| Lot | Sale Price | ||
| 1153 |  |
HORTON, Etty, (British, 1882-1905 active): River Landscape with Fisherman, Oil/Canvas, 13'' x 25'', signed lower left, pierce carved and gilded frame, 17.75'' x 29.5''. CONDITION: Frame has wear, sold as is. |
400 |
| 1154 |  |
LATE 19TH C RIVER LANDSCAPE PAINTING BODINGTON?: Oil/Canvas, 12'' x 24'', monogramed lower left EHB possibly Edwin Henry Bodington, pierce carved and gilded gesso frame, 17.25'' x 29.25''. CONDITION: Relined, scattered craquelure, needs cleaning, repair to puncture, sold as is. |
250 |
| 1155 |  |
6 STEUBEN RED AURENE CHARGERS: 2 with visible acid Steuben fleur de lis, 5 measures approx. 12'' in dia., the sixth measures 11 1/2'' dia. CONDITION: There are differences to the finish on bases. |
1000 |
| 1155A |  |
5 STEUBEN RED AURENE ART GLASS LOW BOWLS: 5 pieces total, 4 with visible acid Steuben fleur de lis mark, 1 1/4'' h. x 8 1/8''. | 250 |
| 1157 |  |
6 STEUBEN RED AURENE TUMBLERS: Marked Steuben inside base, iridescent red, one tumbler cased on inside, each measures 3 1/2'' h. x 2 3/4''. | 150 |
| 1159 |  |
THOMASVILLE EXTENSION BURL DINING TABLE: Burl veneer all over, single pedestal base with brass trim, measures 29'' h. x 68'' x 38'', sold with two 16 1/4'' leaves. CONDITION: Leaves slightly different color, other wear consistent with age and use. |
375 |
| 1160 |  |
FOUNDERS FURNITURE BURL WOOD CREDENZA: Burl veneer all over with brass accents and trim, 4 center drawers, smoke glass doors either side with illuminated interior. Marked Founders inside drawer, 29 1/2'' h. x 72'' x 18 1/2''. CONDITION: Wear consistent with age and use. |
150 |
| 1163 |  |
GIO PONTI FOR FRASER ITALIAN FLATWARE SERVICE: 22 pieces total marked Ponti Fraser's, Italy, to include 6 forks (7 1/4''), 4 knives (7 1/2''), 6 teaspoons (6''), 6 table spoons (7''). CONDITION: Signs of use including scratches. Knives with damage to cutting edges. |
600 |
| 1164 |  |
ERTE (Russian, 1892-1990): ''Paresseuse'', serigraph, 28'' x 20'', signed lower right, numbered 93/300 lower left, metal frame 40'' x 32''. Born in Russia and the son of an admiral of the Imperial Fleet, Erte was inspired by Persian miniatures which displayed exotic and brightly colored patterns and designs. During his career he created over 240 covers for the magazine ''Harper's Bazaar''. His work includes fashion, jewelry, graphic arts, costume and set design for film, theatre and opera as well as interior decor. | 500 |
| 1165 |  |
ERTE, (Russian 1892-1990): ''The Mirror'', Serigraph, sight size 26'' x 20.5'', signed lower right, numbered 120/150, custom black and gold frame with matting 36'' x 32''. Born in Russia and the son of an admiral of the Imperial Fleet, Erte was inspired by Persian miniatures which displayed exotic and brightly colored patterns and designs. During his career he created over 240 covers for the magazine ''Harper's Bazaar''. His work includes fashion, jewelry, graphic arts, costume and set design for film, theatre and opera as well as interior decor. | 550 |
| 1165A |  |
4 ERTE ART DECO CHINA PLATES: Collection of 4 plates by Erte, 2 marked on back with facsimile of Erte signature, Bone China, Japan and title of plate to include 1) ''Queen of Sheeba'', A3253/1987. 2) ''Symphony in Black'', A3255/1988. Each 12'' dia. The other 2 marked on back with title of plate, Fine China, West Germany, 1990, By Sevenarts Limited to include 3) UH 207, ''L'Amour''. 4) UH 202, ''Statue of Liberty''. Each 12 1/2''. CONDITION: There is a flaw to the inner ring of #1. |
125 |
| 1168 |  |
SVENDSEN, Svend (Norway, 1864-1945): Haystacks Along a Snow Covered Road, Oil/Canvas, 25'' x 32'', signed lower right, framed 30'' x 37''. Svendsen moved to Chicago in 1881 to begin work as a lithograph artist, where he became known as one of Chicago's most important landscape painters. Eventually he moved to Paris and studied at the Academie Delecluse, one year after his exhibition debut in 1895. Svendsen was known for his intimate, and at times, even romantic landscapes. CONDITION: Stretcher bar wear, needs cleaning, frame shows wear, sold as is. |
375 |
| 1169 |  |
EARLY 1950'S LECOULTRE ATMOS CLOCK: Serial number 28521 dates to the early 1950's, brass frame case and base. White enamel dial marked LeCoultre, overall measures 9 1/4'' h. x 8 1/4'' x 6 1/4''. CONDITION: Movement lock currently not functioning. |
225 |
| 1170 |  |
APPROX. 20-30 YR OLD TURKISH HAND KNOTTED WOOL RUG, 8'1'' x 10': This rug has the look of a pastel Oushak with its ivory field and the soft greens, yellows, and reds that color much of the design. There are two smaller central medallions and palmettes on either side of the center with other smaller motifs placed around the field. To complete the design there is a medium green ground main border with yellow, green, and pale red guard borders. CONDITION: There are some slight stains visible. |
300 |
| 1172 |  |
DIAMOND TENNIS LINE BRACELET: 14K white gold bracelet of 40 round cut diamonds totaling 4.00 Ct., averaging VS clarity and SI color. Length 6.25'' . Weight 10.3 grams. Sold with current Atlanta Gemological GIA graduate's appraisal for $8.500. | 1900 |
| 1174 |  |
ELTEMTAMY, Ahmed, (Egyptian/American, 20th/21st Century): Sunrise over the Indian River with boat on shore, vibrant sky with clouds, Oil/Masonite, signed lower right, 12'' x 24'', framed 17'' x 29 1/4''. Ahmed was a student of Florida Highwaymen artist Sam Newton. | 400 |
| 1175 |  |
ELTEMTAMY, Ahmed, (Egyptian/American, 20th/21st Century): Everglades or St. Johns River scene with stand of palm trees, Oil/Masonite, signed lower right, 12'' x 16'', framed 17'' x 21 1/2''. Ahmed was a student of Florida Highwaymen artist Sam Newton. | 300 |
| 1176 |  |
MCCLENDON, Roy A., (American, 20th Century): Florida Highwaymen sailboat in lagoon with deep purple sky, Oil/Canvas, 14'' x 11'', framed 17 3/4'' x 14 3/4''. | 400 |
| 1177 |  |
APPROX 20-35 YR OLD SINO-PERSIAN HAND KNOTTED WOOL AND SILK RUG, 7'8'' x 10'8'': A very large central medallion with palmettes at each end is done in rose, pale pink, pale green and white and rests on a grayish ivory field. Over the rest of the field are delicately drawn flowers and leaves and vines done in the same soft colors. The white accents in the rug which especially stand out in the central medallion are silk highlights. The difference in the texture and the sheen of the silk add to the interest of this rug. The grey/blue guard borders, the rose/pink corners of the field and the main border complete the soft charm of this rug. CONDITION: There is some shading and surface soiling but condition is mostly good. |
700 |
| 1178 |  |
18K GOLD DESIGNER EARRINGS WITH CITRINE, AMETHYST AND DIAMONDS: Four fantasy bar cut colored gemstones totaling approx. 4.00 Ct., brightened by .50 ctw diamonds. Post and hinged clip closure. Signed. Measures 1.25'' x .25''. Weight 17.9 grams. Sold with current Atlanta Gemological GIA graduate's appraisal for $3,250. | 1800 |
| 1179 |  |
18k GOLD DOLPHIN RING: Figural yellow gold ring in the form of a dolphin with diamond eyes. European hallmarks. Size 7. Weight 7.7 grams. | 300 |
| 1181 |  |
CURLY-Q WHITE WICKER BABY BED: Reed and split cane white wicker with wood beads, intricate weaving, birdcage top, shaped skirt, overall measures 74'' h. x 43'' x 26''. CONDITION: Separation of cane at top of one leg. |
250 |
| 1183 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Frosty Morning'' Arlington Heights, VA. Oil Canvas Mounted to Board, 20'' x 24'', signed lower left, #818, titled verso, framed, 24.5'' x 28.5''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Estate fresh from a neighbor of the artist, needs cleaning, canvas is buckling in several small spots in lower mid-margin. Sold as is. |
600 |
| 1184 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Upper Rock Creek in Winter'', Oil/Board, 16'' x 20.5'', signed lower left and dated 1957, titled verso and dated, #613, framed 19.25'' x 23.5''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Needs cleaning, several minor abrasions, sold as is. |
500 |
| 1185 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Overlooking the Anacostia, DC'', Oil/Board, 18'' x 14'', signed lower right and dated 1955, titled verso, #590, Dedicated To Mr. and Mrs. Marsh with the best of wishes of the artist, framed, 18.5'' x 22.25''. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 350 |
| 1186 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Near Chain Bridge'', Oil/Board, 7'' x 8'', Signed ''BM'' Lower Left Corner, #949 verso with title and dated 1921, unframed. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 225 |
| 1187 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Winter Morning on Northwest Branch, DC'', Oil/Board, 6'' x 8'', Signed Lower Right, Benson B. Moore. Acquired from neighbor and personal friend of the artist. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. | 300 |
| 1188 |  |
MOORE, Benson Bond, (American, 1882-1974): ''Occoquan Run'', Oil/Canvasboard, 15'' x 12'', signed lower left, titled verso, numbered 486, unframed. Moore was born and raised in the art world. His style evolved from Barbizon to Impressionist. His interest in nature helped lead him into the Washington Landscape Club. CONDITION: Lower left corner is dinged, may need cleaning, sold as is. |
325 |
| 1189 |  |
5 PIECE BENSON BOND MOORE ETCHING LOT: 5 Piece Etching Lot to Include: (1.) ''The Gulf at Sarasota'', 6.5'' x 7.5'' with margins, ''Edition of 50'', pencil signed lower left, titled in the lower left corner (2.)'' Black Bears'', 6 5/8'' x 3.5'' with margins pencil signed, titled ''Edition of 75''. (3.) ''Mockingbird'', 3.5'' x 3'' with margins, signed, titled, ''Edition of 75''. (4.)'' Northern Blue Jay'', 10'' x 7.25'' with margins, pencil signed, limited ''Edition of 40''. (5.) ''Pigs'', 6 5/8'' x 7 7/8'' with margins, signed, titled, limited ''Edition of 40''. CONDITION: Bears have some wrinkling and a small tear with some handling creases as well. Mockingbird has several obvious stains. Gulf of Sarasota has several spots of foxing. Lot sold as is. |
100 |
| 1189A |  |
40 PIECE BOND MOORE PRINT LOT: 40 Piece Print Lot of assorted sizes to Include 37 Lithographs and 3 Original Etchings: Pigs, Screech Owl, and Lion and Lioness. Most are signed and titled by the artist, they are all unframed. CONDITION: Several of the larger prints have visible tears and/or wrinkles, sold as is. |
225 |
| 1189B |  |
40 PIECE BENSON BOND MOORE LITHOGRAPH LOT: 40 Piece Lot to Include: Various Hand-colored Lithographs, Offset Lithographs and 1 Limited Edition Bald Eagle Etching, prints are various sizes, all unframed. CONDITION: Sold as is. |
225 |
| 1189C |  |
48 PIECE BENSON BOND MOORE LITHOGRAPH AND GREETING CARD LOT: 48 Piece Lot to Include: Various Lithographs and Greeting Cards. Many of which are hand colored, most are signed and titled by the artist, all are unframed. CONDITION: Sold as is. |
250 |
| 1193 |  |
WHITE ALABASTER PEDESTAL: Removable square top with canted corners, solid alabaster body and octagonal base, overall 39'' h. x 12''. CONDITION: Edge chips and nicks to be expected. |
450 |
| 1195 |  |
EILSHEMIUS, Louis, (American, 1864-1941): Nudes Bathing in River with Dogs on The River Bank, Oil/Board, 22.5'' x 30.25'', signed lower right, heavy gilded wood frame, 29.5'' x 37''. Eilshemius early paintings, reflecting the influence of Corot and Inness, were considered American contemporary art. Where he seemed destined for success, subsequent paintings weren't accepted or appreciated. CONDITION: Several minor abrasions and flecks of loss, sold as is. |
2000 |
| 1196 |  |
14K GOLD ELGIN POCKET WATCH: Profusely engraved 14k hunter case with monogram, porcelain dial marked Elgin, serial number 2967925, size 6s, 13 jewels, dedicated and dated 1890 on dust cover. Overall 1 1/2'' dia., approx. 56.3 grams inclusive of movement. CONDITION: Currently not running. |
325 |
| 1196A |  |
JACOB KARR WASHINGTON 14K POCKET WATCH: 14k gold hunter case with engraved front, porcelain dial and movement marked J. Karr, Washington DC., serial number 626002, size 6s. Engraved with name and dated 1894 on dust cover. Overall 1 5/8'' dia, approx. 52.4 grams inclusive of movement. CONDITION: Currently running however not guaranteed to continue or keep accurate time. |
325 |
| 1197 |  |
APPROX 20-40 YR OLD TURKISH HAND KNOTTED COTTON PRAYER RUG, 2'7'' x 4'1'': This prayer rug features a ''Tree of Life'' coming out of a fancy vase at the bottom of the mihrab, or prayer niche. The flowering branches bend back down towards the bottom of the field. The branches are black outlines and the flowers come in different colors and rest on a white field. The corners at the top of the mihrab have a white field with yellow and red flowers surrounded by a pale green border. The outer borders consist of two yellow ground guard borders around a rust orange main border that is filled with various types of flowers. CONDITION: There is some crushing of the pile and surface soil. A good cleaning would help. |
175 |
| 1198 |  |
MACK, Bill, (American, 1949-): ''Fascination'', Bonded Sand Sculpture, 33'' x 62'', signed upper right, numbered 27/50, framed, 43'' x 74'' x 9'' deep. Sold with accompanying wooden shipping crate. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Crate size 80.5'' x 49.5'' x 15'' Deep. Shippers please note the weight is approx. 250 lbs in the crate. |
2500 |
| 1199 |  |
MACK, Bill, (American, 1949-): ''Grandeur'', Eagle in Flight, Bonded Sand Sculpture, 30'' x 72'', framed, 39'' x 79'' x 12'' deep With Frame, signed lower left and numbered VIII/X, (8/10), sold with wooden packing crate. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Crate Size, 85.75'' x 44.5'' x 18'' Deep. Shippers please note the weight is approx. 250 lbs in the crate. |
2700 |
| 1199A |  |
MACK, Bill (American, 1949-): ''Rapture'', Bonded Sand, First Casting Taken from the Mold, Approx. 46'' x 37'', original painted white frame, 57.5'' x 48'', signed lower left, marked ''TP''. Bill Mack is in a league of his own as he has created his own form of sculpture. With a humble start as a commissioned artist, he did work for companies such as GM, 3M and Pillsbury, as well as medallic works for Maryland and Minnesota. In the 1980's, Mack finally had his debut in New York City and found a quick ride to worldwide fame. CONDITION: Splattered house paint on the frame in the upper portion, several minor abrasions on the frame, sculpture has some mild discoloration, sold as is. Shippers, please note the weight is approx. 95 lbs. |
3000 |
| 1200 |  |
PAIR OF 1877 JOHN BENNETT POTTERY VASES: Pair of floral motif bulbous pottery vases, each signed J Bennett, 101 Lex Ave. N. Y. on base, one dated 1877. Each measures 8 1/4'' h. x 5 3/4''. CONDITION: Crazing, minor abrasions, one with small glaze flake. |
800 |
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Last updated Tuesday, May 31, 2016