Sunday, November 13, 2016
Fine Art Only results
Lot 1018 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | [Lot 1400 - 1450] | Lot 1450 - 1500
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| Lot | Sale Price | ||
| 1402 | ![]() |
COLUMBIAN EMERALD SCULPTURE: Raw emeralds in mineral aggregate with carved figure of a miner. Wood backing and base, unsigned, overall 8 1/4'' h. x 9'' x 5''. | 175 |
| 1410 | ![]() |
BOUTON, Marcia, (American, 1919-2014): Reclining Nude, Pastel, 22'' x 18'', signed lower right, custom frame, 33'' x 27''. | 300 |
| 1411 | ![]() |
BOUTON, Marcia, (American, 1919-2014): Young Girl in Dress Looking Over Her Shoulder, Pastel, 21.5'' x 15'', signed lower left, contemporary metal frame, 28'' x 21''. | 150 |
| 1412 | ![]() |
BOUTON, Marcia, (American, 1919-2014): Young Seated Blond Beauty in Black Evening Dress, Pastel, 21'' x 14.5'', signed lower right, framed, 33.5'' x 27.5''. CONDITION: Frame shows minor wear, not examined out of frame, sold as is. |
250 |
| 1413 | ![]() |
REEDY, Leonard, (American, 1899-1956): Four-piece estate lot of western Watercolor art. 1) ''The Hanging'', Cowboys Surrounding a Cattle Rustler about to be Hanged, Watercolor, sight size 8'' x 11'', signed lower right, framed, 15'' x 18''. 2) Indian War Party, Watercolor, sight size 8'' x 11'', signed lower right, framed, 15.25'' x 18.25''. 3) Cowboy Roping Longhorn Steer, sight size 6.75'' x 9.75'', signed lower left, framed, 15'' x 18''. 4) Horses Tied to Hitching Post Outside Saloon, Watercolor, sight size 7.75'' x 11'', signed lower right, framed, 15.25'' x 18.25''. Reedy developed an aptitude for drawing at a young age and attempting to reproduce the style and subject matter of Remington, he filled the margins of his school books with drawings. Reedy was at home on the Great Plains, the desert country, mountains, and mining and timber camps. He worked as a ranch hand, roamed with the Indians and over time, gained a certain knowledge of western life that he went on to portray. CONDITION: Not examined out of the frames. 1) Pale fading, overall browning, mat burn along edges, several spots of foxing, frame shows wear. 2) Overall browning, mat burn around all edges, several white spots, frame shows wear. 3) Mat burn, overall pale brown, frame shows wear. 4) Mat burn, overall pale brown, frame shows wear. Lot sold as is. |
250 |
| 1418 | ![]() |
FERNANDEZ, Jose Luis, (Spanish, 1943-): Abstract Figural Composition, Patinated Bronze, 9.5'' h., affixed to metal base, 10.5'' overall, incised signature, foundry stamp to base. | 400 |
| 1419 | ![]() |
EXCEPTIONAL ENGLISH PORTRAIT OF YOUNG GENTLEMAN: 19th Century, possibly earlier, Oil on Canvas, 25'' x 19'', no visible signature, encased in liner, 26'' x 20.25''. CONDITION: Visible punctures with repairs to tears verso, sold as is. |
150 |
| 1423 | ![]() |
GOLDTHWAITE, Anne, (American, 1869-1944): ''The Letter'', Woman Sitting and Writing a Letter, Etching, 3.5'' x 4.25'', 14.5'' x 12'' with margins. Provenance: Estate Collection of Christian Buchheit. CONDITION: Tack holes in margins, several minor spot stains, tape remnants upper margin, sold as is. |
250 |
| 1425 | ![]() |
NICOLAIDES, Kimon, (American/French, 1892-1938): Nudes in a Landscape, Watercolor, 12.25'' x 9.5'', signed lower right, framed, 16.5'' x 13.5''. Nicolaides ran away from home to become an artist. He travelled to New York where he studied at the Art Students League with John Sloan and George Bridgman. During WWI, he became one of the first American camouflage artists and also worked on contour maps. He is well-known for developing a method of teaching drawing, which he shared in ''The Natural Way to Draw''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Not examined out of frame, possible water damage lower right, tape glue stains in upper margin, sold as is. |
175 |
| 1428 | ![]() |
ILLEGIBLY SIGNED PAINTING OF YOUNG BEAUTY IN COURTYARD: Oil on Canvas, 24'' x 20'', framed, signed lower right, 29.25'' x 25.25''. | 100 |
| 1430 | ![]() |
WANDS, Alfred, (American, 1939-): Pastoral Plateau with Country Landscape and Looming Hills in the Distance, Oil/Canvasboard, 20'' x24'', signed lower right, framed, 24'' x 28.25''. | 300 |
| 1431 | ![]() |
SKENE, Harold, (American, 1883-1978): ''Black Canyon'', Oil/Canvas/Masonite, 24'' x 30'', signed lower right, titled verso, dated 1962, custom frame, 31'' x 37''. Skene graduated Harvard with a degree in Architecture and also attended the Denver and Broadmoor Art Academy's. Although he traveled in Switzerland, England and France, many of his paintings are of Colorado, and neighboring states. CONDITION: Frame shows wear, sold as is. |
100 |
| 1433 | ![]() |
RAPHAELI, Zvi, (Egypt, 1924-2005): ''Zafaria Village in Judea Hills'', Oil on Canvas, 16'' x 20'', signed lower left, Safrai Art Gallery label affixed verso, 22.5'' x 26.25''. Painter and rabbi, he was educated in Paris from age 3. He studied at Ecole des Beaux-Arts in Paris and Bezalel Academy of Arts and Design in Jerusalem. He was a member of the French resistance during WW II. He lived in Israel and the USA. CONDITION: Scattered craquelure, sold as is. |
200 |
| 1435 | ![]() |
KIPNISS, Robert, (American, 1931-): 4 Scenes on 1 Sheet, sight size 11.25'' X 9.5'', signed lower right and numbered 31/150, framed 19.5'' x 17.5''. | 150 |
| 1437 | ![]() |
ARMS JR, John Taylor, (American, 1887-1953): 1) ''Angouleme,1924'', Etching, 8.75'' x 13.5'' with margins, pencil signed lower right and dated 1914, affixed in mat and backing with museum quality corners; 2) ''Stokesay Castle'', Etching, 4'' x 6.5'' with margins, pencil signed lower right and dated 1942, published for the Miniature Print Society, mounted to acid free matting and backing with plastic corners; 3) ''Nevers The Cathedral of St Cyr and Julitta'', Etching, 15.25'' x 9.5'' with margins, pencil signed lower right and dated 1929, unframed. CONDITION: 1) Very pale toning, several scattered spots, good overall, sold as is. 2) Very pale toning, some darkening in the corners, several spots of foxing, sold as is. 3) Uneven trimming to margins, some pale toning in exposed areas, minor scattered soiling, several small pinholes in upper left margin, several spots of foxing. Possible repair to tear in upper left corner where tape meets paper far from the actual image, hinge mounted in upper margins, sold as is. |
150 |
| 1438 | ![]() |
ARMS JR, John Taylor, (American, 1887-1953): 2 Etchings, 1) ''Wilby Church'', 6.25'' x 4.5'', pencil signed lower margin, matted; 2) ''Stockholm'', Etching and Aquatint, 10.5'' x 17.15'' with margins, pencil signed lower right and dated 1940, Roman numeral III lower left, matted. CONDITION: 1) Church has portion missing in upper right corner; 2) Stockholm is hinge mounted in upper corners, pale darker vertical border line in left margin, faint staining in lower corner, minor handling creases, sold as is. |
125 |
| 1440 | ![]() |
STEVENS JR., Edward John, (American, 1923-1988): ''Entrance to the Desert'', Gouache, sight size 18'' x 22'', signed lower left, dated 1948, label affixed verso, encased in distressed wood frame, 24'' x 28''. CONDITION: Not examined out of frame, frame shows minor wear, sold as is. |
100 |
| 1441 | ![]() |
ZIEGLER, Henry (American, 1889-1968): 1) ''Art Students League Building'', Litho on Stone, Black and White, 18'' x 12'', unframed. 2) MASON, Frank, (American, 1921-2009): ''Irish Kitchen?'', Lithograph, 11.25'' x 9.25'', pencil signed lower right, titled, dedicated to Chris Buchheit, numbered 1/25, framed, 20.25'' x 16.25''. Provenance: Estate Collection of Christian Buchheit. CONDITION: 1)Several tears in upper right corner, pale staining and scattered foxing, 2) Frame shows minor wear, not examnined out of the frame, sold as is. |
100 |
| 1442 | ![]() |
CHAVEZ, Edward, (American, 1917-1995), ''Desert Blossoms, Taos, New Mexico'', Mixed Media, Pen and Ink with Pencil, 10.75'' x 13.5'', signed lower right, dated '54, titled lower right, matted, 15'' x 18''. Provenance: Estate Collection of Christian Buchheit. CONDITION: Visible staining and toning, sold as is. |
150 |
| 1444 | ![]() |
SOGLOW, Otto, (American, 1900-1975): ''Where is the Still Life Class?'', Marker Drawing, 13.75'' x 10.75'', signed lower right, dedicated ''with best wishes to Chris'', matted, 18'' x 15''. Soglow was mostly known for his comic strip ''The Little King''. He studied with John Sloan at the Art Students League in New York. His drawings have been published in a number of magazines, including The New Yorker, Collier's and Life. Provenance: Estate Collection of Christian Buchheit. CONDITION: Several areas of visible staining, reverse taped to matte, sold as is. |
250 |
| 1448 | ![]() |
YAGHJIAN, Edward, (Armenian/American, 1903-1997): ''Work Horse'', Watercolor, 6.5'' x 9.5'', signed and dedicated in the lower margin ''to Chris with fond memories'', artist's label attached verso, matted 15'' x 18''. ''Yaghjian was a student of John Sloan and Robert Henri at the Art Students League in New York, and his work has the same spirit as the Ash Can School of painters. The colors orange and turquoise are often included in his works.'' - askART. Provenance: Estate Collection of Christian Buchheit. CONDITION: Minor handling creases, reverse taped to matte, small indent in lower right corner. |
150 |
| 1449 | ![]() |
LIBERTE, Jean (Italian, 1896-1965): Seated Clown, Gouache, 13'' x 8.5'', signed lower left, reverse taped to matte, 18'' x 15''. Provenance: Estate Collection of Christian Buchheit. | 100 |
| 1450 | ![]() |
PALMER, William, (American, 1906-1987): Grand Tetons, Watercolor, 10.5'' x 14.5'', signed lower right and dedicated to Chris Buchheit, dated '53, signed titled and dated verso, reverse taped to matte, 15'' x 18'', unframed. Provenance: Estate Collection of Christian Buchheit. CONDITION: Minor overall toning with several spots, sold as is. |
375 |
Lot 1018 - 1050 | Lot 1050 - 1100 | Lot 1100 - 1150 | Lot 1150 - 1200 | Lot 1200 - 1250 | Lot 1250 - 1300 | Lot 1300 - 1350 | Lot 1350 - 1400 | [Lot 1400 - 1450] | Lot 1450 - 1500
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