| Lot | Sale Price | ||
| 50A |  |
ORTEGA, Jose, (Ecuidorian, 1958-1991): Abstract Composition, Color Etching, 13 3/4'' x 10 3/4'' sight size with margins, pencil signed lower right, # 19/120 lower left, encased in gilded contemporary molding, 27 1/2'' x 21 3/4'', Little Gallery Mich label affixed verso. | 200 |
| 52 |  |
DRYSDALE, Alexander John, (Amer., 1870-1934): Bayou Landscape, O/B, 17'' x 24'', SLR and dated 1918, original gilded oak frame, 24 1/2'' x 31'', some separation in corners and minor wear to frame, original glass. Condition - Several pinpoints specks of lighter coloring, slight warp in board due to missing back support panel. Point of interest-Drysdale painted in a unique style using diluted oil paints, applying them with a cotton ball or soft brushes. | 5000 |
| 53 |  |
PEAT, Wilbur David, (American, 1898): Urban landscape through the trees, possibly Central Park, O/B, 16'' x 12'', monogrammed lower right. Condition - Several scrapes and paint loss in upper margin, upper left hand corners broken off, needs cleaning. This piece was purchased from the estate of Wilbur Peat. | 500 |
| 53A |  |
PEAT, Wilbur David, (American, 1898): Rural landscape with farm houses in a meadow clearing, O/C, 18'' x 22'', no visible signature, encased in original gilded molding, 21 1/2'' x 25 1/2'', some wear to gilt. Condition - Several scrapes with minor paint loss. This piece was purchased from the Wilbur Peat estate. Peat was museum director, writer and director and worked in Indiana. | 400 |
| 58 |  |
SACKS, Walter Thomas, (Amer., 1901-?): ''Rustic Foot Bridge'', Gouache, 20'' x 24'', SLR, titled verso, period frame with minor gilt loss, 23 1/4'' x 27 1/4'', great Arts and Crafts piece. Sacks exhibited at the Rochester AC. | 500 |
| 60 |  |
CHAMBERS, Charles Edward, (American, 1883-1941): Illustration of men fighting a forest fire, O/Artist Board, 18'' x 16'', signed lower right, period gilded impressionist frame with some minor wear, overall 22 1/2'' x 20 1/2''. | 100 |
| 60A |  |
BRACKER, M. Leone, (American, 1885-1937): Circus illustration with performer and on lookers, Graphite. 26'' x 34'', signed lower right and dated 1918. Condition - Several scrapes in image, looks like there's some water damage lower left corner, some staining in upper right corner. Matted and framed 34'' x 41 3/4'' overall. | 250 |
| 62 |  |
EARLY 20TH C CAST BRONZE MIRRORED WALL SCONCE: Frame has overall foliate motif with male and female mythological masquerons, two flanking masquerons acting as candle holders, beveled mirror, overall 31'' x 17 1/2'', stamped DD1 verso. | 425 |
| 63 |  |
SENAT, Prosper Louis, (American, 1852-1925): ''Venice'', Venetian Canal Scene, W/C, sight size 27 1/2'' x 19 1/2'', encased in original gilded molding with gold mat, 39 1/2'' x 31'' overall, signed lower left, dated 02. Condition - Several minor spots of foxing. Senat studied at Ecole des Beaux Arts in Paris and South Kensington School in London. He spent several years in Europe as well as painting on the coast of Maine. Primarily associated with the East Coast, he was a resident of Pasadena from 1905 to 1910. He died in Germantown, PA in September 1925. In: Delaware Art Museum; Joslyn Art Museum. AAA 1900-25; Art News, 10-10-1925 (obit). (AskArt) | 450 |
| 64 |  |
19TH C? PORTRAIT OF ROYALTY, W/C ON IVORY: 1 1/4''dia., signed right Rolli, encased in gilded metal frame with needlepoint matting. | 160 |
| 66 |  |
TATTERSFIELD, Shirley, (Amer., 20th C): ''Twin Bridges'', a bird's eye view mural of Georgetown, with restored boathouse, O/M, 40'' x 52'', SLR. | 1500 |
| 68 |  |
WILSON, Robert Burns,(Amer., 1851-1936): Kentucky Landscape, W/C & Gouache, 15 5/8'' x 22 5/8'', SLL, period gilded frame, 19 1/4'' x 26 1/2'', some wear to gilt. | 1200 |
| 70A |  |
KERKAM, Earl, (American, 1890-1965): ''Nude'', Ink Drawing, 16 1/2'' x 11 1/4'', Donald Morris Gallery Detroit Mich label affixed verso with title. Earl Kerkham studied at the Rand School, the Art Student's League and the School of Design. He designed for the Stanley Company and Warner Brothers and was art editor of Progress. In 1924 he went to Paris and studied at the Academies de la Grand Chaumiere and Academy Colorisie. He was in charge of the exhibits at the American Art Gallery in Paris. His work was exhibited at the Museum of Modern Art, the Corcoran Art Gallery, Art Institute of Chicago and the Mellon Galleries. His clients included the Herald Tribune, the Brooklyn Eagle and the Red Stallion Press. Credit: Dr. Leslie Project. | 300 |
| 72A |  |
WOELFLE, Arthur William, ANA (American, 1873-1936): Floral Still Life, O/B, 9'' x 10'', signed lower right, exhibition information affixed in an envelope verso, encased in original gilded frame, 11 1/4 x 12 1/2''. Condition - Needs cleaning, several chips of paint loss visible in images provided. | 350 |
| 74 |  |
BUNDY, John Elwood, (American, 1853-1933): Autumnal landscape, O/C, 16'' x 20'', signed lower right, encased in period gilded molding, overall 19 1/4'' x 23 1/4''. Condition - Eraser size portion of paint loss in lower left corner, sporadic pin point spots of paint loss throughout, unsettling of paint in lower to mid right margin, sporadic unusual fluorescence - not believed to be in-paint but rather a different pigment, signature reinforced.Elwood studied with Barton Hays, member of the Richmond Art Assoc., Hoosier Salon, exhibited at the Art Inst. of Chicago, Herron, among many others. This scene is amongst his specialties. He was a significant figure in the Indiana art world of the late 1800's. Not only a painter but an instructor. (Falk) | 1700 |
| 74A |  |
CARR, Lyell, (American, 1857-1912): Pair of Studies of Roosters, W/C, 8'' x 5 3/4'' sight size, both are signed lower left and dated 1894. Encased in original worn gilded moldings, 14 1/4'' x 12 1/4'' overall. | 850 |
| 76 |  |
SCHNAKENBERG, Henry Ernest, (American, 1892-1970): ''Maidenhair Spleenwort'', W/C, sight size 10'' x 12 3/4'', signed upper right, Whitney Museum of American Art 1957 label affixed verso, Kraushaar Galleries label affixed verso, encased in original distressed gilded molding, 19'' x 21 3/4''. | 200 |
| 78 |  |
ICART, Louis, (French, 1888-1950): ''The Fair Model'', imp. size 19 ½'' x 11 _'', SLR, embossed LL, full margins, sight size 24 1/2'' x 15 1/2'', windmill stamp LL, excellent condition, period gilt frame, 26 1/2'' x 17 1/2''. | 1800 |
| 78A |  |
STELLA, Frank?: Geometric composition in colors, Serigraph, 26'' x 26'', signed lower right, dated 76, numbered 7/100. | 175 |
| 80 |  |
SAMMONS, Carl, (American, 1888-1968): ''Evening Primroses, Palm Springs'', O/CB, 6'' x 8'', SLR, titled verso, wear to embossed, gessoed whitewash frame. | 1050 |
| 80A |  |
SAMMONS, Carl, (American, 1888-1968): ''Desert Gold, Palm Springs'', O/CB, 6'' x 8'', SLR, titled and dated 1944 verso, wear to embossed, gessoed whitewash frame. | 1100 |
| 81 |  |
MOORE, Henry, (British, 1898-1986): ''View of a Male Torso'', from The Elephant Skull Series, C 1970, 19 1/2'' x 14 1/2'', Etching with full margins, pencil signed lower left, #54/100, water mark visible lower right corner. Sold with original gallery exhibition book from the ''Galerie Gerald Kramer''. In that book is another limited edition engraving #75/150, penciled signed Moore, does have a tape stain in upper right corner and lower right corner, measures 10 1/2'' x 8 1/4''. | 400 |
| 82A |  |
EARLY 20th C IMPRESSIONIST LANDSCAPE SCENE WITH PEASANT WOMAN BY A STREAM: O/C mounted on board, 25 1/2'' x 36'', no visible signature, encased in a gilded impressionist frame with an A. Miller Madison Ave., NY label affixed verso, minor wear to gilding, 30 1/2'' x 40 1/2'' overall. Condition - Some in-paint in the sky, other areas of thinner paint or missing specks of paint in lower left corner and lower right corner, structurally sound, needs cleaning. | 500 |
| 84 |  |
NEWTON, Harold, (Amer., 20th C.): Florida Highwaymen Coastal Scene, O/Crescent Board, 24'' x 48'', SLR, encased in later frame with damage lower left. Condition- Circular area in the center/right sky 2'' diameter of inpaint. | 1900 |
| 84A |  |
GIBSON, James, (Amer., 20th C.): Florida Highwaymen Coastal Scene, O/B, 22 1/8'' x 38'', SLR. | 800 |
| 85 |  |
WARD, Edgar Melville, (Amer., 1839-1915): Courtyard Study, O/C, 17'' x 14'', SLR and dated 1875. Call for Condition (Has been lined, and several spots of inpaint). | 550 |
| 87 |  |
PAIR OF 19th C. CONTINENTAL PORTRAITS: O/C'S, 21: X 16 ½'', Heavy gessoed and gilded matching 19th C. frames, 34 1/2'' x 30 1/2'', with minor wear and some re-gilt, as well as some small pieces of missing gesso. Condition - Both paintings have a patch visible from the back, craquelure, and some small amounts of inpaint. | 1350 |
| 88A |  |
FEUCHERE, Jean-Jacques, (French, 1807-1852): Neo-Classical Woman, Bronze, 17'' h., signed on base, carved marble plinth. | 950 |
| 90 |  |
BOURAINE, Marcel, (French, 1886-1948): Nude with 2 Antelope, Bronze, 20 1/4''h, signed on base, LN and JL Paris foundry mark. Condition- wear to patina, several scuffs, visible joint in right arm. Marcel-Andre Bouraine was born in Pontoise (Seine-et Oise), He studied under Jean-Alexndre-Joseph Falguiere (1881 - 1900), who had reintroduced and emphasized realism in nineteenth-century sculpture. Bouraine was captured in Germany during the First World War, and interned in Switzerland. In 1922, he exhibited at the Salon des Tuileries. The following year he began to exhibit at the Salon d'Autommne. He executed small-scale sculptures for several French firms, including Susse Freer, La Verrier, and Arthur Goldscheider, often exhibiting with the latter's La Stele and L'Evolution groups. In 1928 Gabriell Argy-rousseau (1885- 1953) commissioned a number of figurines from Bouraine, mostly female nudes, but also a fountain and an illuminated group, all of which were executed in colored, translucent pate de verre. | 3750 |
| 92 |  |
SAITO, Kiyoshi, (Japanese, 1907-1997): Pair of Dachshund woodblock prints, sight size 9 3/4'' x 14 1/2'', both are signed, encased in Japanese motif frames. 16'' x 20 1/2'' overall each. | 600 |
| 93 |  |
19TH C JAPANESE WOODBLOCK POSSIBLY BY TOYOKUNI: 14'' x 9 1/4'', encased in contemporary frame, 20'' x 15 1/4. Condition - Print is float mounted, creases and crinkles throughout, with minor staining, no visible margins. | 100 |
| 93A |  |
JAPANESE WOODBLOCK PRINT: Depicting a female figure in a landscape, 13 3/4'' x 9 3/4'' sight size, encased in contemporary frame 19 1/2'' x 15 1/2''. | 100 |
| 95 |  |
18TH C. FRENCH? PORTRAIT OF A NOBLEMAN: O/C, 30'' x 25'', encased in later 19th C. gilded molded with gold over paint and wear, 40'' x 35'', bears a Charles Le Brun etched metal plaque. Condition - Relined, restretched on a 19th C frame, screened with varnish which makes repairs difficult to detect with a black light, but there has been some restorative inpaint throughout, piece was originally designed to fit in an oval frame. | 5000 |
| 96 |  |
19TH C ? FRENCH O/C STILL LIFE OF FLOWERS AND FAN: 29'' x 39 1/4'', no visible signature, encased in a contemporary gilded molding, overall 45 1/2'' x 34 3/4''. Condition - Has been relined, small scrape in upper right corner, craquelure throughout. | 650 |
| 97A |  |
PAIR OF 19th C W/C ON IVORY: One after Gainsborough of the Blue Boy, 2'' x 1 3/4'', the other a Duchess signed lower right N? Richter, 2'' x 1 3/4'', both encased in cast metal filigree frames. The Duchess is of museum quality. | 350 |
| 98A |  |
19TH C W/C ON BONE OF MARY CHURCHILL, DUCHESS OF MONTAGUE: 3'' x 2 1/4'', incised title and date 1750 verso, monogrammed DL, dated 1813. | 150 |
| 99A |  |
19TH C MINIATURE W/C ON CELLULOID? DEPICTING ENGLISH ROYALTY, 3'' x 2 1/2''. | 110 |
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Last updated Monday, August 02, 2004