Sunday, September 18, 2016

Fine Art Only results

Complete Auction Results

Back to Burchard Galleries Home Page

TO SEARCH THIS PAGE: Please press CTRL F and enter a key word.

This is a listing of past auction results.    Click here to check our current auction calendar.

Back to Burchard Galleries Home Page

Lot		Description	Sale Price
1021		IFFLAND, Franz, (German, 1862-1935): Bronze figure of a putti and sash on black stone plinth. Signed F. Iffand, and partial German mark. Putti 6 1/2'' h., overall 10'' x 2 3/4''. CONDITION: Chips to base rim.	200
1025		PICASSO, Pablo, (Spanish, 1881-1973): Woman Picking Flowers ''Femme Cueillantes des Fleurs'', Linocut, sight size 15.5'' x12.25'', image size 13.75'' x 10.5'', pencil signed lower right and numbered 8/50 lower left, contemporary frame, 26.25'' x 22.25''. Size with margins 24.5'' x 17.5''. Arches watermark in right margin. ''The Spanish painter, graphic artist and sculptor Pablo Picasso created a body of work of about 50,000 paintings, drawings, prints, sculptures and ceramics. He studied at the Royal Academy in Madrid and at the Art Academy in Barcelona, where his father taught. In 1901 Picasso had his first exhibition in a gallery in Paris, followed by numerous international exhibitions. The works from his Blue and Rose period and the establishing of cubism along with Georges Braque marked the beginning of his extraordinary artistic career.'' '' In honor of Picasso's works, two museums, the Museu Picasso in Barcelona and the Museu Picasso in Antibes, were established during his lifetime. Famous for the diversity of his expressions, Pablo Picasso is one of the outstanding artists of the 20th century.'' Excerpt from AskArt August 25, 2016; http://www.askart.com/artist_bio/Pablo_Picasso/9000079/Pablo_Picasso.aspx. CONDITION: Overall pale browning, minor handling crease in left corner to the right of the numbering in the margin, hairline repair to paper approx. 3'' long in upper left corner, tape remnants in upper margin visible verso with minor paper loss. Some browning in lower margin verso, lower right corner verso, negligible paper loss. Several scattered faint spots, faint discrepancy between exposed paper and margins, faint discrepancy in color with the margin area being lighter.	17500
1026		PICASSO, Pablo, (Spanish, 1881-1973): ''Bacchanale Au Hibou'', Linocut, 24'' x 29.5'' with margins, pencil signed lower right, and numbered 21/50 lower left, dated in the plate 2/12/59 in upper right reversed and backwards, contemporary frame, 26.5'' x 32.75''. Arches watermark is in lower mid margin. CONDITION: Small droplet of moisture stain in right margin, very pale toning, exhibiting a lighter defined outer margin, minor handling creases. Verso has some minor discolorations, superficial pencil markings in margin.	11000
1027		PICASSO, Pablo, (Spanish, 1881-1973): ''Figure Composee II'', Lithograph, 25.75'' x 19.625'', pencil signed lower right and numbered 6/50 lower left, metal frame, 33.5'' x 27.5''. CONDITION: Hinge mounted in upper margin, overall pale toning, darker brown along bottom edge, several small spots of foxing in lower margin, scattered spots verso with adhesive remnants. Also remnant of tape verso lower left corner and pencil marking in lower right verso.	23000
1028		PICASSO, Pablo, (Spanish, 1881-1973): ''Jacqueline au Mouchoir'' Jacqueline with Black Scarf, Second State Lithograph Printed by Mourlot, 1959; Published by Galerie Louise Leiris, 1959; (Bloch 874; Mourlot 316), sight size 25.25'' x 19, pencil signed lower left, numbered 40/50 lower right, contemporary frame, 31.5'' x 25.25''. Full size sheet 26'' x 19.75''. Copy of original receipt from Saidenberg Gallery, 1966. CONDITION: Overall pale browning, darker around edges, pencil markings to bottom lower left margin, tape remnant verso upper right, several scattered pencil markings verso, not laid.	16000
1036		PICASSO, Pablo, (Spanish, 1881-1973): ''L'Homme Au Chien'', Etching, sight size 13.5'' x 10.25'', impression size 10.75'' x 8.5'', pencil signed lower right, framed, 22.75'' x 18''. Receipt from 1966, Martin Gallery, NYC. CONDITION: Hinge taped to mat, some paper imperfections visible in the margins, distinctive brown line in bottom margin, overall pale browning, a spot of stain in upper right corner beyond image.	11000
1037		PICASSO, Pablo, (Spanish, 1881-1973): ''Saltimbanque Assis'' Depicts a Seated Clown, Etching, sight size 5.5'' x 4.25'', impression size 4.5'' x 3.75'', framed, 23.5'' x 16.5''. Full size with margins 20'' x 13''. On Van Gelder paper. CONDITION: Hinge mounted in upper margin, scattered visible staining from glue that was affixed to mat, exposed area has darkened. There is discoloration from a fabric mat. Faint abrasion in lower mid margin with minimal surface paper loss, several scattered spots throughout, tape remnants visible verso.	2000
1037A		PICASSO, Pablo, (Spanish, 1881-1973): ''La Famille de Saltimbanques au Macaque'', from La Suite des Saltimbanques (B. 11; Ba. 13a), Etching, 1905, 20 1/16'' x 13'' with full margins, on Van Gelder (watermark upper left), from the edition of 250 on this paper (there were also 27 or 29 on Japon), published by Ambroise Vollard in 1913 after the plate was steel-faced; a very rare print, unframed.	3250
1038		PICASSO, Pablo, (Spanish, 1881-1973): ''La Danse'', Etching, sight size 8'' x 9.75'', impression size 7.25'' x 9'', framed, 17'' x 23''. 12.925'' x 19.925'' with margins, printed on Van Gelder paper. CONDITION: Visible discoloration in upper right margin corner and most obviously in lower right triangular portion of the image as well as the margin. Several spots of foxing in image along with mat burn, darkening along left margin edge extending up along left margin. Some scattered white blotches in right margin, several tape remnants verso, hinge mounted.	2500
1039		PICASSO, Pablo, (Spanish, 1881-1973): ''Les Deux Saltimbanques'', Dry point, sight size 5'' x 4'' impression size 4.5'' x 3.5'', framed, 20'' x 16.5''. Catalogued Geiser 66. One of 250 impressions from the Vollard Edition of 1913. Sheet size 18.75'' x 12.925'' with margins, signed in plate upper left. On Van Gelder paper. CONDITION: Discoloration from masking tape extending across upper margin, hinge mounted in upper margin, pencil inscription ''Les Petits Saltimbanques'' lower left, marked P Picasso lower left. Lower 1'' of sheet page is folded over in frame, several scattered spots of foxing, pale to mild toning throughout. Areas exposed to light have been darkened.	2750
1040		PICASSO, Pablo, (Spanish, 1881-1973): ''Au Cirque'', Etching, sight size 9'' x 6'', impression size 8.5'' x 5.5'', framed, 17.5'' x 13.5''. 16.25'' x 12.925'' with margins, on Van Gelder paper. CONDITION: Browning in light struck area, scattered spots of foxing, margins are much lighter with the outer margins much darker with a distinctive much darker thin edge.	3250
1045		PICASSO, Pablo, (Spanish, 1881-1973): ''Accord Entre Les Guerriers de Spart et D'Athemes'' for Lysistrata, 11.375'' x 9.125'' with margins, unframed, printed in 1934, commissioned by the Limited Editions Club, New York. This was Picasso's only American commission. CONDITION: Pale overall toning, heavier in lower margin, hinge mounted.	500
1045A		PICASSO, Pablo, (Spanish, 1881-1973): Silk scarf titled ''Portrait de Jacqueline, 1957, dessin de Picasso'', copyright Spadem, 3 attached French Soie tags. Measures 30'' x 30''. CONDITION: Fold lines.	250
1046		PICASSO, Pablo, (Spanish, 1881-1973): ''The Meeting of the Women'' for Aristophanes' Lysistrata. Etching, only American Edition from 1500 printed in 1934, 11.4375'' x 9'' with margins, unframed, hinge mounted to an acid free backing. CONDITION: Pale spot in right image margin, very pale overall toning.	600
1047		PICASSO, Pablo, (Spanish, 1881-1973): ''Sala Gaspar'', Poster April 1961, sight size 26'' x 19'', Park West Galleries old sale ticket in upper right corner, framed, 35'' x 28''. CONDITION: Not examined out of the frame, sold as is.	950
1048		PICASSO, Pablo, (Spanish, 1881-1973): Poster for Sala Gaspar, Lithograph, sight size 35'' x 25.5'', silver gilt frame, 40'' x 33.25''. CONDITION: Taped in upper corners, several scattered spots most notably in lower right corner, not examined out of frame, sold as is.	350
1053		DUBUFFET, Jean, (French, 1901-1985): ''L'Homme a la Casquette'', Lithograph, sight size 21'' x 6.5'', pencil signed lower right and dated '53, numbered 19/20 lower left and titled. Original Pace Gallery label affixed verso. Fine silver gilt framing, 31.25'' x 15.75''. Full size of print with margins 26'' x 12.5''. Dubuffet started painting and then gave up because he felt as though he was imitating his contemporaries. Before WWII, he began painting again, rejecting Europe's art traditions as he became the leader of the Art Brut movement. This movement believed that worthwhile art had to be spontaneous and the most spontaneous were children and mental patients; he believed art had much to do with madness. CONDITION: Hinge mounted with tape, overall browning, margins exhibit sporadic staining, glue remnants, several areas of minimum paper loss due to former extraction of print from original mounting. Not laid, sold as is.	4750
1053A		DUBUFFET, Jean, (French, 1901-1985): ''Peuplement des Terres'', Lithograph, 28.75'' x 22'', signed lower right, dated '53, numbered lower left 17/20, titled in lower margin, unframed. CONDITION: Overall pale browning to paper with darker line around margin edges, very pale speckled spotting in left margin (barely noticeable), sold as is.	1900
1054		DUBUFFET, Jean, (French, 1901-1985): ''Profil a Droite'', Lithograph, sheet size 25.5'' x 19.75'', pencil signed lower right and dated '62, numbered 28/30 lower left, period gilded frame, 30.5'' x 23.25'', original Pace Gallery label affixed verso. CONDITION: Drying holes in upper and lower mid margins, exposed area of print is significantly lighter in color versus margins which have been stained by the matting. Hinge mounted to back paper which has been taped to mat, scattered light areas in the margins, some staining in lower corners from tape, an abrasion with minimal surface paper loss near lower center tack hole. Frame shows minor wear. Sold as is.	8000
1055		DUBUFFET, Jean, (French, 1901-1985): ''Affairments'' 1964, Lithograph, sight size 22.75'' x 16.75'', pencil signed lower right and dated '64, numbered lower left 41/50, in a Kulicke frame with welded corner, 30.25'' x 24.25''. Full print with margins 25.75'' x 19.625''. CONDITION: Visible area has darkened, visible lines along margin edges are lighter, sporadic staining in lower margin, small handling fleck in lower left corner, pencil inscription in lower right corner 3139B, hinge mounted from the back of the print to the back of the mat. Tape remnants verso in reverse left margin upper and lower, very minor handling creases, pale fading, sold as is.	4000
1055A		DUBUFFET, Jean, (French, 1901-1985): ''Progression'' (Cheminement) from the portfolio Territories (Territoires) from Phenomena (Les Ph‚nomŠnes)18 different images, Artist Proof Lithograph, 23.5'' x 17.75'' with margins, signed lower right and dated '58, titled mid margin, ''Epreuve d'Artiste'' lower left, unframed. CONDITION: Full margins, pale darkening to exposed image, several scattered pale spots in margins with at least one in image, thin horizontal dark mark in upper right margin, sold as is.	550
1056		DUBUFFET, Jean, (French, 1901-1985): ''Scenario Bref'', Silk Screen, sight size 22'' x 16'', 25.375'' x 18.375'' full sheet, monogrammed J.D. lower right, dated '79, numbered 39/50 lower left, La Hune blind stamp under mat, fine contemporary framing, 30'' x 23''.	3250
1056A		DUBUFFET, Jean, (French, 1901-1985): 2 Landscapes and Figures, Artist Proof Wood Cuts, sight size 8'' x 5.875'', monogrammed JD lower right, marked lower left Epreuvre d'artiste (approved by the artist), original metal frame, 14.25'' x 12.25'', original Pace Gallery label affixed verso. CONDITION: Not examined out of frame, sold as is.	2700
1057		DUBUFFET, Jean, (French, 1901-1985): ''L'Enfle Chique II'', Color Lithograph on Arches (watermark in right margin), sight size 25'' x 19.25'', pencil signed lower right and dated '63, numbered 2/20 lower left, thin edge gilt frame, 30'' x 24.25''. Full sheet size 25.75'' x 19.75''. CONDITION: Pin holes in center upper mid margin and center lower mid margin. Several minor handling creases in lower right corner, overall minor browning, several spots of foxing, pencil inscription in lower right corner 714, and verso upper left corner 1671.	10000
1057A		DUBUFFET, Jean, (French, 1901-1985): ''Faste'', Lithograph, 26'' x 19.75'', pencil signed lower right and dated '59, titled in lower margin and numbered 21/30 lower left, unframed. CONDITION: Very pale browning in margins, pinhole in upper and lower center margin, several minor pale blemishes, sold as is.	550
1057B		DUBUFFET, Jean, (French, 1901-1985): Ecrits et lithographies for Galerie la Pochade 1968, 25.5'' x 20'' with margins, monogrammed lower right and dated '68, pencil inscribed ''Affiche'' lower left Michel Casse, blind stamp lower left, unframed. CONDITION: Overall pale browning, partial glue tape remnants verso, sold as is.	600
1060		DECO BRONZE ARCHER AFTER FAGUAYS: Bronze, 12 1/4'' h. x 8 3/4'' w. x 2 1/2'' d., affixed to a marble plinth overall measures 13 3/4'' h.	400
1072		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Fuji From Yoshida'', Woodblock, 10.25'' x 15.25'' with margins, pencil signed lower right, titled lower left, Jizuri seal in the left margin (self-printed), unframed. Yoshida was a leader in the new print movement (shin hanga) and was the only one to sign and title his work in English. He worked as a painter until his 40s when he became interested in woodblocks. He worked with Watanabe for a few years and became very involved in the printing process. Eventually he started his own print shop. Yoshida was an avid mountain climber and became known for his Alpine scenes. CONDITION: Overall pale browning, tape stains in corners, overall even fading, upper right corner has been folded, sold as is.	950
1072A		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Misty Day in Nikko'', Woodblock, 15.75'' x 10.75'' with margins, pencil signed lower right, titled lower left, Jizuri seal in left margin, unframed.	600
1072B		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Kura in Tomonoura'', from the series ''Inland Sea - Second Series'', Woodblock, 10'' x 15'' with margins, signed lower right, titled lower left, Jizuri seal in left margin, framed, 17'' x 21''. CONDITION: Hinge mounted, trimmed margins, backed with thin tissue, visible staining from front, light areas in left margin and upper margin, several scattered spots of foxing, not laid, sold as is.	300
1073		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Ajmer Gate, Jaipur'', Woodblock, 15.75'' x 10.75'', pencil signed lower right, titled lower left, Jizuri seal in left margin (self-printed), unframed. CONDITION: Overall evening pale browning, rectangular stamp size brown stain in upper left corner, minor handling creases in upper margin, sold as is.	600
1073A		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Maruyama Park in Kyoto'', Woodblock, 10'' x 15'' with trimmed margins, partial pencil signature lower right, partial title lower left, framed, 17'' x 21''. CONDITION: Overall browning in light struck areas, margins are trimmed, not laid, sold as is.	175
1073B		YOSHIDA, Hiroshi, (Japanese, 1876-1973): ''Bamboo Wood'', Woodblock, 16'' x 10.925'', pencil signed lower right, titled lower left, unframed. CONDITION: Overall pale browning, tape remnants verso, ink blemish in right margin, drying holes in right margin.	650
1074		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Fuji Yama From Funatsu'', Woodblock, 15.75'' x 10.5'' with margins, pencil signed lower right, titled lower left, Jizuri seal in left margin (self-printed), unframed. CONDITION: Some browning in left margin and corners, spot of foxing in upper image margin in sky, tape glue remnants verso in upper margin, sold as is.	750
1074A		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Sacred Bridge at Nikko'', Woodblock, sight size 10'' x 15'', pencil signed lower right, titled lower left, Jizuri seal in left margin, framed, 17'' x 21''. CONDITION: Visible staining, trimmed margins/signature, sold as is.	375
1074B		YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Temple in the Wood'', Woodblock, 15.75'' x 10.625'', stamp signed lower right, titled lower left, unframed. Yoshida was a leader in the new print movement (shin hanga) and was the only one to sign and title his work in English. He worked as a painter until his 40s when he became interested in woodblocks. He worked with Watanabe for a few years and became very involved in the printing process. Eventually he started his own print shop. Yoshida was an avid mountain climber and became known for his Alpine scenes. CONDITION: Overall browning, tape remnants verso, pale scattered spots of foxing, ink blemish in upper right margin.	250
1077		YOSHIDA, Toshi, (Japanese, 1876-1950): ''Linnoji Garden'', Woodblock Print, sight size 7.5'' x 10.25'', pencil signed lower right, titled lower left, faux bamboo frame, 14'' x 16.25''. CONDITION: Visible mat burn, overall pale browning, not examined out of frame, sold as is.	225
1081		MIRO, Joan, (Spanish, 1893-1983): ''Les Coquillages'', 1969, Color Lithograph, 30.75'' x 42.75'', pencil signed lower right, numbered 12/75, contemporary metal frame, 38'' x 50''. Miro studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali and eventually moved to Paris. There he became friends with Picasso, Hemingway, Klee and Ernst and was accepted as a Surrealist. In his 70's he produced bronze and in his 80's he worked with Royo who created tapestries. Miro transformed them from appreciated folk art to masterpieces by applying different materials and techniques. CONDITION: Mounted on back board with white tape, visible handling creases in several margins as well as staining from tape glue in right margin, several pale spots of foxing, sold as is.	8750
1082		MIRO, Joan, (Spanish, 1893-1983): ''The Captive'', 1969, Etching/Aquatint, 37'' x 28.5'', pencil signed lower right, numbered 36/50 lower left, fine contemporary metal frame, 48'' x 38.75''. CONDITION: Tipped corners, not laid, several minor handling creases, some pale scattered foxing, not examined out of the frame, sold as is.	8750
1082A		MIRO, Joan, (Spanish, 1893-1983): Homage a Helion, Lithograph, 29.88'' x 22'', pencil signed lower right and numbered lower left 36/99. Arches watermark lower right, encased in period metal frame, 37.5'' x 32''. CONDITION: Taped to mat from back, several visible tape burns, stained lower right corner, sold as is.	3000
1083		MIRO, Joan, (Spanish, 1893-1983): ''La Cascade'', Lithograph, sight size 35.125'' x 23.75'', pencil signed lower right, numbered 13/75lower left, vintage silver gilt frame, 38'' x 26.5'', J. L. Hudson Gallery label affixed verso. CONDITION: Float mounted, several scattered pale spots, small area of bleaching in upper right corner, not examined out of frame, frame shows wear, sold as is.	3750
1083A		MIRO, Joan, (Spanish, 1893-1983): ''Rouge et Vert'', Series II, Lithograph, 17.25'' x 23.75'', pencil signed lower right, numbered 20/30 lower left, unframed. CONDITION: Subtle browning in lower right quadrant of print, sold as is.	1700
1084		MIRO, Joan, (Spanish, 1893-1983): ''La Ruisselante Solaire'', Hors Commerce Lithograph, sight size 60.5'' x 43.5'', pencil signed lower right, gilded frame, 75.5'' x 59'', marked HC in left center margin for ''hors concours''. CONDITION: Pale toning/browning, margins appear full, matt is glued to backing, but does not appear to be affixed to the print, but the print has not been removed from matt, several very minor pale spots of foxing, small handling crease or paper defect in lower right quadrant, several small bubbles in lower mid margin, as seen in images, frame shows wear, sold as is.	14500
1084A		MIRO, Joan, (Spanish, 1893-1983): Mural, 1961, Lithograph, 17.25'' x 22.75'', pencil signed lower right, numbered 3/90 lower left, unframed.	1600
1085		MIRO, Joan, (Spanish, 1893-1983): ''Espriu-Miro'', Etching and Aquatint, 27.5'' x 34'', pencil signed lower right, numbered 21 of 50 lower left, blind stamp visible lower left and faint water mark in upper left corner, period gilded frame, 39'' x 45''. CONDITION: Float mounted, several spots of scattered foxing, handling crease in left margin, small area of bleaching in upper left corner, minor uneven toning along margin edges, not examined out of frame, sold as is.	4250
1085A		MIRO, Joan, (Spanish, 1893-1983): ''L'enfance d'Ubu'' (Childhood of Ubu), Lithograph, 12.75'' x 19.75'', pencil signed lower right, numbered 44/120 lower left, metal frame, 22.5'' x 28.25''. CONDITION: Float mounted in frame, pale tape glue burn from verso in upper mid margin, lower mid margin as well as right and left mid margins, small spot of foxing lower right corner, pale overall toning, not examined out of frame, sold as is.	1700
1086		MIRO, Joan, (Spanish, 1893-1983): ''La Japonaise'', Lithograph, 14'' x 19.75'', pencil signed lower right, numbered 122/150 lower left, period gilt frame, 20.75'' x 27.5''. CONDITION: Speckled staining in right margin, overall pale toning, float mounted in frame, frame shows wear, not examined out of frame, sold as is.	2000
1086A		MIRO, Joan, (Spanish, 1893-1983): ''Homage to Duchamp'', Lithograph, 14.75'' x 10.75'', pencil signed lower right, marked HC lower left, framed, 35'' x 31.5''. CONDITION: Float mounted, several spots of foxing mostly in upper mid margin, some browning to edges, not examined out of frame, sold as is.	2600
1086B		MIRO, Joan, (Spanish, 1893-1983): ''Maravillas Acrosticas VII'', 1st State, Lithograph, sight size 25.5'' x 15.5'', pencil signed lower right, numbered HC lower left, Park West justification du tirage envelope affixed verso, metal framed, 34.5'' x 24''.	1600
1087A		MIRO, Joan, (Spanish, 1893-1983): Zephyr Bird, Color Lithograph published in Derriere le Miroir 1956, 14.925'' x 22'' with margins. Crease from the book in the center, mounted with plastic corner mounts and enclosed in a mat. CONDITION: Book crease in center, minor discoloration in upper mid margin, sold as is.	400
1088		MIRO, Joan, (Spanish, 1893-1983): ''Une Femme'', Lithograph, after the 1932 painting, this work was published by Maeght Editeur, Paris and printed on Arches wove paper, publisher's blind stamp appears in the lower left corner.	4250
1088A		MIRO, Joan, (Spanish, 1893-1983): ''Album 19 Plate 2'', Lithograph, 20'' x 26'', monogrammed lower right and numbered 55/75 lower left, unframed. CONDITION: Several minor abrasions with loss, toning from tape glue in upper margins, several minor scattered flecks of foxing, several areas where surface of print has been removed due to tape removal, sold as is.	500
1088B		MIRO, Joan, (Spanish, 1893-1983): ''Derriere le Miroir Artigas 1956'', Lithograph Published by Mieght, 14.925'' x 22.125'', framed, 23.5'' x 32.25''. CONDITION: Hinge mounted to mat, obvious visible crease from the book, sold as is.	450
1094		GIACOMETTI, Alberto, (Swiss, 1901-66): ''Studio II'' 1954, Lithograph, 19.75'' x 25.75'' with margins, pencil signed lower right, numbered 8/30 lower left, on Arches wove paper, watermark in lower mid margin, deckled edges on both sides, unframed. Alberto is the son of Giovanni Giacometti, an impressionist painter. As a youth, his family members were the subjects of his works. He studied in Geneva, Italy and ended his formal studies in Paris as a student of Rodin. Late nights, even after his marriage, he often frequented cafes where prostitutes became his models. CONDITION: Several minor handling creases, some staining in margins, several scattered pencil marks from framing, tape remnants verso, sold as is.	4500
1094A		1961 DERRIERE LE MIRIOR ALBERTO GIACOMETTI: 28 pages, cover and index page, lithographs and pictures, published May, 1961, unbound. 15'' x 11''. CONDITION: Pencil writing upper left corner front cover, creases and soiling to covers.	200
1097		VANDERVEEN, Loet, (Dutch, 1921-2015): Cheetah and Cubs, Bronze sculpture, signed and #'d 33/1250, 7.5''h. x 20'' x 7.25'' approx. Growing up, Vanderveen lived near a zoo where he spent much time. Animals became a recurring theme in his work.	700
1098		VANDERVEEN, Loet, (Dutch, 1921-2015): Standing Antelope, signed and numbered 373/750, 6.75''h. x 9'' x 4.5'' approx.	600
1099		VANDERVEEN, Loet, (Dutch, 1921-2015): Koala Bears, Bronze sculptures; 1) Mom and baby up a barren tree, signed and #'d 244/1750, 11''h. x 9'' x 10''. 2) Youngster on the ground, signed and #'d 740/2500, 4''h. x 4'' x 2.5''.	475
1104		PICASSO, Pablo, (Spanish, 1881-1973): 2 volumes first edition 347 portfolio of engravings books, published by Random House, 1970. Black embossed covers, original black embossed cover hard case, original paper inserts. Overall measures 17 3/4'' x 12 1/2'' x 3 1/2''. CONDITION: Minor scuffs to case.	375
1105		PICASSO, Pablo, (Spanish, 1881-1973): ''Bulls & Bullfighter'', alternate title ''Toros Y Toreros'' book, commentary by Luis Miguel Dominguin, published 1961, Abrams, New York. Cloth boards and covers, original slip case with printed plastic title. Original note card insert inside book. 15 1/4'' x 11 1/4'' x 1 3/4''. CONDITION: Minor abrasions to slipcase, toning to spine.	325
1105A		PICASSO, Pablo, (Spanish, 1881-1973): ''Les Dejeuners'' book, Cercle D'Art Edition, published 1962, cloth covers, original slipcase, overall 15 1/2'' x 11 1/4'' x 2''. CONDITION: Slipcase with separation at edge, dirt and abrasions.	250
1107		PAIR BRONZE TIBETAN TEMPLE LIONS: Pair of patinated bronze seated temple lions, armored necks, flower blossom motif on bodies, overall measures 34'' h. x 13'' x 26''. Actual age unknown.	1500
1108		CHAGALL, Marc, (French, 1887-1985): ''La Crucifixion'', Lithograph on Arches Paper, sight size 21.75'' x 29.5'', pencil signed lower right, numbered 10/30 lower left, vintage silver gilt frame, 26.75'' x 35 3/4''. Chagall was a very intelligent artist with great sympathy for man's suffering. His Jewish family sheltered him and were reluctant to send him to study art, eventually in St Petersburg. All things Russian were a constant theme throughout his artistic life. Chagall was sponsored to study in Paris and he lived on the same floor of the boarding house as other Jews. He is heralded as one of the founding fathers of surrealism. He used color for emotional effect. When France fell during the war, Chagall was briefly imprisoned and then, with the help of a friend, sailed to NYC with his family. After the war and the death of his wife, he moved back to France which he loved so much. CONDITION: Overall toning/pale darkening of paper, frame shows wear, not examined out of frame, sold as is.	7250
1109		CHAGALL, Marc, (French, 1887-1985): ''The Marriage'', Lithograph on Arches paper, sight size 21.75'' x 29.5'', pencil signed lower right, numbered 26/30 lower left, vintage silver gilded frame, 26.75'' x 34.5''. Copy of original receipt from Sobot Gallery, 1966. CONDITION: Overall toning/minor darkening to paper, not examined out of frame, frame shows wear, sold as is.	6750
1110		CHAGALL, Marc, (French, 1887-1985): ''Les Mimosas'', Lithograph, sight size 28.5'' x 19.5'', pencil signed lower right and numbered 17/50 lower left, fine gilded and carved frame, 40.5'' x 31.5''. CONDITION: Faint vertical lines visible from tape applied verso, tape glue stains in upper left and right corners.	7500
1111		CHAGALL, Marc, (French, 1887-1985): ''Homage a Marc Chagall'', Lithograph, sight size 14.5'' x 10.25'', pencil signed lower right, numbered 6/75 lower left, carved and gilded frame, 22.5'' x 16.25''. CONDITION: Minor pale discoloration in margins.	4500
1111A		1981 DERRIERE LE MIRIOR MARC CHAGALL: 24 pages and cover, lithographs, published May, 1981, unbound. 15'' x 11''. CONDITION: Nicks to front cover right edge.	175
1116		APPEL, Karel, (Dutch, 1921-2006): ''Miaow'', Lithograph, sight size 20.75'' x 25.75'', pencil signed lower right, dated '69, numbered 89/110 lower left, metal frame, 29'' x 35''. CONDITION: Even pale toning, not examined out of frame, sold as is.	325
1116A		APPEL, Karel, (Dutch, 1921-2006): 2 heads, Lithograph, 21.75'' x 29.625'', pencil signed lower right, numbered 122/160 lower left, custom frame, 34.5'' x 32.5'', Park West Galleries label affixed verso.	400
1117		APPEL, Karel, (Dutch, 1921-2006): ''Dancing in the Spring, 1970'', Lithograph, sight size 27.5'' x 41'', signed lower right and dated 1970, numbered 48/100 lower left, Vanstratten Gallery label affixed verso, aluminum frame, 28.5'' x 41.5''. CONDITION: Pale overall even toning, not examined out of frame, sold as is.	450
1117A		APPEL, Karel, (Dutch, 1921-2006): ''Les Amoureaux'', Lithograph, 20'' x 24'', pencil signed lower right, numbered 59/150 lower left, wood frame, 26.75'' x 32.75''. Appel helped to pioneer an unrestrained physical style of painting that expresses a more primal style and is associated with Abstract Minimalism. His style was influenced by Picasso and then by Dubuffet. He squeezes the colors right out of the tube, and smears it with his fingers, a knife or a brush. CONDITION: Float mounted, tack holes in upper corners, scattered dirt smudges, pale staining throughout, scattered handling creases, not examined out of frame, sold as is.	450
1118		APPEL, Karel, (Dutch, 1921-2006): ''About the Cat'', Artist's Proof Lithograph, sight size 23.75'' x 31'', pencil signed lower right, marked EA lower left, framed, 29'' x 35''. CONDITION: Not examined out of frame, very pale mat burn lower margin, small spot of foxing, sold as is.	400
1118A		APPEL, Karel, (Dutch, 1921-2006): Untitled, Lithograph, sight size 32'' x 40'', pencil signed lower right dated '76, numbered 70/75 lower left, vintage metal frame, 40'' x 48.5''.	550
1119		APPEL, Karel, (Dutch, 1921-2006): ''Red Cat'', Lithograph, 28'' x 39.25'', pencil signed lower right dated '71, numbered 91/100 lower left, wrapped in plastic on acid free board. CONDITION: Overall even toning, corners are bent, several pale spots of foxing in margins, not examined out of plastic, sold as is.	400
1119A		APPEL, Karel, (Dutch, 1921-2006): ''The Donkey'', Lithograph, 28.25'' x 39.5'', pencil signed lower right and dated '71, numbered 48/100 lower left, under plastic and affixed to acid-free board. CONDITION: Scattered minor handling creases, several dirt smudges in margins, very pale toning, not examined out of plastic, sold as is.	400
1119B		APPEL, Karel, (Dutch, 1921-2006): ''Seeing Eyes'', Lithograph, 25.75'' x 19.5'', pencil signed lower right and dated '75, numbered 80/175 lower left, unframed, under plastic attached to cardboard backing. Transworld blind stamp lower left corner, on Arches paper. CONDITION: Visible toning in left margin, pin holes in all 4 corners, slight fading, sold as is.	300
1120		APPEL, Karel, (Dutch, 1921-2006): ''2 Hibon Rouge'', Screenprint, 30'' x 22 1/8'', pencil signed lower right and dated '69, numbered 63/75 lower left, publisher's blind stamp in lower left corner, unframed. CONDITION: Pale even browning throughout with white line edge in right margin, pale spots of staining in margins, sold as is.	450
1120A		APPEL, Karel, (Dutch, 1921-2006): The Kiss, Lithograph, 30'' x 40.5'', pencil signed lower right, numbered lower left 87/100, unframed. CONDITION: Some scattered dirt smudges, bottom left corner has a handling crease, several minor abrasions in color background, sold as is.	350
1120B		APPEL, Karel, (Dutch, 1921-2006): Head, Lithograph, 28.25'' x 41.5'', pencil signed lower right and dated 1970, numbered 45/100, unframed, wrapped in plastic with acid-free board backing. CONDITION: Scattered smudges in margins, several faint spots of foxing, scattered handling creases, 12'' crease in upper mid to right margin, not examined out of plastic, sold as is.	550
1125		CHINESE BRONZE SEATED FIGURE OF QUANYIN: Figure of Quanyin or Guanyin seated on a lotus blossom above a dragon, traces of gilt accents remain. No visible markings or signature, measures 10 1/2'' h. x 7'' x 5 1/2''.	250
1137		ARP, Jean Hans, (French, 1886-1966): ''Composition I'' 1959, Etching, 19.5'' x 11.75'', pencil signed lower left, numbered 44/75 lower right, framed, 20.75'' x 12.75''. Jean Hans Arp was a German-French sculptor, painter and poet who was a dominant personality within Dada, Surrealism and abstract art. His reliefs and sculptures have had a decisive influence upon the sculpture of this century. CONDITION: Scattered pale uneven spotted discoloration, not examined out of frame, frame shows minor wear, sold as is.	500
1143		VERDET, Andre, (French, 1913-2004): ''Georges Braque Le Solitaire'', first edition book with 8 color pochoir plates from Braque watercolors, number 880 of 900. Published Paris, 1959, cloth covers, cardboard slipcase. 10'' x 8'' x 3/4''. CONDITION: Toning, some burning from plates.	175
1148		NEWTON, Harold, (American, 1934-1994): Florida Highwaymen fire sky backwaters scene with stand of trees and bird, Oil/Upson, signed lower right, 24'' x 18'', framed 27 3/4'' x 21 3/4''.	1900
1175		CALDER, Alexander, (American, 1898-1976): Untitled (Spiral and Flowers), 1970, Gouache on Vidalon-les-Annonay Heavy Paper, 29.5'' x 43'', signed lower right, dated '70, metal frame (removed for examination purposes), 37'' x 49'', original Albert White Gallery Toronto, Canada, label affixed verso, blind stamp in lower left corner reads ''Les Papier canson lavis B'', paper is watermarked in the upper margin. Original receipt from 1977, Albert White Gallery, Toronto, Canada. The Calder Foundation has not examined this work yet, but at the conclusion of the bidding, the Winning Bidder may elect to send this piece to the foundation, (after funds have been verified and secured in an escrow account) insured, for immediate examination and registration into the known cataloged works of Calder, (at the Foundations earliest opportunity, which, according to them will be in the next few weeks). Upon conclusion of the examination, if the Calder Foundation finds the work to be authentic, and provides it with an officially documented Calder Foundation identification number (Ex. A13111), the sale will be complete, and the Winning Bidder will make arrangements with the Foundation and a shipper of their choice, to have the item packed, shipped and insured for immediate transport. If the Calder Foundation finds the work to be inauthentic, and/or cannot provide an officially documented Calder Foundation identification number, then the amount of the winning bid verified and secured in an escrow account, is to be returned in full to the Winning Bidder, or the bidder may keep the picture. If the Winning Bidder declines the offer to submit for examination, the sale will become final. By participating in the live online auction bidding for this lot, you agree and are bound by these terms. CONDITION: Small pin hole tack hole visible in upper and lower left corners, very minor pale toning to paper, some rippling in all margins due to application of gouache on paper, very pale scattered faint tiny spots, tape residue verso in margins, not mounted or laid, sold as is.	58000
1176		CALDER, Alexander, (American, 1898-1976): ''Flying Saucers'', Gouache on Vidalon-les-Annonay Heavy Paper, 43.125'' x 29.5'', vintage metal frame, 44.25'' x 30.5'', signed lower right and dated '68, blind stamp in lower left corner reads ''Les Papier canson lavis B''. The Calder Foundation has not examined this work yet, but at the conclusion of the bidding, the Winning Bidder may elect to send this piece to the foundation, (after funds have been verified and secured in an escrow account) insured, for immediate examination and registration into the known cataloged works of Calder, (at the Foundations earliest opportunity, which, according to them will be in the next few weeks). Upon conclusion of the examination, if the Calder Foundation finds the work to be authentic, and provides it with an officially documented Calder Foundation identification number (Ex. A13111), the sale will be complete, and the Winning Bidder will make arrangements with the Foundation and a shipper of their choice, to have the item packed, shipped and insured for immediate transport. If the Calder Foundation finds the work to be inauthentic, and/or cannot provide an officially documented Calder Foundation identification number, then the amount of the winning bid verified and secured in an escrow account, is to be returned in full to the Winning Bidder, or the bidder may keep the picture. If the Winning Bidder declines the offer to submit for examination, the sale will become final. By participating in the live online auction bidding for this lot, you agree and are bound by these terms. CONDITION: Pale toning/browning, affixed to heavy card stock with 3 hinge mounts verso - 2 at top and 1 at lower mid-margin.	15000
1177		CALDER, Alexander, (American, 1898-1976): ''Homage to the Sun'', Pyramids, Lithograph, 26.25'' x 38.5'', pencil signed lower right, numbered 142/150 lower left, float mounted in frame, vintage metal frame, 32.5'' x 44.25''. CONDITION: Float mounted, visible discoloration from tape in upper right and left corners, overall pale fading and minor toning, small discoloration in right margin both in red upper corner and white pyramid, several other spots of discoloration, not examined out of frame, sold as is.	1100
1177A		CALDER, Alexander, (American, 1898-1976): ''Circus'', Color Lithograph, 26'' x 38.25'', pencil signed lower right, numbered 78/125 lower left, unframed. CONDITION: Several minor spots, very minor toning, sold as is.	1500
1178		CALDER, Alexander, (American, 1898-1976): ''Le Soleil'', Color Lithograph, 22.125'' x 29.75'', pencil signed lower right, numbered 71/125 lower left, Rives watermark upper right hand corner, hinge mounted in frame, 28'' x 35.5''. CONDITION: Minor toning, plexiglass crack damage upper left margin - plexi will need to be replaced, sold as is.	1200
1178A		CALDER, Alexander, (American, 1898-1976): ''Squash Blossoms'', Lithograph, 13'' x 8.75'', pencil signed lower right, marked EA lower left, framed, 22'' x 17''. CONDITION: Float mounted, small wrinkle in lower right corner, not examined out of frame, sold as is.	1200
1179		CALDER, Alexander, (American, 1898-1976): ''Musical Variations II'', Lithograph, 23.5'' x 30'', pencil signed lower right, marked EA lower left, metal frame, 34'' x 40''. CONDITION: Float mounted in frame, not examined out of frame, sold as is.	1200
1179A		CALDER, Alexander, (American, 1898-1976): ''Moon and Red Star'', Lithograph, sight size 25.5'' x 17.5'', pencil signed lower right, numbered 48/100 lower left, metal frame, 40.5'' x 24.5''. Blind stamp lower right corner. CONDITION: Overall pale toning/browning, not examined out of frame, sold as is.	700
1180		CALDER, Alexander, (American, 1898-1976): Black Balloons, Lithograph, 15'' x 10.25'', pencil signed lower right, 127/150 (Roman numerals) lower left, framed, 22'' x 17''. CONDITION: Float mounted in frame, small fold in lower left corner, not examined out of frame, sold as is.	1000
1180A		CALDER, Alexander, (American, 1898-1976): ''L'Acier du Constructeur'', Lithograph, sight size 21'' x 28.5'', pencil signed lower right, numbered 56/75 lower left, framed, 30'' x 58''. CONDITION: Spot of foxing in right margin.	1250
1180B		CALDER, Alexander, (American, 1898-1976): ''Encore de L'Acier'', Lithograph, sight size 29'' x 20.75'', pencil signed lower right, numbered 53/75 lower left, metal frame, 38.5'' x 30.5'', Park West paperwork affixed verso.	1600
1184		FRANCE, Ben, (American, 20th C.): ''Doubtful Deception'', Disguised Indian on Horseback Hunting a Large Buffalo, Bronze, 13'' h x 31'' w x 15'' d, affixed to a shaped and polished wooden plinth, 14'' deep x 32'' wide. Incised title, signature, dated 1976 and dated 1/15.	2000
1185		RAUSCHENBERG, Robert, (American, 1925-2008): ''Horsefeathers Thirteen-VII, 1976'' (RR72-478), Offset Lithograph/Screen/Pochoir/Collage/Embossed, 24'' x 17 5/8'', 84 unique works, signed lower right, numbered 13/84, framed, 27.75'' x 21.5''. Rauschenberg received a great deal of formal training at prestigious institutes such as the Art Students League and Academies Julian. He was recognized for his willingness to experiment with non-artistic materials that were ahead of later movements like Pop Art, Conceptualist and Minimalism. CONDITION: Not affixed in frame, not examined out of frame, scattered small pin spots of foxing, overall browning to paper, sold as is.	750
1185A		RAUSCHENBERG. Robert, (American, 1925-2008): ''Cliche Verre'', Offset Lithograph on Mylar, 25'' x 19'', signed lower left, # 35/200, dated '80, unframed, sold with a duplicate un-numbered print on mylar. Executed for the Detroit Institute of Fine Arts. CONDITION: Second print has some minor blemishes, sold as is.	800
1186		AHO, Paul Richard, (American 1954-): ''The Night Sea'' Oil and Acrylic on Wood. 31 3/4'' x 32 1/8''. Signed, titled and dated verso, Paul Aho, 2000. Unframed. Aho holds a Master of Fine Arts degree and currently serves as the Dean of The Paducah School of Art and Design.	550
1188		1976 DERRIERE LE MIRIOR ALEXANDER CALDER: 24 pages and cover, lithographs and pictures, published December, 1976, unbound. 15'' x 11''. CONDITION: Small spot on back cover, front cover with small spine creases.	125
1188A		1975 DERRIERE LE MIRIOR ALEXANDER CALDER: 24 pages and cover, lithographs and pictures, published January, 1975, unbound. 15'' x 11''.	200
1192		1971 DERRIERE LE MIRIOR JOAN MIRO: 36 pages, cover and index page, lithographs and pictures, published November, 1971, unbound. 15'' x 11''.	200
1192A		1971 DERRIERE LE MIRIOR JOAN MIRO: 36 pages, cover and index page, lithographs and pictures, published November, 1971, unbound. 15'' x 11''.	150
1192B		1961 DERRIERE LE MIRIOR JOAN MIRO: ''Ceramique Murale Pour Harvard'', 12 pages, lithographs and photographs, February, 1961, 15'' x 11''. CONDITION: Pencil writing upper right corner of cover, lower right corner fold.	150
1193		1978 DERRIERE LE MIRIOR JOAN MIRO: 26 pages, cover and index page, lithographs and pictures, published November, 1978, unbound. 15'' x 11''.	200
1218		DUBUFFET, Jean, (French, 1901-1985): ''Algebre de L'Hourloupe 52 Figures Extrapolatoires'', silk screen cards, full set of 52 in original slipcase box, 7 1/2'' x 5 1/4'' x 1 1/4''. CONDITION: Minor toning to case.	350
1219		DUBUFFET, Jean, (French, 1901-1985): ''Algebre de L'Hourloupe 52 Figures Extrapolatoires'', silk screen cards, full set of 52 in original slipcase box, 7 1/2'' x 5 1/4'' x 1 1/4''. CONDITION: Minor toning to case.	350
1225		KIPNISS, Robert, (American, 1931-): Clouds with Barn in a Landscape, Oil/Canvas, 20'' x 16'', signed lower right, framed, 23'' x 19''. Consignor was a personal friend of Kipniss and had a business located adjacent to Kipniss' studio in NYC.	2600
1225A		KIPNISS, Robert, (American, 1931-): Backyard Scene with Sheds, Lithograph, sight size 16'' x 21.75'', pencil signed lower right, numbered 79/90 lower left, custom wood frame, 25.5'' x 30''. CONDITION: Not examined out of frame, exhibits very pale mat burn along edges, sold as is.	425
1226A		KIPNISS, Robert, (American, 1931-): Chair by the Window with Landscape in Background and Lone Tree, Lithograph, sight size 17.25'' x 15'', pencil signed lower right, numbered 31/90 lower left, custom wood frame, 27'' x 24''. CONDITION: Not examined out of frame, sold as is.	325
1227		KIPNISS, Robert, (American, 1931-): Tree Limb with Roof, Etching, sight size 12.75'' x 9.5'', pencil signed lower right, numbered 19/150 lower left, framed, 18'' x 14.5''.	225
1227A		KIPNISS, Robert, (American, 1931-): Landscape with Rooftops and Tree Trunks, Color Lithograph, sight size 12.5'' x 12.75'', pencil signed lower right, numbered 35/90 lower left, wood frame, 20'' x 20''. CONDITION: Not examined out of frame, sold as is.	325
1228		KIPNISS, Robert, (American, 1931-): Tree in Landscape and Rooftops on Horizon, Lithograph, sight size 17'' x 18'', pencil signed lower right, numbered 63/90 lower left, custom wood frame, 26.5'' x 28''. CONDITION: Not examined out of frame, sold as is.	225
1228A		KIPNISS, Robert, (American, 1931-): Landscape with Hilltop and Barn Structures, Lithograph, sight size 11'' x 14'', pencil signed lower right, numbered 80/90 lower left, wood frame, 17.5'' x 20.75''. CONDITION: Not examined out of frame, sold as is.	500
1229		KIPNISS, Robert, (American, 1931-): Still Life with Pitcher and Wild Flower Bouquet on a Windowsill with Barn in the distance, Lithograph, sight size 14.5'' x 11'', pencil signed lower right, numbered 17/90 lower left, framed, 20.5'' x 17''. CONDITION: Not examined out of frame, sold as is.	300
1229A		KIPNISS, Robert, (American, 1931-): Still Life with Vessels, Lithograph, sight size 10.75'' x 16.75'', pencil signed lower right, marked artist's proof, IV/X lower left, framed, 15'' x 21.25''.	225
1229B		KIPNISS, Robert, (American, 1931-): Still Life with Teapot and Cup on a Windowsill with Barn in Distance, Etching, 12.75'' x 10.5'', pencil signed lower right, numbered 33/40, lower left, wood frame, 19.25'' x 17''. CONDITION: Overall pale browning, not examined out of frame, sold as is.	200
1232		VINTAGE MACCADDON'S INTERNATIONAL SHOW POSTER: Full title ''MacCaddon's Great International Shows'', with image of the American Zouaves Soldiers. Published by Casson & Cie, Paris. Sight size 30'' h. x 22'', framed 38 1/2'' x 30 1/4''. CONDITION: Toning, tear upper left in MacCaddon's name, edge creases, not examined out of frame.	150
1233		HAYTER, Stanley William, (English, 1901-88): ''Scorpio'', Lithograph, 29.5'' x 21.75'', pencil signed lower right and dated '68, titled in lower margin, SCX/CL (119/150), encased in plastic affixed to cardboard backing. ''Born in London to a family of painters, Stanley Hayter chose instead to study geology and chemistry and then worked for a Persian Gulf oil company. However, he contracted malaria and returned to London to recover, and then moved to Paris in 1926 to study at the Academie Julian. In 1933 in Paris, he established his own studio, the Atelier 17. At this time, he became interested in Surrealism, and opposing Fascism, actively supported the Republican government of the Spanish Civil War.'' Askart.com 9/15/16 CONDITION: Crease in upper right corner, some dirt smudges in margin, not examined out of plastic, sold as is.	150
1236		KUHN, Walt, (American, 1877-1949): Still Life with Rabbit, Watercolor and wash, sight size 19.25'' x 11.5'', signed in lower margin and dated 1928, contemporary frame, 26.25'' x 18''. CONDITION: Not examined out of frame, several spots of foxing in upper right corner, sold as is.	300
1237		BELLOWS, George, (American, 1882-1925): ''The Lovers That Passed by Him'' 1923, Lithograph, sight size 16'' x 12.5'', pencil signed lower right, titled in lower margin with illegible markings in lower left corner, framed, 25'' x 21''.	600
1251		FURLOW, Malcolm, (American, 20th C): ''American Biker'', Acrylic/Canvas, 40'' x 50'', signed lower right, titled and signed verso, numbered 1434, unframed. Furlow may have been discouraged as an artist by his college art professor who disapproved of his style - so Furlow left college to become a rock and roll musician playing back up for groups, such as the Beach Boys, for 18 years. He learned to appreciate strong colors as a one-time designer of movie sets for Disney. Eventually he returned to his love of painting and as an artist and has sold out over 50 one-man shows. His work is held in public and private collections around the world. He is recognized by many as a ''Renaissance Man'' and a ''living legend'', particularly with regards to painting the American Southwest.	1500
1252		FURLOW, Malcolm, (American, 20th C): ''Lord of the Dawn'', Acrylic/Canvas, 58'' x 46'', signed in right margin, also signed and titled verso, numbered 968, unframed	1100
1253		FURLOW, Malcom, (American, 20th Century): ''Worried Warrior'', Acrylic/Canvas, 40'' x 40''. signed lower right, signed and titled verso, unframed. CONDITION: Small spot in right margin, sold as is.	750
1254		NIETO, John, (American, 1936-): Standing Grizzly, Serigraph, sight size 31'' x 33'', signed lower right, marked lower left PP (Printers Proof) and numbered 1/55, custom wood frame, 25.5'' x 47''. Nieto's works are exhibited globally and in the Presidential Library. His works are painted in brilliant colors and are represented as warriors, potters and in other roles and are represented in brilliant garb. CONDITION: Not examined out of frame, sold as is.	450
1259		DAMROW, Charles, (American, 1916-1989): Grizzly Bear Trout Fishing, Oil/Masonite, 24'' x 36'', signed lower left, framed, 31'' x 43''.	550
1266		MAX, Peter, (German, 1937-): Cosmic Jumper, 1st Day Cache, Watercolor on Envelope with Expo '74 1st day issue stamp affixed, 4.25'' x 9.5'', signed upper left and dated 1988, framed, 17.25'' x 22.5''	2900
1267		MAX, Peter, (German, 1937-): Landscape, Acrylic on Paper Envelope, 4.25'' x 9.5'', signed lower right, 1st day issue canceled stamp affixed to envelope from Expo '74 Preserve the Environment. Float mounted in frame, 15'' x 24.75'', Peter Max blind stamp lower left.	1200
1268		MAX, Peter, (German, 1937-): ''Daydreaming with Zooples'', Mixed Media with Offset Lithograph, Acrylic and Collage, 7.5'' x 11'', signed in lower margin, custom black lacquer frame, 18.25'' x 21''.	1700
1269		MAX, Peter, (German, 1937-): ''Impressions of a Landscape'', Silk Screen, sight size 29'' x 21.5'', pencil signed lower right, numbered 75/150 lower left, temporary black frame, 38'' x 30.5''. Max has lived in and traveled to many countries and eventually landed in the US at the age of 16. The first 10 years of his life were in Shanghai where he was surrounded by a diversity in culture. Once introduced to the American comic books, movies and radio he realized his childhood vision. After high school he continued his art studies at The Art Students League where he developed into a realist painter. As he was introduced to various styles and people, Max experimented with numerous types of medium and has become part of the fabric of contemporary American culture. Max has received several important commissions, painted for 5 U.S. Presidents, has exhibited in over 90 museums and galleries around the world and his works are held by numerous prominent galleries. CONDITION: Not examined out of frame, sold as is.	500
1275		LARGER THAN LIFE BRONZE GALAPAGOS TORTOISE FOUNTAIN: Patinated bronze giant sized figure of a Galapagos tortoise, approx. 63 1/4'' h. x 34'' x 65''. CONDITION: Obvious outdoor patina, shippers note, approx. 300-400 lbs.	5000
1295		GOODNOUGH, Robert, (American, 1917-2010): ''Silver Gray'', Acrylic & Oil/Canvas, 36'' X 60'', signed and titled verso, dated 1971, Andre Emmerich label affixed verso, also old Christies label affixed verso, thin edge wood frame, 37.5'' x 61.5''. CONDITION: Needs cleaning, sold as is.	5250
1296		GOODNOUGH, Robert Arthur, (American, 1917-2010): ''Happy Boat Trip'', Oil/Canvas, 8'' x 16'', signed verso on canvas, original label affixed verso from Gertrude Kasle Gallery, edged wood frame, 8.75'' x 16.75'' CONDITION: Needs cleaning, sold as is.	950
1297		DAVIES, Arthur B., (American, 1862-1928): ''Nudes in the Garden'', Color Lithograph, 15.25'' x 17.75'' with margins, signed lower right, ''Selected for Dr Cooke'' inscribed lower left, unframed. CONDITION: Uneven toning throughout, several spots of foxing, tape glue remnants verso, sold as is.	200
1309		DALI, Salvador, (Spanish, 1904-89): Christ of St John of the Cross, Bronze, 13.75'' h x 4.5'' w x 4.75'' d, signed on steps in front, also signed verso, marked with a copyright stamp and Ex Mu '81, numbered G126 of 500, affixed to green marble plinth, overall height 15''.	2000
1310		DALI, Salvador, (Spanish, 1904-1989): From Song of Songs, Etching, sight size 18.5'' x 11'', pencil signed lower right, numbered S120/200, framed 30'' x 22.25''. CONDITION: Visible mat burn along 3 margin edges.	900
1310A		DALI, Salvador, (Spanish, 1904-1989): From the Divine Comedy Suite, Heaven Canto Six, Wood Engraving, sight size 11.75'' x 9.75'', signed in the plate, Park West label affixed verso, framed, 20'' x 18''.	150
1311		DALI, Salvador, (Spanish, 1904-1989): 4 framed Playing Cards series limited edition plates, circa 1967, #135/2000. Marked on back ''Puiforcat'', made in France, Carte a jouer par Salvador Dali 1967, Limoges France. Each framed with open back, frames measure 16'' x 16'' x 1 1/2''. CONDITION: Not examined out of frame.	500
1311A		DALI, Salvador, (Spanish, 1904-1989): ''El Canto XVIII'', Wood Engraving, 12.75'' x 10'', signed in the plate center mid-margin, blind stamp lower right, framed, 25'' x 22.5''. CONDITION: Pale visible toning, float mounted with corners tipped, sold as is.	150
1313A		DALI, Salvador, (Spanish, 1904-1989): Set of 6 glazed ceramic tiles, each in a different pattern, marked ''Made in Spain'' and stamped ''Edition - 1954'', 8'' x 8''.	450
1314		DIVINE COMEDY ILLUSTRATED BY LEONARD BASKIN: 3 volumes ''The Divine Comedy'', Dante Alighieri, translated by Thomas G. Bergin and illustrated by Leonard Baskin. Published by Grossman Publishers, New York, 1969. Cloth covers with embossed spines, each volume 13 1/4'' x 9 1/4'' x 1 1/2''. Original slipcase 14'' x 9 1/2'' x 5 1/2''. CONDITION: Spine wear and separation, slipcase wear and damage, sold as-is.	250
1320		VASARELY, Victor, (Hungarian, 1906-1997): Op-Art Composition Possibly Viva 1979, Serigraph, 31.125'' x 30.625'' with margins, pencil signed lower right, numbered 34/275 lower left, unframed. Vasarely had a significant influence on Op Art and is sometimes recognized as one of the founders. CONDITION: Visible areas of toning and tape browning in right margin. Sold as is.	275
1321		VASARELY, Victor, (Hungarian, 1906-1997): VASERLY, Victor, (Hungarian, 1906-97): ''Constellation, 1967'', Serigraph, 31.25'' x 19.5'', pencil signed lower right, numbered 15/150 lower left, encased in plastic affixed to cardboard backing, Franklin Siden Gallery label affixed verso.	275
1326		LOREAU, Max, (French, 1928-1990): ''Cercaux 'Sorcellent'', #151 of 800 books, lithograph illustration by Jean Dubuffet, paper covers, board slipcase, published 1967, Paris. CONDITION: Burning from lithographs on pages, toning, ding to slipcase.	325
1327		LOREAU, Max, (French, 1928-1990): ''Cercaux 'Sorcellent'', #545 of 800 books, lithograph illustration by Jean Dubuffet, paper covers, board slipcase, published 1967, Paris. CONDITION: Small circle sticker remnant upper right of cover, burning from lithographs on pages, toning.	300
1328		COLLECTION OF JEAN DUBUFFET EPHEMERA: 7 pieces total to include 1) Program to ''Paris Circus'', 1962. 2) ''The Hourloupe Cycle Graphics'', Pace Editions, 1980. 3) ''La Botte a Nique'', Editions d'Art Albert Skira, Geneve, 1973. 4) ''La Donatioon Dubuffet, Paris, 1967. 5) ''Foundation Jean Dubuffet'', France, 1977. 6) ''Dubuffet'', by Andreas Fanzke, 1980, Germany. 7) Oversized postcard ''Le Vociferant'', 1973. CONDITION: Conditions vary, many with toning, sold as-is.	125
1332		NEIMAN, Leroy, (American, 1921-2012): ''Sun Serve'', Male Tennis Player Serving Ball, Serigraph, 41.75'' x 23 7/8'', unfamed, full margins, pencil signed lower right, numbered lower left 22 of 300, Syria Studio Blind Stamp lower left. CONDITION: Minor Handling creases and several blemishes of dirt, very good overall, sold as is.	325
1345		SINO-TIBETAN BRONZE MASK: Heavy cast bronze horned deity with blue stone eyes, mouth open baring teeth and tongue, arms holding bar in mouth. Overall measures 11 3/4'' h. x 17 1/2'' x 2 1/2''.	150
1350		COLESCOTT, Warrington, (American, 1921-): ''Men in White'' Depicts Satirical Menagerie of Doctor / Patient Scenarios, sight size 20.5'' x 24'', pencil signed lower right and dated '72, titled in lower mid-margin, marked artists proof lower left, framed, 27.5'' x 31''. CONDITION: Overall even toning, not examined out of frame, sold as is.	100
1351		COLESCOTT, Warrington, (American, 1921-): ''Dancer Transfiguration'', Etching, 24'' x19'' with margins, pencil signed lower right and dated '59, numbered 4/10 and titled lower left, painted black frame, 27.5'' x 22.25''. Ferdinand Rotten Gallery label affixed verso with artist's biography. Colescott has degrees from Berkeley, Grand Chaumiere/Paris and the Slade School of Art/London. He received prestigious fellowships with a Guggenheim, a Fulbright and 3 National Endowments for the Artists Fellowships. His imagery evolved into social satire created in the mediums of serigraphy and intaglio printmaking. CONDITION: Some scattered spotting in the margins, most notably in the right margin, float mounted, not examined out of frame, frame shows wear, sold as is.	100
1370		ORLIK, Emil, (Czech, 1870-1932): Bearded Gentleman, Etching, sight size 8.25'' x 5.75'', signed in the plate lower right and dated '98, framed, 17'' x13''. ''Emil Orlik's prints and techniques went through extensive changes as he traveled internationally, learning new methods wherever he went. Known for his portraits of a wide variety of well-known individuals ranging from Josephine Baker to Albert Einstein to Marc Chagall, Orlik was an artistic chameleon, never sticking to one genre or style but studying many.'' from askart.com 9-14-16. CONDITION: Overall even toning, not examined out of frame, sold as is.	175
1376		HARRISON, Victor, (Canadian, 1951-): Northwest British Columbia Metis culture figural wood carving featuring birds, fish and bear. Unpainted, signed on back with Victor Harrison and Chad Joe, dated 2002. Overall measures 60'' h. x 36'' x 2''.	500
1377		PECK, Ray, (Tlingit, 20th Century): Polychrome decorated Northwest Raven Beaver wall totem, carved from red cedar, signed on back. This totem represents the carver's clan, overall measures 34 3/4'' h. x 9 1/4'' x 3 1/4''.	550
1378		ROBERTSON, Jackson, (Canadian, 20th Century): Kwakiutl Northwest Coast wall totem carving, figures to include ''Moon in Eye'' Eagle, Killer Whale, ''Moon in Eye'' Raven and Salmon. Unpainted, signed on back with additional carved initials, Kingcome Inlet, B. C. Measures 35 1/2'' h. x 9 1/2'' x 1 3/4''.	325
1379		ANTONIO, Luis, (American, 20th Century): Driftwood carving bust of Native American man with stone and wood pedestal base. Overall assembled approx. 38 1/4'' x 29'' x 10 1/4''. Bust measures approx. 35'' h. x 22 1/2'' x 7'', base 24'' x 10 1/4'' x 13 1/4''. CONDITION: Damage to stone on top of pedestal.	225
1380		INUIT WHALE VERTEBRA CARVING: Whale vertebra carved with figural polar bear and seal, unsigned, unknown Alaskan / Inuit carver. Overall measures 8 1/4'' h. x 18'' x 6''.	750
1391		WANDS, Robert, (American, 1939-): Near Timberline, Colorado, Oil/Canvasboard, 8'' x 10'', signed lower right, signed and titled verso, carved wood frame, 16'' x 18''	275
1393		SKENE, Harold, (American, 1883-1978): 1) Autumnal Landscape with Mountains in Distance, Oil/Canvasboard, 11.5'' x 15.5'', signed lower right, framed, 15'' x 19''; 2) Misty Range, Oil/Board, sight size 13.25'' x 17.25'', signed lower right, framed, 19.25'' x 23.25''.	100
1395		STIRLING, David, (American, 1887-1971): Western Winter Road Through the Mountains, Oil/Board, 24'' x 30'', signed lower right, carved period frame, 28.5'' x 34.5''. CONDITION: Needs cleaning, several minor abrasions, frame shows wear, sold as is.	250
1396		STIRLING, David, (American, 1887-1971): 1) Depicts Western River Landscape with Snow Capped Mountain in Distance, Oil/Board, sight size 13.5'' x 17.75'', signed lower right, framed, 16.75'' x 20.75''; 2) Autumnal Stream Scene with Mountains in Distance, Oil/Board, sight size 15.5'' x 19.5'', signed lower left, painted frame, 19.5'' x 23.5''.	200
1399		3 CENTRAL AMERICAN COCOBOLO WOOD CARVINGS: 3 pieces total to include 1) Sailfish, illegibly signed Chafh? Panama, 19 1/4'' h. x 20'' x 5''. 2) Crane with head down, signed Frederico M., 21 1/2'' h. x 13'' x 5''. 3) Stingray, signed Jubev, 1 1/4'' h. x 14 1/4'' x 4 3/4''. CONDITION: Repair to leg on #2.	400
1400		ANSLEY, Ben, (American, 20th century): Alabaster and fused acrylic sculpture, affixed to clear Lexan base, signed BTAIV, measures 12 3/4'' x 8'' x 8''.	125
1415		PETTIT, David, (American, 20th C.): ''Angel's Landing'', Photographic Print, 38'' x 29.75'', pencil signed in margin lower right, numbered lower left 2/300 and dated 1994, custom wood frame, 53'' x 42.5'', artist's label affixed verso. Coming from a family of visual artist's, David was introduced to photography when he received a Brownie camera at a young age. His award winning photographs are part of public and private collections around the world.	100
1416		HOGAN, Jeff, (American, 20th C): ''Reflections'' Grand Teton National Park Wyoming, Photograph, sight size 15'' x 47'', signed lower right, artists label verso indicates this photograph is 81/350, custom framing, 28.5'' x 60''. Next to photo verso, ''Fall color signal a change of season as a moment of early morning stillness reflect the grandeur of Jackson Hole's Indian Summer.'' indicate a change in seasons Hogan is an award winning wildlife photographer and cinematographer. His still life work has appeared in various prestigious publications.	100
1417		ALTMAN, Harold, (American, 1924-2003): 1) ''Ballestrade 1983'', Lithograph, sight size 19.5'' x 26'', pencil signed lower right, numbered 38/285, titled in lower margin and dated, framed, 20.5'' x 32.5''; 2) ''Destinations'', Lithograph, sight size 15'' x 20.5'', pencil signed lower right and titled in margin, numbered 26/275, blind stamp from printer dated 1984 lower left, wooden frame, 24'' x 28.5''; 3) ''Late Afternoon'', Lithograph, sight size 19.25'' x 26'', pencil signed lower right, titled in mid-margin and numbered 126/285 lower left, blind stamp lower left corner, wooden frame, 26.5'' x 32.5''. CONDITION: None of images have been viewed out of frames, may be some minor pale foxing scattered throughout, frames show wear, sold as is.	275
1418		ALTMAN, Harold, (American, 1924-2003): 4 Piece Print lot to Include: 1) Figure Emerging form a Gathering at an Outdoor Cafe, Lithograph, 5 1/8'' x 6.75'', pencil signed lower right, framed, 10.5'' x 12'', signed in the plate and dated 1957, an early work; 2) Luxemborg 1980, Etching, sight size 9.25'' x 6.5'', pencil signed lower right, titled in lower margin and numbered 70/200, framed, 18'' x14'', Merrill Chase Galleries Label affixed verso; 3) ''Bench 2'', Lithograph, 26.5'' x 19.5'', pencil signed lower right, titled in margin and numbered 48/185, enclosed in plastic, unframed; 4) ''Central Park South'', Lithograph, 30'' x 21.5'', pencil signed lower right, titled in margin and marked artist's proof lower left, encased in plastic with cardboard backing, unframed. Altman was a painter, teacher and etcher who spent 4 months each year in Paris where his lithographs were printed at Atelier Desjoberts. He is represented in almost every significant collection in the world as well as in numerous museums and galleries. CONDITION: 3) ''Bench 2'' exhibits uneven toning mostly in upper third of print with a circular spot likely from a sticker preventing even light and discoloring the print. 4) ''Central Park South'', lower corners are bent, minor soiling in margins, sold as is.	250
1420		TARKAY, Itzchak Isaac, (Yugoslavian, 1935-2012): Seated Woman with Large Blue Hat, Serigraph, sight size 37'' x 30.5'', pencil signed lower right, numbered EA 27/50 lower left, heavy custom frame, 50'' x 42''. At the age of nine, Tarkay was sent to a Nazi concentration camp. After his release, he developed an interest in art. He and his family moved to Israel in 1949 and in 1951 he started studying art on scholarship until financial restrictions required him to leave school. Eventually he graduated from the Avni Institute of Art. Tarkay has exhibited extensively and his works can be found in many public and private collections.	1200
1428		FOLON, Jean-Michel, (Belgian, 1934-2005): Abstract Surreal Etching, 19.75'' x 25.5'' with margins, pencil signed lower right and numbered EA VII/X, blind stamp lower left corner, framed, 31'' x 37''. Over the years Folon's work experimented with different techniques - watercolor, etching, silkscreen, illustrations, mosaics, stained glass, - which showed the diversity of his art. In the '80s he created his first sculptures from wood. He continued sculpting moving on to the use of clay, plaster, bronze and marble, while continuing to paint. Folons friends were among the rich and powerful including Jacques Chirac and Prince Albert II. CONDITION: Float mounted, some pale scattered minor discoloration, minor handling creases, not examined out of frame, frame shows wear, sold as is.	100
1435		ATTAWAY, Wayne, (American, 20th C): Octagonal Geometric Op Art, Oil/Canvas, 53.25'' x 53.25'', signed on canvas verso dated '72, also signed on the stretcher, unframed. CONDITION: Needs cleaning, some gold paint loss, sold as is.	100
1440		REEDY, Leonard, (American, 1899-1956): Smoke Signals, Indian atop a Mountain Ridge Giving Smoke Signals, Watercolor, sight size 8'' x 11'', signed lower right, framed, 15.25'' x 18''. CONDITION: Possible water damage in lower margin, overall browning, matt burn around all edges, frame shows wear, not examined out of frame, sold as is.	150
1442		de JESUS OLIVIERA, Fernando, AKA Ferjo, (American/Brazilian, 1946-): ''Picasso Lovers'', Giclee, #150/350 with COA. Signed lower right. 31 1/2'' x 25'', 32 3/4'' x 39 3/4'' with frame.	325
1443		de JESUS OLIVIERA, Fernando, AKA Ferjo, (American/Brazilian, 1946-): ''Homage to the Masters'', Violinist on Right, Giclee, #347/350. Signed lower right. 28'' x 39'', 35 3/4'' x 46 3/4'' with frame.	175
1444		de JESUS OLIVIERA, Fernando, AKA Ferjo, (American/Brazilian, 1946-): Colorful Interior Scene Giclee, #272/350. Signed lower right. 27 3/4'' x 38 1/2'', 37 1/2'' x 47 1/2'' with frame.	200
1445		de JESUS OLIVIERA, Fernando, AKA Ferjo, (American/Brazilian, 1946-): ''Stairway Fantasy'', Giclee, #286/350. 48 1/2'' x 4 3/4'' overall.	100
1448		RIZZI, James, (American, 1950-2011): ''Last Stop is Coney Island'', 3-D Lithograph, sight size 27'' x 36.5'', pencil signed lower left, titled in lower margin, numbered 54//350 lower right, custom frame and matting, 38'' x 47.5''.	4000
1449		RIZZI, James, (American, 1950-2011): ''It's Time to Buy a New TV'', 3-D Lithograph, sight size 27.5'' x 37'', pencil signed lower left, titled in margin and numbered 269/350 lower right and dated '89, custom frame, 34.5'' x 44.5''. CONDITION: Not examined out of frame, sold as is.	2500
1450		RIZZI, James, (American, 1950-2011): ''Are You Ready for Football?'' 3-D Lithograph, 9.25'' x 9.75'' with margins, pencil signed lower left, titled in lower margin, numbered 69/350 and dated 1992 lower right, custom reed frame, 15'' x 15.5''.	475
1451		RIZZI, James, (American, 1950-2011): '' This Ain't No Lazy River'', 3D Lithograph, sight size 8.25'' x 19.25'', pencil signed lower left, titled in lower margin, numbered lower right 337/350, dated 1989, custom framing, 19'' x 30.25''.	1400
1452		RIZZI, James, (American, 1950-2011): ''The Apple Doesn't Fall Far From The Tree'', 3-D Lithograph, sight size 10'' x 6.75'', pencil signed lower right, numbered 214/350, titled in lower margin and dated 2001, custom red painted frame, 15.25'' x 12.25''. Rizzi's signature style is creating 3D panorama's of diverse urban life. CONDITION: Not examined out of frame, sold as is.	450
1466		KATZ, Alex, (American, 1927-): Michigan Opera Theatre 76-77, Lithograph, 30'' X 22'', pencil signed lower left and dated '77, Styria Studio Blind Stamp lower right, unframed. Katz and his contemporaries, Al Held and Philip Pearlstein, influenced the popularity of New Realism in the 1970s. He subsidized himself by hand carving frames and designing stage sets and costumes for the Paul Taylor Dance Company. His wife has been his model since they married in 1968.	175
1467		FRIEDLAENDER, Johnny, (Polish, 1912-1992): 1) Abstract composition titled Washington?, Etching, sight size 9.5'' x 7.75'', pencil signed lower right, framed, 19.5'' x 17.5''; 2) ''Chevaux'', from the Portfolio Petit Besteare, Etching, sight size 14.5'' x 10'', pencil signed lower right, numbered 88/240 lower left, Merrill Chase Galleries label affixed verso, period frame, 21'' x 15''. Friedlaender was a pioneer of the technically difficult aquatint etching process. From his atelier in Paris he instructed other artists who went on to become noteworthy and became experts in lithographic and etchings art, including Piza, Coudrain, Carcan and Boulanger. CONDITION: Not examined out of frame, sold as is.	225
1468		FRIEDLAENDER, Johnny, (German, 1912-1992): 3 Etchings; 1) Surreal Horse, 20'' x 14.5'' with margins, signed lower right, numbered lower left 54/75, unframed; 2) Birds in Flight, 20'' x 14.5'' with margins, signed lower right, numbered lower left 44/75, unframed; 3) Surreal Cat, 20'' x 14.5'' with margins, signed lower right, numbered lower left 57/75, unframed. CONDITION: All have minor handling creases, some pale discoloration on #3, sold as is.	150
1469		FRIEDLAENDER, Johnny, (German, 1912-1992): 1) ''Brussels'', Lithograph, sight size 31'' x 22'', pencil signed lower right, numbered 7/275 lower left, framed, 36'' x 28''; 2) ''Femme Endormie'', Etching, sight size 18.5'' x 22'', pencil signed lower right, marked lower left Artists Proof on Japon, framed, 25.5'' x 28.5''. Early, original Ferdinand Rotten Gallery label affixed verso.	100
1470		FRIEDLAENDER, Johnny Gotthard, (Polish, 1912-1992): 1) Abstract Composition with Nude, Etching, 30'' x 22'' with margins, pencil signed lower right, numbered 1/40 lower left, unframed; 2) Abstract Composition with Cat, 26'' x 19.75'' with margins, pencil signed lower right, dated in the plate 1952, numbered lower left 22/80, unframed. CONDITION: Condition on nude - several handling creases, several minor tears in the left and right margins, pale staining in upper margin. Some scattered spots of foxing in the cat, several blemishes of dirt, several very minor spots of foxing, tape glue remnants in lower corners and upper margin, sold as is.	125
1472		GEORGE FOSTER BRONZE RELIEF PLAQUE: Oval measurements 9.925'' x 5.25'', signed in the bottom, numbered 1/12.	100

---

Absentee & Phone Bids Welcome.
Please be our guest and request your
Absentee Bid Form Here

For more information, contact: Burchard Galleries.
Last updated Sunday, September 25, 2016