| Lot | Sale Price | ||
| 1158 |  |
SWANSON, Glen, (American, 1950-): ''Great Horned'', Patinated Bronze, height 24.5'', signed and numbered 6/45, affixed to 2'' high circular wooden flint. ''Swanson's work includes all types of wildlife, but his specialty is realistic portrayals of birds in flight - `I am fascinated by the action and envy the freedom that birds have in being able to fly'. The media Glenn works in may vary from one project to the next. Although the majority of his work is cast in bronze, he also does woodcarvings, paints in oil and sometimes combines painting and sculpture into exciting new formats.'' - from www.glennswansonart.com. | 750 |
| 1164 |  |
EXCEPTIONAL PAINTING OF LIONS HUNTING AT TWILIGHT, Oil on Canvas, 20'' x 26'', signed lower left, JE Jerome (?), framed, 23'' x 29.25''. CONDITION: Relined, scattered touches of inpaint throughout, signature fluoresces, needs cleaning, several repairs to tears, sold as is. |
275 |
| 1165 |  |
ROSENQUIST, James, (American, 1933-): ''Rouge Pad'', Etching, 22.25'' x 39.5'', pencil signed lower right, dated 1978, titled lower left, remarked to state, numbered 46/78, framed, 22.75'' x 40''. | 500 |
| 1166 |  |
ROSENQUIST, James, (American, 1933-): ''Gravity Feed'', Etching, 22.25'' x 39.5'', pencil signed lower right, dated 1978, titled lower left, numbered 22/78, metal frame, 22.75'' x 40.25''. Rosenquist studied art at the Minneapolis Art Institute before receiving a scholarship to study at the Art Students League in New York. He had this to say about his involvement in the Pop Art movement, ''They [art critics] called me a Pop artist because I used recognizable imagery. The critics like to group people together. I didn't meet Andy Warhol until 1964. I did not really know Andy or Roy Lichtenstein that well. We all emerged separately.'' - Wikipedia. | 800 |
| 1167 |  |
MILLER, Kenneth Hayes, (American, 1876-1952): ''Leaving the Shop'', Etching,9.5'' x 12.25'', pencil signed lower right, matted, 18'' x 14''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Taped to backing in upper corners front side, very pale toning, several very minor spots of dirt, sold as is. |
150 |
| 1168 |  |
MILLER, Kenneth Hayes (American, 1876-1952): Department Store, Etching, 14'' x 19''. Provenance: Estate Collection of Christian Buchheit. | 150 |
| 1170 |  |
ROBERTS, Livingston ''Castro'', (American, 1941-2004): Florida Highwaymen fire sky backwaters scene, Oil/Masonite, signed lower right, 24'' x 30'', framed 25 3/4'' x 32''. CONDITION: Minor abrasions. |
800 |
| 1171 |  |
DANIELS, Johnny, (American, 1954-2009): Florida Highwaymen Indian River Lagoon early morning scene with boat and birds, Oil/Upson, early Daniels signature lower right, measures 24'' x 35 3/4'', framed 25 1/4'' x 37''. CONDITION: Paint fleck upper right and left corners, other abrasions, sold as-is. |
500 |
| 1172 |  |
DANIELS, Willie, (American, 20th Century): Florida Highwaymen backwaters river scene with birds, Oil/Masonite, signed lower right, 16'' x 12'', framed 19 1/2'' x 15 1/2''. | 400 |
| 1173 |  |
BLACK, AL, (American, 20th Century): Vibrant sunrise backwaters Florida Highwaymen scene with birds, Oil/Masonite, signed lower right, 18'' x 24'', framed 21 1/2'' x 27 1/2''. | 1000 |
| 1174 |  |
BURKE, Philip, (American, 20th C.): Portrait of Judy Garland, Oil/Canvas, 30'' x 40'', signed lower right dated 6/10/2000, custom contemporary frame, 52'' x 42''. After 2 years at the University of Toronto, Burke moved to New York City to begin drawing caricatures for the Village Voice. He has gained quite a bit of notoriety from his work being published in such publications as Rolling Stone, Newsweek, GQ, New York Times and Time Magazine. Recently, in 2013, Burke received the honor of being recognized by the Living Legacy Project at the Burchfield Penny Art Center. | 600 |
| 1175 |  |
BOND MOORE, Benson, (American, 1882-1974): ''Afternoon on the Gulf of Mexico'' Florida, Oil on Masonite, 16'' x 20'', signed lower right, titled verso, gilded frame, 24.5'' x 28.5''. Moore is known for his rural landscape paintings, especially the snow scenes, and his etchings of birds and other wildlife are comparable to Audubon. Many of his works can be found in the Smithsonian, the White House and the Library of Congress. | 1100 |
| 1176 |  |
CORBINO, Jon, (American, 1905-1964): ''Racetrack Parade'', Oil on Board, 10.75'' x 14'', signed lower right, titled verso with Corbino's address in Rockport, MA, dedicated to Chris, reverse taped to matte, 15'' x 18'', unframed. ''A highly acclaimed artist for heroic themes revealing the anxieties of America during the 1930s, Jon Corbino depicted disasters such as wars and floods. These paintings were tributes to the perseverance of man against unknown forces of the universe. He was much admired for his skill in draftsmanship and brilliant, smoldering colors.'' - Marcia Corbino, wife of Jon Corbino. Provenance: Estate Collection of Christian Buchheit. | 1300 |
| 1178 |  |
PAUL EPPLING CAT SCULPTURE: Constructed from chain link fencing and bumper and motor rockers from a car, signed on right arm, 43''h. x 26''w. x 31''. CONDITION: Current tray is replacement glass daisy plate; original tray was shade of a street light. |
1100 |
| 1190 |  |
MACGINNIS, Henry, (American, 1875-1962): ''Eerie Canal Sunset'', Oil on Canvas, 20'' x 26'', signed lower right, fine contemporary framing, 26.5'' x 32.5''. MacGinnis is most well-known for his landscapes. He was influenced by impressionism but he ''stayed within the realm of realism often softened by an impressionistic approach'' - H L Chalfant. CONDITION: Relined, some minor scattered touches of inpaint, sold as is. |
1250 |
| 1194 |  |
BRAMHALL, Peter, (American, 20th Century): Large blown glass orb with red, white and blue interior striations, titled ''Ocean Sunsets''. Signed on base ''Peter Bramhall, October, 1988, Help from Andy ??? & ???''. Measures 11 3/4'' h. x 15 1/2'' dia. | 800 |
| 1195 |  |
NIAGARA FALLS PAINTING ATTRIBUTED TO VICTOR DEGRAILLY, Oil on Canvas, 26.5'' x 34.75'', no visible signature, fine contemporary framing, 33'' x 41.5''. CONDITION: Relined, minor scattered craquelure, several minor abrasions, scattered inpaint, sold as is. |
1500 |
| 1198 |  |
GROSZ, George (German, 1893-1959): Seated Nude Charcoal Drawing, 18'' x 10'', signed lower right, unframed. Grosz was known for his ''caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York.'' - Wikipedia. Provenance: Estate Collection of Christian Buchheit. CONDITION: Scattered handling creases, visible toning, several tears in margins, sold as is. |
400 |
| 1199 |  |
LEVER, Hayley, (Australian/American, 1876-1958): New England Street Scene, Oil on Canvas, 20'' x 24'', signed lower left, gilded frame, 23'' x 27''. Lever was born and raised in Australia and studied in Europe, but eventually settled on the East Coast of America. He was influenced by the Impressionists, notably Van Gogh. In fact, he did a series of paintings, ''Van Gogh's Hospital, Holland'', to express the influence he felt from Van Gogh. Provenance: Estate Collection of Christian Buchheit. CONDITION: Several flecks of loss, frame shows wear and loss of gilt, sold as is. |
2700 |
| 1200 |  |
LEWIS, Martin (Australian, 1881-1962): ''The Boss'', Etching, 16.5'' x 11'' with margins, signed in pencil lower right, unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Matted, hinge mounted to cardboard backing, minor pale toning, sold as is. |
800 |
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Last updated Friday, November 18, 2016