Snow, Japanese Woodblock Print, 14.25'' x 7.375'', unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Minor handling creases, sold as is. |
375 | |
1079 | HATHAWAY, George, (American, 1852-1903): ''Whitehead, Cushing's Island, Maine'' Oil on Board, 6'' x 10.25'', signed lower left, gilded gesso frame, 9.5'' x 13.75''. CONDITION: Needs cleaning, scattered craquelure, frame shows wear, sold as is. |
225 | |
1088 | ERTE BRONZE ''FIRELEAVES'': 387/500, signed, Seven Arts foundry mark, 1986, 18.75'' h. | 1900 | |
1089 | ERTE, Romain, (Russian, 1892-1990): ''Lady in Pink'', Serigraph, 27'' x 19.25'', pencil signed lower right, numbered lower left 98/350, lacquered white frame, 38'' x 29.5''. CONDITION: Not examined out of frame, plexiglass has some abrasions, frame shows some minor wear, visible toning along the margins with some spotting, sold as is. |
450 | |
1098 | PREISSIG, Voitech (American, 1873-1944): Swans, Etching, 4.75'' x 4'' with margins, matted, 15'' x 18'', signed verso, this piece was probably produced in one Preissig's classes at the League, text in upper and lower margins. Provenance: Estate Collection of Christian Buchheit. CONDITION: Reverse taped to mat, several small specks of debris, sold as is. |
150 | |
1105 | EARLY GENRE PAINTING OF BEAUTY, NUDES: Scene Depicts 2 Young Nudes, Oil on Canvas, mounted to Board, 14.5'' x 8.5'', monogrammed lower left and dated '97, custom carved and gilded frame, 21'' x 15.5'', information affixed verso attributes painting to Hawlicek. CONDITION: Canvas is laid down on wood, several scattered touches of inpaint, needs cleaning, frame shows minor wear, sold as is. |
275 | |
1106 | PRE-RAPHAELITE PAINTING OF A BEAUTY IN CHAINS: Oil on Chamfered Wood Panel, 22.125'' x 12.25'', illegible monogram lower right with possible date, late 19th or early 20th century, unframed. CONDITION: Scattered abrasions, scattered touches of inpaint, sold as is. |
475 | |
1119 | EARLY ORIENTAL PAINTING OF HORSES: Mounted in protective wooden cover album, 7.75'' x 11.75'', 11'' x 13'' overall, signed lower right, scene depicts horses watering, possibly 18th C. CONDITION: Laid down to backing, visible crease lines with scattered paper loss, foxing and overall browning, sold as is. |
225 | |
1122 | MASSON, Andre, (French/American, 1896-1987): 2 Piece Lot to include 1) Abstract Composition, pencil and red chalk drawing, 10'' x 7.75'', signed lower right, framed, 16'' x 13.25''; 2) Lithograph for Verve, 12.5'' x 9.75'', signed in the plate lower left, framed, 21'' x 16.75''. CONDITION: 2) Visible handling creases in lower left corner, pale staining, scattered, frame shows wear, sold as is. |
600 | |
1133 | MCNULTY, William (American, 1889-1963): ''Orchard Street'' 1933, Etching, 13'' x 15.5'', pencil signed lower right, titled lower left and dedicated to Edna Jones, also signed in the plate lower right and dated '33, unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Several tears in margins, rounded corners, mild toning, sold as is. |
550 | |
1133A | MCNULTY, William, (American, 1889-1963): ''After the Storm'', Etching, 12'' x 16'' with margins, signed lower right, dedicated ''for Chris Buchheit, we've been buddies for 40 years'', dated 1956, titled lower left, matted, 15'' x 18'', unframed. ''McNulty was an American artist, who created realistic etchings and drawings of New York. He was born in Ogden, Utah. He studied art in 1908 and 1909 at the Art Students League in New York, where he also later taught. He was a successful editorial cartoonist for the Seattle Star.'' - askART. Provenance: from the Estate Collection of Christian Buchheit. CONDITION: Areas of visible toning, reverse taped to matte, several spots of staining, sold as is. |
300 | |
1134 | MCNULTY, William, (American, 1889-1963): The Bridges New York 1930'', etching, 7.25'' x 12.75'', pencil signed lower right, dedicated to Chris, ''with the kindest regards from Bill 1934'', titled lower left, edition of 75 proofs, contemporary metal frame, 12.25'' x 17.75''. Provenance: Estate Collection of Christian Buchheit. | 450 | |
1134A | SLOAN, John, (American, 1871-1951): Woman With Etching Tray, Etching, 9'' x 6.5'' with margins, posthumous signature lower right, numbered 175 proofs lower left, titled in lower margin and dated 1912. Posthumous edition printed in 1975, ''in memory of Christian Buchheit, better known as Chris, who served the Art Students League for 65 years'', signed John Sloan per H.F.S. (Helen Farr Sloan, John Sloan's widow). ''Mrs. Sloan has permitted us to use these etchings to help match the Ford Foundation Grant of $100,000 which we are required to match, dollar for dollar''. Provenance: from the Estate Collection of Christian Buchheit. | 150 | |
1135 | MIRO, Joan, (Spanish, 1893-1983): Lithograph for Verve, 12.5'' x 9.5'', framed, 21'' x 17''. CONDITION: Not examined out of frame, several handling creases, creasing along left margin and lower right corner, sold as is. |
150 | |
1136 | MIRO, Joan, (Spanish/French, 1893-1983): Abstract Composition, Lithograph, 22'' x 29.75'', signed in the plate lower right, framed, 28'' x 34''. Miro studied at the Barcelona Ecole des Beaux-Arts, then moved to Paris where he befriended Picasso, Calder, Ernst and others. He is best known for his abstract paintings and collages. CONDITION: Reverse taped to matte, tape residue verso, slightly toned, sold as is. |
300 | |
1137 | MIRO, Joan, (Spanish, 1893-1983): Lithograph for Derrier le Miroir, 14.25'' x 21.25'', framed, 23'' x 29.75''. CONDITION: Not examined out of frame, sold as is. |
125 | |
1138 | MIRO, Joan, (Spanish, 1893-1983): Triptych from Derrier le Miroir, Lithograph, 14.5'' x 32.5'', framed, 23'' x 41''. CONDITION: Minor toning, sold as is. |
150 | |
1145 | GOYA, Francisco, (French, 1746-1828): ''The Prisoner'', Etching, 4.25'' x 3.25'', Gazette Des Beaux Arts, framed 15''x 11''. ''He is considered the most important Spanish artist of late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns.'' - Wikipedia. | 450 | |
1158 | SWANSON, Glen, (American, 1950-): ''Great Horned'', Patinated Bronze, height 24.5'', signed and numbered 6/45, affixed to 2'' high circular wooden flint. ''Swanson's work includes all types of wildlife, but his specialty is realistic portrayals of birds in flight - `I am fascinated by the action and envy the freedom that birds have in being able to fly'. The media Glenn works in may vary from one project to the next. Although the majority of his work is cast in bronze, he also does woodcarvings, paints in oil and sometimes combines painting and sculpture into exciting new formats.'' - from www.glennswansonart.com. | 750 | |
1164 | EXCEPTIONAL PAINTING OF LIONS HUNTING AT TWILIGHT, Oil on Canvas, 20'' x 26'', signed lower left, JE Jerome (?), framed, 23'' x 29.25''. CONDITION: Relined, scattered touches of inpaint throughout, signature fluoresces, needs cleaning, several repairs to tears, sold as is. |
275 | |
1165 | ROSENQUIST, James, (American, 1933-): ''Rouge Pad'', Etching, 22.25'' x 39.5'', pencil signed lower right, dated 1978, titled lower left, remarked to state, numbered 46/78, framed, 22.75'' x 40''. | 500 | |
1166 | ROSENQUIST, James, (American, 1933-): ''Gravity Feed'', Etching, 22.25'' x 39.5'', pencil signed lower right, dated 1978, titled lower left, numbered 22/78, metal frame, 22.75'' x 40.25''. Rosenquist studied art at the Minneapolis Art Institute before receiving a scholarship to study at the Art Students League in New York. He had this to say about his involvement in the Pop Art movement, ''They [art critics] called me a Pop artist because I used recognizable imagery. The critics like to group people together. I didn't meet Andy Warhol until 1964. I did not really know Andy or Roy Lichtenstein that well. We all emerged separately.'' - Wikipedia. | 800 | |
1167 | MILLER, Kenneth Hayes, (American, 1876-1952): ''Leaving the Shop'', Etching,9.5'' x 12.25'', pencil signed lower right, matted, 18'' x 14''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Taped to backing in upper corners front side, very pale toning, several very minor spots of dirt, sold as is. |
150 | |
1168 | MILLER, Kenneth Hayes (American, 1876-1952): Department Store, Etching, 14'' x 19''. Provenance: Estate Collection of Christian Buchheit. | 150 | |
1170 | ROBERTS, Livingston ''Castro'', (American, 1941-2004): Florida Highwaymen fire sky backwaters scene, Oil/Masonite, signed lower right, 24'' x 30'', framed 25 3/4'' x 32''. CONDITION: Minor abrasions. |
800 | |
1171 | DANIELS, Johnny, (American, 1954-2009): Florida Highwaymen Indian River Lagoon early morning scene with boat and birds, Oil/Upson, early Daniels signature lower right, measures 24'' x 35 3/4'', framed 25 1/4'' x 37''. CONDITION: Paint fleck upper right and left corners, other abrasions, sold as-is. |
500 | |
1172 | DANIELS, Willie, (American, 20th Century): Florida Highwaymen backwaters river scene with birds, Oil/Masonite, signed lower right, 16'' x 12'', framed 19 1/2'' x 15 1/2''. | 400 | |
1173 | BLACK, AL, (American, 20th Century): Vibrant sunrise backwaters Florida Highwaymen scene with birds, Oil/Masonite, signed lower right, 18'' x 24'', framed 21 1/2'' x 27 1/2''. | 1000 | |
1174 | BURKE, Philip, (American, 20th C.): Portrait of Judy Garland, Oil/Canvas, 30'' x 40'', signed lower right dated 6/10/2000, custom contemporary frame, 52'' x 42''. After 2 years at the University of Toronto, Burke moved to New York City to begin drawing caricatures for the Village Voice. He has gained quite a bit of notoriety from his work being published in such publications as Rolling Stone, Newsweek, GQ, New York Times and Time Magazine. Recently, in 2013, Burke received the honor of being recognized by the Living Legacy Project at the Burchfield Penny Art Center. | 600 | |
1175 | BOND MOORE, Benson, (American, 1882-1974): ''Afternoon on the Gulf of Mexico'' Florida, Oil on Masonite, 16'' x 20'', signed lower right, titled verso, gilded frame, 24.5'' x 28.5''. Moore is known for his rural landscape paintings, especially the snow scenes, and his etchings of birds and other wildlife are comparable to Audubon. Many of his works can be found in the Smithsonian, the White House and the Library of Congress. | 1100 | |
1176 | CORBINO, Jon, (American, 1905-1964): ''Racetrack Parade'', Oil on Board, 10.75'' x 14'', signed lower right, titled verso with Corbino's address in Rockport, MA, dedicated to Chris, reverse taped to matte, 15'' x 18'', unframed. ''A highly acclaimed artist for heroic themes revealing the anxieties of America during the 1930s, Jon Corbino depicted disasters such as wars and floods. These paintings were tributes to the perseverance of man against unknown forces of the universe. He was much admired for his skill in draftsmanship and brilliant, smoldering colors.'' - Marcia Corbino, wife of Jon Corbino. Provenance: Estate Collection of Christian Buchheit. | 1300 | |
1178 | PAUL EPPLING CAT SCULPTURE: Constructed from chain link fencing and bumper and motor rockers from a car, signed on right arm, 43''h. x 26''w. x 31''. CONDITION: Current tray is replacement glass daisy plate; original tray was shade of a street light. |
1100 | |
1190 | MACGINNIS, Henry, (American, 1875-1962): ''Eerie Canal Sunset'', Oil on Canvas, 20'' x 26'', signed lower right, fine contemporary framing, 26.5'' x 32.5''. MacGinnis is most well-known for his landscapes. He was influenced by impressionism but he ''stayed within the realm of realism often softened by an impressionistic approach'' - H L Chalfant. CONDITION: Relined, some minor scattered touches of inpaint, sold as is. |
1250 | |
1194 | BRAMHALL, Peter, (American, 20th Century): Large blown glass orb with red, white and blue interior striations, titled ''Ocean Sunsets''. Signed on base ''Peter Bramhall, October, 1988, Help from Andy ??? & ???''. Measures 11 3/4'' h. x 15 1/2'' dia. | 800 | |
1195 | NIAGARA FALLS PAINTING ATTRIBUTED TO VICTOR DEGRAILLY, Oil on Canvas, 26.5'' x 34.75'', no visible signature, fine contemporary framing, 33'' x 41.5''. CONDITION: Relined, minor scattered craquelure, several minor abrasions, scattered inpaint, sold as is. |
1500 | |
1198 | GROSZ, George (German, 1893-1959): Seated Nude Charcoal Drawing, 18'' x 10'', signed lower right, unframed. Grosz was known for his ''caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York.'' - Wikipedia. Provenance: Estate Collection of Christian Buchheit. CONDITION: Scattered handling creases, visible toning, several tears in margins, sold as is. |
400 | |
1199 | LEVER, Hayley, (Australian/American, 1876-1958): New England Street Scene, Oil on Canvas, 20'' x 24'', signed lower left, gilded frame, 23'' x 27''. Lever was born and raised in Australia and studied in Europe, but eventually settled on the East Coast of America. He was influenced by the Impressionists, notably Van Gogh. In fact, he did a series of paintings, ''Van Gogh's Hospital, Holland'', to express the influence he felt from Van Gogh. Provenance: Estate Collection of Christian Buchheit. CONDITION: Several flecks of loss, frame shows wear and loss of gilt, sold as is. |
2700 | |
1200 | LEWIS, Martin (Australian, 1881-1962): ''The Boss'', Etching, 16.5'' x 11'' with margins, signed in pencil lower right, unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Matted, hinge mounted to cardboard backing, minor pale toning, sold as is. |
800 | |
1210 | HELDNER, Colette Pope, (American, 1902-1990): ''Swamp Idyll (Louisiana Bayou Country)'', Oil on Canvas, 20'' x 36'', signed lower left, framed, 24'' x 40'', titled and signed verso. ''One of the more colorful members of the bohemian art colony centered in New Orleans' French Quarter from the 1920s through the 1940s.(she) redefined traditional French Quarter scenes and landscape compositions with a bold new expressionism that utilized bright, garish color and a distortion of form.'' (www.KnowLA.org). | 600 | |
1215 | TITUS, Earle, (American, 1895-1962): ''Cloud Shadows'', Oil on Masonite, 23.5'' x 31.25'', signed lower right, framed, 30'' x 37.5''. Original Cracker Barrel Art Exhibition, Newbury Vermont, label affixed verso, titled verso. Titus studied at the New School of Design with John Douglas Connah and Vesper George, planning to enter the field of illustration. He subsequently did illustrations for the Saturday Evening Post, the Boston Post Magazine, and other periodicals. He also worked as a commercial artist. | 400 | |
1216 | CHICHESTER, Cecil, (American, 1891-1963): 2 Lots to include 1) Winter Landscape with Stream, Oil on Canvasboard, 11.75'' x 15.75'', signed lower left, unframed; 2) Snowy Winter Landscape, Oil on Canvasboard, 12'' x 15.875'', signed lower right, unframed. Chichester was known for his landscapes and illustrations. In the 1930's, he was an illustrator for the Pierce Arrow Roadster company. Provenance: Estate Collection of Christian Buchheit. CONDITION: Both need cleaning, minor wear around the edges, sold as is. |
250 | |
1218 | VERNER, Elizabeth O'Neill, (American, 1883-1979): ''St. Philips Portico, Charleston'', Etching, 10.5'' x 10.5'', pencil signed lower right, numbered 5/80, titled lower left, framed, 22.5'' x 18''. ''Verner. was part of the Charleston Etcher's Club, whose members did etchings of Charleston's historic architecture.'' - askART. CONDITION: Small spot of foxing in lower left corner, not examined out of frame, sold as is. |
800 | |
1225 | PHILLIPS, Barye, (American, 1924-1969): ''Miracle of the Bell'', Gouache/Illustration, signed lower left, 19'' x 15'', custom frame, 29'' x 25''. Phillips is best known for doing illustrations for paperback covers. | 250 | |
1230 | BLACKSTONE, Harriet, (American, 1864-1939): ''The Patriarch'', Oil on Board, 24'' x 30'', early label affixed verso from an estate collection, framed, 31'' x 37.5''. CONDITION: Scattered touches on inpaint, some flecks of paint loss, sold as is. |
300 | |
1243A | FOLK ART CARVED COWBOY ON HORSE: Early 20th century, nicely detailed carved wood figure of a cowboy or possibly a gaucho, down to the cigarette in his mouth, leather clothes and hat, gun belt with wood guns, leather covered saddle. He is riding a carved wood horse on a composite base, no visible signatures or markings. Overall measures 14'' h. x 13 1/2'' x 4''. Sold with and oak and glass case, 15 1/2'' h. x 15'' x 10 1/4''. CONDITION: Missing several fingers, leather is brittle and flaking with continuing flaking each time it is touched / moved. Glue repair to gun belt at one holster, sold as-is. Paint spatter to case. |
100 | |
1245 | 5-PIECE ART STUDENTS LEAGUE ART LOT: 1) GOLDSMITH, Simon, (American, 20th Century), Watercolor, Urban Landscape with Elevated Train, 13.75'' x 10.75'', signed lower right, dated 1956, matted, 18'' x 15''; 2) FORTESS, Karl, (American/Belgian, 1907-1993), Desolate Surreal Landscape, Pen and Ink with Watercolor, 11'' x 14'', signed lower left, dated 1956, dedicated to Chris, matted, 15'' x 18'', sign on the tree in the landscape with an arrow pointing the way to the Art Students League; 3) SCHNAKENBERG, Henry, (American, 1892-1970), Depicts the Construction of a Bridge, Watercolor, 10'' x 14'', signed lower right, matted, 15'' x 18''; 4) CALLCOTT, Frank, (American, 1891-1979), ''San Jose Mission'', Etching, 5'' x 12.25'', dedicated to Chris from Frank lower right, numbered 7/26 and titled lower left, matted 15'' x 18''; 5) LOPICCOLO, Dominic, (American, 20th Century), ''Springtime'', Abstract Composition, Oil on Paper, 12.75'' x 9.75'', signed lower right, dated '56, titled verso, matted, 18'' x 15''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Visible staining and toning, sold as is. |
200 | |
1246 | 4 PIECE ART STUDENTS LEAGUE ART LOT: 1) GRANGER, Jesse Carey, (?), Church Interior, 18'' x 10'' with margins, pencil signed lower right, indicated lower left one state one proof; 2) HAYNES, Lucille, (American, 20th Century), Urban Scene, Laundry Day, Etching, 11.625'' x 9.5'' with margins, pencil signed lower right, dedicate to Chris lower left, unframed; 3) BEAL, Gifford, (American, 1879-1956), Lithograph, Three Gulls pestering a black cat eating a fish, 12.75'' x 17.75'', pencil signed and dedicated to Chris lower right, unframed; 4) CAWEIN, Katherine, (American, 1895-?), Etching, Snow Scene, 10'' x 7.5'' with margins, pencil signed lower right, matted, 14.25'' x 15.5''. Provenance: Estate Collection of Christian Buchheit. CONDITION: 1) Pin holes in upper margins, minor handling creases, scattered staining, minor toning; 2) tack holes around margin edges with some tears, minor toning, several smudges of dirt; 3) some minor toning; 4) Glued down in upper and lower margins, several small spots of foxing, pin hole in upper margin, sold as is. |
100 | |
1248 | PENROSE, Louise Jay, (American, 1870-1944): Ringling Elephants, Oil/Canvas, 20'' x 24'', signed lower left, framed, 27'' x 31''. CONDITION: Frame is warped and has some minor damage, sold as is. |
150 | |
1249 | CURRY, Edwin, (American, 20th Century): ''Late Afternoon'', Oil/Masonite, 23.5'' x 36.5'', signed lower right, original paperwork label affixed verso, worn wooden frame, 25'' x 37.5''. CONDITION: Several minor abrasions, frame shows wear, sold as is. |
150 | |
1250 | DIXON DODD, Mark, (American, 1888-1952): Tropical Waterside Scene with Boats at Dock, Cottages and Palm Trees, Oil on Masonite, 27'' x 33'', signed lower right, carved wooden frame, 35.5'' x 41.5''. Dodd was an architect and an artist. While living in the Tampa Bay area, he designed homes and presented his paintings of the home to each new owner. | 1300 | |
1255 | REYNARD, Grant, (American, 1887-1968): ''Pants All Sizes'', Scene in Ashcan Style, Oil on Masonite, 12'' x 10'', signed upper left, framed, 17'' x 15''. Reynard was an artist and illustrator, whose works have appeared in Saturday Evening Post, Harper's Bazaar and more. He studied art at the Chicago Art Institute and Chicago Academy of Fine Arts, then traveled to Europe to continue his study. He later traveled extensively teaching and lecturing. | 800 | |
1262 | DALI, Salvador, (French/Spanish, 1904-1989): ''Persistence of Memory'', Bronze, numbered 165/350, Foundry marks from Camblest, Venturi Arte, dated 1981, inserts into marble plinth, overall height 16.5'', signed on the melting clock. CONDITION: Possible repair to clock tip, with differing patina, visible upon close inspection, marble has been repaired, sold as is. |
3250 | |
1263 | DALI, Salvador, (French/Spanish, 1904-1989): ''Statue of Liberty'', etching, 29.25'' x 22.25'' with margins, pencil signed lower right, marked EA I/X lower left, unframed. CONDITION: Several scattered stains in margins, tape glue stains in margins, some scattered foxing, minor pale toning, sold as is. |
2700 | |
1264 | GRUPPE, Charles, (American, 1928-): ''Pelicans - Tortugas'', Oil on Masonite, 24'' x 36'', signed lower right, artist's original label affixed verso, painted white frame, 31'' x 42.5''. Charles C. Grupp‚ comes from one of America's most respected families of artists. His grandfather, Charles Paul Grupp‚ (1860-1940), studied and painted in Europe until moving to Rochester, New York. His uncles, sculptor Karl (1893-1982) and painter Emile (1896-1978) were successful and widely recognized for their work. Charles's father Paulo Grupp‚ was a gifted cellist. He studied at Yale University and at Columbia, as well as at the National University of Mexico. He earned a Masters of Fine Art from Columbia University while on a fellowship there. He was also awarded a Fulbright Fellowship Grant and studied in Italy. | 800 | |
1268 | KLITZ, Anthony, (British, 1917-2000): ''Horse Guards at Buckingham Palace'', Oil on Canvas, 15'' x 30'', signed lower right, titled verso and dated 1973, framed 23.25'' x 38.25''. ''Whether it is Horse Guards Parade or the River, Mr. Klitz has captured that strange pearly light which is the secret of so much of London's grace.'' - Randall Fine Arts and Antiques. | 350 | |
1270 | LAPRADE, Pierre, (French, 1875-1931): 1) Young Child Reading in a Library, Pen and Ink, 4.5'' x 4.5'', monogrammed lower left, framed, 7.5'' x 7'', not under glass; 2) Girl with Cat, Pen and Ink Drawing of Young Girl with Cat, 8.75'' x 8'', signed lower right, framed, 15'' x 14''; 3) Reclining Nude, Charcoal, 15.25'' x 22.75'', signed lower right, vintage/original painted gesso frame, 22'' x 29.75'', original gallery labels affixed verso. Provenance: Estate of Yves Georges Prade CONDITION: 1) Visible toning throughout with several spots of foxing, sold as is; 2) Frame shows wear, drawing has minor overall toning with pale spots of foxing, sold as is; 3) Visible insect damage, some wear to frame, sold as is. |
175 | |
1271 | LE PRINCE, Jean Baptiste, (French, 1734-1781): ''Portrait d'Une Grande Dame Russe'', Sanguine Drawing, 8.75'' x 7.25'', catalog cover and item description affixed verso from sale in 1934, gilded gesso frame, 14'' x 12.5''. ''Le Prince's graphic art of Russia and its peoples is significant in that he based his compositions entirely upon his own designs, lending a much more realistic portrayal to his views than other eighteenth century contemporaries. He is also credited with being the first artist (in 1768) to introduce aquatint into his etched and engraved plates.'' - Wikipedia CONDITION: Laid down on heavy paper, scattered foxing, missing lower left and right corners, frame shows wear and loss, sold as is. |
800 | |
1272 | GUYS, Constantin, (French, 1805-1892): Standing Female in Dress, Pencil Drawing, 6'' x 3.75'', old label affixed verso, encased in inlaid frame, 11.5'' x 8.75''. Provenance: Estate of Yves Georges Prade CONDITION: Minor pale toning, spot of foxing in right margin, not examined out of frame, sold as is. |
200 | |
1273 | 2 SMALL ETCHINGS AFTER REMBRANDT: 1) Young Man in a Turban, 3.125'' by 1.875'' with margins, signed in lower plate, dated '31; 2) Elderly Woman Walking with a Cane, 3.625'' x 2.75'' with margins, encased in single frame, 11'' x 5.75''. Provenance: Estate of Yves Georges Prade CONDITION: Affixed in upper margin with glue to backboard, glue stains in upper margin corners, overall toning, scattered spots of foxing, frame shows wear, sold as is. |
150 | |
1273A | 2 MINIATURE ETCHINGS AFTER REMBRANDT: 1) Man Wearing a Hat with Hands Clasped Behind Back, 3.5'' x 2.375'' with margins, 2) Elderly Man Wearing Cloak and Hat Entering a Dwelling, 3.75'' x 2.75'' with margins, framed 5.75'' x 10.875''. Provenance: Estate of Yves Georges Prade CONDITION: Laid on back board, frame shows wear, sold as is. |
150 | |
1273B | 2-PIECE REMBRANDT BOOK PLATE PRINT LOT: 1) Elderly Woman Wearing a Cloak, 8.5'' x 7'' with margins, framed, 11'' x 10''; 2) Elderly Bearded Man, 8.5'' x 6.75'', framed, 10'' x 11''. Provenance: Estate of Yves Georges Prade CONDITION: Both glued to backboards, sold as is, 1) missing upper right corner, 2) missing both upper corners. |
150 | |
1278 | LEDAN, Fanch, (French/American, 1949-): Interior Scene Serigraph, 32.5'' x 25.5'', pencil signed lower right, numbered 225/300 lower left, custom frame, 45'' x 39''. ''Fanch gives us a distinct, original, contemporary vision of his work. In the past decade, he has turned his talent to something he calls ''Interiorscapes'', which have become his signature style. Using a playful and colorful technique he blends together interior and exterior settings to create a happy marriage between art and architecture.'' - www.fanchledan.com. | 150 | |
1280 | DAHLQUIST, Richard, (American, 1944-): ''Dying Breed'', Oil on Canvas, 24'' x 18'', signed lower right, dated '81, custom frame, 29.5'' x 23.5''. | 500 | |
1282 | CONNELLY, Pierce Francis, (American, Italian, 1841-1932): Allegorical Scene with Nudes, Angels and Horses, Oil on Canvas, 57.5'' x 98'', signed lower right, dated (18)71, contemporary frame, 62.25'' x 104''. CONDITION: Relined, scattered inpaint, craquelure throughout, sold as is. |
400 | |
1287 | BANNARD, Walter Darby, (American, born 1934): ''Cherokee Blanket 4'', Oil/Canvas, 66'' x 98'', signed on stretcher verso, dated 1970, thin edge aluminum frame, 66.5'' x 99.5''. CONDITION: Needs cleaning, several scattered spots of craquelure, frame is worn, sold as is. |
2200 | |
1290 | BELLMER, Hans, (German, 1902-1975): Surreal Landscape, Etching, 13.5'' x 16.75'', pencil signed lower right, marked H.C. lower left, framed, 20.5'' x 27''. | 150 | |
1295 | AFTER ALPHONSE MUCHA BRONZE ART NOUVEAU TRAY: Figural bust of a woman with hair flowing into tray. Signed Mucha lower back, head cement reinforced. Measures 6 1/2'' h. x 7 1/2'' x 6 1/4''. | 100 | |
1297 | PERRY, Lincoln (American, b. 1949): ''The Underworld II, 1985'', Oil on Canvas, 24'' x 48'', no visible signature, painted white frame, 25'' x 49''. CONDITION: Minor craquelure, several minor abrasions with minimal paint loss, sold as is. |
150 | |
1310 | PANTUHOFF, Igor, (American/Russian, 1911-1972): Young and Beautiful Big-eyed Girl in Bathing Suit, Oil on Canvas, 40'' x 16'', signed lower right, original gilded frame 49'' x 25''. CONDITION: Frame shows wear, painting is untouched and needs cleaning, sold as is |
700 | |
1311 | PANTUHOFF, Igor, (American/Russian, 1911-1972): Nearly Full-Length Portrait of Blond Beauty, Oil on Canvas, 40'' x 16'', signed lower right, original gilded frame with matte, 49.5'' x 26''. CONDITION: Minor stretcher bar wear, needs cleaning, frame shows wear, sold as is. |
800 | |
1315 | DAVIES, Arthur Bowen, (American/Italian, 1862-1928): Man With Horse and Figures in Landscape, Charcoal Drawing, 10.25'' x 14'', estate stamp lower right corner, framed, 19'' x 22.25''. Davies gained a reputation for ethereal figure paintings, ones that expressed lightness and mysticism. He was also a principal organizer of the 1913 Armory Show that revolutionized American art by introducing modernism to the viewing public - AskART. CONDITION: Several visible creases, some scattered staining, small tear in paper upper mid-margin, several spots of foxing, sold as is. |
125 | |
1316 | DAVIES, Arthur B, (American, 1862-1928): Horses with Figure on Horseback, Pastel, 10'' x 14.75'' with margins, estate stamp, signed lower left per ERB in pencil, framed, 13'' x 17.75''. CONDITION: Laid down, water stained upper right, exposed area has been darkened, scattered white spots, discoloration extending length of left margin, sold as is. |
125 | |
1320 | GENIN, Lucien (French, 1894-1953): Parisian Street Scene with Figures, Watercolor and Gouache, 7.5'' x 10.25'', signed lower right, framed 10.5'' x 17.25''. Provenance: Estate of Yves Georges Prade. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
150 | |
1321 | MYSTERY ART STUDENTS LEAGUE PAINTING DUBOIS(?): Interior Scene with Head of a Young Girl, Oil on Canvas, 9.5'' x 7.5'', possible partial signature lower left, elaborate gilded gesso frame, 21.5'' x 19.25'', under glass. Provenance: Estate Collection of Christian Buchheit. | 375 | |
1330 | LEE, Sang, (Korean, 1959-): Flower Garden with Bridge Over a Pond with Swans, Oil on Canvas, 36'' x 24'', signed lower left, framed, 45'' x 33''. | 200 | |
1331 | LEE, Sang, (Korean, 1959-): Flower Garden with White Picket Fence, Oil on Canvas, 20'' x 24'', signed lower left, framed, 27.5'' x 31.5''. | 350 | |
1335 | PABLO PICASSO ETCHING POSTER FOR 347 SERIES: Done for the School of Paris Gallery Exhibition in NY 1975, Etching printed from one of his plates, 30'' x 22'', framed, 31'' x 23''. | 150 | |
1337 | DUTCH MARITIME PAINTING SIGNED G. DE GRUYTER: Oil on Board, Depicting Ships off the Coast, 9'' x 13.5'', signed lower right, dated 1867, carved and gilded frame, 16.25'' x 20.75''. CONDITION: Needs cleaning, sold as is. |
250 | |
1338 | JOURNAULT, Ernest, (French, 19th Century): Coastal Scene with Figures, Oil on Board, 6.25'' x 9.25'', signed lower right, dedicated to Ms. Kraft, dated 1873, framed, 11.5'' x 14.75''. | 150 | |
1339 | EUROPEAN GENRE PAINTING OF YOUNG GIRL GATHERING FLOWERS: Oil on Wood Panel, 13.5'' x 6.25'', no visible signature, carved and gilded frame, 20'' x 12.75''. | 175 | |
1340 | PENNELL, Joseph (American, 1866-1922): 2 Pieces to Include 1) ''Elevated Train'', 10'' x 7.25'', signed lower right, dedicated to Chris, framed, 20.75'' x 16.75''; 2) New York City Church View Through Arch, 10.25'' x 7'', signed lower right, dedicated to Chris, framed, 20.75'' x 16.75''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Frame shows minor wear, not examined out of frame. |
150 | |
1346 | ARNOLD, Grant, (American, 1904-1988): 4 Lithographs to include 1) Prison Camp, 9.25'' x 12.25'', signed lower right, dated 1930, unframed; 2) Interior Scene, Possibly a Library with Figures, 12.5'' x 9.5'' with margins, pencil signed lower right, dated 1930, unframed; 3) Figures Reading Around a Table, 9.5'' x 12.5'' with margins, pencil signed lower right, dated '30; 4) Depicts A Hanging, 19'' x 12.25'', pencil signed lower right, dated 1930. Provenance: Estate Collection of Christian Buchheit. CONDITION: 1) Minor toning and handling creases; 2) Handling creases, horizontal ink mark in lower margin; 3) Several spots of staining, minor handling creases, lower corners are creased and folded; 4) Some toning in the margins, several dirt smudges, small tear in the right margin, lower corners are folded over, possible moisture damage in upper margin, sold as is. |
200 | |
1347 | MURPHY, Alice (American, 1896-1966): ''Umbrellas'', (Women with 2 Children), 12.5'' x 18.25'', unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Tape remnants in upper corners, minor toning, several small spots of foxing, sold as is. |
125 | |
1348 | 5 Pieces to include 1) Dockside Scene, Etching, 8.5'' x 11'' with margins, signed in the plate lower left, unframed; 2) PELL, Rodman, (American, 1909-1995): ''Pigeons'', etching, 6.5'' x 4.5'', pencil signed lower right, titled lower left, matted, 7.25'' x 7.25''; 3) HABERKORN, (?): Mother and Child, etching, 9.25'' x 7.5'' with margins, illegible marking lower left, unframed; 4) BABIN (?): ''Harlem River'', etching, 7.5'' x 8.75''; 5) EIDLETZ (?): Sepia Arts and Crafts-Style Landscape, Expansive Landscape with Winding Country Road and Trees, signed indistinctly verso, 4.5'' x 7''. Provenance: Estate Collection of Christian Buchheit. CONDITION: 1) Handling creases, tear in upper margin, lower left corner is folded, flecks in the margins; 3) Several small tears along margins, pinholes in upper corners, minor toning along margin edges; 4) scattered staining in the margins, irregular margins, several folds and minor tears, crease in left corner; |
100 | |
1350 | HEDGES, Robert D., (American, 1878-?): Remnants of an Old Sailboat, Washed Up on Beach, Oil on Board, 15'' x 19.5'', signed lower right, dated `35, custom contemporary framing, 22'' x 26''. CONDITION: Several abrasions, some restoration throughout but mostly in the sky, scattered touches of inpaint, frame shows minor wear, sold as is. |
100 | |
1351 | LARGE CUZCO SCHOOL STYLE PAINTING ANGEL ON HORSEBACK: Angel on Horseback with Rifle and Hounds, Oil on Canvas, 49'' x 41'', Carved wood and gold painted frame, 55.5'' x 48''. CONDITION: Scattered abrasions with paint loss, sold as is. |
100 | |
1355 | GINSBURG, Yankel, (Russian/Israeli/American, 1945-): Ginsburg-Style Composition, Serigraph, 41'' x 29.5'', pencil signed lower right, numbered 75/200 lower left, Immerman blind-stamped lower left, custom framed, 42.5'' x 30.5''. CONDITION: Frame show minor wear, not examined out of frame, sold as is. |
150 | |
1356 | WEE, Robert, (American, 1927-): Sunset Coastal Surf, Oil on Canvas, 21.5'' x 33.25'', signed lower right, artist inscription verso with signature, framed, 28.5'' x 40.5''. Wee is well-known for his seascapes and landscapes. He is a graduate of the Art Institute of Chicago. CONDITION: Several minor flecks, needs cleaning, sold as is. |
200 | |
1357 | HOODMAKER, Helen, (American, 20th Century): Two Girls with Pet Birds, Oil on Masonite, 30'' x 24'', signed lower left, artist's information affixed verso (graduate of Chicago Art Institute, studied at Art Students League in NY), custom painted wood frame, 36.5'' x 30.5''. | 100 | |
1358 | MENGIN, Paul Eugene, (French, 1853-1937): Bronze sculpture of a girl with a mandolin, mounted as a candelabrum lamp, signed P. Mengin, Susse Freres foundry marks. Mounted to green marble base, later added 5 arm candelabra with center electric socket. Overall measures 36 1/2'' h. x 10 1/2'' x 8 1/2'', sculpture alone measures 20 1/2'' h. CONDITION: Looseness to added top, socket not working. Shippers note approx. 54 lbs. Don't forget the finial in the office. |
400 | |
1359 | UTRILLO, Lucie, French (1878-1965): Portrait of Maurice Utrillo. Inscription verso translated as ''For Georges Prade (I give you, implied) This portrait of my illustrious husband because of whom today I am a painter. (He influenced her to become a painter) For Georges (i give you is implied) this living memory of our deep and immense affection. Lucie Utrillo. Provenance: Estate of Yves Georges Prade | 150 | |
1362 | NEIMAN, Leroy, (American, 1927): ''Sun Serve'', Male Tennis Player Serving Ball, Serigraph, 41.75'' x 23 7/8'', unfamed, full margins, pencil signed lower right, numbered lower left 24 of 300, Syria Studio Blind Stamp lower left. CONDITION: Minor Handling creases and several blemishes of dirt, very good overall, sold as is. |
400 | |
1363 | NEIMAN, Leroy, (American, 1921-2012): ''In the Pocket'', Depicts Washington Redskins Quarterback Doug Williams Dropping back for a Pass in Super Bowl XXII 1988 versus Denver Broncos - Washington Redskins won. Serigraph, sight size 30.5'' x 39.5'', pencil signed lower right, marked AP (Artist's Proof), 3/90 lower left. Custom frame, 40'' x 49''. CONDITION: No visible issues, not examined out of frame, frame shows wear, sold as is. |
500 | |
1364 | NEIMAN, Leroy, (American, 1921-2012): ''Get Shot'' Depicts a Tennis Match, Serigraph, sight size 13.5'' x 21'', pencil signed lower right, numbered 287/300 lower left, fine framing, 23.5'' x 39''. CONDITION: Not examined out of frame, sold as is. |
300 | |
1366 | MODERN ART MIXED MEDIA ABSTRACT COMPOSITION BY BARKER: Mixed Media on Paper, 28'' x 40'', signed lower margin, framed, 39.25'' x 51''. | 100 | |
1371 | KNIPP HILL, Polly, (American, 1900-1990): Lot of 3 Etchings, 1) ''Rape of Europa'' Black Americana Theme, 8'' x 9.5'', pencil signed lower right, titled lower left, framed, 17.5'' x 17.5''; 2) ''Croquis Class at the Calarossi-Paris'', 8.5'' x 11.5'', pencil signed lower right, titled lower left, numbered 4/50, framed, 17.5'' x 17.5''; 3) ''Harlem 4 am'', Harlem Night Club Scene with Dancers in the Early Morning Hours, 10.75'' x 8.5'', pencil signed lower right, titled lower left, numbered 6/30, framed, 17.5'' x 17.5''. | 950 | |
1372 | HILL, Polly Knipp, (American, 1900-1990): 5 pc unframed Etching lot to include;1) Street Magician, Paris 1927, 12.75'' x 10'' with margins, pencil signed lower right and dated Paris, 1927, numbered lower left 1/30; 2) ''Boat Landing, Bruges'', 15'' x 11'' with margins, pencil signed lower right, titled and numbered lower left 14/50; 3) ''The Bath'', 3.25'' x 4.875'' with margins, signed lower right, titled and numbered lower left 10/20; 4) Church Altar, 3.5'' x 3.25'' with margins, pencil signed lower right; 5) ''Caprice'', 5.125'' x 4.75'' with margins, pencil signed lower right and titled lower left. CONDITION: Minor handling creases and scattered foxing, sold as is. |
150 | |
1373 | KNIPP HILL, Polly, (American, 1900-1990): Lot of 2 Etchings, 1) ''Black Boy Beware'', 10.5 x 4, pencil signed lower right, titled lower left, numbered 10/30 framed, 19.5'' x 13''; 2) ''Mango Maiden'', 10.5'' x 4'', pencil signed lower right, titled lower left, numbered 22/30, framed, 19.5'' x 13''. Polly is widely known as one of America's best etchers. She spent most of her later life in St. Pete, Florida, after spending time in France. ''She has rendered the fruit of keen observation and sensibility in a highly personal and engaging use of her medium.'' Anna Olmsted, director of the Syracuse Museum. | 350 | |
1374 | KNIPP HILL, Polly, (American, 1900-1990): Lot of 2 Etchings, 1) ''De Little Baby Hippin'', colored etching, 5.5'' x 5.5'', pencil signed lower right, titled and signed lower left in the plate, framed 17.5'' x 17.5''; 2) ''Bleeding Hearts'', 8.5'' x 10.5'', pencil signed lower right, titled lower left, numbered 4/30, framed, 17.5'' x 17.5''. | 500 | |
1375 | BRONZE BUFFALO INCISED BARYE: 11''h. x 16''w. x 6''d. | 275 | |
1376 | LEIGH, William Robinson, (American, 1866-1955): 4 Etchings, 1) Young Indian Girl Grinding Corn, 12'' x 9'' with margins, signed in the plate lower right, unframed; 2) Study of Two Dogs, 12'' x 16'' with margins, signed in the plate lower right, unframed; 3) Western Rocky Outcrop Landscape, 12'' x 16'' with margins, signed in the plate lower right, unframed; 4) Study of Three Donkey Heads, 12'' x 17.5'', signed in the plate lower right, unframed. Leigh studied at the Maryland Institute in Baltimore and the Royal Academy in Munich. He returned to the States and became sought after for his illustrations. In 1906 he found his calling with a trip to the Southwest to paint the Grand Canyon. He also painted Yellowstone National Park, but he was most interested in the Hopi and Navajo Indians. Provenance: Estate Collection of Christian Buchheit. CONDITION: Scattered smudges, lower left corner folded over, minor handling creases; 2) Several visible creases, some scattered minor handling creases, minor toning in the image, several tears in the margins and pinholes in all 4 corners; 3) Visible toning and discoloration, several creases in the corners, minor paper loss in the margins; 4) Several tears in the margins, corners are tattered or rounded, several handling creases, sold as is. |
150 | |
1378B | STOLLER, Ezra, (American, 1915-2004): 4 Black and White photographs of General Motors building scenes to include, 1) Modern Lobby, 2) 2 photos of GM Technical Center, 4) GM Water Tower; all approximately 8'' x 10'', marked in the margin, ''please credit Ezra Stoller, unframed. CONDITION: Minor wear, minor handling dents, sold as is. |
200 | |
1379 | COLLECTION OF FRITZ HEBBERLING PHOTOGRAPHS: Collection of 16 40's-50's Era Black and White Photographs, mounted to paper backing, 9.5'' x 7.5'', photographer's stamp and titled verso, unframed. CONDITION: Several pieces with small creases, sold as is. |
200 | |
1383 | YAKHNIN, Oleg, (Russian, 1945-): ''Death of Faust'', Woodcut, 8'' x 5.5'', signed lower right, titled in lower margin, artist's bio affixed verso, framed, 13.5'' x 10.5''. ''Yakhnin creates an aesthetic of Romanticism and the related world of mythological figures. There is no place in this world for emptiness: the space is heavily populated, teeming with all sorts of humans as well as other beings, who crowd themselves onto the narrow space of the paper. The author himself often appears among the throng.'' - Escape Into Life | 100 | |
1385 | KUSH, Vladimir, (Russian, 1965-): ''Chess Game'', 20'' x 24'', signed lower left, signed in the plate lower right, numbered 24/325 lower right, custom frame, 26.5'' x 29.5'', sold with book about the artist. | 400 | |
1390 | 2 MARC CHAGALL LITHOGRAPHS FOR VERVE, 14'' X 10'', framed 24'' x 20''. CONDITION: Goat Head image has visible tears along margin edges, neither examined out of frame, sold as is. |
175 | |
1391 | ROUALT, Georges, (French, 1904-2002): Lithograph for Verve, 12'' x 9.5'', framed, 20'' x 15.75''. CONDITION: Not examined out of frame, sold as is. |
100 | |
1393 | DUS, Laszlo, (Hungarian, 1941-): 9 Etchings and 2 posters, 1) Triptych, ''White Opening 3'', 40'' x 26.5'' each plate, one piece signed lower right, unframed; 2) 2 Laszlo Dus Park West Exhibition posters, 38'' x 25.5''; 3) Diptych, Abstract Composition, 40'' x 26.5'', pencil signed; 4) Triptych, ''Negs fehr hassan(?)'' 40'' x 26.5'', pencil signed; 5) Evszaklk Te'l II, 40'' x 26.5''; 6) Viiagras II (?), 40'' x 26.5''; 7) Hajnali Ebredes III, 40'' x 26.5''; 8) Abstract Composition, 40'' x 26.5''; 9) Nyugalom X, 40'' x 26.5''; 10) Untitled Abstract Composition, 40'' x 26.5''; all unframed. | 100 | |
1398 | RENEFER, Jean Constant Raymond, (French, 1879-1957): Sketches of Human Studies, largest is 10'' x 7.5'', framed, 15.5'' x 12.5'', all are signed. CONDITION: Not examined out of frame, all frames show wear, all drawings are in good to very good condition, minor toning, sold as is. |
100 | |
1399 | LITHOGRAPH AFTER JOAN MIRO: Composition with Script and Blue Moon, lithograph, 26'' x 19.75'', pencil signed lower right, numbered 235/250 lower left, on arches paper, framed, 35'' x 29.25''. CONDITION: Toned in lower portion, hinge mounted in upper margins, some handling creases, good overall, sold as is. |
100 | |
1400 | MAXWELL-LYTE, Fanny, (English, 1853-1925): English Landscape, 1853-1925, Watercolor, 9.5 x 13.25, framed, 17.5 x 22. Provenance and Certificate of Authenticity affixed verso from her great-grandson, Peter. | 100 | |
1402 | COLUMBIAN EMERALD SCULPTURE: Raw emeralds in mineral aggregate with carved figure of a miner. Wood backing and base, unsigned, overall 8 1/4'' h. x 9'' x 5''. | 175 | |
1410 | BOUTON, Marcia, (American, 1919-2014): Reclining Nude, Pastel, 22'' x 18'', signed lower right, custom frame, 33'' x 27''. | 300 | |
1411 | BOUTON, Marcia, (American, 1919-2014): Young Girl in Dress Looking Over Her Shoulder, Pastel, 21.5'' x 15'', signed lower left, contemporary metal frame, 28'' x 21''. | 150 | |
1412 | BOUTON, Marcia, (American, 1919-2014): Young Seated Blond Beauty in Black Evening Dress, Pastel, 21'' x 14.5'', signed lower right, framed, 33.5'' x 27.5''. CONDITION: Frame shows minor wear, not examined out of frame, sold as is. |
250 | |
1413 | REEDY, Leonard, (American, 1899-1956): Four-piece estate lot of western Watercolor art. 1) ''The Hanging'', Cowboys Surrounding a Cattle Rustler about to be Hanged, Watercolor, sight size 8'' x 11'', signed lower right, framed, 15'' x 18''. 2) Indian War Party, Watercolor, sight size 8'' x 11'', signed lower right, framed, 15.25'' x 18.25''. 3) Cowboy Roping Longhorn Steer, sight size 6.75'' x 9.75'', signed lower left, framed, 15'' x 18''. 4) Horses Tied to Hitching Post Outside Saloon, Watercolor, sight size 7.75'' x 11'', signed lower right, framed, 15.25'' x 18.25''. Reedy developed an aptitude for drawing at a young age and attempting to reproduce the style and subject matter of Remington, he filled the margins of his school books with drawings. Reedy was at home on the Great Plains, the desert country, mountains, and mining and timber camps. He worked as a ranch hand, roamed with the Indians and over time, gained a certain knowledge of western life that he went on to portray. CONDITION: Not examined out of the frames. 1) Pale fading, overall browning, mat burn along edges, several spots of foxing, frame shows wear. 2) Overall browning, mat burn around all edges, several white spots, frame shows wear. 3) Mat burn, overall pale brown, frame shows wear. 4) Mat burn, overall pale brown, frame shows wear. Lot sold as is. |
250 | |
1418 | FERNANDEZ, Jose Luis, (Spanish, 1943-): Abstract Figural Composition, Patinated Bronze, 9.5'' h., affixed to metal base, 10.5'' overall, incised signature, foundry stamp to base. | 400 | |
1419 | EXCEPTIONAL ENGLISH PORTRAIT OF YOUNG GENTLEMAN: 19th Century, possibly earlier, Oil on Canvas, 25'' x 19'', no visible signature, encased in liner, 26'' x 20.25''. CONDITION: Visible punctures with repairs to tears verso, sold as is. |
150 | |
1423 | GOLDTHWAITE, Anne, (American, 1869-1944): ''The Letter'', Woman Sitting and Writing a Letter, Etching, 3.5'' x 4.25'', 14.5'' x 12'' with margins. Provenance: Estate Collection of Christian Buchheit. CONDITION: Tack holes in margins, several minor spot stains, tape remnants upper margin, sold as is. |
250 | |
1425 | NICOLAIDES, Kimon, (American/French, 1892-1938): Nudes in a Landscape, Watercolor, 12.25'' x 9.5'', signed lower right, framed, 16.5'' x 13.5''. Nicolaides ran away from home to become an artist. He travelled to New York where he studied at the Art Students League with John Sloan and George Bridgman. During WWI, he became one of the first American camouflage artists and also worked on contour maps. He is well-known for developing a method of teaching drawing, which he shared in ''The Natural Way to Draw''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Not examined out of frame, possible water damage lower right, tape glue stains in upper margin, sold as is. |
175 | |
1428 | ILLEGIBLY SIGNED PAINTING OF YOUNG BEAUTY IN COURTYARD: Oil on Canvas, 24'' x 20'', framed, signed lower right, 29.25'' x 25.25''. | 100 | |
1430 | WANDS, Alfred, (American, 1939-): Pastoral Plateau with Country Landscape and Looming Hills in the Distance, Oil/Canvasboard, 20'' x24'', signed lower right, framed, 24'' x 28.25''. | 300 | |
1431 | SKENE, Harold, (American, 1883-1978): ''Black Canyon'', Oil/Canvas/Masonite, 24'' x 30'', signed lower right, titled verso, dated 1962, custom frame, 31'' x 37''. Skene graduated Harvard with a degree in Architecture and also attended the Denver and Broadmoor Art Academy's. Although he traveled in Switzerland, England and France, many of his paintings are of Colorado, and neighboring states. CONDITION: Frame shows wear, sold as is. |
100 | |
1433 | RAPHAELI, Zvi, (Egypt, 1924-2005): ''Zafaria Village in Judea Hills'', Oil on Canvas, 16'' x 20'', signed lower left, Safrai Art Gallery label affixed verso, 22.5'' x 26.25''. Painter and rabbi, he was educated in Paris from age 3. He studied at Ecole des Beaux-Arts in Paris and Bezalel Academy of Arts and Design in Jerusalem. He was a member of the French resistance during WW II. He lived in Israel and the USA. CONDITION: Scattered craquelure, sold as is. |
200 | |
1435 | KIPNISS, Robert, (American, 1931-): 4 Scenes on 1 Sheet, sight size 11.25'' X 9.5'', signed lower right and numbered 31/150, framed 19.5'' x 17.5''. | 150 | |
1437 | ARMS JR, John Taylor, (American, 1887-1953): 1) ''Angouleme,1924'', Etching, 8.75'' x 13.5'' with margins, pencil signed lower right and dated 1914, affixed in mat and backing with museum quality corners; 2) ''Stokesay Castle'', Etching, 4'' x 6.5'' with margins, pencil signed lower right and dated 1942, published for the Miniature Print Society, mounted to acid free matting and backing with plastic corners; 3) ''Nevers The Cathedral of St Cyr and Julitta'', Etching, 15.25'' x 9.5'' with margins, pencil signed lower right and dated 1929, unframed. CONDITION: 1) Very pale toning, several scattered spots, good overall, sold as is. 2) Very pale toning, some darkening in the corners, several spots of foxing, sold as is. 3) Uneven trimming to margins, some pale toning in exposed areas, minor scattered soiling, several small pinholes in upper left margin, several spots of foxing. Possible repair to tear in upper left corner where tape meets paper far from the actual image, hinge mounted in upper margins, sold as is. |
150 | |
1438 | ARMS JR, John Taylor, (American, 1887-1953): 2 Etchings, 1) ''Wilby Church'', 6.25'' x 4.5'', pencil signed lower margin, matted; 2) ''Stockholm'', Etching and Aquatint, 10.5'' x 17.15'' with margins, pencil signed lower right and dated 1940, Roman numeral III lower left, matted. CONDITION: 1) Church has portion missing in upper right corner; 2) Stockholm is hinge mounted in upper corners, pale darker vertical border line in left margin, faint staining in lower corner, minor handling creases, sold as is. |
125 | |
1440 | STEVENS JR., Edward John, (American, 1923-1988): ''Entrance to the Desert'', Gouache, sight size 18'' x 22'', signed lower left, dated 1948, label affixed verso, encased in distressed wood frame, 24'' x 28''. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
100 | |
1441 | ZIEGLER, Henry (American, 1889-1968): 1) ''Art Students League Building'', Litho on Stone, Black and White, 18'' x 12'', unframed. 2) MASON, Frank, (American, 1921-2009): ''Irish Kitchen?'', Lithograph, 11.25'' x 9.25'', pencil signed lower right, titled, dedicated to Chris Buchheit, numbered 1/25, framed, 20.25'' x 16.25''. Provenance: Estate Collection of Christian Buchheit. CONDITION: 1)Several tears in upper right corner, pale staining and scattered foxing, 2) Frame shows minor wear, not examnined out of the frame, sold as is. |
100 | |
1442 | CHAVEZ, Edward, (American, 1917-1995), ''Desert Blossoms, Taos, New Mexico'', Mixed Media, Pen and Ink with Pencil, 10.75'' x 13.5'', signed lower right, dated '54, titled lower right, matted, 15'' x 18''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Visible staining and toning, sold as is. |
150 | |
1444 | SOGLOW, Otto, (American, 1900-1975): ''Where is the Still Life Class?'', Marker Drawing, 13.75'' x 10.75'', signed lower right, dedicated ''with best wishes to Chris'', matted, 18'' x 15''. Soglow was mostly known for his comic strip ''The Little King''. He studied with John Sloan at the Art Students League in New York. His drawings have been published in a number of magazines, including The New Yorker, Collier's and Life. Provenance: Estate Collection of Christian Buchheit. CONDITION: Several areas of visible staining, reverse taped to matte, sold as is. |
250 | |
1448 | YAGHJIAN, Edward, (Armenian/American, 1903-1997): ''Work Horse'', Watercolor, 6.5'' x 9.5'', signed and dedicated in the lower margin ''to Chris with fond memories'', artist's label attached verso, matted 15'' x 18''. ''Yaghjian was a student of John Sloan and Robert Henri at the Art Students League in New York, and his work has the same spirit as the Ash Can School of painters. The colors orange and turquoise are often included in his works.'' - askART. Provenance: Estate Collection of Christian Buchheit. CONDITION: Minor handling creases, reverse taped to matte, small indent in lower right corner. |
150 | |
1449 | LIBERTE, Jean (Italian, 1896-1965): Seated Clown, Gouache, 13'' x 8.5'', signed lower left, reverse taped to matte, 18'' x 15''. Provenance: Estate Collection of Christian Buchheit. | 100 | |
1450 | PALMER, William, (American, 1906-1987): Grand Tetons, Watercolor, 10.5'' x 14.5'', signed lower right and dedicated to Chris Buchheit, dated '53, signed titled and dated verso, reverse taped to matte, 15'' x 18'', unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Minor overall toning with several spots, sold as is. |
375 | |
1453 | LEVINE, Jack, (American, 1915-2010): Lot of 6 to include 1) Young Woman in Fancy Hat, Lithograph, 26'' x 19.75'', signed in plate lower right, pencil signed lower right, unframed; 2) Poster for Mourlot Depicting 2 Young Ladies metaphorically representing France and US, 26.5'' x 20'', framed, 33'' x 26.75''; 3) Shakespearean Gentlemen, etching, 19.625'' x 14'' with margins, pencils signed lower right, numbered 60/100 lower left, unframed; 4-5) 2 Identical Etchings Depicting Butler Peering Over Shoulder of German Officer, 30'' x 22'', pencil signed lower right, numbered 49/100 and 84/100 lower left, unframed; 6) Artist Proof Etching, Middle-Aged Couple in a Saloon, 22'' x 30'' with margins, pencil signed lower right, marked artist proof lower left, unframed. CONDITION: 2) needs rematting, toning, several spots of foxing |
125 | |
1457 | 6 PIECE EARLY PRINT LOT to Include 1) Engraving from Perseverantie Exitus, 7'' x 4.25'' with margins, 2) Portrait of Thomas Crammer, 12.25'' x 7.25'' with margins, 3) Portrait of Christofel Colonus, 14'' x 9.25''; 4) Early Miniature Print of 3 Soldiers, probably wood engraving, 3.625'' x 2.25'' with text verso; 5) Religous Scene with King Standing before Sacrificial Pyre, Etching, 11'' x 14.5''; 6) Etching Depicting Various Family Crests, verso is written ''Earls of Ireland'', Bective, Honth, Bellamont, Kingston, Brandon and Brandison, 7'' x 4.5'' with margins, reverse taped in upper margin. CONDITION: Sold as is, various boxing and staining issues. |
100 | |
1458 | RABBI PAINTING BY MARWYS: Oil/Canvas, 20'' x 16'', signed upper left, carved and embossed gesso frame, 28.5'' x 25''. CONDITION: Repair to puncture, needs cleaning, scattered loss, frame shows wear, sold as is. |
200 | |
1461A | HOMER, Winslow, (American, 1836-1910): Includes Prints from Appleton's Journal, Harper's Weekly, Glimpses of New England Farm Life; 1) ''All in the Gay and Golden Weather'', 11.8'' x 7.75'' with margins; 2) ''The Sower'', 9.5'' x 6.25''; 3) ''The Army of the Potomac, Our Outlying Picket in the Woods'', 15.25'' x 10.25'' with margins; 4) ''Art Students and Copyists in the Louvre Gallery'', 11.5'' x 15.5'' with margins; 5) ''At Sea Signaling a Passing Steamer'', 10.75'' x 14.5'' with margins; 6) ''Pumpkins Among the Corn'', 9.25'' x 6.25''; 7) ''The Advance Guard of the Grand Army of the United States Crossing the Long Bridge.''; 8) ''The 79th Regiment Highlanders New York State Militia'', 10.75'' x 15.5''; 9) ''The Sleighing Season - The Upset'', 11'' x 15.75'' with margins; 10) ''The Morning Walk'', 11.75'' x 15.75''; 11) ''The Skating Season'' (1862), 11'' x 15.5''; 12) ''Our Watering Places, the Empty Sleeve at Newport'', 11'' x 15.5''; 13) ''The Summit of Mount Washington'', 10.75'' x 15.75''; 14) ''The Bathers'', 15.75'' x 10.5''. CONDITION: Scattered discoloration in margins, most pieces have toning and age-appropriate wear, sold as is. |
100 | |
1461B | 13-PIECE WINSLOW HOME ENGRAVING LOT: 1) ''A Parisian Ball'', 10.75'' x 15.75''; 2) ''The Straw Ride'', 11.25'' x 16.25''; 3) ''The Bathers'', 16'' x 11.25''; 4) ''The Sleighing Season'', 11'' x 15.75''; 5) ''A Snow Slide in the City'', 10.75'' x 15.75''; 6) ''New England Factory Life - Bell Time'', 10.75'' x 15.75''; 7) ''Our Watering Places - Horse Racing at Saratoga'', 11.25'' x 15.75''; 8) ''The Morning Walk - Young Ladies' School'', 10.75'' x 15.75''; 9) ''April Showers'' (1859), 16'' x 11.25'' with margins, 6'' x 9''; 10) ''George Blake's Letter'', 9'' x 5.25''; 11) ''Pumpkins Among the Corn'', 9.5'' x 6.25''; 12) ''Army of the Potomac, Our Outlying Picket in the Woods'', 16'' x 10.25''; 13) ''The Great Russian Ball at the Academy of Music'', double page, 16'' x 21.75''. CONDITION: Toning, staining along the edges, minor scattered tears, foxing, sold as is. 13) Several tears along the edges and in the central crease. |
100 | |
1462 | 10-PIECE HARPER'S FERRY EARLY AMERICAN BOOKPLATE PRINTS: 4 are matted and affixed to foam core. CONDITION: Condition varies, missing paper in margins, soiling, staining, overall age-appropriate wear |
100 | |
1464 | GOOD 19TH CENTURY RIVER LANDSCAPE PAINTING: English or Possibly American, Autumnal River Valley Scene with Cabin on the River, Oil on Canvas, 17'' x 30'', no visible signature, gilded gesso frame, 23.25'' x 36''. CONDITION: Scattered craquelure with flecks and abrasions, frame shows wear, sold as is. |
100 | |
1465 | ABRISHAMI, Hessam, (American/Iranian, 1951-): ''Musical Jam Session'', serigraph on canvas, stretched on wood stretcher, 29.5'' x 44.5'', signed lower left, numbered lower right 24/150, custom frame, 39'' x 52.5''. | 100 | |
1468 | NAMIKI, Hajime, (Japanese, 1947-): Iris, Woodblock, 28.5'' x 14'', signed lower right, dated '86, titled lower left, numbered 33/100, custom Kanda Gallery frame, 36.5'' x 18.75''. | 150 | |
1469 | NAMIKI, Hajime, (Japanese, 1947-): Tree Scene, Woodblock Print, 12'' x 12.25'', pencil signed lower right, dated '90, numbered lower left 38/90, custom Kanda B.O.Q. frame, 19.25'' x 18.75''. CONDITION: Frame shows minor wear, sold as is. |
275 | |
1470 | SHUFU, Miyamoto, (Japanese, 1950-): Misty Morning Landscape, Woodblock Print, 13.5'' x 18.5'', pencil signed lower right, titled in Japanese mid-margin, numbered 136/150, custom Kanda B.O.Q. frame, 18.25'' x 24.75''. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
150 | |
1471 | HEDEO, Yasumoto, (??): Lot of 2 Woodblock Prints, 1) ''Autumn'', 8.5'' x 11.75'', pencil signed lower right, dated '85, titled mid-margin, numbered 34/200, custom Kanda B.O.Q. frame, 12.5'' x 16.25''; 2) ''Early Spring'', 8.5'' x 11.75'', pencil signed lower right, dated '86, titled mid-margin, numbered 9/200, custom Kanda B.O.Q. frame, 12.5'' x 16.25''. | 250 | |
1472 | NORIKANE, Hiroto, (Japanese, 1949-): 3 Etchings to include 1) ''Black Cat #2'', Oval, 9.25'' x 7.25'', pencil signed lower right, dated '87, titled lower mid-margin, numbered 189/200, custom Kanda B.O.Q. frame, 12.5'' x 9.5''; 2) ''Neko #3'', Oval, 4'' x 7.25'', pencil signed lower right, dated '86, titled, numbered 16/100 lower left, custom Kanda B.O.Q. frame, 6'' x 10''; 3) ''Neko #1'', Oval, 4'' x 8.5'', pencil signed lower right, dated 86, titled lower mid-margin, numbered 41/100 lower left, custom Kanda B.O.Q. frame, 6'' x 11''. All have Kanda's Gallery B.O.Q. labels affixed verso. | 100 | |
1476 | PARKER, Margaret, (English, 1907-1987): ''Alva'', Portrait of a Young African-American Girl, Oil/Canvas, signed lower right, 16'' x 12'', framed 17.25'' x 13.375'' x 1.75''. | 100 | |
1477 | JAUDON, Rene, (French, 1889-1966): Peasant on a Donkey, Pastel, 16'' x 13'', signed lower right, dated 1933, dedicated to Madam Georges Prade, framed, 20.5'' x 17.25''. Provenance: Estate of Yves Georges Prade CONDITION: Several pale spots of staining, minor toning in upper portion, not examined out of frame, sold as is. |
100 | |
1482 | NYROP, Borge, (Danish, 1881-1948): Village Landscape, Oil/Canvas, 18'' x 15'', signed lower right, gilded frame, 22.5'' x 19.25''. CONDITION: Scattered craquelure throughout, needs cleaning, several minor flecks, sold as is. |
150 | |
1488 | Patinated Bronze, 10.5''h. x 23''w. x 8''d., signed Rafael, numbered 65/75, depicts young brunette beauty in overcoat and tie teasing cat. | 475 |