| Lot | Sale Price | ||
| 1252 |  |
SERRES, Dominic, (French, 1722-1793): 9 engraved prints from a series of 12 depicting the 1762 Battel of Havana, part of the 7 years war. Havana, Cuba was under siege and attack from the British from March to August of 1762. Each print marked ''Drawn on the Spot, Design'd & Publish'd as the Act direct''. Sight size of each approx. 17 3/4'' h. x 25 1/2'', framed and matted 28 1/4'' x 36''. CONDITION: Condition on each varies to include trimming, abrasions, repairs, creases, toning and more. Not examined out of frames, sold as-is. |
2500 |
| 1253 |  |
ELIAS DUNFORD FRANCISCAN CHURCH HAVANA ENGRAVING: Full title '' A View of the Franciscan Church & Convent in the City of Havana, taken from the Alcalde's House on Granby Square'', title repeats in French and Spanish. ''Drawn by Elias Dunford, Engraved by Edward Rooker, London Printed for John Bowles at No. 13 in Cornhill, Robert Sayer at No. 53 in Fleet Street, Thos. Jefferys the corner of St. Martins Lane in the Strand, Carrington Bowles at No. 69 in St. Pauls Church Yard, and Henry Parker at No. 82 in Cornhill''. The original printing circa 1760's. Sight size 14 3/4'' x 21 3/4'', framed & matted 23 1/4'' x 30 1/4''. CONDITION: Visible repair lower right corner in margin, not examined out of frame. |
950 |
| 1254 |  |
KOENIGER, Walter, (German, 1841-1916): Bayou Scene, Oil/Canvasboard, 14'' x 18'', signed lower right, gilded gesso frame, 19'' x 23''. Koeniger moved to Woodstock, NY and focused his paintings on the Catskill Mountains and wooded areas around Woodstock. He became known as ''the Painter of Snow''. Koeniger was a member of the Salmagundi Club. CONDITION: Needs cleaning, small fleck of loss, frame shows wear, sold as is. |
500 |
| 1255 |  |
F.H. SMITH? NOCTURNAL DOCKSIDE PAINTING: Quiet Nocturnal Dockside Scene, Oil/Board, 16'' x 20'', indistinctly signed lower right, framed, 20.75'' x 24.75''. CONDITION: Needs cleaning, several minor abrasions, frame shows wear, sold as is. |
100 |
| 1265 |  |
RUST, Don, (American, 1932-): Alligator on Alert in a Sunny Landscape, Oil/Canvas, 29.75'' x 40'', signed lower right, dated 2011, unframed. | 100 |
| 1267 |  |
RUST, Don, (American, 20th-21st Century): Reclining Nude Pinup, Oil/Canvas, 22'' x 28'', signed lower left, dated 2005, unframed. CONDITION: Some stretcher bar wear, sold as is. |
100 |
| 1276 |  |
SMITH, Henry Pember, (American, 1854-1907): Country Cottage Landscape with Pond and Ducks, Oil/Canvas, 20'' x 28'', signed lower left, encased in a carved and gilded frame, 28.75'' x36.75''. Smith specialized in painting marine and sea landscapes and was assumed to be self-taught. He regularly exhibited at the National Academy of Design. Smith worked in oils and watercolors and painted in a tighter style than the emerging impressionists, making him more of a realist. CONDITION: Relined, mild craquelure, scattered inpaint, needs cleaning, several flecks of paint loss, frame shows wear and loss of gilt, sold as is. |
600 |
| 1278 |  |
GOLUB, Leon Albert, (American, 1922-2004) ''Riot (I)'', Lithograph, sight size 22'' x 29.5'', painted black frame, 24'' x 31.5'', pencil signed lower right, numbered 2/100 and titled lower left. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
150 |
| 1282 |  |
ROSENBERG, Louis (American, 1890-1983): 2 Etchings of Construction Work Being Done in Downtown Cleveland. 1) Pillars and Scaffolding with Men at Work, sight size 11.75'' x 8'', pencil signed lower right, framed, 22.5'' x 17.75''. 2) Construction of Tower with Scaffolding, sight size 11.5'' x 7.75'', pencil signed lower right, framed, 22.5'' x 18''. Rosenberg first studied at the Massachusetts Institute of Technology and then at the Royal College of Art, London, to study etching techniques. He traveled much of Europe to do architectural etchings focusing on Rome, Venice and Constantinople. His engravings and etchings are held by several prestigious organizations including the Smithsonian Institution, the Congressional Library, Washington, and the British Museum, London. CONDITION: Visible toning, not examined out of frame, sold as is. |
125 |
| 1284 |  |
FAIRCLOUGH, Wilfred, (English, 1907-96): Green Meadow with Dessert Plateau Landscape, Oil/Canvas, 16'' x 20'', signed lower left, contemporary impressionist style fine, gilded wood frame, 24.5'' x 28.5''. After the war Fairclough began working at the Kingston College of Art and advanced to become head of the college. During this period with his time taken with teaching and administration, he produced one etched plate per year. He also produced watercolors inspired by J.W.M. Turner. | 175 |
| 1288 |  |
CHAPMAN, Carlton (American, 1860-1925): Pastel, sight size 15'' x 19.25'', signed lower left, fine William Hartman contemporary gilded frame, 23.25'' x 26.75''. Chapman was commissioned by the US Naval Academy to observe and paint pictures of the battles of 1812. Harper's Magazine Weekly commissioned him to do something similar for the Spanish American War. He went to Cuba with the Navy and observed and sketched some of the most important battles of that war. | 225 |
| 1293 |  |
RON LEE PIRATE SHIP SCULPTURE: Composite sculpture of pirate ship with pirates, affixed to heavy onyx base, signed Ron, '85. Measures 19'' h. x 17'' x 8''. | 500 |
| 1295 |  |
WHITEHEAD, Buell Lee, (American, 20th-21st Century): ''William Henry's Boat'', Lithograph, sight size 21.5'' x 29.5'', signed lower right, dated `86, titled lower left, numbered 125/250, black frame 23.5'' x 31.25''. | 225 |
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Last updated Monday, May 2, 2016